Images at Librifly

明 杜堇 伏生授經圖 軸, The Scholar Fu Sheng Transmitting the Book of Documents, Ming dynasty (1368–1644), 15th–mid-16th century, China, Hanging scroll; ink and color on silk, Image: 57 7/8 × 41 1/8 in. (147 × 104.5 cm),

Falls Church, Virginia, 1861–65, Albumen silver print from glass negative, 16.6 x 20.6 cm (6 9/16 x 8 1/8 in. ), Photographs

Pitcher, 1830–70, Probably made in Bennington, Vermont, United States, American, Parian porcelain, 4 1/8 x 3 1/2 x 2 3/16 in. (10.5 x 8.9 x 5.6 cm), Ceramics

Rear View of an Elaborate Design for a Carriage with Acanthus Leaves and a Putto and Lion on top of a Ball with Three Fleurs-de-Lis, Pen and brown ink, gray wash, over leadpoint, sheet: 11 1/4 x 10 1/4 in. (28.6 x 26 cm), Anonymous, Italian,

Drawings and Prints, Books Prints Ornament & Architecture, Teatro delle Nobili et Virtuose Donne..., page 32 (recto), Author, Publisher, Isabella Catanea Parasole, Mauritio Bona, Italian, ca. 1565/70–ca. 1625, Rome, Parasole, Isabella

Figure of St. James the Great Seated in a Landscape, 1616–68, Pen and light brown ink over traces of black chalk underdrawing. Composition outlined with pen and brown ink. On tan paper, 5-7/8 x 3-11/16 in. (14.9 x 9.4 cm), Drawings, Antonio

Mountain Stream on a Summer Day, Edo period (1615–1868), 19th century, Japan, Hanging scroll; ink on paper, Image: 69 1/2 x 34 in. (176.5 x 86.4 cm), Paintings, Nakabayashi Chikutō (Japanese, 1776–1853), Nakabayashi Chikutō was one of

Globular Beaker with Trails, 5th–7th century, Anglo-Saxon, Glass, Overall: 3 3/4 x 4 in. (9.5 x 10.2 cm), Glass-Vessels

Figure of a Soldier on Horseback Holding a Flag, 17th century, Pen and light brown ink, brush and light brown wash, over traces of black chalk contours. On off-white paper, 7-1/4 x 8 in. (18.4 x 20.3 cm), Drawings, Anonymous, Spanish, School

The Sacrifice of Noah, n.d., Pen and point of the brush and ink, brush and gray wash, framing line in black ink, sheet: 13 1/16 x 8 3/8 in. (33.1 x 21.2 cm), Drawings, Gerard Hoet (Dutch, Zaltbommel, Gelderland 1648–1733 The Hague

Drawings and Prints, Books Prints Ornament & Architecture, Ein new getruckt model Büchli...Page 6, recto, Publisher, Johann Schönsperger the Younger, German, active 1510–30, Schönsperger, Johann the Younger, German, 1490, 1550,

Drawings and Prints, Books Prints Ornament & Architecture, Dedication page of Neu künstlich Modelbuch (page 2r), Publisher, Bernhard Jobin, Swiss, Porrentruy (Jura) before 1545–1593/1597 Strasbourg, Stassburg, Jobin, Bernhard, Swiss,

Seated Italian Peasant Woman, mid-19th century, Watercolor, over traces of graphite., 11 1/4 x 7 7/8 in. (28.5 x 20 cm), Drawings, Pierre Louis Dubourcq (Dutch, Amsterdam 1815–1873 Amsterdam

Abraham Refreshed by Melchisedek, ca. 1567, probably British, Silver, parcel gilt, Overall (confirmed): 5/8 x 7 3/4 in., 8 oz. 11 dwt. (1.6 x 19.7 cm, 0.266kg), Metalwork-Silver, The fine engraving on this set of plates depicts scenes from

Eight-pointed Star Tile with Foliage and Inscription, second half 13th century, Made in Iran, probably Kashan, Stonepaste; luster-painted on opaque white glaze under transparent glaze, 8 in. (20.3 cm), Ceramics-Tiles

Bone pin, Imperial, 1st–4th century A.D., Roman, Cypriot, Bone, length 4 3/16in. (10.6cm), The busts were worked separately and attached. Such ornate pins were probably used as hair ornaments

Spoon, ca. 1700, Made in Boston, Massachusetts, United States, American, Silver, L. 7 5/8 in. (19.4 cm), Silver, John Edwards (ca. 1671–1746

Earring with pendants and female head, Hellenistic, 3rd century B.C., Etruscan, Gold, silver, Other: 1 5/16 x 1 1/4 x 4 1/16 in. (3.3 x 3.2 x 10.3 cm), Gold and Silver

[View of Fountains; Nave Looking North; Screen of the Kings and Queens of England], ca. 1859, Albumen silver print from glass negative, 7.9 x 8.1 cm (3 1/8 x 3 3/16 in.), each, Photographs, Attributed to Philip Henry Delamotte (British,

Marble bust of a woman, Late Imperial, mid–3rd century A.D., Roman, Marble, H. 25 5/8 in. (65.1 cm), Stone Sculpture, The subject of this extremely fine portrait wears her hair in a fashion associated with Otacilia Severa, wife of the

Marble head of a bearded man, Early Imperial, 1st century A.D., Roman, Marble, H. 3 1/2 in. (8.9 cm), Stone Sculpture, Copy of a Greek work of the 3rd century B.C.. This head bears some resemblance to known third-century B.C. Greek portraits

仏伝図　頻毘沙羅王帰依, Life of the Buddha: King Bimbisara's Conversion, Muromachi period (1392–1573), early 15th century, Japan, Section from a cycle of eight scenes from the life of the Buddha; ink, color, and gold on silk, 29

Jérusalem. Mur oú pleurent les juifs. Grandes Assises du Temple de Salomon, 1860 or later, Albumen silver print from paper negative, Image: 8 5/8 × 11 1/8 in. (21.9 × 28.3 cm), Photographs, Louis de Clercq (French, 1837–1901

[Ivan Constantinovich Aivasovski], 1893, Albumen silver print from glass negative with inset oil painting, Image (inset oil painting): 10.6 × 7.3 cm (4 3/16 × 2 7/8 in.), Ivan Konstantinovich Aivazovsky (Russian, Feodosiya 1817–1900

S-Shaped Brooch, 6th century, Frankish, Silver-cast relief and settings; chased, punched; niello inlay; garnets, gilt., Overall: 1 9/16 x 1 1/8 x 3/8 in. (4 x 2.9 x 1 cm), Metalwork-Silver

[Four Hindu Women, One Seated in a Chair, Outdoors], 1860s–70s, Albumen silver print from glass negative, 23.4 x 18.2 cm (9 3/16 x 7 3/16 in.), Photographs, Unknown

Marble head of Zeus Ammon, Imperial, ca. A.D. 120–160 A.D., Roman, Marble, H. from base: 19 in. (48.2 cm.), Stone Sculpture, Zeus Ammon’s sanctuary at the Oasis of Siwa in the Libyan desert was already famous when Alexander the Great made

Le Pompe: Opera Nova, title page (recto), 1557, Woodcut, Overall: 8 1/16 x 5 7/8 in. (20.5 x 15 cm), Published by Giovanni Battista & Marchio Sessa, Venice. From top to bottom, and left to right: Title printed in black. Below title is Matteo

Mah?ra Thuk, 14th–17th century, Laos and Thailand, possibly Thai, Leaded bronze, H. 13 1/8 x Diam. 18 1/2 in. (33.3 x 47 cm), Idiophone-Struck

Tumbler, 1850–60, Probably made in Pittsburgh, Pennsylvania, United States, American, Pressed glass, H. 3 1/16 in. (7.8 cm); Diam. 2 15/16 in. (7.5 cm), Glass, With the development of new formulas and techniques, glass-pressing technology

Jupiter, in the Guise of Diana, and Callisto, 1763, Oil on canvas, Oval, 25 1/2 x 21 5/8 in. (64.8 x 54.9 cm), Paintings, François Boucher (French, Paris 1703–1770 Paris

'The Lion-King Recruits the Ascetic Jackal', Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide), Codices

Hinged Snuff Bottles, Qing dynasty (1644–1911), 19th century, China, Silver with painted enamel panels and enamel stoppers, H. 1 11/16 in. (4.3 cm); L. 3 1/2 in. (8.9 cm), Snuff Bottles

Saint Francis de Sales (canonized 1665), 17th century, Pen and brown ink, brush and brown wash, over red chalk, on light tan paper. Framing outline in brown ink over red chalk. Squared for transfer in red chalk, 13-7/8 x 9-3/4 in. (35.3 x 24.8

Surcoat (Jimboari), 18th century, Japanese, Leather, textile, H. 51 in. (129.5 cm); W. 38 in. (96.5 cm), Surcoat

Adoration of the Shepards, late 17th–mid-18th century, Pen and black ink, brown wash and white heightening over red chalk, 12 7/8 x 11 1/4 in. (32.7 x 28.5 cm), Drawings, Johann Daniel Preissler (German, Nuremberg 1666–1737 Nuremberg

Interior of the billiard room at Lupton House, Devonshire, designed by George Wrightwick for Sir J.B.Y. Buller, 1838, Watercolor, sheet: 10 x 13 3/4 in. (25.4 x 34.9 cm), Reid Turner (British, 1838–1896

The Church and Ruins of Rijnsburg, Seen from the Northeast, 1753, Pen and black ink, brush and black and gray wash, framing lines in black ink, sheet: 11 1/16 x 17 9/16 in. (28.1 x 44.6 cm), Drawings, Cornelis Pronk (Dutch, Amsterdam

Vase, after 1885, Possibly made in United States, American, Blown satin cranberry glass, H. 9 1/4 in. (23.5 cm), Glass

Spill Vase, 1830–70, Probably made in Bennington, Vermont, United States, American, Parian porcelain, 6 1/8 x 3 1/4 in. (15.6 x 8.3 cm), Ceramics

Theodore Robinson, 1878, Pencil on paper, 11 x 8 1/2 in. (27.9 x 21.6 cm), Drawings, Kenyon Cox (American, Warren, Ohio 1856–1919 New York

Temperance, 1583–84, Italian, Florence, Marble, Overall, height to upper surface of integral plinth (confirmed): H. 69 5/8 x W. 25 3/8 x D. 30 7/8 in. (176.8 x 64.5 x 78.4 cm), Sculpture, Giovanni Caccini (Italian, 1556–1613), After a

Monsieur Le Virtu, November 3, 1771, Etching, plate: 6 3/16 x 4 3/16 in. (15.7 x 10.6 cm), Prints

Saint Peter's Seen From the Pincio, Rome, 1856, Pen and black ink, brush, gray and blue-gray washes, 6 5/16 x 14 5/16 in. (16 x 36.4 cm), Drawings, Henri-Joseph Harpignies (French, Valenciennes 1819–1916 Saint-Priv

Tenor (Alto) Ophicleide in E-flat, ca. 1845, Brussels, Belgium, Brass, Overall: 18.9 x 89cm (7 7/16 x 35 1/16in.), Aerophone-Lip Vibrated-horn, Attributed to Charles Joseph Sax (Belgian, Dinant, Belgium 1790–1865 Paris), Alto ophicleide

153rd New York Infantry, ca. 1861, Albumen silver print from glass negative, Photographs

Les Singuliers et Nouveaux Portraicts... page 58 (recto), 1588, Woodcut, Overall: 8 1/16 x 6 5/16 in. (20.5 x 16 cm), Designed by Federic de Vinciolo, published by Jean Le Clerc, Paris, bound by Chambolle-Duru, French, 19th century. From top

Drawings and Prints, Books Prints Ornament & Architecture, Page from Ein new kunstlich Modelbuch...(Page 36r), Publisher, Peter Quentel, German, active Cologne, 1518–46, Cologne, Quentel, Peter, German, 1500, 1550, 1544

Annibale Carracci Introduces Painting to Apollo and Minerva, 1674, Etching and engraving, Sheet: 18 1/8 x 25 1/4 in. (46 x 64.1 cm), Prints, Pietro Aquila (Italian, Marsala, Sicily 1650–1692/1700 Rome), After a drawing by Carlo Maratti

Design for Curtains, 1841–1917, Graphite with touches of watercolor and white gouache, sheet: 14 x 9 15/16 in. (35.5 x 25.2 cm), Charles Hindley and Sons (British, London 1841–1917 London

David Young and Unknown Man, Newhaven, 1845, Salted paper print from paper negative, Image: 6 1/8 × 4 7/16 in. (15.6 × 11.3 cm), Photographs, Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews, Scotland), David

Newes Modelbuch in Kupffer(Page 32r), Johann Sibmacher (German, active 1590–1611), 1604

Drawings and Prints, Album Print Ornament & Architecture, Page from Album of Ornament Prints from the Fund of Martin Engelbrecht, Artist, Artist, Publisher, Franz Xavier Habermann, Jeremias Wachsmuth, Carl Pier, Martin Engelbrecht, German,

Design for a Cartouche on a Base, Surmounted by a Crown, with Arms with the Initials OL, G, G, and OI., 1700–1780, Pen and brown ink, brush and two shades of brown wash, over lead point or graphite, 9 1/2 x 7 5/8 in. (24.2 x 19.3 cm),

Design for Ceiling Decoration, 1850–70, Watercolor, 6-1/8 x 6-1/8 in, Drawings, Anonymous, Italian, 19th century

Drawings and Prints, Book Prints Ornament & Architecture, Trionfo Di Virtu. Libro Novo..., page 18 (verso), Publisher, Matteo Pagano, Italian, 1515–1588, Venice, Pagano, Matteo, Italian, 1515, 1588, 1563

Drawings and Prints, Book Ornament & Architecture, Livre de Moresques, page 3 (verso), Publisher, Artist, Previously published by, Published by, Cornelis Bos, Hiérosme de Gormont, Francesco di Pellegrino, Netherlandish, Hertogenbosch ca.

Four Men Arguing, 1800–1900, Red chalk, pen and bistre, washed with India ink, 3-7/8 x 3-1/8 in, Drawings, Anonymous, Italian, 19th century

Drawings and Prints, Books Prints Ornament & Architecture, Newes Modelbuch in Kupffer(Page 59r), Artist, Johann Sibmacher, German, active 1590–1611, Sibmacher, Johann, German, 1590, 1611, 1604, 1604

Box with Scene of Bathing Children, Yuan dynasty (1271–1368), 14th century, China, Carved red lacquer, Diam. 2 1/2 in. (6.5 cm), Lacquer, This tiny box, previously thought to date to the sixteenth century, can be reassigned to the

Mosaic fragment, Sasanian, ca. 3rd–7th century A.D., Mesopotamia, Ctesiphon, Sasanian, Glass, stucco, gilding (?), 1.37 x 2 in. (3.48 x 5.08 cm), Glass-Ornaments, Written sources state that in 540, the Sasanian emperor Khusraw I (r.

A Tumultuous Assembly. Numerical Sensibility (Une Assemblée tumultueuse. Sensibilité numérique) published in Les mots en liberté futuristes, 1919, Letterpress, 10 1/2 x 13 in. (26.7 x 33.0 cm), Prints, Filippo Tommaso Marinetti (Italian,

Flowers, Edo period (1615–1868), 1831, Japan, Handscroll; ink and color on paper, 6 3/4 in. × 12 ft. 7 5/16 in. (17.2 × 384.3 cm), Paintings, Okada Hankō (Japanese, 1782–1846), Hankō, son of Okada Beisanjin (1744–1820), grew up

The Charterhouse, 1850s–1910s, Albumen silver prints, Mount: 8.7 x 17.5 cm (3 7/16 x 6 7/8 in.), Photographs, Unknown

A Reconstruction of the Castellum Aquiae Martiae (above) and a View of the Ruins (below), before 1704, Pen and black ink, brush and brown wash, over traces of red and black chalk., 12 3/4 x 8 1/16 in. (32.4 x 20.5 cm), Drawings, Jan Goeree

Design for a Painted Wall Decoration: Architectural Perspective Seen Through an Arch, 1700–1780, Pen and brown ink, brush with watercolor. Framing lines in pen and brown ink. Traces of lead point or graphite, sheet: 17 15/16 x 11 1/4 in. (45.5

五美人図, Five Beauties, Edo period (1615–1868), 1840, Japan, Hanging scroll; ink and color on silk, Image: 15 3/8 × 20 3/4 in. (39.1 × 52.7 cm), Paintings, Teisai Hokuba (Japanese, 1771–1844), The two women on the left play a

Figurine of a crouching falcon, Early Dynastic Period, ca. 3100–2650 B.C., From Egypt, Memphite Region, Saqqara, Faience, H: 3.5 cm (1 3/8 in.); W: 4.2 cm (1 5/8 in

Les Secondes Oeuvres, et Subtiles Inventions De Lingerie du Seigneur Federic de Vinciolo Venitien, page 10 (recto), 1603, Woodcut, Overall: 9 7/16 x 6 1/2 in. (24 x 16.5 cm), Designed by Federic de Vinciolo Venitien, published by Jean Le

[Portrait of a Youth], 1850–60s, Salted paper print from glass negative, Image: 31.8 x 27.2 cm (12 1/2 x 10 11/16 in.), Photographs, Unknown (American), This highly unusual formal portrait of a young African-American boy with the studied

Hortensia, 1884, Oil on canvas, 18 13/16 × 23 1/2 in. (47.8 × 59.7 cm), Paintings, Fernand Khnopff (Belgian, Grembergen 1858–1921 Brussels), Khnopff was a key member of the artistic vanguard that arose outside of France in the 1880s and

Platter with Drainer, 1785–90, Made in China, Chinese, for American market, Porcelain, H. 15 3/8 in. (39.1 cm), Ceramics, This object belongs to a large dinner service bearing the Townley family coat-of-arms. The service, probably ordered

Designs for a Capital, and for a Doorway, 1700–1780, Pen and brown ink, brush and gray wash, over lead point or graphite, with ruled construction, Sheet: 9 7/8 x 6 15/16 in. (25.1 x 17.7 cm), Drawings, Anonymous, Italian, Piedmontese,

Field Armor, ca. 1525; left arm defense, 19th century; rondels, 1923, Nuremberg, German, Nuremberg, Steel, leather, H. 67 in. (170.2 cm); Wt. 49 lb. (22.23 kg); Wt. of helmet 7 lb. 4 oz. (3289 g), Armor for Man, This fluted armor is

Knight on Horseback and Landsknecht, 1485–1528, Pen and brown ink, touches of brush and brown wash. Fully layed down on paper backing., 11 13/16 x 11 in. (30 x 28 cm), Drawings, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Snuff Bottle with Scene of a Lotus Pond, Qing dynasty (1644–1911), Daoguang mark and period (1821–50), China, Porcelain with overglazed enamel colors, ivory stopper, H. 2 1/2 in. (6.4 cm), Snuff Bottles, CDAG snuff IDs ceramics REPRO.indd

Woman and Boy, Black and white chalk, 10 1/2 x 7 13/16 in. (26.7 x 19.9 cm), Drawings, François Boucher (French, Paris 1703–1770 Paris

Mount for Spear-Shaft, ca. 400, Made in Vermand, North France, Late Roman, Silver-gilt, niello, Overall: 3 11/16 x 5/8 x 1/16 in., 0.7oz. (9.4 x 1.6 x 0.2 cm, 19g), Enamels-Translucent, This object comes from the Vermand Treasure, the

Design for a Cupola with Old and New Testament Figures, 1720–1804, Watercolor, 19 3/4 in. diameter (50.2 cm), Drawings, Domenico de Angelis (Italian, ca. 1720–1804

A Forest with Two Men Conversing, 1842, Pen and black ink over black chalk, brush and brown and gray wash, sheet: 21 3/8 x 16 1/4 in. (54.3 x 41.2 cm), Drawings, Jacobus Pelgrom (Dutch, Amsterdam 1811–1861 Amsterdam

Tea Spoon, 1760–75, Made in New York, New York, United States, American, Silver, L. 6 3/4 in. (17.1 cm), Silver, Myer Myers (1723–1795

[Mourning Corsage with Portrait of Abraham Lincoln], April 1865, Black and white silk with tintype set inside brass button, 20 x 9 cm (7 7/8 x 3 9/16 in.), Assemblages, Unknown (American), About the time of Abraham Lincoln’s long funeral

Relief fragment from tomb of Meketre, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Meketre (TT 280, ), Court, Radim, 1920, Limestone, paint, H 7.8 cm ( 3 1/16 in.); W 6.7 cm

Terracotta askos (flask with a handle over the top), Hellenistic, 3rd century B.C., Greek, South Italian, Canosan, Terracotta, H. 17 3/8 in. (44.20 cm.), Vases, Scylla, the Homeric monster with the upper body of an alluring woman and scaly

A Full Size Écorché Study of a Hound, 1821, Black, red and white chalk, Sheet: 21 7/16 x 28 3/4 in. (54.4 x 73 cm), Drawings, Charles Landseer (British, London 1799/1800–1879 London), Charles Landseer belonged to a celebrated family of

Child Holding a Doll, 1780, Watercolor, pastel over graphite, Sheet: 9 in. × 7 7/16 in. (22.9 × 18.9 cm), Drawings, John Downman (British, Ruabon, Wales 1750–1824 Wrexham, Wales

Canister, 1633, Hungarian, Locse, Silver, partly gilded, Overall: 8 9/16 x 3 1/16 x 3 1/16 in. (21.7 x 7.7 x 7.7 cm), Metalwork-Silver, Known in German-speaking areas as 'Schraubflasche', or 'screw-top bottle', the canister was a favored

Tunic with Crescent Headdress Figures, 12th–15th century, Peru, Chimú, Camelid hair, cotton, H. 22 x W. 39 3/4 in. (55.9 x 101 cm), Textiles-Woven

Military Railroad Camp, City Point, Virginia, 1861–65, Albumen silver print from glass negative, Photographs, Andrew Joseph Russell (American, 1830–1902

Plate, 1820–80, Made in Berks County, Pennsylvania, United States, American, Earthenware; Redware, Diam. 11 1/2 in. (29.2 cm), Ceramics, Possibly Daniel Dry , active ca. 1820-80

Sketch for an architectural magazine, ca. 1900, Pen and ink over graphite, sheet: 10 x 7 in. (25.4 x 17.8 cm), Anonymous, British, late 19th to early 20th century

Inlay depicting the squatting god Anhur (Onuris) facing right, Late Period–Ptolemaic Period, 4th century B.C., From Egypt; Possibly from Middle Egypt, Hermopolis (Ashmunein; Khemenu), Faience, H. 8.3 cm (3 1/4 in.); W. 3.6 cm (1 7/16 in.); D.

Drawings and Prints, Books Prints Ornament & Architecture, Title page from Modelbuch new, aller Art, Nehens und Stickens (page 1r), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main,

Vigil Light, ca. 1888, Made in Tarentum, Pennsylvania, United States, American, Pressed colorless and opalescent glass, H. 3 1/2 in. (8.9 cm); Diam. 3 in. (7.6 cm), Glass, Richards and Hartley Flint Glass Co. (ca. 1870–1890

Les Singuliers et Nouveaux Portraicts... page 57 (recto), 1588, Woodcut, Overall: 8 1/16 x 6 5/16 in. (20.5 x 16 cm), Designed by Federic de Vinciolo, published by Jean Le Clerc, Paris, bound by Chambolle-Duru, French, 19th century. From top

Sugar Box, ca. 1720, Made in New York, New York, United States, American, Silver, 4 1/2 × 4 5/8 × 4 in. (11.4 × 11.7 × 10.2 cm), Silver, Simeon Soumaine (baptized 1685–ca. 1750), Rare survivals in early American silver, this pair of

Design for the Ancient Order of Foresters: 'Unity, Benevolence and Concord', 19th century, Pen and ink, brush and wash, watercolor and gouache, sheet: 10 x 6 1/2 in. (25.4 x 16.5 cm), Drawings, Anonymous, British, 19th century, The man

Bottle, 1800–1830, Made in Norwich, Connecticut, United States, American, Earthenware, 6 1/8 x 2 1/2 in. (15.6 x 6.4 cm), Ceramics

Design for a Tankard, 1800–1900, Wash on grey paper, 7-1/2 x 5-1/2 in, Drawings, Anonymous, Italian, 19th century

Abraham Lincoln, February 9, 1864, Albumen silver print from glass negative, Image: 41 × 24.2 cm (16 1/8 × 9 1/2 in.), Photographs, Anthony Berger (American, active 1860s