Images at Librifly

[Snow Crystal], 1890s–1920s, Gelatin silver print, Image: 2 15/16 × 3 1/4 in. (7.5 × 8.3 cm), Photographs, Wilson Alwyn Bentley (American, 1865–1931

Design for a Fountain to be Executed in Bronze with a Marble Slab at the Back, ca. 1895, Graphite, watercolor, wash, Sheet: 28 x 21 in. (71.1 x 53.3 cm), Kay Maude Coggin (British, active 1890s

Design for a Pedestal, for Richmond House, Whitehall, London, ca. 1760, Pen and brown ink, brush and gray wash, sheet: 12 13/16 x 8 7/16 in. (32.6 x 21.5 cm), Circle of Sir William Chambers (British (born Sweden), Göteborg 1723–1796

蚊帳美人図, Woman Reading under a Mosquito Net, Edo period (1615–1868), ca. 1720, Japan, Hanging scroll; ink and color on silk, Image: 27 1/2 × 14 5/8 in. (69.8 × 37.1 cm), Paintings, Fuhiken Tokikaze (active first half of the 18th

Design for a Theatre, 1800–1845, Pen and black, brown ink, brush and brown wash., 6 x 8 7/16 in. (15.3 x 21.5 cm), Clemens Wenzel Coudray (German, Ehrenbreitstein 1775–1845 Weimar

Ornate architectural design, 18th century, Pen and brown ink, brush and gray wash, sheet: 14 x 11 5/16 in. (35.5 x 28.7 cm), Drawings, Attributed to Anonymous, German, 18th century

Semi-Dressed Model, 1917, Charcoal on paper, 18 1/8 x 11 3/8 in. (46 x 28.9 cm), Drawings, Egon Schiele (Austrian, Tulln 1890–1918 Vienna

Bacchanal, early 18th century, Red chalk, sheet: 9 7/16 x 13 11/16 in. (24 x 34.8 cm), Drawings, Adriaan van der Burg (Dutch, 1693–1733

Donkey, 17th century, Black chalk and gray wash. Ruled border in pen and brown ink. Laid down., sheet: 6 3/16 x 7 5/8 in. (15.7 x 19.4 cm), Drawings, Pieter Jacobsz. van Laer (Dutch, Haarlem ca. 1592/95–1642 (?) Haarlem

Girl Carrying a Tray with Four Heads, 1825–90, Graphite, sheet: 10 x 7 in. (25.4 x 17.8 cm), Drawings, William Bell Scott (British, Edinburgh, Scotland 1811–1890 Ayreshire

Equal-Arm Brooch, 7th century, Made in Northern France, Frankish, Copper alloy, Overall: 1 7/16 x 9/16 x 1/2 in. (3.6 x 1.4 x 1.2 cm), Metalwork-Copper alloy

Female Allegorical Figure of Benignitas (Goodness), with Attributes of Abundance Standing in a Niche (recto); Architectural Sketches (verso), 1550–70, Pen and brown ink, brush and brown wash, over an underdrawing done with traces of black

Marble fragment of an Ionic column capital from the Temple of Artemis at Sardis, Hellenistic or Imperial, ca. 300 B.C.–early 2nd century A.D., Greek or Roman, Marble, Other: 16 in. (40.6 cm), Stone Sculpture, This fragment of egg and dart

Group of Bison, 1810–75, Watercolor on laid paper, Sheet: 6 3/4 x 13 15/16 in. (17.2 x 35.4cm), Drawings, Antoine-Louis Barye (French, Paris 1796–1875 Paris

Lamp, 1st century B.C.–1st century A.D., Roman, Terracotta, Overall: 7/8 x 3 1/2 in. (2.2 x 8.9 cm), Terracottas

元 佚名 跋陀羅, 第六羅漢圖 軸, Bhadra, The Sixth Luohan, Yuan dynasty (1271–1368), dated 1345, China, Hanging scroll; ink and color on silk, Image: 50 3/8 × 24 1/2 in. (128 × 62.2 cm), Paintings, Unidentified Artist Chinese,

Stirrup-spout Bottle, 12th–5th century B.C., Peru, Cupisnique, Ceramic, Height 8-1/2 in. (21.6 cm), Ceramics-Containers, Bottles made in northern South America beginning in the second millennium B.C. were frequently made in a shape that is

[Encampment on a bluff], 1861–65, Albumen silver print from glass negative, 9.8 x 10.7 cm (3 7/8 x 4 3/16 in.), Photographs

Patient, Surrey County Lunatic Asylum, 1850–58, Albumen silver print from glass negative, Mat: 11 1/4 × 9 1/8 in. (28.6 × 23.2 cm), Photographs, Hugh Welch Diamond (British, 1808–1886), A medical doctor, antiquarian, and collector of

Fortifications at Manassas, 1861–65, Albumen silver print from glass negative, 5.6 x 8.2 cm (2 3/16 x 3 1/4 in. ), Photographs, Andrew Joseph Russell (American, 1830–1902

Dish with Heron Design, Edo period (1615–1868), late 17th century, Japan, Porcelain with underglaze blue decoration (Hizen ware, Nabeshima type), H. 1 1/4 in. (3.2 cm); Diam. 5 1/2 in. (14 cm), Ceramics

Dauriac. Henri, Georges. 36 ans, né à Memphis (USA). Agent d'affaires. Extortion de fonds. 22/12/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon

Square-Headed Bow Brooch, second half 6th century, Frankish, Silver-gilt, niello, Overall: 3 3/4 x 1 5/8 x 3/8 in. (9.6 x 4.2 x 1 cm), Metalwork-Silver

Design for a Mirror Surmounted by a Vase, late 18th–early 19th century, Pen and ink and wash, sheet: 11 3/4 x 7 5/8 in. (29.8 x 19.4 cm), John Yenn (British, London (?) 1750–1821 London

Yoke of a Chasuble (Phelonion), 17th century, Probably made in Russia, Silk; embroidered in silk and metal thread with (later) metallic trim, H. 13 1/4 in. (33.7 cm), Textiles-Costumes, The embroidered pattern of tulips and foliate interlace

Bronze oinochoe (jug), Classical, 5th century B.C., Etruscan, Bronze, H. 11 13/16 in. (30 cm), Bronzes, This type of beaked jug was probably produced in Vulci. It was exported to many sites in Italy and Central Europe, especially to the

Blue Figure, Possibly a Demon, 9th–10th century, Excavated in Iran, Nishapur, Stucco; painted, Object without setting: H. 4 3/4 in. (12.1 cm), Stucco, Colored with blue, yellow, black and traces of red, this fragment from a wall painting

Covered vase, ca. 1900, Possibly made in Trenton, New Jersey, United States, American, Porcelain, 22 3/8 × 56 11/16 in. (56.8 × 144 cm), Ceramics

Statuette of a Scribe, New Kingdom, Dynasty 18, ca. 1391–1353 B.C., From Egypt, Upper Egypt, Thebes, Serpentinite, h. 12.5 cm (4 15/16 in), This statuette depicts a seated scribe with a scroll of papyrus across his lap. His kilt is drawn

Vase, 19th century, Ink and watercolor, Anonymous, British, 19th century

The Tale of Sumiyoshi (Sumiyoshi monogatari), Kamakura period (1185–1333), late 13th century, Japan, Fragments of a handscroll mounted as two hanging scrolls; ink and color on paper, Image (a): 11 3/4 × 28 1/16 in. (29.8 × 71.3 cm),

唐 綠釉陶罐, Jar with Cover and Base, Tang dynasty (618–907), early 8th century, China, Earthenware with green glaze, H. 3 1/8 in. (7.9 cm), Ceramics

Saint Paul, ca. 1430, Netherlandish, Pen and brown ink, point of the brush and brown ink, with purple and gold heightening in the hilt of the sword, on vellum, 5 3/4 x 3 1/8 in. (14.6 x 7.9 cm), Drawings, Circle of Jan van Eyck

Bourges, 1850–52, Salted paper print from paper negative, Image: 10 3/8 × 8 1/8 in. (26.4 × 20.7 cm), Photographs, Pierre Emile Joseph Pécarrère (French, born 1816), One of the finest photographers of the early 1850s remains a mysterious

Lamp, Greek or Roman, Terracotta, Overall: 1 1/4 x 3 3/4 in. (3.2 x 9.5 cm), Terracottas

The Apostles Looking at Christ and the Virgin in a Glory of Angels (bottom left plate), 1546, Etching, 14 15/16 x 21 9/16 in. (37.9 x 54.8 cm), Prints, Léon Davent (French, active 1540–56), after Giulio Romano (Italian, Rome 1499?–1546

Bust of a Man, in Profile to Left, 1776, Graphite, Diameter 4 9/16 in. (11.5 cm), Drawings, Charles Nicolas Cochin II (French, Paris 1715–1790 Paris

Classical Landscape with Temples (recto); Indecipherable sketch, possibly of a seated figure (verso), 1748–92, Gray wash over pen and brown ink and graphite, Sheet: 5 11/16 x 8 in. (14.4 x 20.3 cm), Drawings, Style of Robert Adam (British,

Design for a Cartouche (recto); Fragments of the Plan of a Building (Church?) (verso); two separate sheets glued back to back, 16th century, Pen and brown ink, brush and brown wash, over traces of leadpoint, 8-5/16 x 6-7/16 in. (21.1 x 16.4 cm),

Reliefs from the tomb of Meketre, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Meketre (TT 280, ), 1920, Limestone, paint, H. 6.6 (2 5/8 in.); W. 5.5 cm (2 3/16 in.); D. 2.2

Reception of a Persian Ambassador by a Mughal Prince, early 17th century, Attributed to India, Opaque watercolor and gold on paper, H. 5 11/18 in. (14.5 cm), Codices

Giardineto novo di punti tagliati et gropposi per exercitio & ornamento delle donne (Venice 1554), page 10 (verso), 1554, Woodcut, 7-5/8 x 6-3/8 x 1/4 in. (19.4 x 16.2 x 0.6 cm), Published by Matteo Pagano, Italian, 1515-1588, bound by Lloyd,

The Eyrie, Pen and black ink, 3 1/16 x 6 3/16 in. (7.8 x 15.7 cm), Drawings, Rodolphe Bresdin (French, Montrelais 1822–1885 Sèvres

Sketch of Two Statues: 'Ballerinas by Canova', ca. 1850, Pen and brown ink, graphite, sheet: 8 3/8 x 7 1/2 in. (21.2 x 19 cm), Drawings, John Gibson (British, Gwynedd, Wales 1790–1866 Rome

Design for a Ceiling showing the Virgin, Catherine, and Agnes, early to mid-18th century, Pen and blue ink, brush and blue wash over traces of graphite., 6 1/4 x 8 3/16 in. (15.9 x 20.8 cm), Matthais Wolcker (German, active Schelklingen (?)

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 35 (recto), October 1, 1604, Etching and drawing, Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm), Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua.

Designs for a Chimney-piece for Richard Barwell's Drawing Room at Esher, Surrey, ca. 1760s, Pen, ink and wash, sheet: 10 1/16 x 12 in. (25.5 x 30.5 cm), Sir William Chambers (British (born Sweden), Göteborg 1723–1796 London

Terracotta column-krater (vase for mixing wine and water), Classical, ca. 460 B.C., Greek, Attic, Terracotta; red-figure, H. 21 3/8 in. (54.3 cm), Vases, Obverse, Zeus pursuing Aegina Reverse, man with staff and three women The myth of Zeus

Drawings and Prints, Book Prints Ornament & Architecture, Trionfo Di Virtu. Libro Novo..., page 26 (verso), Publisher, Matteo Pagano, Italian, 1515–1588, Venice, Pagano, Matteo, Italian, 1515, 1588, 1563

Martineau. Jules, Louis. 30 ans, né à Angers (Maine & Loire). Peintre en bâtiment. Anarchiste. 3/7/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon

Portrait of Bartholomeo Ehrenfüller(?), 17th century, Brush and brown wash, black chalk, tacked down to white board., 6 1/8 x 5 3/16 in. (15.5 x 13.1 cm), Drawings, Anonymous, Flemish, 17th century

The Flagellation of Christ (recto); Madonna and Child and Unrelated Figure Studies (verso), 17th century, Pen and brown ink with brush and gray-brown wash over traces of black chalk underdrawing (recto). Composition outlined in black chalk. On

Drawings and Prints, Album Print Ornament & Architecture, Page from Album of Ornament Prints from the Fund of Martin Engelbrecht, Artist, Artist, Publisher, Franz Xavier Habermann, Jeremias Wachsmuth, Carl Pier, Martin Engelbrecht, German,

Jar, 1830–70, Probably made in Bennington, Vermont, United States, American, Parian porcelain, H. 6 in. (15.2 cm); Diam. 4 3/4 in. (12.1 cm), Ceramics

Bust of Benjamin Franklin, 1876, Made in Trenton, New Jersey, United States, American, Parian porcelain, 10 x 5 5/8 x 4 5/8 in. (25.4 x 14.3 x 11.7 cm), Ceramics

Ewer in the Shape of a Tibetan Monk's Cap, Ming dynasty (1368–1644), probably Yongle period (1403–24), early 15th century, China, Porcelain with incised hidden or anhua decoration under transparent glaze (Jingdezhen ware), H. 7 3/4 in.

Xe Station. Jésus est dépouillé de ses Vêtements. L'emplacement de cette station est indique par la mosaïque en marbre que l'on voit devant l'autel., 1860 or later, Albumen silver print from paper negative, Image: 10 1/16 × 7 13/16 in. (25.6

Pastoral Scene: Shepherds and Their Flock, n.d., Brush, brown, red-brown, blue, green, and white paint, 10 3/4 x 16 1/16 in. (27.3 x 40.8 cm), Drawings, Attributed to Michel Corneille the Younger (French, Paris 1642–1708 Paris

Brush Holder in form of a bird-feeding vessel, Edo period (1615–1868), 1800, Japan, Porcelain decorated with blue under the glaze (Hirado ware), H. 4 3/8 in. (11.1 cm); W. 3 1/4 in. (8.3 cm), Ceramics

Storing up Manna, 1497–99, German, Pot-metal glass, vitreous paint, and silver stain, Overall: 19 3/4 x 20 7/8 in. (50.2 x 53 cm), Glass-Stained, Workshop of Friedrich Brunner (German), Based on a design by Jan Pollack (Polish (?), active

Giardineto novo di punti tagliati et gropposi per exercitio & ornamento delle donne (Venice 1554), page 2 (verso), 1554, Woodcut, 7-5/8 x 6-3/8 x 1/4 in. (19.4 x 16.2 x 0.6 cm), Published by Matteo Pagano, Italian, 1515-1588, bound by Lloyd,

Page from a Scrapbook containing Drawings and Several Prints of Architecture, Interiors, Furniture and Other Objects, Workshop of Charles Percier (French, Paris 1764–1838 Paris), Workshop of Pierre François Léonard Fontaine (French, Pontoise

The Convalescent, Pen and black ink, 3 11/16 x 4 13/16 in. (9.3 x 12.2 cm), Drawings, Rodolphe Bresdin (French, Montrelais 1822–1885 Sèvres

Design for Palace Façade, 1710–27, Pen and brown ink, brush and gray wash, over ruling in graphite, 13 x 17-3/16 in. (33 x 43.7 cm), Drawings, Pietro Paolo Coccetti (Cocchetti) (Italian, documented Rome, 1710–1727

花見・紅葉狩図屏風, Cherry-Blossom and Maple-Leaf Viewing, Edo period (1615–1868), ca. 1630s, Japan, Pair of six-panel folding screens; ink, color, and gold on gilded paper, Image (each): 49 1/2 in. × 11 ft. 9 5/8 in. (125.7 ×

Design for a Hanging Mirror with Shelves, 19th century, Ink and watercolor, sheet: 6 3/8 x 4 7/16 in. (16.2 x 11.2 cm), Anonymous, British, 19th century

Moonlit view of a river with fishermen and a town in the background, mid-18th–late 18th century, Pen and black ink, brush and black and gray ink over black chalk and traces of red and yellow chalk on blue paper. Framing line in black ink.,

Incense Burner with Domed Cover, 8th–9th century, Attributed to Iran, Bronze; cast, pierced, and incised, H. 5 3/8 in. (13.6 cm), Metal, Incense burners like this one were popularly used in the late antique and Byzantine eastern

Les Secondes Oeuvres, et Subtiles Inventions De Lingerie du Seigneur Federic de Vinciolo Venitien, page 16 (recto), 1603, Woodcut, Overall: 9 7/16 x 6 1/2 in. (24 x 16.5 cm), Designed by Federic de Vinciolo Venitien, published by Jean Le

A Donkey, mid-17th century, Red chalk, sheet: 6 1/8 x 4 15/16 in. (15.6 x 12.6 cm), Drawings, Adriaen van de Velde (Dutch, Amsterdam 1636–1672 Amsterdam), After Karel Dujardin (Dutch, Amsterdam 1622–1678 Venice

Thomas of Villanova, Archbishop of Valencia Distributing Alms to the Poor, 1580–1645, Point of brush and red wash over black chalk underdrawing, 10-13/16 x 15-15/16 in. (27.5 x 40.5 cm), Drawings, Pedro Orrente (Spanish, Murcia 1580–1645

Architectural Drawing (recto); Sketch of a Figure (verso), 18th century, Pen and brown ink, over lead or graphite on cream laid paper (recto); oval framing lines in pen and brown ink; black chalk (verso), 6-5/16 x 4-5/16 in. (16 x 11 cm),

Faust, 1828, Lithograph; second state, Overall: 16 3/16 x 10 5/8 x 1 5/16 in. (41.1 x 27 x 3.3 cm), Books, Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris), This is the first of a series of seventeen illustrations supplied

Drawings and Prints, Books Prints Ornament & Architecture, Corona delle Nobili et Virtuose Donne: Libro IV, page 44 (recto), Publisher, Cesare Vecellio, Italian, Pieve di Cadore 1521–1601 Venice, Vecellio, Cesare, Italian, 1521, 1601

Vase, ca. 1800, Made in China, Chinese, Porcelain, H. 11 1/16 in. (28.1 cm); Diam. 5 15/16 in. (15.1 cm), Ceramics

Design for a Decorated Base of a Candlestick Holder, early 16th century, Pen and brown ink, brush and brown wash. Design silhouetted, sheet: 3 7/16 x 5 1/2 in. (8.7 x 14 cm), ? Made by Giulio Romano (Italian, Rome 1499?–1546 Mantua

Galerie Contemporaine, Littéraire, Artistique, v. 1 - 5, 1876–1881, Woodburytypes, Periodicals, Unknown (French), Émile Tourtin (French, active 1860s–70s), Pierre Petit (French, Aups 1832–1909 Paris), Nadar (French, Paris

H.R.H. Prince Leopold of Bavaria, 1900–1908, Platinum print, Photographs, Frank Eugene (American, New York 1865–1936 Munich

Landscape on a Bay, 19th century, Watercolor, sheet: 9 1/4 x 14 1/4 in. (23.5 x 36.2 cm), Drawings, Anonymous, British, 19th century

Ruins of Arsenal, Richmond, Virginia, 1865, Albumen silver print from glass negative, Photographs, Alexander Gardner (American, Glasgow, Scotland 1821–1882 Washington, D.C

Madonna Adoring the Child, Oil(?) on wood, 24 3/4 x 20 1/2 in. (62.9 x 52.1 cm), Paintings, Bartolomeo Montagna (Bartolomeo Cincani) (Italian, Vicentine, before 1459–1523

Frame Design, 19th century, Ink and watercolor, Anonymous, British, 19th century

Burgonet, ca. 1610, French, Steel, gold, copper alloy, H. 14 5/16 (36.4 cm); W. 11 1/2 (29.2 cm); D. 13 1/2 in. (34.3 cm); Wt. 4 lb. 15 oz. (2237 g), Helmets, This helmet ranks among the best examples of a type that was fashionable in France

Decorative Letter 'I' with Putti (Embroidery Design?), 16th century, Pen and brown ink, watercolor, on vellum, sheet: 3 15/16 x 3 1/8 in. (10 x 8 cm), Anonymous, Italian, 16th century

Vase, after 1885, Made in United States, American, Blown satin yellow glass, H. 7 3/8 in. (18.7 cm), Glass

Vessel inscribed for King Qaa, Early Dynastic Period, Dynasty 1, ca. 2900 B.C., From Egypt, Northern Upper Egypt, Abydos, Umm el-Qaab, Tomb of Peribsen, Egypt Exploration Fund excavations, Limestone, organic material (?), H: 5.9 cm (2

Bungalow drawing -- Front Elevation, 1911, Watercolor, pen and black ink over graphite, sheet: 8 1/16 x 11 15/16 in. (20.5 x 30.3 cm), Ernest Geldart (British, London 1848–1929

[La Comtesse in robe de piqué or as Judith (?)], 1860s, Albumen silver print from glass negative with applied color, 12.4 x 8.7 cm (4 7/8 x 3 7/16 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Drawings and Prints, Books Prints Ornament & Architecture, Corona delle Nobili et Virtuose Donne: Libro IV, page 59 (recto), Publisher, Cesare Vecellio, Italian, Pieve di Cadore 1521–1601 Venice, Vecellio, Cesare, Italian, 1521, 1601

Tumbler, after 1886, Made in Wheeling, West Virginia, United States, American, Pressed cranberry glass, H. 4 3/4 in. (12.1 cm), Glass, Probably Hobbs, Brockunier and Company (1863–1891

Pretiosa Gemma delle virtuose donne, page 27 (recto), 1600

Cup Plate, 1825–60, Lacy pressed glass, Glass

The Girandola at the Castel Sant'Angelo, Rome, 1692, 1692–1702, Etching, Sheet: 17 7/16 x 26 7/16 in. (44.3 x 67.2 cm), Prints, After Giovanni Battista Falda (Italian, Valduggia 1643–1678 Rome), View of the Castel Sant'Angelo with a

Exterior View of Fort Sumpter, 1860s, Albumen silver print from glass negative, Photographs, George N. Barnard (American, 1819–1902

Platter, ca. 1860–66, Made in China, Chinese, for American market, Porcelain, 11 15/16 x 14 1/4 in. (30.3 x 36.2 cm), Ceramics

Marble portrait bust of Severus Alexander, Late Severan, ca. A.D. 230–235, Roman, marble, Overall: 29 1/8 x 29 1/2 in. (74 x 75 cm), Stone Sculpture, The young emperor Severus Alexander (r. A.D. 222–235) is wearing a toga contabulata,

Lamp, Roman, Terracotta, Overall: 1 1/8 x 3 3/8 in. (2.9 x 8.6 cm), Terracottas

Aristide Bruant, at His Cabaret, 1893, Lithograph (with text) printed in four colors; machine wove paper, Sheet: 54 5/16 x 39 in. (138 x 99 cm), Henri de Toulouse-Lautrec (French, Albi 1864–1901 Saint-André-du-Bois), Aristide Bruant was a

Flute, PreColumbian, 200 B.C.–100 A.D., Colima, Mexico, Colima, clay, L. 14 3/4 × Diam. 1 in. (37.5 × 2.5 cm), Aerophone-Whistle Flute-recorder

Platter, 1815–30, Made in Paris, France, French, Porcelain, 1 5/8 x 12 x 8 3/8 in. (4.1 x 30.5 x 21.3 cm), Ceramics