Images at Librifly

Two Dancers, Half-length, Pastel on paper, 18 3/8 x 21 5/8 in. (46.7 x 54.9 cm), Drawings, Edgar Degas (French, Paris 1834–1917 Paris

Butler's Lookout Tower, Opposite Dutch Gap, 1865, Albumen silver print from glass negative, Photographs, Andrew Joseph Russell (American, 1830–1902), Egbert Guy Fowx (American, born 1821

Scene from 'Channel Buoys' (Miotsukushi), chapter 14 of the Tale of Genji, Nanbokuchō period (1336–92), late 14th century, Japan, Handscroll; ink and color on paper, Image: 12 3/16 in. x 14 ft. 8 in. (31 x 447 cm), Paintings, The absence

Marble head of a young woman, early Imperial, 1st century B.C.–1st century A.D., Roman, Marble, Parian ?, H. 10 9/16 in. (26.9 cm), Stone Sculpture, Female head, broken from a statue

Mold for Grape Cluster Pendant, New Kingdom, Amarna Period, Dynasty 18, ca. 1353–1336 B.C., From Egypt, Middle Egypt, Amarna (Akhetaten), Town manufactories, Petrie/Carter excavations, 1891–92, Pottery, l. 2.6 cm (1 in

[Woman], 1845–50, Salted paper print from paper negative, Image: 3 15/16 × 3 5/16 in. (10 × 8.4 cm), Photographs, Calvert Richard Jones (British, Swansea, Wales 1802–1877 Bath, England

Landscape with Granary (?) (Smaller Italian Sketchbook, leaf 4 recto), 1774–75 (?), Brush and ink, grey and yellow wash, Sheet: 9 3/16 x 6 3/4 in. (23.4 x 17.1 cm), Drawings, Joseph Wright (Wright of Derby) (British, Derby 1734–1797

明 呂紀 秋景花鳥圖 軸, Autumn Landscape with Herons and Ducks, Ming dynasty (1368–1644), China, Hanging scroll; ink and color on silk, Image: 58 1/8 x 21 1/2 in. (147.6 x 54.6 cm), Paintings, Lü Ji (Chinese, active late 15th

Bezoar Stone with Case and Stand, 17th century, Attributed to India, Container: silver; pierced, chased, and mercury-gilded, Altogether: .1, .2a, b, .3:, Metal

La Vera Perfettione del Disegno di varie sorti di recami, page 18 (recto), 1567

Carpet Fragment, 17th–18th century, Attributed to Iran, Cotton (warp and weft), silk (weft), wool (pile); asymmetrically knotted pile, H. 107 in. (271.8 cm), Textiles-Rugs

Coverlet, 18th century, Indian, Cotton, silver-wrapped silk, L. 76 x W. 57 3/4 inches (193.0 x 146.7 cm), Textiles-Printed

Laban Searching for his Idols (Genesis 31: 19-37), Pen and brown ink, brown wash over faint traces of black chalk, 13 x 8 1/4 in. (33 x 21 cm), Drawings, After François Boucher (French, Paris 1703–1770 Paris

Hab.t de la Suisse from Playing Cards (for Quartets) 'Costumes des Peuples Étrangers', 1700–1799, Etching and hand coloring (watercolor), 3 3/16 × 2 1/16 in. (8.1 × 5.3 cm), Prints, Anonymous, French, 18th century

Covered Sauce Tureen, 1785–90, Made in China, Chinese, for American market, Porcelain, 4 3/8 x 6 3/4 in. (11.1 x 17.1 cm), Ceramics, This object belongs to a large dinner service bearing the Townley family coat-of-arms. The service,

Study for a Frontispiece, 1621, Pen and brown ink, gray wash, and black chalk on off white laid paper, sheet: 4 15/16 x 7 1/2 in. (12.5 x 19 cm), Drawings, Willem Pietersz. Buytewech (Dutch, 1591–1624

Winged cup, Western Han dynasty (206 B.C.–A.D. 9), 3, China, Lacquer, H. 1 3/4 in. (4.4 cm); Width at handle 5 3/8 in. (13.7 cm), Lacquer

Head of Silenus, early 17th century, Black chalk on light brown paper, sheet: 9 x 7 1/8 in. (22.8 x 18.1 cm), Drawings, Circle of Peter Paul Rubens (Flemish, Siegen 1577–1640 Antwerp

Le Caracul (L'Astrakhan), 1860s, Albumen silver print from glass negative, Photographs, Pierre-Louis Pierson (French, 1822–1913

Bow Brooch, 550–600, Visigothic, Copper alloy, quaternary, Overall: 5 x 2 1/16 x 13/16 in. (12.7 x 5.3 x 2 cm), Metalwork-Copper

Two Designs for Flower Stands, 1835–1900, Ink, graphite, watercolor, Robert William Hume (British, London 1816–1904 Long Island City

Design for Illustration: Stable Interior, early 20th century, Graphite on blue paper., 2 7/8 x 4 in. (7.3 x 10.2 cm), Drawings, Paul Scheurich (American German, New York 1883–1945 Brandenburg

Tsagain Myo: Litters under a shed., August 29–30, 1855, Albumen silver print from waxed(?) paper negative, Image: 27 x 34.5 cm (10 5/8 x 13 9/16 in.), Photographs, Linnaeus Tripe (British, Devonport (Plymouth Dock) 1822–1902 Devonport),

Hanging depicting a European conflict in South India, before 1763, Indian, Coromandel Coast, for the British market, Cotton (drawn and painted resist and mordant, dyed), 116 3/4 × 103 in. (296.5 × 261.6 cm), Textiles-Painted and Dyed, This

Encore la chaise rustique, 1860s, Albumen silver print from glass negative, 11.1 x 14.0 cm. (4 3/8 x 5 1/2 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Tulip and Lily, designed ca. 1875, British, Wool, 57 × 38 1/2 in. (144.8 × 97.8 cm), Textiles-Rugs

Circular Drawing of a Classical Interior with Fire in Brazier, Greek Vase and Circular Tripod Table, 19th century, Pen and brown ink, brush and brown wash over graphite underdrawing, 6 1/4 in. round (15.8 cm), Drawings, Jules-Frédéric

Sugar bowl, 1772–76, Made in New York, New York, United States, American, Silver, Overall: 6 5/8 x 4 3/16 in. (16.8 x 10.6 cm); 8 oz. 19 dwt. (278.6 g), Silver, Myer Myers (1723–1795

Drawings and Prints, Books Prints Ornament & Architecture, Page from Ein new kunstlich Modelbuch...(Page 22r), Publisher, Peter Quentel, German, active Cologne, 1518–46, Cologne, Quentel, Peter, German, 1500, 1550, 1544

Monumental vase, ca. 1890, French, Choisy-le-Roi, Porcelain, Overall (confirmed): 29 1/2 × 19 1/4 × 19 1/4 in., 71.3lb. (74.9 × 48.9 × 48.9 cm, 325kg), Ceramics-Porcelain, The massive scale of this vase represents a technical feat, even

River Scene with Boats, 17th century, Pen and brown ink, sheet: 4 3/16 x 7 1/2 in. (10.6 x 19.1 cm), Drawings, Simon de Vlieger (Dutch, Rotterdam (?) ca. 1600/1601–1653 Weesp

Vase, ca. 1904–09, Made in New York, New York, United States, American, Porcelaneous earthenware, 7 3/4 in. (19.7 cm), Ceramics, Tiffany Studios (1902–32), This vase features a snake hidden among the stems and leaves of an arrowhead

Roundel with Christ Healing the Blind Man, 1517–27, Made in Nuremberg, Germany, German, Colorless and pot-metal glass with vitreous paint, Overall: 12 1/16 x 1/4 in. (30.7 x 0.6 cm), Glass-Stained, Hirschvogel Workshop, After Sebald Beham

Sword (Rudus) and Scabbard, dated 1835, Kuala Berang, Malaysian, Kampung Payang and Sumatran, Aceh, Steel, horn, gold, wood, L. with scabbard 33 1/8 in. (84.1 cm); L. without scabbard 31 1/4 in. (79.4 cm); W. 5 5/16 in. (13.5 cm); Wt. 1 lb.

Shore Road, 1942, Wax emulsion on canvas, 27 7/8 x 20 in. (70.8 x 50.8 cm), Paintings, Arthur Dove (American, Canandaigua, New York 1880–1946 Huntington, New York), The title of this painting refers to a street in Centerport, Long Island,

Candelabra Grotesque with Satyr Playing a Double Trumpet, 1540 after, Pen and black ink, brush and gray wash, Sheet: 9 11/16 x 4 7/16 in. (24.6 x 11.2 cm), Anonymous, Italian, 16th century ?, After Cornelis Bos (Netherlandish, Hertogenbosch

Beaker, 1638, Hungarian, Nagyszeben, Gilded silver, Overall: 6 x 4 in. (15.3 x 10.2 cm), Metalwork-Silver, The laurel-framed armorial device on this beaker depicts two laurel-crowned warriors holding ribbons inscribed Justitia and flanked by

Elevation and Plan for an Altar, 1700–1780, Pen and brown ink, brush with gray and pink (only at plan drawing) wash, over graphite (recto). Scales at bottom in pen and brown ink over graphite., 20-1/2 x 14-3/16 in. (52 x 36.1 cm), Drawings,

Fabio Costumed as a Doctor, n.d., Red and black chalk. Verso of sheet rubbed in black chalk for transfer., 4 7/8 x 3 1/8 in. (12.4 x 8 cm), Drawings, After Claude Gillot (French, Langres 1673–1722 Paris), Fabio, from the Italian Comedy,

Incense burner, T L (British, mid-late 17th century), ca. 1675, British, London, Silver, Overall (confirmed): 17 x 9 7/8 in., 102 oz. 8 dwt. (43.2 x 25.1 cm, 3.1855kg), Metalwork-Silver, T L (British, mid-late 17th century), Scent was an

Design for a Pedentive Decoration, 18th century, Pen and brown ink over lead point, 11 1/8 x 16 1/2 in. (28.3 x 41.9 cm), Drawings, Anonymous, Italian, Piedmontese, 18th century

Chaise rustique, 1860s, Albumen silver print from glass negative, Photographs, Pierre-Louis Pierson (French, 1822–1913

Seascape (recto); Indecipherable sketch (verso), 1840–1906, Watercolor and gouache over graphite, Sheet: 8 5/8 × 11 11/16 in. (21.9 × 29.7 cm), Drawings, Hercules Brabazon Brabazon (British, Paris 1821–1906 Oaklands, London

View of Civitavecchia, 17th century, Pen and brown ink, brown wash over graphite, 10 1/4 x 9 5/16 in. (26 x 23.7 cm), Drawings, attributed to Claude Lorrain (Claude Gellée) (French, Chamagne 1604/5?–1682 Rome) , attributed to

The Transfiguration, after Raphael, 1511–51, Brush and brown wash, highlighted with white gouache, over traces of charcoal, on blue paper, 15-3/4 x 10-7/8 in. (40.0 x 27.6 cm), Drawings, Biagio Pupini (Italian, born Bologna, active

Limestone statue of the goddess Artemis, Hellenistic, 3rd century B.C., Cypriot, Limestone, Overall: 23 3/4 x 9 x 4 in. (60.3 x 22.9 x 10.2 cm), Stone Sculpture, Artemis, the Greek goddess responsible for the nurture of wild animals as well

Figure 83: Lady Macbeth, ferocious cruelty, 1854–56, printed 1862, Albumen silver print from glass negative, Image: 28.3 × 21.4 cm (11 1/8 × 8 7/16 in.), Photographs, Guillaume-Benjamin-Amand Duchenne de Boulogne (French, 1806–1875),

Antique Roman Sculpture with Nude Winged Boy at the Center and Leaves and Vines, 1776–79, Graphite, sheet: 11 1/8 x 15 3/16 in. (28.3 x 38.6 cm), Attributed to Thomas Hardwick (British, London 1752–1829 London

Vase in the shape of an archaic bronze vessel (gu), Qing dynasty (1644–1911), 18th century, China, Stoneware with relief decoration (Yixing ware), H. 10 1/8 in. (25.7 cm), Ceramics, Chen Jinhou (Chinese, active 18th century), Both the

Drawings and Prints, Books Prints Ornament & Architecture, Corona delle Nobili et Virtuose Donne: Libro IV, page 56 (recto), Publisher, Cesare Vecellio, Italian, Pieve di Cadore 1521–1601 Venice, Vecellio, Cesare, Italian, 1521, 1601

Jewelry casket, Pietro Giusti (Italian, 1822–1878), 1857, Italian, Siena, Carved walnut, ebony, lined with red velvet, 11 x 15 x 10-1/4 in. (27.9 x 38.1 x 26.0 cm), Woodwork-Furniture, Pietro Giusti (Italian, 1822–1878), Pietro

Drawings and Prints, Books Prints Ornament & Architecture, Newes Modelbuch in Kupffer(Page 22r), Artist, Johann Sibmacher, German, active 1590–1611, Sibmacher, Johann, German, 1590, 1611, 1604, 1604

Saint John the Baptist, 17th century, Pen and brown ink, brush and brown wash, on brown paper, 10-3/8 x 6-3/8 in. (26.4 x 16.2 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

'Page of Calligraphy Illuminated with Animals and Plants in a Field of Flowers', Folio from the Shah Jahan Album, verso: ca. 1610–15; recto: ca5–45, Attributed to India, Ink, opaque watercolor, and gold on paper, H. 15 1/16 in. (38.3 cm),

『図像抄』〈十巻抄〉明王部諸尊, Iconographic Drawings of the Five Kings of Wisdom (Myōō-bu shoson), Heian period (794–1185), 12th century, Japan, Handscroll; ink and color on paper, 13 1/4 in. x 42 ft. 2 3/16 in. (33.7 x

Soup Plate, 1785–90, Made in China, Chinese, for American market, Porcelain, Diam. 9 1/4 in. (23.5 cm), Ceramics, This object belongs to a large dinner service bearing the Townley family coat-of-arms. The service, probably ordered by

Figure 34: Grimace, 1854–56, printed 1862, Albumen silver print from glass negative, Image (Oval): 28.4 × 20.4 cm (11 3/16 × 8 1/16 in.), Photographs, Guillaume-Benjamin-Amand Duchenne de Boulogne (French, 1806–1875), Adrien Tournachon

Design for One Half of the Apsidal Space Enclosing an Organ, 1700–1780, Pen and brown ink over lead point, 15-1/8 x 8-3/4 in. (38.4 x 22.2 cm) irregular borders., Drawings, Anonymous, Italian, Piedmontese, 18th century

Execution of the Conspirators, July 7, 1865, Albumen silver print from glass negative, Image: 16.8 x 24.2 cm (6 5/8 x 9 1/2 in.), Photographs, Alexander Gardner (American, Glasgow, Scotland 1821–1882 Washington, D.C.), Alexander Gardner's

Scene of a Baptism of a Woman by a Bishop with Onlookers, 17th century, Pen and brown ink, brush and brown wash (small accidental stains of white gouache on lower left), over red chalk, on light brown paper; surface of paper rubbed extensively

Architectural Vessel, A.D. 400–600, Peru, Moche, Ceramic, H. 8 7/16 x W. 5 1/2 in. (21.51 x 13.97 cm), Ceramics-Containers, This vessel is modeled in the shape of a spiral platform surmounted by an open-sided structure with a figure inside.

清中期 玉管筆（二支）, Brush holder with two brushes, Qing dynasty (1644–1911), 18th century, China, Jade (nephrite), Brush holder: H. 6 in. (15.3 cm); Diam. 6 3/4 in. (17.2 cm), Jade

Handkerchief, second half 19th century, British, Devon, Linen and cotton, bobbin lace (Honiton), Overall (confirmed): 15 1/16 × 15 1/8 in. (38.3 × 38.4 cm), Textiles-Laces, Emma Radford was a prize-winning lacemaker and designer in her

Platter, 1785–90, Made in China, Chinese, for American market, Porcelain, 6 7/8 x 10 7/8 in. (17.5 x 27.6 cm), Ceramics, This object belongs to a large dinner service bearing the Townley family coat-of-arms. The service, probably ordered

Relief fragment from the tomb of Meketre, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Meketre (TT 280, ), 1920, Limestone, paint

Blue-ground Dish with Floral Design, ca. 1560, Made in Turkey, Iznik, Stonepaste; polychrome painted under transparent glaze, H. 2 3/4 in. (7 cm), Ceramics

Chasuble, second quarter 18th century, Indian, Coromandel Coast and Central European, Cotton, drawn and painted resist and mordant, dyed, silk trim, L. 47 1/2 in back x Gr. W. 28 1/2 inches, Textiles-Painted, The eclectic patterns on this

Boûlâk, Carrefour (Mosquée, Café, etc.), 1851–52, printed 1853–54, Salted paper print from paper negative, 24.1 x 30.5 cm (9 1/2 x 12 in.), Photographs, Félix Teynard (French, 1817–1892

Pashmina Carpet with Gateway-and-Millefleur Pattern, second half 18th century, Made in Northern India, Kashmir, Cotton (warp and weft), pashmina wool (pile); asymmetrically knotted pile, Rug: H. 74 3/16 in. (188.5 cm), Textiles-Rugs, The area

Parinirvana (Extinction of the Buddha) and Attendant, Ming dynasty (1368–1644), dated 1503, China, Glazed pottery, H. 11 in. (27.9 cm); W. 4 1/2 in. (11.4 cm); D. 3 5/8 in. (9.2 cm), Ceramics, Qiao Bin (Chinese, active 1481–1507),

Madonna and Child with Angels Playing Lute and Viola da Braccio, 17th century, Pen and medium brown ink, brush and light brown wash, over black chalk underdrawing. On off-white paper. Composition broadly outlined in pen and brown ink, 8-9/16 x

Physician's Cupping Glass or Alembic, 9th–11th century, Attributed to Iran, Nishapur. Excavated in Iran, Nishapur, Glass, greenish; blown, applied spout, H. 1 15/16 in. (5 cm), Glass, The suggested identifications for this object, of

A Photographer's Store (Brady's?), 1861–65, Albumen silver print from glass negative, Photographs

Plate, ca. 1800, Made in Mexico, Mexican, Tin-glazed earthenware, Diam. 7 in. (17.8 cm), Ceramics

Evangelists Mark and Luke, ca. 1220–30, Made in Limoges, France, French, Gilded copper and glass, Overall (Mark .1): 6 7/8 x 4 7/16 x 1 1/4 in. (17.4 x 11.2 x 3.1 cm), Metalwork-Copper, Intent on their work, Saints Mark and Luke pen

Boot, 6th–7th century, Said to be from Egypt, Akhmim (former Panopolis), Leather; incised, 9 11/16 in. long (24.6 cm long), Leather, Many types of footwear existed in the Byzantine world. Boots were worn by soldiers and laborers, slippers

Adoration of the Shepherds, 1645–50, Pen and brown ink, brush and brown wash, 9-1/4 x 7-5/16 in. (23.5 x 18.6 cm), Drawings, Jusepe de Ribera (called Lo Spagnoletto) (Spanish, Játiva 1591–1652 Naples

[Snow Crystal], 1890s–1920s, Gelatin silver print, Image: 2 15/16 × 3 1/4 in. (7.5 × 8.3 cm), Photographs, Wilson Alwyn Bentley (American, 1865–1931

源氏物語図屏風 (胡蝶), “Butterflies” (“Kochō”), Chapter 24 from The Tale of Genji (Genji monogatari), Momoyama period (1573–1615), Japan, Six-panel folding screen; ink, color, gold, and gold leaf on paper, 65 in. × 12

Ellen Terry, at the age of sixteen, 1864, printed ca. 1913, Carbon print, 24 x 26.7 cm (9 7/16 x 10 1/2 in. ), Photographs, Julia Margaret Cameron (British (born India), Calcutta 1815–1879 Kalutara, Ceylon

Pair of Flower Style Doors, second half 17th century, Made in Northern India, Wood; carved with residues of paint, H. 73 in. (185.4 cm) , Wood, The flower style associated with the height of Mughal aesthetics and refinement finds expression in

Roman Ruins Including an Arched Aqueduct and Tower (Smaller Italian Sketchbook, leaf 2 recto), 1774–75 (?), Grey ink and yellow wash, Sheet: 9 3/16 x 6 3/4 in. (23.4 x 17.1 cm), Drawings, Joseph Wright (Wright of Derby) (British, Derby

Stationery Box with Design of Deer and Butterflies, Edo period (1615–1868), early 17th century, Japan, Powdered gold maki-e on black lacquer with mother-of-pearl and tinfoil inlays, L. 17 3/4 in. (45.1 cm); W. 12 1/4 in. (31.1 cm); H. 6 3/4

Architectural Fantasy, 1700–1780, Brush and brown wash over black chalk, with ruled construction, 5 1/4 x 9 1/2 in. (13.3 x 24.2 cm), Drawings, Anonymous, Italian, Piedmontese, 18th century

南宋 黑面剔犀劍環紋漆盒, Box with Pommel Scroll Design, Southern Song dynasty (1127–1271), 13th century, China, Carved red and black lacquer, H. 1 5/8 in. (4.1 cm); Diam. 4 7/16 in. (11.3 cm), Lacquer

Design for Ornamental Glass, for 2 Prate Street, Camden Town, London, 1870, Ink and wash, Anonymous, British, 19th century

Study for a Vault, 17th century, Pen and ink, brush and brown wash, over black chalk, sheet: 11 7/16 x 8 in. (29.1 x 20.3 cm), Anonymous, Italian, 17th century

Toy, 1800–1830, Made in Norwich, Connecticut, United States, American, Stoneware, H. 3 1/8 in. (7.9 cm), Ceramics

Footed Dish, ca. 1888, Made in Tarentum, Pennsylvania, United States, American, Pressed colorless and opalescent glass, H. 2 5/8 in. (6.7 cm); Diam. 3 3/4 in. (9.5 cm), Glass, Richards and Hartley Flint Glass Co. (ca. 1870–1890

Preparation for Sacrifice, early to mid-17th century, Pencil on vellum., 8 3/16 x 9 10/16 in. (20.8 x 24.4 cm), Drawings, Leonaert Bramer (Dutch, Delft 1596–1674 Delft

Design for Oak Carving, from the Fireplace, Jerusalem Chamber, Westminster, 1820–71, Watercolor, sheet: 10 11/16 x 7 3/8 in. (27.1 x 18.7 cm), Charles James Richardson (British, London 1806–1871 London

Roman Warriors, 1700–1767, Graphite, pen and brown ink, sheet: 13 x 8 1/8 in. (33 x 20.7 cm), Drawings, Johann Elias Ridinger (German, Ulm 1698–1767 Augsburg

Wall Decoration with a Cartouche and Garland (recto); Ruled Lines in Red Chalk (verso), 17th century, Pen and gray ink, brush and brown wash, over traces of black chalk. Framing outlines in pen and brown ink, 3 x 6-7/8 in. (7.6 x 17.4 cm),

Landscape with Horses and Carts and a River at Right, 18th century (?), Pen, brown ink, and watercolor over black chalk. Double framing line in pen and brown ink with black ink and traces of gilt., 8 3/4 x 12 1/2 in. (22.2 x 31.7 cm), Drawings,

Sèriè à la Ristori, 1860s, Albumen silver print from glass negative, Photographs, Pierre-Louis Pierson (French, 1822–1913

Disc with running dogs surrounding a mountain goat, ca. A.D. 1st–3rd century, Transcaucasia, Bronze, Diam. 2 3/8 in. (6 cm), Metalwork-Ornaments, This bronze disk with a rectangular loop in the back is a unique piece possibly from the

Drawings and Prints, Books Prints Ornament & Architecture, Libbretto nouellamete composto per maestro Domenico da Sera...lauorare di ogni sorte di punti, page 18 (verso), Publisher, Domenico da Sera, French, active Italy, 16th century, Sera,

Bourlard. Joseph, Anselme. 45 ou 46 ans, né à Biemme (Belgique). Piqueur de grès. Anarchiste. 7/3/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon

Bottle, 1770–1830, Possibly made in Long Island, New York, United States, American, Earthenware, H. 6 1/4 in. (15.9 cm), Ceramics

Mosaic Tesserae, 9th century, Excavated in Iraq, Samarra, Glass, green and blue, Largest: 3/4 x 3/4 in., Glass, Compared to findings at seventh- and eighth- century sites in the region, a relatively small number of glass tesserae were