Images at Librifly

Le Caracul (L'Astrakhan), 1860s, Albumen silver print from glass negative, Photographs, Pierre-Louis Pierson (French, 1822–1913

Soldier with Halberd, n.d., Pen and brown ink, brush and brown wash, 3 5/16 x 1 7/8 in. (8.4 x 4.7 cm), Drawings, Attributed to Claude Gillot (French, Langres 1673–1722 Paris

Round box with dragon design, Ming dynasty (1368–1644), 1368–1644, China, Carved lacquer, H. 4 3/8 in. (11.1 cm); Diam. 10 in. (25.4 cm), Lacquer

Floral Gameboard, late 17th century, Made in India, Wood; painted, varnished and gilded; with metal hinges, H. 17 1/4 in. (43.8 cm), Wood, This gameboard is painted on both sides with an eight by eight grid on one side for chess (the side on

Washerwomen in Front of a Cottage, 1769, Pen and brown ink, brush and brown gouache (braun laviert), 7 11/16 x 11 7/16 in. (19.5 x 29 cm), Drawings, Johann Georg Wille (German (active France), Köningsberg 1715–1808 Paris

Drawings and Prints, Books Prints Ornament & Architecture, La Pratique de l'Aiguille, page 61 (recto), Author, Engraver, Dedicatee, Publisher, Title by, Dedicated to, Published by, Matthias Mignerak, Pierre Firens, Marie de Medici, Jean

Drawings and Prints, Book Prints Ornament & Architecture, Trionfo Di Virtu. Libro Novo..., page 24 (verso), Publisher, Matteo Pagano, Italian, 1515–1588, Venice, Pagano, Matteo, Italian, 1515, 1588, 1563

Landscape with Cedars and Buildings (Smaller Italian Sketchbook, leaf 24 recto), 1774–75 (?), Pen and ink over graphite with gray and yellow wash, Sheet: 9 3/16 x 6 3/4 in. (23.4 x 17.1 cm), Drawings, Joseph Wright (Wright of Derby) (British,

[Barrel Maker], 1850s–1860s, Ambrotype, Image: 7 x 5.7 cm (2 3/4 x 2 1/4 in.), Photographs, Unknown (American

Studies of Four Heads, 17th century, Red chalk on cream paper, 3-1/2 x 7-1/16 in. (8.9 x 17.9 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

Ornamento delle belle & virtuose donne, page 22 (recto), 1554, Woodcut, Overall: 7 1/2 x 5 7/8 in. (19 x 15 cm), Published by Matteo Pagano, Italian, 1515-1588, Venice, bound by Lloyd, Wallis & Lloyd, British, active London after 1821.

Terracotta alabastron (perfume vase) in the shape of a hare, Archaic, ca. 600–550 B.C., Etruscan, Etrusco-Corinthian, Terracotta, H. 2 3/4 in. (6.9 cm), Vases, In the form of a dead hare

[Panorama of Camp Winfield Scott, Yorktown, Virginia], 1863, Albumen silver prints from glass negatives, Image: 3 5/16 × 18 13/16 in. (8.4 × 47.8 cm), Photographs, Alexander Gardner (American, Glasgow, Scotland 1821–1882 Washington,

Seated Philosopher, 16th century, Etching, Prints, Etched by Master F. P. (Italian, active 16th century), In Mariette Album, folio 44, bottom center

Vessel in the Shape of a Female, ca. 1000–500 B.C., Pakistan (Northwest Frontier Province), Terracotta, H. 9 1/4 in. (23.5 cm), Sculpture, This vessel, of indeterminate function, is a rare early example of female cult imagery. The form is

Design for a Vase with Hercules and Farnese Lilies, ca. 1540, Pen and brown ink, brown wash, Sheet: 16 x 10 7/8 in. (40.6 x 27.6 cm), Drawings, Francesco Salviati (Francesco de' Rossi) (Italian, Florence 1510–1563 Rome

Reliefs from the tomb of Meketre, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Meketre (TT 280, ), 1920, Limestone, paint, H. 7.1 cm (2 13/16 in.); W.10 cm (3 15/16 in.); D.

Death on a Canopied Throne (Design for a Title Page), late 17th century, Pen and brown ink, brush and grey wash, touches of white gouache, over black chalk. Laid down on heavy paper mount. Incised (?)., 6 3/16 x 3 11/16 in. (15.7 x 9.4 cm),

[Three Painters, Arranged On and Around a Ladder, with Brushes, Bucket, and Paint Can], 1870s–80s, Tintype, Image: 8.7 x 5.9 cm (3 7/16 x 2 5/16 in.), Photographs, Unknown (American

[Victoria Terminus Building, Mumbai], 1860s–70s, Albumen silver print from glass negative, 18.3 x 23.6 cm (7 3/16 x 9 5/16 in.), Photographs, Unknown, Frederick W. Stevens designed this building for the Great Indian Peninsular Railway, to

Woman and Attendant, Edo period (1615–1868), ca. 1795, Japan, Hanging scroll; ink and color on silk, 34 3/4 x 10 1/2 in. (88.3 x 26.7 cm), Paintings, Attributed to Utagawa Toyokuni I (Japanese, 1769–1825), Toyokuni was one of the most

Petticoat panel with Chinoiserie motifs, ca. 1700, British, Silk thread on linen foundation fabric, 35 1/2 x 52 in. (90.2 x 132.1 cm), Textiles-Embroidered, In 1688 John Stalker and George Parker published A Treatise of Japanning and

Saltcellar, 1780–1825, Possibly made in England; Possibly made in United States, American or British, Blown pattern-molded lead glass, H. 3 in. (7.6 cm), Glass

Coffee Harvesting, Las Nubes-Guatemala, 1875, Albumen silver print from glass negative, Image: 5 3/8 × 9 1/8 in. (13.7 × 23.2 cm), Photographs, Eadweard Muybridge (American, born Britain, 1830–1904

Piazza with Obelisk, 16th century, Pen and brown ink, washed with gray, 7-1/2 x 10 in. (19.1 x 25.4 cm), Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580

Saint Sebastian Clubbed to Death, 1602–49, Red chalk, over some faint traces of black chalk, 18-1/8 x 12 in. (46.0 x 30.5 cm), Drawings, Andrea Camassei (Italian, Bevagna near Foligno 1602–1649 Rome), Pierre-Jean Mariette, one of its

Bull Run. Bridge Near Union Mills, ca. 1862, Albumen silver print from glass negative, Photographs, Timothy H. O'Sullivan (American, born Ireland, 1840–1882

Panthers of Bacchus Eating Grapes, ca. 1719–20, Oil on paper, laid down on card (paste-paper), 13 5/8 x 6 3/4 in. (34.6 x 17.1 cm), Pastels & Oil Sketches on Paper, Alexandre François Desportes (French, Champigneulle 1661–1743 Paris),

Silver drinking cup, Late Hellenistic or Republican, 1st century B.C.–1st century A.D., Roman, Silver, gold, Overall: 2 5/16 x 6 15/16 in. (5.9 x 17.7 cm), Gold and Silver, Kylix with palmettes on the handles. One of a pair

Portrait of Juliane Sophie Heger as a Child, leaning on a Table, ca. 1820 (?), Graphite, pen and brown ink, sheet: 6 1/8 x 4 5/16 in. (15.6 x 11 cm), Drawings, Johan Christian Dahl (Norwegian, Bergen 1788–1857 Dresden

Petit Journal pour Rire vol. 1, 1856, Letterpress text with wood engravings, Overall: 12 x 8 11/16 x 1 1/16 in. (30.5 x 22.1 x 2.7 cm), Books, Nadar (French, Paris 1820–1910 Paris), Gustave Doré (French, Strasbourg 1832–1883 Paris),

Saint Jerome in the Wilderness, 17th century, Pen and brown ink, brush and brown wash, over black chalk on light brown paper, 5-1/16 x 6-3/8 in. (12.8 x 16.2 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

Self-Portrait in a Cocked Hat, ca. 1790, Pen and brown (iron gall?) ink on paper, 3 7/8 x 3 7/16 in. (9.8 x 8.8 cm), Drawings, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux

Marie Antoinette, 1775, Etching, sheet: 9 9/16 x 7 7/16 in. (24.3 x 18.9 cm), Prints, Marie Louise Adélaide Boizot (French, Paris 1744–1800 Paris), After Louis Simon Boizot (French, Paris 1743–1809 Paris

Recto: Diana Resting with Her Hounds; Verso: Flora Seated by a Vase with Two Harks on the Ground, after Jost Amman, 1607 (verso)–ca. 1615 (recto), Recto: pen and black ink and grey (olive) wash; Verso: pen and grey ink, 7 5/16 x 6 3/16 in.

[Boy Seated Cross-legged, Partially Covered by Blanket, Leaning Against Cushion], 1850s, Daguerreotype, Image: 6.7 x 5.4 cm (2 5/8 x 2 1/8 in.), Photographs, Unknown (American

Design Wall Elevation with Stucco and Painted Decorations, 1708, Pen and brown ink with gray wash, 6-5/16 x 8-11/16 in. (16 x 22 cm), Luigi Garzi (Italian, Pistoia 1638–1721 Rome

Design for a Painted Wall Decoration, with Figures in a Landscape with Classical Ruins, 18th century, Pen and brown ink, brush with brown wash, over black chalk on cream laid paper. Groundline stylus-incised, 8-3/16 x 16-3/16 in. (20.8 x 41.1

Drawings and Prints, Album Print Ornament & Architecture, Targhe ed altri ornati di varie e capricciose invenzioni (Cartouches and other ornaments of various and capricious invention, page 40), Artist, Publisher, After, Jacob Floris, Georges

Vase, ca. 1895, Made in New York, New York, United States, American, Favrile glass, H. 4 in. (10.2 cm), Glass, Tiffany Glass and Decorating Company (American, 1892–1902

Bronze statuette of a pantheress, Imperial, 1st–2nd century A.D., Roman, Bronze, copper, silver, niello, Other: 5 1/2 x 4 1/4 x 8 5/8 in. (14 x 10.8 x 21.9 cm), Bronzes, The female panther is rendered in fine detail with her spots inlaid

Pitcher, 1883–90, Made in Trenton, New Jersey, United States, American, Porcelain, H. 6 7/8 in. (16.4 cm), Ceramics, Ott and Brewer (1871–1893

Ceiling Decoration, 17th century, Pen and brown ink, washed, tinted with pink and green, 8-3/4 x 21-1/8 in. (22.2 x 53.7 cm), Drawings, Anonymous, Italian, 17th century

Comtesse Turpin de Crissé, n.d., Graphite, 11 1/4 x 8 7/16 in. (28.6 x 21.5 cm), Drawings, Jean Auguste Dominique Ingres (French, Montauban 1780–1867 Paris

Design for the Corner of a Ceiling, 17th century, Pen and brown ink, brush with brown, pink, blue, green and yellow wash, over black chalk on cream paper, 7-15/16 x 9-13/16 in. (20.2 x 25 cm), Drawings, Anonymous, Italian,

Pitcher, ca. 1865, Made in Boston, Massachusetts, United States, American, Porcelain, overglaze enamel decoration, and gilding, H. 9 5/8 in. (24.4 cm); Diam. 9 1/4 in. (23.5 cm), Ceramics

View of Darjeeling and Himalayas, 1860s–70s, Albumen silver print from glass negative, 20.3 x 27.3 cm (8 x 10 3/4 in.), Photographs, Unknown

Cabinet with Design of Stylized Tortoiseshell Patterns, Momoyama period (1573–1615), late 16th–early 17th century, Japan, Powdered gold (maki-e) on black lacquer; gilt-bronze handle, lock, and hinges, L.14 1/8 in. (35.9 cm); W. 9 1/2 in.

Drawings and Prints, Books Prints Ornament & Architecture, Spechio di pensieri delle belle et Virtudiose donne, page 5 (verso), Publisher, Matteo Pagano, Italian, 1515–1588, Venice, Pagano, Matteo, Italian, 1515, 1588, 1546

310. Olivier. Philippe, Octave. 25 ans, né le 29/6/68 à Paris XVIIle. Plombier. Anarchiste. 16/3/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Bathers by a Bridge (recto); Study after Houdon's Ecorché (verso), 1900–1906, Watercolor over graphite (recto); graphite (verso), Sheet: 8 1/4 x 10 11/16 in. (21 x 27.2cm), Drawings, Paul Cézanne (French, Aix-en-Provence 1839–1906

Drawings and Prints, Books Prints Ornament & Architecture, Page from Ein new kunstlich Modelbuch...(Page 41r), Publisher, Peter Quentel, German, active Cologne, 1518–46, Cologne, Quentel, Peter, German, 1500, 1550, 1544

[Rev. Mr. Frederick T. Gray and Deacons of Old Bullfinch Street Church], ca. 1845, Daguerreotype, Plate: 10.8 x 14 cm (4 1/4 x 5 1/2 in.), Photographs, Attributed to John Adams Whipple (American, 1822–1891

The Birds of America from Drawings Made in the United States, 1842, Illustrations: lithography, hand-colored, book: 10 7/16 x 6 11/16 in. (26.5 x 17 cm), Books

Buckle Shank, 7th century, Visigothic, Copper alloy, 3 1/4 x 1 7/16 x 3/8 in. (8.2 x 3.6 x 0.9 cm), Miscellaneous-Buckles & Ornament

Portrait of a Woman Seated at a Table, ca. 1896, Watercolor, white and red tempera over graphite, sheet: 12 x 9 3/8 in. (30.5 x 23.8 cm), Drawings, Will Houghton (British, died 1916

Ortus Sanitatis/ De herbis et plantis/ De Animalibus & reptilibus ..., before 1497, Woodcut, Overall: 11 13/16 x 8 1/4 x 2 3/4in. (30 x 21 x 7cm), Books

Redlands Woods, 1893, Platinum print, Mount: 9 15/16 in. × 6 11/16 in. (25.3 × 17 cm), Photographs, Frederick H. Evans (British, London 1853–1943 London

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 2 (verso), October 1, 1604, Etching and drawing, Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm), Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua.

Dempsey and Firpo, 1923–24, Lithograph, image: 18 1/8 x 22 3/8 in. (46 x 56.8 cm), Prints, George Bellows (American, Columbus, Ohio 1882–1925 New York

Mahakala Panjaranatha (Protector of the Tent), late 14th–early 15th century, Tibet, Steatite with color and gilding, H. 7 in. (17.8 cm); W. 4 1/2 in. (11.4 cm); D. 1 1/2 in. (3.8 cm), Sculpture, Mahakala is the principal destroyer of the

Illuminated Letter 'D' within a Decorated Border, 1830–62, Watercolor, pen and black and red ink over graphite with touches of gold and gouache, sheet: 9 3/16 x 14 9/16 in. (23.3 x 37 cm), Freeman Gage Delamotte (British, Sandhurst

Young Boy Disrobing, 17th century, Pen and brown ink., 2 7/16 x 1 1/4 in. (6.2 x 3.1 cm), Drawings, Anonymous, Dutch, 17th century

One Long Arm Spined Animal with Six Legs, 1918, Charcoal, ink, graphite, and lithographic crayon on paper, 19 x 24 1/2in. (48.3 x 62.2cm), Drawings, George Bellows (American, Columbus, Ohio 1882–1925 New York

Drawings and Prints, Books Prints Ornament & Architecture, Page from Eyn Newe kunstlich moetdelboech alle kunst (Page 16v), Publisher, Peter Quentel, German, active Cologne, 1518–46, Cologne, Quentel, Peter, German, 1500, 1550, 1532

Peticolin. Henri. 23 ans, né le 8/6/71 à Goersdorf (Bas-Rhin). Vernisseur. Anarchiste. 2/7/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Tiran. Arthur, Théodore. 29 ans, né à Briec (Finistère). Serrurier. Anarchiste. 26/2/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Dressing Glass, 1760–90, Made in Boston, Massachusetts, United States, American, Walnut, walnut veneer, white pine, 33 x 22 1/4 x 10 in. (83.8 x 56.5 x 25.4 cm), Furniture

Madonna and Child with Saint John the Baptist and three other Saints, 17th century, Pen and brown ink over traces of black chalk on light brown paper, 13-3/4 x 9-5/16 in. (35 x 23.7 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th

Design for the Elevation of a Wall Interior, 1700–1780, Pen and dark brown ink over lead point, with ruled and compass construction, 14 7/16 x 11 1/8 in. (36.7 x 28.3 cm), Drawings, Anonymous, Italian, Piedmontese, 18th century

Bourbasquet. François. 25 ans, né le 11/3/69 à St Avé (Morbihan). Garçon coiffeur. Anarchiste. 2/7/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon

Landscape, 17th century, Black chalk, highlighted with white gouache on blue paper, faded to blue-brown, 7-9/16 x 10-1/4 in. (19.2 x 26 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

Small Bird on a Crepe Myrtle Branch, Edo period (1615–1868), 19th century, Japan, Hanging scroll; ink and color on silk, 43 15/16 x 18 7/8 in. (111.6 x 48 cm), Paintings, Tsubaki Chinzan (Japanese, 1801–1854), At a time when the ukiyo-e

Target Rock, 1931, Watercolor, charcoal and pastel on paper, 5 x 7 in. (12.7 x 17.8 cm), Drawings, Arthur Dove (American, Canandaigua, New York 1880–1946 Huntington, New York

Madonna of the Rose, Engraving, Prints, Engraved by Johann Christian Teucher (German, 1716–1750), After Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503–1540 Casalmaggiore), In Mariette Album, folio 57

Marble statuette of Aphrodite Anadyomene (rising), Early Imperial, 1st century A.D., Roman, Marble, H. 12 3/16 in. (31 cm), Stone Sculpture, In this graceful pose, Aphrodite was represented with both arms raised, wringing water from her

Man in a checkered suit, first half 20th century, graphite, red and green colored pencil, brush and black ink, gouache, watercolor, sheet: 16 9/16 x 9 15/16 in. (42 x 25.3 cm), Drawings, Sergey Sudeykin (Russian, Smolensk 1882–1946 Nyack

Fans upon Waves, 波に扇面流し図屏風, Edo period (1615–1868), mid-17th century, Japan, Six-panel folding screen; ink, color, and gold leaf on paper, 40 3/16 x 113 5/16 in. (102.1 x 287.8 cm), Screens, Wave-based imagery and

Cloud Study at Hampstead Heath, ca. 1821, Graphite, sheet: 7 9/16 x 10 9/16 in. (19.2 x 26.8 cm), Drawings, John Constable (British, East Bergholt 1776–1837 Hampstead

No. 1. Prome. General View., August 7, 1855, Albumen silver prints from waxed(?) paper negatives, Image: 24.4 x 60.8 cm (9 5/8 x 23 15/16 in.), overall, Photographs, Linnaeus Tripe (British, Devonport (Plymouth Dock) 1822–1902 Devonport

Footed beaker with cover, 1682, Hungarian, Brassó, Gilded silver, Overall: 15 3/4 x 6 11/16 in. (40 x 17 cm), Metalwork-Silver, This monumental beaker is the one of the largest known of its type. It has a hollow base and an undulating ring

The Lamentation, ca. 1560, Oil on walnut, 35 × 24 5/8 in. (89 × 62.5 cm), Paintings, Luis de Morales (Spanish, Plasencia (?) 1510/11–1586 Alcántara), Active in the town of Badajoz, in western Spain, Luis de Morales was celebrated for

Cup in the shape of a magnolia blossom, Qing dynasty (1644–1911), 18th century, China, Rhinoceros horn cup, teak stand, H. incl. base 11 in. (27.9 cm); W. 5 3/4 in. (14.6 cm); Diam. 6 5/8 in. (16.8 cm), Horn, The rhinoceros was once

Drawings and Prints, Books Prints Ornament & Architecture, Schön newes Modelbuch (Page 41r), Publisher, Sigismundus Latomus, German, active 1599–ca. 1627, Frankfurt am Main, Latomus, Sigismundus, German, 1599, 1632, 1608

Lamp, 1st century B.C.–1st century A.D., Roman, Terracotta, Overall: 1 5/16 x 4 7/8 in. (3.3 x 12.4 cm), Terracottas

Festival Scenes, Edo period (1615–1868), 18th century, Japan, Handscroll; ink and color on silk, 11 in. × 10 ft. 13/16 in. (28 × 306.9 cm), Paintings

Opera Nova Universali intitulata Corona di racammi, page 4 (recto), [1530], Woodcut, Overall: 8 7/8 x 6 7/8 in. (22.5 x 17.5 cm), Published by Giovanni Andrea (called 'Guadagnino') Vavassore, Italian, active 16th century, Venice. From top to

Confederate Torpedoes Taken from James River, 1864, Albumen silver print from glass negative, 13.3 x 20.6 cm (5 1/4 x 8 1/8 in. ), Photographs

Design for a Facade with Statues in Niches and Armorial Trophies, 17th century, Pen and brown ink, brush and brown wash, over graphite underdrawing, sheet: 8 9/16 x 8 13/16 in. (21.8 x 22.4 cm), Anonymous, Italian, 17th century

Design for Pediments with the Resurrected Christ surmounted by a Crucifix, 16th century, Pen and brown ink, brush and brown wash, traces of leadpoint underdrawing, 10-7/16 x 3-9/16 in. (26.5 x 9.0 cm), Anonymous, Italian, 16th century

Old Woman holding keys, first half 20th century, brush and black ink, gouache, watercolor, traces of graphite framing lines, sheet: 15 3/16 x 8 3/8 in. (38.6 x 21.3 cm), Drawings, Sergey Sudeykin (Russian, Smolensk 1882–1946 Nyack

The Lion in Love, ca. 1890, Pastel, black ink wash, pen and black ink, sheet: 12 x 10 in. (30.5 x 25.4 cm), Drawings, Dudley Hardy (British, Sheffield, Yorkshire 1867–1922 London

The Amstelveen Road from Amsterdam towards Amstelveen, mid-18th–late 18th century, Watercolor over black chalk. Framing line in pen and black ink., 15-5/8 x 21-5/8 inches (39.6 x 32 cm), Drawings, Johann Edler Goll van Franckenstein (Dutch,

Finial, 11th–12th century, Attributed to Iran, Bronze; cast and chased, H. 7 in. (17.8 cm), Metal

A Military Review, late 18th–early 19th century, Pen and black ink, sheet: 10 5/8 x 16 1/4 in. (27 x 41.3 cm), Drawings, Attributed to Thomas Rowlandson (British, London 1757–1827 London

[View of Fountain and Byzantine Court; Bronze Fountain in Northern Nave; Monti's Fountain, and Alhambra Court; Alhambra Court from North Transept], ca. 1859, Albumen silver print from glass negative, 7.9 x 8.1 cm (3 1/8 x 3 3/16 in.), each,

清 蘇武牧羊圖端硯, Inkstone with Su Wu, Qing dynasty (1644–1911), 18th–19th century, China, Duanxi slate, H. 9 1/2 in. (24.1 cm); W. 6 3/4 in. (17.1 cm); D. 1 in. (2.5 cm), Inkstone, The back of this inkstone is adorned with a

Chamäleon cristatus, 1896, Photogravure, Image: 4 15/16 × 7 7/8 in. (12.6 × 20 cm), Photographs, Josef Maria Eder (Austrian, Krems an der Donau, 1855–1944 Kitzbühel) and, Eduard Valenta (Austrian, 1857–1937), Eder was the director

Vessel, Middle Kingdom–Early New Kingdom, Dynasty 12–18, ca. 1981–1425 B.C., From Egypt, Faience, H. 9 cm (3 9/16 in); diam. 8.5 cm (3 3/8 in

Palm Cup, 7th–8th century, Frankish, Glass, Overall: 2 3/4 x 4 7/16 in. (7 x 11.3 cm), Glass-Vessels