Images at Librifly

Plate twelve from Nouveavx Desseins D'Arquebvseries, dated 1736, Paris, French, Paris, Engraving, 7 1/2 x 9 3/8 in. (19 x 23.8 cm), Works on Paper, This print is a prime example of French designs for the decoration of firearms in the late

Drawings and Prints, Books Prints Ornament & Architecture, New Modelbüch (Page 34r), Designer, Printer, Andreas Bretschneider, Henning Gross the younger, German, Dresden ca. 1578–ca. 1640 Leipzig, Bretschneider, Andreas, Gross, Henning

Folio from a Qur'an Manuscript, 14th century, Attributed to India or Iran, Ink on paper, 19 1/2 x 14 in. (49.5 x 35.5 cm), Codices, This Qur’an folio is part of a group of 10, and is written in muhaqqaq script. Each folio has seven lines

Tea Bowl with Crescent Moon, Clouds, and Blossoming Plum, Southern Song (1127–1279)–Yuan (1271–1368) dynasty, 13th–14th century, China, Stoneware with black and brown glaze and pigment (Jizhou ware), Diam. 4 3/4 in. (12.1 cm),

Studies after Antique Frieze Figures, Including Putti with Garlands, with a Chimera and Dolphins (recto); Sketch of a Head (verso), ca. 1490, Pen and brown ink over leadpoint. Verso: pencil, 7 3/4 x 11 3/16 in. (19.7 x 28.4 cm), Anonymous,

Bowl, 7th–4th century B.C., Peru, Paracas, Ceramic, post-fired resin paint, Overall: 2 1/2 in. (6.35 cm), Ceramics-Containers

Pendants: cowrie shells, Classical, 6th–5th century B.C., Italic, Amber, Other (1.8cm to 5.5 cm): 11/16 in. (1.8 cm), Miscellaneous-Amber, Shown here are seven of a group of seventeen tear-shaped amber beads that resemble simplified cowrie

Tankard engraved with scenes depicting the Fire of London and the Great Plague, O S (British, ca. 1673–1677), 1673/74, British, London, Silver, Overall (confirmed): 7 3/8 × 9 × 6 in., 35 oz. 18 dwt. (18.7 × 22.9 × 15.2 cm, 1116.501g),

The Miraculous Draught of Fishes, ca. 1548–52 (?), Etching, Prints, Andrea Schiavone (Andrea Meldola) (Italian, Zadar (Zara) ca. 1510?–1563 Venice), After Raphael (Raffaello Sanzio or Santi) (Italian, Urbino 1483–1520 Rome), In Mariette

The Nativity, late 15th century, Italian, Florence, Tempera and gold on wood, 30 1/2 x 22 1/2 in. (77.5 x 57.2 cm), Paintings, Workshop of Botticelli (Italian, Florentine, 1444/45–1510), The Virgin kneels in adoration before the Christ

Textile with Large Chintamani Design, 16th century, Attributed to Turkey, Silk, metal wrapped thread; lampas (kemha), Textile: H. 38 in. (96.5 cm), Textiles-Woven, This textile features large chintamani motifs, each filled with delicate blue

Chess Piece, Probably a Pawn, 11th–12th century, Attributed to Western Islamic Lands, Ivory, H. 2 1/4 in. (5.7 cm), Gaming pieces

Going to Ivy Bridge, 1780–1827, Watercolor, Sheet: 4 5/8 x 7 15/16 in. (11.8 x 20.1 cm), Drawings, Thomas Rowlandson (British, London 1757–1827 London

Saucer, 18th century, Probably made in Italy, Italian, probably, Opaque glass, Diam. 4 5/8 in. (11.7 cm), Glass

Vase, 1830–70, Probably made in Bennington, Vermont, United States, American, Parian porcelain, H. 9 1/8 in. (23.2 cm); Diam. 4 1/4 in. (10.8 cm), Ceramics

The Presentation of Mary in the Temple, ca. 1520, Pen and gray ink, heightened with white gouache, sheet: 10 9/16 x 8 in. (26.8 x 20.3 cm), Drawings, Anonymous, Netherlandish, 16th century

Stone Bridge - Bull Run, 1862, Albumen silver print from glass negative, Image: 18.4 × 23.1 cm (7 1/4 × 9 1/8 in.), Photographs, Mathew B. Brady (American, born Ireland, 1823?–1896 New York), In summer 1861 Mathew B. Brady began releasing

Drawings and Prints, Books, Prints, Ornament & Architecture, La Vera Perfettione del Disegno di varie sorti di recami, page 21 (recto), Illustrator, Publisher, Woodcut of Lucrezia designed by, Giuseppe Salviati (Giuseppe Porta, called Il

Reliefs from the tomb of Meketre, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Meketre (TT 280, ), 1920, Limestone, paint, H 8.3 cm (3 1/4 in.); W 10.5 cm ( 4 1/8 in.); D 7.3

[Two Bricklayers Holding Bricks and Trowels], 1870s–80s, Tintype, Image: 17.5 x 11 cm (6 7/8 x 4 5/16 in.), irregular, Photographs, Unknown (American

Perseus and Andromeda, late 16th–early 17th century, Pen and brown and grey ink, brush and brown wash over graphite, sheet: 5 7/16 x 3 1/4 in. (13.8 x 8.3 cm), Drawings, Circle of Gotthard Ringgli (Swiss, Zurich 1575–1635 Zurich

Design for a Chimneypiece, 1740–1800, Pen, ink, wash, Sir William Chambers (British (born Sweden), Göteborg 1723–1796 London

Bowl, 1880–90, Made in England, Pressed purple marble glass, 5 5/8 x 7 in. (14.3 x 17.8 cm), Glass

[Group of 13 Early Stereograph Views of British Castles], 1860s–80s, Albumen silver prints, Mounts approximately: 8.5 x 16.9 cm (3 3/8 x 6 5/8 in.) to 8.7 x 17.6 cm (3 7/16 x 6 15/16 in.), Photographs, Unknown (British

Case (Inrō) with Design of Crickets, Edo period (1615–1868), 19th century, Japan, Case: carved red lacquer; Fastener (ojime): silver with openwork slide; Toggle (netsuke): red lacquer carved in the shape of a lobed table with two gentlemen

Snuff Bottle with Image of a Spanish Dollar, Qing dynasty (1644–1911), late 18th–early 19th century, China, Rock crystal with jadeite stopper, Gr. H. 2 3/4 in. (7 cm); Gr. W. 2 1/16 in. (5.2 cm); Gr. D. 3/4 in. (1.9 cm), Snuff Bottles

Virgin with a Palm Branch, 17th century, Red chalk on light tan paper. Red chalk framing outlines at top, right, and bottom edges, 6-11/16 x 4-13/16 in. (17 x 12.2 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

Acala, 12th century, Tibet, Chloritic stone with gilding, H. 4 1/2 in. (11.4 cm); W. 3 15/16 in. (10 cm), Sculpture, Acala is an esoteric deity whose role is to remove obstacles to enlightenment. He is also named in tantric texts as the

Bowl with Dragons, dated A.H. 607/A.D. 1210, Attributed to Iran, Stonepaste; glazed in opaque white, luster-painted, part of the inscription scratched in luster, H. 4 1/4 in. (10.8 cm), Ceramics, Snakelike dragons, their heads confronting

Design for a Book Illustration: an Amorous Couple Beside Birds in a Cage, 19th century, Pen and black ink, brush and brown wash., Drawings, Anonymous, German, 19th century

Sketch for Ceiling Panel, 16th century, Pen and brown ink, washed, 5-3/4 x 11-1/4 in. at base and 3-3/4 in. at top (14.6 x 28.6 cm at base and 9.5 cm at top), Drawings, Anonymous, Italian, 16th century (Italian, active Central Italy, ca.

Drawings and Prints, Books Prints Ornament & Architecture, Schön newes Modelbuch (Page 7r), Publisher, Sigismundus Latomus, German, active 1599–ca. 1627, Frankfurt am Main, Latomus, Sigismundus, German, 1599, 1632, 1608

Design for a Niche, 18th century, Ink and gray wash, 21.5 x 15.3 cm, Drawings, Anonymous, Italian, 18th century

Bedcover, 18th century, Indian, Gujarat for the British market, Cotton, embroidered with silk, L. 100 x W. 122 inches (254 x 309.9 cm), Textiles-Embroidered, During the sixteenth and seventeenth centuries, Gujarat, in western India,

Bottle with Peony Scroll, Yuan dynasty (1271–1368), mid-14th century, China, Porcelain painted with cobalt blue under a transparent glaze (Jingdezhen ware), H. 17 1/2 in. (44.5 cm), Ceramics, The structured surface of this bottle ultimately

Tray with Pair of Dragons, Edo period (1615–1868), 18th century, Japan (Ryūkyū Islands), Black lacquer inlaid with mother-of-pearl, H. 1/4 in. (0.7 cm); Diam. 26 7/8 in.(69.3 cm), Lacquer, Historical records indicate that sets of thirty

44th Indiana Infantry, 1861–65, Albumen silver print from glass negative, Photographs

Saint Agnes and a Female Saint, 17th century, Red chalk, stumped, on light brown paper, 8-3/4 x 6-1/4 in. (22.25 x 15.9 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

Baudart. Joseph, Philippe. 42 ans, né à Reims le 25/3/51. Boucher. Anarchiste. 15/3/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

A Vase and Classical Monuments Carved with Hooded Women Carrying Urns, Two Females Embracing Beneath a Vase and Two Nude Female Figures Supporting a Vase, 1776–79, Graphite, sheet: 14 9/16 x 9 1/4 in. (37 x 23.5 cm), Attributed to Thomas

Mold, late 9th–early 10th century, Excavated in Iran, Nishapur, Earthenware; modeled and incised, H. 6 1/2 in. (16.5 cm), Ceramics, This is one of several similar, unidentifiable fragments found during the Nishapur excavations. It features

1 of Nooses, from The Cloisters Playing Cards, ca. 1475–80, Made in Burgundian territories, South Netherlandish, Paper (four layers of pasteboard) with pen and ink, opaque paint, glazes, and applied silver and gold, 5 3/16 × 2 3/4 in.

Design for a Ceiling, 18th century, Pen and color, 11 x 7-5/8 in, Drawings, Anonymous, Italian, 18th century

Ludwig Tieck (1773–1853), Pierre Jean David d'Angers (French, Angers 1788–1856 Paris), 1834, French, after a German, Dresden model, Bronze, Height: 12 1/4 in. (31.1 cm), Sculpture-Bronze, Pierre Jean David d'Angers (French, Angers

Jar, ca. 1865, Made in Mexico, Mexican, Tin-glazed earthenware, H. 9 3/4 in. (24.8 cm), Ceramics

Drawings and Prints, Books Prints Ornament & Architecture, New Künstlichs Modelbuch (Page 45 recto), Publisher, Bernhard Jobin, Swiss, Porrentruy (Jura) before 1545–1593/1597 Strasbourg, Jobin, Bernhard, Swiss, 1535, 1597, 1600, 1600

Covered Platter, 1785–90, Made in China, Chinese, for American market, Porcelain, H. 12 3/8 in. (31.4 cm), Ceramics, This object belongs to a large dinner service bearing the Townley family coat-of-arms. The service, probably ordered by

Drawings and Prints, Books Prints Ornament & Architecture, Schön Neues Modelbuch (Page 34 recto), Designer, Publisher, Johann Sibmacher, Balthasar Caymox, German, active 1590–1611, German, Bersse (?) 1561–1635 Nuremberg, Sibmacher,

Professor Schneider's Children, ca. 1842, Daguerreotype, Image: 6.7 x 5.4 cm (2 5/8 x 2 1/8 in.), Photographs, William Langenheim (American, born Germany, Schöningen 1807–1874

Interior Design with a Central Cabinet, Two Chairs and Two Landscape Paintings against a Red Wall, late 19th century (?), Gouache, sheet: 10 1/8 x 12 in. (25.7 x 30.5 cm), Anonymous, British, 19th century

Teapot, ca. 1725, French, Saint-Cloud, Soft-paste porcelain, 5 1/4 × 7 1/2 in. (13.3 × 19.1 cm), Ceramics-Porcelain, The decoration of this teapot was left unfinished, perhaps due to the technical problems evident on the spout, and thus it

Gold Earring with Garnets, 5th–6th century, Ostrogothic, Gold, garnets, Overall: 1 9/16 x 3/8 in. (4 x 1 cm), Metalwork-Gold, Hoop earrings with fourteen-sided beads derived from late Roman jewelry and were adopted in the 400s by eastern

Terracotta amphora (jar), Archaic, ca. 560–550 B.C., Greek, Attic, Terracotta; black-figure, H. 14 5/8 in. (37.2 cm.), Vases, Obverse, Herakles battling a centaur, Reverse, Warrior battling a centaur. The warrior depicted on the reverse

Manuscript Storage Cabinet, Ratanakosin period, late 18th–early 19th century, Thailand (Bangkok), Wood with gold and lacquer, H. approx. 62 1/2 in. (158.8 cm); W. 34 1/16 in. (86.5 cm); D. 31 1/8 in. (79.1 cm), Furniture, Cabinets of this

El-Nâcérah, Dattiers, Rives du Nil et Barques, 1851–52, printed 1853–54, Salted paper print from paper negative, 23.2 x 23.9 cm. (9 1/8 x 9 7/16 in.), Photographs, Félix Teynard (French, 1817–1892

Three Sections of the Tempio della Speranza, 1710–27, Pen and ink, brush and gray and ochre wash, over ruling in graphite, 17-13/16 x 12-15/16 in. (45.3 x 32.9 cm), Drawings, Pietro Paolo Coccetti (Cocchetti) (Italian, documented Rome,

Piazza del Popolo, Rome, 1860s, Albumen silver print from glass negative, Image: 8 13/16 × 11 15/16 in. (22.4 × 30.4 cm), Photographs, Unknown

Nude Girl with Braids, 1925, Graphite on paper, 12 3/8 x 9 1/2 in. (31.4 x 24.1 cm), Drawings, Jules Pascin (American (born Bulgaria), Vidin 1885–1930 Paris

Sodom's Modesty, 1888, Etching, plate: 17 3/16 x 10 1/16 in. (43.7 x 25.5 cm), Prints, Félicien Rops (Belgian, Namur 1833–1898 Essonnes

Drawings and Prints, Books Prints Ornament & Architecture, Page from Ein new kunstlich Modelbuch...(Page 31v), Publisher, Peter Quentel, German, active Cologne, 1518–46, Cologne, Quentel, Peter, German, 1500, 1550, 1544

Case (Inrō) with Design of Eulalia Grass and Deer, Edo period (1615–1868), 19th century, Japan, Case: powdered gold (maki-e), gold, silver, and gold foil on black lacquer with shell inlay; Fastener (ojime): white agate; Toggle (netsuke):

Architectural Sketch for the design of a Wall with Doorway, with two smaller sketches for the design of windows or doorways (recto); Sketches for a plan and partial perspective view of ceiling (verso), 1700–1773, Graphite partly reworked with

Portrait of a Woman, ca. 1800, Ivory, Oval, 3 1/2 x 3 in. (90 x 75 mm), Miniatures, Étienne Charles Le Guay (French, 1762–1846

Pendant, 9th–10th century, Excavated in Iran, Nishapur, Stone; carved, incised, and pierced, H. 11/16 in. (1.8 cm), Jewelry

Drawings and Prints, Books Prints Ornament & Architecture, La Pratique de l'Aiguille, page 45 (recto), Author, Engraver, Dedicatee, Publisher, Title by, Dedicated to, Published by, Matthias Mignerak, Pierre Firens, Marie de Medici, Jean

Pair of Percussion Target Pistols Made for Display at the Crystal Palace Exhibition in London, 1851, dated 1851, Paris, French, Paris, Steel, wood (ebony), gold, L. of each pistol 17 1/4 in. (44 cm); L. of each barrel 11 3/8 in. (28.8 cm);

Drawings and Prints, Books Prints Ornament & Architecture, Ein new getruckt model Büchli...Page 17, recto, Publisher, Johann Schönsperger the Younger, German, active 1510–30, Schönsperger, Johann the Younger, German, 1490, 1550,

One of Twenty-Three Sheets of Drawings of Glassware (Mirrors, Chandeliers, Goblets, etc.), 1850–80, Tissue, with pencil, pen and ink, and watercolor, 14 x 19 in. (35.6 x 48.3 cm), Drawings, Compagnia di Venezia & Murano

Flemish Peasants, mid-18th century, Brush and gray wash with white heightening over graphite on gray prepared paper, 3 3/8 x 4 5/16 in. (8.5 x 10.9 cm), Drawings, Frans Boudewyns (active Brussels, 1720–66

Vase with Dragons, Qing dynasty (1644–1911), 18th century, China, Rock crystal, H. 7 5/8 in. (19.4 cm), Hardstone

Bed hanging, late 17th century, British, Wool on cotton and linen twill, Overall: 95 x 83 in. (241.3 x 210.8 cm), Textiles-Embroidered

Landscape with Cylindrical Tower, 17th century, Pen and brown ink, brush and brown wash, over traces of black chalk on light tan paper, 9-5/8 x 12-1/2 in. (24.4 x 31.8 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

Snuff bottle with figure in a garden, Qing dynasty (1644–1911), 19th century, China, Amethyst, H. 3 7/16 in. (8.7 cm), Snuff Bottles

Landscape with Figures, 1642–90, Gray wash over black chalk, sheet: 7 1/2 x 11 3/8 in. (19.1 x 28.9 cm), Drawings, Hendrick Verschuring (Dutch, Gorinchem 1627–1690 near Dordrecht

政黄牛・郁山主図, Zheng Huangniu and Yushanzhu, Momoyama period (1573–1615), early 17th century, Japan, Pair of hanging scrolls; ink on paper, Image (a): 44 in. × 18 11/16 in. (111.7 × 47.4 cm), Paintings, Kano Naizen (Japanese,

Drawings and Prints, Books Prints Ornament & Architecture, Prima Parte de' Fiori, e Disegni di varie sorti di Ricami Moderni, page 15 (recto), Author, Publisher, Giovanni Battista Ciotti, Francesco de' Franceschi, Italian, born Siena, ca.

Lamp, convex top, Greek or Roman, Terracotta, Overall: 1 1/4 x 3 1/8 in. (3.2 x 7.9 cm), Terracottas

Baboon, Early Dynastic Period, ca. 3100–2649 B.C., From Egypt, Northern Upper Egypt, Abydos, Osiris temple, Chamber M69, Egypt Exploration Fund excavations, 1902–03, Faience, H. 7.9 x W. 3.7 x D. 5.2 cm (3 1/8 x 1 7/16 x 2 1/16 in

Figure 45: Pain and despair., 1854–56, printed 1862, Albumen silver print from glass negative, Image (Oval): 28.6 × 20.4 cm (11 1/4 × 8 1/16 in.), Photographs, Guillaume-Benjamin-Amand Duchenne de Boulogne (French, 1806–1875), Adrien

Head of King David, ca. 1145, Made in Paris, French, Limestone, light fine-grained, Overall: 11 11/16 x 8 5/16 x 8 3/8 in. (29.7 x 21.1 x 21.3 cm), Sculpture-Stone, Because it was thought they represented the ancient rulers of France, all of

Ornament Containing a Boy and some Sheep, ca. 1780–1820, Pen and brown ink, graphite with touches of black crayon, sheet: 5 1/8 x 7 1/4 in. (13 x 18.4 cm), Drawings, Anonymous, German, 19th century

View of the Column of Marcus Aurelius, before 1704, Red chalk, brush and grey wash, pen and black ink, over traces of black chalk. Partially squared in red chalk., 13 1/8 x 8 7/16 in. (33.3 x 21.4 cm), Drawings, Jan Goeree (Dutch, Middelburg

Design for a Decroative Panel with a Hybrid Figure from which Two Tendrils Emerge, 1500–1700, Pen with light and dark brown ink, over traces of black chalk, framed in black chalk, Overall: 4 1/4 x 5 1/4 in. (10.8 x 13.4 cm), Anonymous,

Fantasy Rhine Landscape, 1650, Brush and brown wash, black chalk, sheet: 8 7/16 x 10 13/16 in. (21.5 x 27.5 cm), Drawings, Herman Saftleven II (Dutch, Rotterdam 1609–1685 Utrecht

Drawings and Prints, Album Print Ornament & Architecture, Page from Album of Ornament Prints from the Fund of Martin Engelbrecht, Artist, Publisher, Artist, Franz Xavier Habermann, Martin Engelbrecht, Carl Pier, Jeremias Wachsmuth, German,

Drawings and Prints, Books Prints Ornament & Architecture, Teatro delle Nobili et Virtuose Donne..., page 15 (recto), Author, Publisher, Isabella Catanea Parasole, Mauritio Bona, Italian, ca. 1565/70–ca. 1625, Rome, Parasole, Isabella

Adoration of the Child, ca. 1550–55 (?), Etching, Prints, Andrea Schiavone (Andrea Meldola) (Italian, Zadar (Zara) ca. 1510?–1563 Venice), In Mariette Album, folio 30

隋/唐 白瓷缽, Bowl, Sui (581–618)–Tang (618–907) dynasty, 7th century, China, Porcelain with white glaze, H. 3 1/4 in. (8.3 cm); Diam. 4 1/2 in. (11.4 cm), Ceramics, Although refined white clay with a high percentage of the

Design for a Gold Watchcase Showing Front and Elevation, Pen and gray ink over graphite underdrawing. Incised. Rubbed and smudged with brown ink., 3 7/8 x 2 1/8 in. (9.8 x 5.4 cm), Drawings, Hubert François Gravelot (French, Paris 1699–1773

An Extensive Panoramic Landscape with a Windmill, mid-17th century, Red chalk, pen and brown ink framing lines, sheet: 7 1/16 x 11 7/16 in. (18 x 29 cm), Drawings, Jan Baptist Weenix (Dutch, Amsterdam 1621–1660/61 Huis ter Mey

Drawings and Prints, Books Prints Ornament & Architecture, Corona delle Nobili et Virtuose Donne: Libro IV, page 15 (recto), Publisher, Cesare Vecellio, Italian, Pieve di Cadore 1521–1601 Venice, Vecellio, Cesare, Italian, 1521, 1601

Vase, 1880–90, Made in England, Pressed purple marble glass, H. 7 in. (17.8 cm), Glass

Drawings and Prints, Album Print Ornament & Architecture, Page from Album of Ornament Prints from the Fund of Martin Engelbrecht, Publisher, Artist, Artist, Martin Engelbrecht, Franz Xavier Habermann, Carl Pier, Jeremias Wachsmuth, German,

池田孤邨画　『抱一上人真蹟鏡』, Mirror of Genuine Work of Monk Hōitsu (Hōitsu shōnin shinseki kagami), Edo period (1615–1868), 1817, Japan, Set of two woodblock printed books; ink and color on paper, Image (a): 10 1/16 x 7

소나무 아래 사슴 조선, 松下雙鹿圖 朝鮮, Deer amid pine trees, Joseon dynasty (1392–1910), 19th century, Korea, Two hanging scrolls; ink and color on silk, Image (each scroll): 50 3/4 × 19 1/8 in. (128.9 × 48.6 cm),

Amulet of Taweret, Late Period, Dynasty 26–30, 664–332 B.C., From Egypt, Faience, h. 9.5 cm (3 3/4 in

Marriage of the Virgin, ca. 1525–26, Engraving, sheet: 17 15/16 x 9 1/8 in. (45.6 x 23.2 cm), Prints, Engraved by Giovanni Jacopo Caraglio (Italian, Parma or Verona ca. 1500/1505–1565 Krakow (?)), Designed by Parmigianino (Girolamo

Music-Making Angels, 1521, Pen and brown ink, 6 5/8 x 8 3/4 in. (16.9 x 22.3 cm), Drawings, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Oval Brooch, 900–1000, Made in Scandinavia, Viking, Copper alloy, gilt, Overall: 4 1/2 x 2 15/16 x 1 11/16 x 4 1/2 in. (11.4 x 7.5 x 4.3 x 11.4 cm), Metalwork-Copper, Large ornamental brooches were worn in pairs by women as dress fasteners.

Drawings and Prints, Books Prints Ornament & Architecture, Page from Eyn Newe kunstlich moetdelboech alle kunst (Page 11r), Publisher, Peter Quentel, German, active Cologne, 1518–46, Cologne, Quentel, Peter, German, 1500, 1550, 1532