Images at Librifly

A Herdsman with a Donkey, 1658, Black chalk, brush and brown ink, 8 x 9-15/16 inches (20.3 x 25.2 cm), Drawings, Jacob van der Does (Dutch, Amsterdam 1623–1673 Amsterdam

Tiraz Textile Fragment, late 9th–early 10th century, Attributed to Yemen, Cotton, ink, and gold; plain weave, resist-dyed (ikat), painted, Textile: L. 23 in. (58.4 cm), Textiles, The striped textiles of Yemen were famous throughout the

Pair of candlesticks, Edward Wakelin (British, active before 1748, died 1784), 1757/58, British, London, Silver, Overall (.1 confirmed): 12 3/4 x 6 3/8 x 6 1/4 in., 46 oz. 14 dwt. (32.4 x 16.2 x 15.9 cm, 1.4535kg), Metalwork-Silver,

Bronze statuette of a warrior, Classical, 5th century B.C., Etruscan, Populonia, Bronze, H. 10 3/16 in. (25.9 cm), Bronzes, The spear is intact; the shield decorated with alternating incised concentric bands, zigzags abd a central boss. The

Chess Piece, Rook or Container, 11th–12th century, Attributed to Iran, possibly Saqqizabad, Ivory; carved and incised, H. 3 7/8 in. (9.8 cm), Gaming pieces

Tekke Main Carpet, early 19th century, Attributed to Turkmenistan, Central Asia, Wool (warp), wool (weft and pile); asymmetrically knotted pile, H. 110 in. (279.4 cm), Textiles-Rugs, Large rectangular carpets such as this one, the most

Portrait of a Gentleman, 1827, Graphite, sheet: 6 1/2 x 5 1/2 in. (16.5 x 14 cm), Drawings, John Scarlett Davis (British, Leominster, Herefordshire 1804–1845 London), Davis drew this portrait while touring Yorkshire between 1825 and 1828.

[Tinsmith with Coal Heater and Sheet of Tin], 1870s–80s, Tintype, Image: 9.5 x 5.9 cm (3 3/4 x 2 5/16 in.), Photographs, Unknown (American

Jérusalem. Façade de l'Église Ste. Anne., 1860 or later, Albumen silver print from paper negative, Image: 11 in. × 8 9/16 in. (28 × 21.7 cm), Photographs, Louis de Clercq (French, 1837–1901

Drawings and Prints, Books Prints Ornament & Architecture, Newes Modelbuch in Kupffer(Page 50r), Artist, Johann Sibmacher, German, active 1590–1611, Sibmacher, Johann, German, 1590, 1611, 1604, 1604

Planting Trees, 18th century, Gouache on vellum, laid down on panel, 6 1/4 x 7 1/2 in. (15.9 x 19.1 cm), Drawings, Anonymous, Flemish, 18th century

Drawings and Prints, Drawing Ornament & Architecture, Design for the Gardens of the Château de Savigny-lès-Beaune, Artist, Anonymous, French, 18th century, Anonymous, French, 18th century, French, 1700, 1800, 18th century

Lamp, Early Imperial, 1st century B.C.–1st century A.D., Roman, Terracotta, Overall: 1 x 3 3/8 in. (2.5 x 8.6 cm), Terracottas

Joueurs de vielle, 1850–53, Salted paper print from paper negative, Photographs, Louis-Désiré Blanquart-Évrard (French, 1802–1872

Fragment of a terracotta relief with two horses, Archaic, 6th century B.C., Greek, South Italian, Terracotta, Overall: 13 1/2 x 11 1/4 in. (34.3 x 28.6 cm), Terracottas, The fragment shows the left side of a team of four horses drawing a

Drawings and Prints, Books Prints Ornament & Architecture, Lucidario di Recami, page 3 (verso), Publisher, Designer, Jeronimo Calepino, Iseppo Foresto, Italian, active Venice, 1557, 1564, Calepino, Foresto, Iseppo, Italian, 1500,

Design for a Jacobean-style Staircase (recto); Architectural Element Design (verso), ca. 1867, Watercolor over pen and brown ink and graphite, with touches of gouache, sheet: 14 1/8 x 10 1/8 in. (35.8 x 25.7 cm), Matthew Digby Wyatt (British,

[Group of Men and Boys Standing Along the Railing of the Fulton Street Bridge], 1866–1868, Tintype, Image: 8.8 x 11.5 cm (3 7/16 x 4 1/2 in.), Photographs, Unknown (American

One of Twenty-Three Sheets of Drawings of Glassware (Mirrors, Chandeliers, Goblets, etc.), 1850–80, Tissue, with pencil, pen and ink, and watercolor, 14 x 19 in. (35.6 x 48.3 cm), Drawings, Compagnia di Venezia & Murano

Bowl, 1736–95, Made in China, Chinese, Porcelain, H. 5 in. (12.7 cm); Diam. 11 3/4 in. (29.8 cm), Ceramics

西園方済筆　梧桐下錦鶏図, Pheasant beneath Paulownia Tree, Edo period (1615–1868), 18th century, Japan, Hanging scroll; ink on paper, 38 1/2 x 12 3/16 in. (97.8 x 30.9 cm), Paintings, Saien Hōsai (Xiyua Fangqi) (1736?–?1795),

Head of a Buddha, late Gupta period, late 5th–early 6th century, India (Uttar Pradesh, Mathura), Red sandstone, H. 10 in. (25.4 cm), Sculpture, This head from a nearly lifesize figure of the Buddha reflects the late Gupta artistic idiom. In

Traveling set, ca. 1760, Hungarian, Érsekújvár, Silver, partly gilded, steel, tooled leather, Length (Fork [a]): 7 1/8 in. (18.1 cm), Metalwork-Silver

[Hall of Justice, Alhambra, Granada], 1880s–90s, Albumen silver print from glass negative, Photographs, Unknown

Sheet of Studies, 1621–27, Pen and brown ink with wash, sheet: 7 5/8 x 5 1/2 in. (19.3 x 14 cm), Drawings, Anthony van Dyck (Flemish, Antwerp 1599–1641 London

Trionfo Di Virtu. Libro Novo..., page 8 (recto), 1563

[Sculpture of Virgin and Child, Notre Dame, Paris], ca. 1851, Salted paper print from paper negative, 35.1 x 27.6 cm (13 13/16 x 10 7/8 in. ), Photographs, Auguste Mestral (French, Rans 1812–1884 Rans), The mid-nineteenth-century's renewed

Marble portrait bust of the emperor Gaius, known as Caligula, Early Imperial, Julio-Claudian, A.D. 37–41, Roman, Marble, H. 20 in. (50.8 cm), Stone Sculpture, The portrait style created for Augustus was adopted by his family and immediate

Study for the Equestrian Monument to Francesco Sforza, early to mid 1480s, Pen and brown ink, light and dark brown wash; outlines of the horse and rider pricked for transfer., 11 1/16 x 10 in. (28.1 x 25.4 cm), Drawings, Antonio Pollaiuolo

Candelabra Grotesque with a Large Vase Flanked by Sphinxes, 1540 after, Pen and black ink, brush and gray wash, Sheet: 9 5/8 x 5 13/16 in. (24.5 x 14.7 cm), Anonymous, Italian, 16th century ?, After Cornelis Bos (Netherlandish, Hertogenbosch

Melchizedek Presenting Abraham with Bread and Wine, 1835–64, Graphite and gray wash; pen and black ink in framing design, 3 9/16 x 4 5/8 in. (9.1 x 11.8cm), Drawings, Hippolyte Flandrin (French, Lyons 1809–1864 Rome

Bermuda No. 1, Tree and House, 1917, Watercolor, graphite, and cut-and-pasted paper on paper, 10 x 13 7/8 in. (25.4 x 35.2 cm), Drawings, Charles Demuth (American, Lancaster, Pennsylvania 1883–1935 Lancaster, Pennsylvania), Demuth and

Neptune and Amphitrite, 1616, Pen and black ink, brush and gray wash, over a sketch in red and black chalk, sheet: 6 3/4 x 5 9/16 in. (17.2 x 14.1 cm), Drawings, Elias Wolff, the Elder (Austrian, active ca. 1592–1617) (?), Elias Wolff the

Loutrel. François. 37 ans, né à Paris XVlle. Journalier. Anarchiste. 1/3/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914), Born

Drawings and Prints, Books Prints Ornament & Architecture, La Gloria et l'Honore di Ponti Tagliati, E Ponti in Aere, page 14 (verso), Publisher, Matteo Pagano, Italian, 1515–1588, Venice, Pagano, Matteo, Italian, 1515, 1588

Bronze fibula (safety pin) with amber segment, Late Geometric, 7th century B.C., Etruscan, Bronze, Other: 2 3/4 in. (7 cm), Bronzes, Segment of amber on the bow

Game piece in the shape of a baboon, Ptolemaic Period, 332–30 B.C., From Egypt, Bone, H. 3.4 cm (1 5/16 in.); W. 1.8 cm (11/16 in.); D. 1.6 cm (5/8 in.), Animal ankle joints, anatomically termed astragals, were used as gaming pieces. The

Drawings and Prints, Books Prints Ornament & Architecture, New Modelbüch (Page 39r), Designer, Printer, Andreas Bretschneider, Henning Gross the younger, German, Dresden ca. 1578–ca. 1640 Leipzig, Bretschneider, Andreas, Gross, Henning

Reliefs from the tomb of Meketre, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Meketre (TT 280, ), 1920, Limestone, paint, H. 1.8 cm (9/16 in.); W. 1.9 cm (3/4 in.); D. 0.5 cm

Linen mark, Wah, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Wah, 1920, Linen

Covered Dish, 1830–45, Made in Sandwich, Massachusetts, United States, American, Lacy pressed glass, 5 1/2 x 6 1/2 x 4 in. (14 x 16.5 x 10.2 cm), Glass, Probably Boston & Sandwich Glass Company (American, 1825–1888, Sandwich,

The Garden Façade of Bagatelle, 1779, Pen and black ink, watercolor, over traces of black chalk, 11 1/8 x 15 13/16 in. (28.3 x 40.2 cm), Drawings, Jean Démosthène Dugourc (French, Versailles 1749–1825 Paris

Floral and Foliate Ornamented Metal Keyplate Design, second half 19th century, Graphite, irreg. sheet: 13 7/16 x 7 7/8 in. (34.2 x 20 cm), Anonymous, British, 19th century

Man Embracing Woman with Child in Her Arms, mid-18th–early 19th century, Graphite; framing lines in graphite, 3 1/16 x 1 7/8 in. (7.8 x 4.8 cm), Drawings, Heinrich Friedrich Füger (German, Heilbronn 1751–1818 Vienna

[Tomb of the Catholic Kings, Granada], 1880s–90s, Albumen silver print from glass negative, Photographs, Unknown

Gold trumpet-shaped earrings, Classical, 4th–3rd century B.C., Etruscan, Gold, Diam.: 1 3/4 in. (4.4 cm), Gold and Silver, Hollow gold, with minimal use of filigree to decorate the flaring knobs

Panel (one of a pair), 18th century, French, Wood, carved, Overall: 3 7/8 × 14 1/4 in. (9.8 × 36.2 cm), Woodwork

Divan of Sultan Husayn Baiqara, dated A.H 905/ A.D0, Made in present-day Afghanistan, Herat, Ink, opaque watercolor, and gold on paper; lacquer binding, 10 1/2 x 7 1/4in. (26.7 x 18.4cm), Codices, This lavishly embellished manuscript

[Group of 3 Stereograph Views of the 1901 Pan American Exposition, Buffalo, New York], 1850s–1910s, Albumen silver prints, Mounts: 8.9 x 17.8 cm (3 1/2 x 7 in.), Photographs, Kilburn Brothers (American, active ca. 1865–1890

Footed Cup, second half 14th century, Attributed to Iran, Brass; cast, engraved, and inlaid with black compound, H. 6 5/8 in. (16.8 cm), Metal, Tall footed cups appear to have been popular during the Mongol period and are often illustrated in

Georgia O'Keeffe, 1919–21, Palladium print, 23.7 x 19 cm (9 5/16 x 7 1/2 in. ), Photographs, Alfred Stieglitz (American, Hoboken, New Jersey 1864–1946 New York

'Khizr Comes to the Ascetic's Cell', Folio from a Khamsa (Quintet) of Amir Khusrau Dihlavi, ca. 1450, Attributed to Northern India, Ink and opaque watercolor on paper, Page: , Codices, This painting illustrates an episode from a five-part poem

Pitcher, 1863, Made in New Orleans, Louisiana, United States, American, Porcelain, 8 1/2 in. (21.6 cm), Ceramics, Rudolph T. Lux (b. Germany, 1815–1868

View of Mâcon Seen from the East, mid-17th–late 17th century, Pen and brown ink, gray and blue wash, sheet: 4 x 11 5/8 in. (10.2 x 29.5 cm), Drawings, Jan Peeters (Flemish, Antwerp, 1624–after 1677

Bowl, ca. 1860–66, Made in China, Chinese, for American market, Porcelain, H. 5 1/16 in. (12.9 cm); Diam. 7 1/2 in. (19.1 cm), Ceramics

Design for an Altar, 17th century, Pen and brown ink, brush and brown wash over faint traces of black chalk on light tan paper. Framing outline (arched at top) in brown ink, 10-3/16 x 4-5/8 in. (25.9 x 11.8 cm), Drawings, Anonymous, Italian,

'Portrait of Raja Bikramajit (Sundar Das)', Folio from the Shah Jahan Album, recto: ca. 1620; verso: ca. 1540, Attributed to India, Ink, opaque watercolor, and gold on paper, 15 1/4 x 10 1/8in. (38.7 x 25.7cm), Codices, Painting by Bichitr

Béni-Haçan, Architecture Hypogéene - Tombeau d'Amoneï, 1851–52, printed 1853–54, Salted paper print from paper negative, 24.5 x 30.3 cm. (9 5/8 x 11 15/16 in.), Photographs, Félix Teynard (French, 1817–1892), A civil engineer

Drawings and Prints, Books Prints Ornament & Architecture, Pretiosa Gemma delle virtuose donne, page 17 (recto), Author, Publisher, Binder, Isabella Catanea Parasole, Gargano, Hardy-Mennil, Italian, ca. 1565/70–ca. 1625, Venetia,

Venetian scene, 18th century, Pen and brown ink, brown wash, 8-1/2 x 11 in. (21.6 x 27.9 cm), Drawings, Anonymous, Italian, first half of the 18th century

'Standing Youth in a Cape', Folio from the Bellini Album, late 16th century, Attributed to Iran, Ink, opaque watercolor, and gold on paper, Painting: H. 7 in. (17.8 cm), Codices

Victor Hugo, 1852, Salted paper print from paper negative, Image: 3 15/16 in. × 3 in. (10 × 7.6 cm), Photographs, Charles Victor Hugo (French, 1826–1871), Auguste Vacquerie (French, 1819–1855

Designs for an Armchair and Side Chair, 18th century, Ink and graphite, Anonymous, British, 18th century

The King's Sons Shooting at Their Father's Corpse, 16th century, Pen and black ink, 8 7/16 x 13 3/16 in. (21.5 x 33.5 cm), Drawings, Anonymous, German, 16th century ?, Anonymous, Swiss, 16th Century

Sicard. André. 32 ans, né à Nîmes le 25/10/62. Bijoutier. Anarchiste. 2/7/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914), Born

Venus and Cupid, ca. 1525–27, Oil on wood, Diameter 4 3/4 in. (12.1 cm), Paintings, Lucas Cranach the Elder (German, Kronach 1472–1553 Weimar), Cranach often treated the theme of Venus and Cupid, but this excellently preserved panel is

Marble head from the figure of a woman, Early Cycladic II, 2700–2500 B.C., Cycladic, Marble, H. 9 15/16 in. (25.3 cm), Stone Sculpture, The traces of eyes, in extremely low relief, indicate that they originally were rendered with pigment.

Belt Fitting, 8th–9th century, Avar, Bronze-gilt, Overall: 1 7/8 x 1 9/16 x 1/4 in. (4.8 x 3.9 x 0.6 cm), Metalwork-Bronze

Le Pompe: Opera Nova, page 2 (verso), 1557, Woodcut, Overall: 8 1/16 x 5 7/8 in. (20.5 x 15 cm), Published by Giovanni Battista & Marchio Sessa, Venice. From top to bottom, and left to right: Design composed of 5 vertical columns. Each column

Dr. Brian Walton (born about 1600, died 1661), 1657, Vellum laid on card, Oval, 2 3/4 x 2 1/4 in. (72 x 58 mm), Miniatures, John Hoskins (British, active by ca. 1615–died 1665

Sugar Bowl, 1850–70, Made in Pittsburgh, Pennsylvania, United States, American, Pressed glass, H. 6 1/4 in. (15.9 cm), Glass, Bakewell, Pears and Company (1836–1882

Ferret, 6th–7th century, Made in Niederbreisig, Germany, Frankish, Copper alloy, Overall: 1 3/4 x 9/16 x 3/16 in. (4.4 x 1.4 x 0.5 cm), Metalwork-Copper alloy

Drawings and Prints, Books Prints Ornament & Architecture, Page from Ein new kunstlich Modelbuch...(Page 37r), Publisher, Peter Quentel, German, active Cologne, 1518–46, Cologne, Quentel, Peter, German, 1500, 1550, 1544

James B. 'Wild Bill' Hickock, ca. 1873, Albumen silver print from glass negative, Image: 3 5/8 × 2 1/4 in. (9.2 × 5.7 cm), Photographs, Jeremiah Gurney (American, 1812–1895 Coxsackie, New York

Paneled Music Room with a Door, ca. 1850, Graphite, sheet: 11 1/2 x 20 in. (29.2 x 50.8 cm), Anonymous, British, 19th century

Landscape with Saint Christopher and Male Monastic Saint (recto); Victory Crowning a Warrior, and Two Other Figures (verso)., 16th century, Pen and brown ink, brush and brown wash, highlighted with light yellow gouache (recto); pen and brown ink

Calligraphic Dish, ca. 1600, Attributed to India, Deccan, Bijapur, Copper alloy; cast, H. 1/4in. (0.6cm), Metal, The central inscription on this dish is a slightly altered form of the Shi'i profession of faith and the passages around it are

Relief fragment from the tomb of Meketre, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Meketre (TT 280, ), Court, Radim, 1920, Limestone, paint, H 2.4 cm ( 15/16 in.); W 2.4

Decorative Design, 17th century, Pen and brown ink with brush and wash and red chalk over black chalk underdrawing, 7-3/4 x 5-3/16 in. (19.7 x 13.2 cm), Drawings, Anonymous, Spanish, 17th century

Drawings and Prints, Books Prints Ornament & Architecture, Eyn new kunstlichboich, page 8r, Designer, Publisher, Woodcut border designed by, Anton Woensam von Worms, Peter Quentel, German, active first half 16th century, died 1538,

Plate from Book of Vases, 18th century, Etching, Plate: 14 13/16 × 8 13/16 in. (37.7 × 22.4 cm), Jacques de La Joue the Younger (French, Paris 1686–1761 Paris

Portrait of a Man with Gloves, ca. 1535, Oil on wood, 8 3/8 x 6 1/2 in. (21.3 x 16.5 cm), Paintings, Corneille de Lyon (Netherlandish, The Hague, active by 1533–died 1575 Lyons), Because this portrait is closely related to Corneille’s

Drawings and Prints, Books Prints Ornament & Architecture, Newes Modelbuch in Kupffer(Page 41r), Artist, Johann Sibmacher, German, active 1590–1611, Sibmacher, Johann, German, 1590, 1611, 1604, 1604

The Triumph of Cybele, after Paolo Fiammingo's 'Triumph of Earth', 1634, Pen and black ink, gray wash and white heightening, 8-l/8 x 11-1/2 in. (20.5 x 29.2 cm), Drawings, Hans Friedrich Schorer (German, ca. 1609–1649, (active Augsburg)),

Drawings and Prints, Books Prints Ornament & Architecture, Fiore D'Ogni Virtu Per le Nobili Et Honeste Matrone, page 38 (recto), Designer, Publisher, Isabella Catanea Parasole, Antonio Fachetti, Italian, ca. 1565/70–ca. 1625, Rome,

The Adoration of the Magi, ca. 1290–1300, Made in Altenberg-an-der-Lahn, Hesse, Germany, German, Pot-metal glass and vitreous paint, 30 1/8 × 14 in. (76.5 × 35.6 cm), Glass-Stained, The convent church in Altenberg-an-der-Lahn in its

Textile Fragment, second half 13th–14th century, Attributed to Eastern Islamic Lands, Silk, silvered (?) animal substrate wound around a cotton core; lampas, Textile: L. 14 in. (35.6 cm), Textiles, Opulent textiles woven of silk and gold

Livret Emblemes de maistre Andre Alciati, 1536, woodcut, 6 3/8 x 4 1/4 x 5/8 in. (16.2 x 10.8 x 1.6 cm), Books

Champagne Glass, 1850–70, Made in Pittsburgh, Pennsylvania, United States, American, Pressed glass, H. 5 1/16 in. (12.9 cm), Glass, Bakewell, Pears and Company (1836–1882

Head of a Youth, ca. 1100–1120, Made in Toulouse, France, French, Marble, Overall: 8 7/16 x 6 7/16 x 4 5/8 in. (21.4 x 16.4 x 11.7 cm), Sculpture-Stone, Saint-Sernin in Toulouse was an important church along the famed pilgrimage road

Vase, 1830–70, Probably made in Bennington, Vermont, United States, American, Parian porcelain, 4 7/8 x 2 3/4 x 2 7/8 in. (12.4 x 7 x 7.3 cm), Ceramics

Relief from the tomb of Meketre, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Meketre (TT 280, ), 1920, Limestone

Madonna and Child with Saints and Angels, ca. 1350, Tempera on wood, gold ground, Overall, with shaped top and engaged (partially modern) frame, 26 1/4 x 13 in. (66.7 x 33 cm); painted surface 19 3/4 x 10 1/8 in. (50.2 x 25.7 cm); predella 1

Relief fragment from the tomb of Meketre, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Meketre (TT 280, ), 1920, Limestone, paint, H 3.9 cm (1 9/16in.); W 8.2 cm (3 1/4 in.);

Shield Mount in the Shape of Bird, second half 6th century, Made in Northern France, Frankish, Copper alloy, 'tinned' surface, Overall: 1 9/16 x 1 5/16 x 1/4 in. (4 x 3.4 x 0.7 cm), Metalwork-Copper

Drawings and Prints, Books Prints Ornament & Architecture, New Modelbüch (Page 11r), Printer, Designer, Henning Gross the younger, Andreas Bretschneider, German, Dresden ca. 1578–ca. 1640 Leipzig, Gross, Henning the younger,

Openwork furniture plaque with a striding bull, Neo-Assyrian, ca. 9th–8th century B.C., Syria, probably from Arslan Tash (ancient Hadatu), Assyrian, Ivory, 1.75 x 4.06 in. (4.45 x 10.31 cm), Ivory/Bone-Reliefs, During the early first

Sacred animal mummy in the form of a falcon, Late Period–Roman Period, ca. 400 B.C.–100 A.D., From Egypt, Linen, unidentified contents (no animal remains), mummification materials, H. 37.5 cm (14 3/4 in.); W. 9 cm (3 9/16 in.); D. 6.7 cm

'Entertainment in a Garden', Folio from a Khamsa of Amir Khusrau Dihlavi, Matla' al-Anvar, second half 16th century, Attributed to Iran, Shiraz, Opaque watercolor and gold on paper, OveralL. 12 5/8 x 7 1/8 in. (32.1 x 18.1 cm), Codices,

Lucidario di Recami, 1564, Woodcut, Overall: 7 7/8 x 5 7/8 in. (20 x 15 cm), Designed by Iseppo Foresto, published by Jeronimo Calepino, 1564. Title page with woodcut cartouche, 29 designs (2 are double-paged