Images at Librifly

The Old Flemish Woman (La Vieille Flamande), black ink on paper, sheet: 4 7/8 x 4 3/4 in. (12.4 x 12.1 cm), Drawings, Félicien Rops (Belgian, Namur 1833–1898 Essonnes

[Charles Mandel], after 1867, Albumen silver print, Approx. 10.2 x 6.3 cm (4 x 2 1/2 in.), Photographs

Drawings and Prints, Books Prints Ornament & Architecture, Corona delle Nobili et Virtuose Donne: Libro IV, page 35 (recto), Publisher, Cesare Vecellio, Italian, Pieve di Cadore 1521–1601 Venice, Vecellio, Cesare, Italian, 1521, 1601

Studies for the title page and vignettes for Blumen vom Pöhlberg-Hang by Anna Wechsler, 1918 or later, Pencil, 8 5/8 x 11 in. (21.9 x 27.9 cm), Drawings, Anonymous, German, 19th century

?d, 1916, Istanbul, Turkey, Turkish, Spruce, mulberry, various woods, mother-of-pearl, mastic, 31 1/2 × 14 5/16 × 7 7/16 in. (80 × 36.4 × 18.9 cm), Chordophone-Lute-plucked-unfretted, Manol (Emmanuel Venios) (Greek, active Turkey,

[Snow Crystal], 1890s–1920s, Gelatin silver print, Image: 2 7/8 × 2 15/16 in. (7.3 × 7.4 cm), Photographs, Wilson Alwyn Bentley (American, 1865–1931

Relief fragment from the tomb of Meketre, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Meketre (TT 280, ), 1920, Limestone, paint, H 16 cm (6 5/8in.); W 8.5 cm (3 3/8in.); D

Sauce Dish, after 1883, Made in East Cambridge, Massachusetts, United States, American, Blown glass, H. 1 1/2 in. (3.8 cm); Diam. 4 3/8 in. (11.1 cm), Glass, Probably New England Glass Company (American, East Cambridge, Massachusetts,

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 36r), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

The Agony in the Garden, 1600–1800, Red chalk, pen and brown ink, brush and brown wash on cream laid paper, 14 x 10-15/16 in. (35.5 x 27.8 cm), Drawings, Anonymous, Italian, 17th or 18th century

Bottle, 1770–1820, Probably made in Bohemia, Czech Republic, Non-lead glass with engraved decoration, H. 7 in. (17.8 cm), Glass

Design for a Candlestick, 1510–63, Pen and brown ink, brush and brown wash, over black chalk, sheet: 16 7/8 x 11 1/16 in. (42.9 x 28.1 cm), Drawings, Attributed to workshop of Ottavio Strada (Italian (naturalized), Nuremberg (?) 1550–1606

Marble portrait head of Antinoos, Late Hadrianic, ca. A.D. 130–138, Roman, Marble, Height: 14 1/2 in. (36.8 cm), Stone Sculpture, This head is almost certainly from a monumental statue of Antinoos. Characteristically, the head is turned

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 44 (recto), October 1, 1604, Etching and drawing, Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm), Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua.

Ornamento delle belle & virtuose donne, page 3 (recto), 1554, Woodcut, Overall: 7 1/2 x 5 7/8 in. (19 x 15 cm), Published by Matteo Pagano, Italian, 1515-1588, Venice, bound by Lloyd, Wallis & Lloyd, British, active London after 1821.

Bronze dragon-type fibula (safety pin), Archaic, 7th–early 6th century B.C., Italic, Bronze, length 4 7/16in. (11.2cm), Bronzes, These three pieces are excellent examples of a type of dragon fibula with elongated clasp and bow embellished by

Louis Revoil, February 1865–75, Albumen silver print from glass negative, Image: 19.5 × 24.5 cm (7 11/16 × 9 5/8 in.), Photographs, André-Adolphe-Eugène Disdéri (French, Paris 1819–1889 Paris

Pallas Athena, n.d., Engraving, Plate: 7 1/2 x 4 13/16 in. (19 x 12.2 cm), Prints, René Boyvin (French, Angers ca. 1525–ca. 1625 Angers (?)), After Luca Penni (Italian, Florence 1500/1504–1557 Paris

Two Roses, ca. 1884–1904, Watercolor, Sheet: 7 x 4 3/4 in. (17.8 x 12cm), Drawings, Zacharie Astruc (French, Angers 1835–1907 Paris

Drawings and Prints, Books Prints Ornament & Architecture, Lucidario di Recami, page 11 (recto), Publisher, Designer, Jeronimo Calepino, Iseppo Foresto, Italian, active Venice, 1557, 1564, Calepino, Foresto, Iseppo, Italian, 1500,

[Buddhist Temple, Agra], 1860s–70s, Albumen silver print from glass negative, 21.1 x 27.4 cm (8 5/16 x 10 13/16 in.), Photographs, Unknown

Drawings and Prints, Album Prints Ornament & Architecture, Trophées Nouvellement Inventez par J.B. Toro., Designer, Etcher, Publisher, Jean Bernard Toro, Charles Nicolas Cochin I, Jacques-Nicolas Le Pas Dubuisson, French, Dijon 1672–1731

Vegetable Dish, 1885, Made in Brooklyn, New York, United States, American, Porcelain, 2 1/8 x 9 1/4 in. (5.4 x 23.5 cm), Ceramics, Union Porcelain Works (1863–ca. 1922), Union Porcelain Works was one of the most important and inventive

Glass bottle shaped like a bunch of grapes, Late Imperial, 4th century A.D., Roman, Glass; blown in a two-part mold and trailed, H. 7 in. (17.8 cm), Glass, Colorless with pale green tinge; handles, foot, and trail in same color., Rounded

Jockey on a Horse, 19th century, Pen and brown ink, 6 3/4 x 7 11/16 in. (17.2 x 19.5 cm), Drawings, Anonymous, French, 19th century

Drawings and Prints, Books Prints Ornament & Architecture, Neu künstlich Modelbuch (page 41r), Publisher, Bernhard Jobin, Swiss, Porrentruy (Jura) before 1545–1593/1597 Strasbourg, Jobin, Bernhard, Swiss, 1535, 1597, 1598, 1598

Vase with Elephant Heads and Cloud Designs, Qing dynasty (1644–1911), Qianlong period (1736–95), China, Soft-paste porcelain with incised and applied decoration (Jingdezhen ware), H. 10 in. (25.4 cm); Diam. 6 in. (15.2 cm), Ceramics, In

Opera Nova Universali intitulata Corona di racammi, page 2 (recto), [1530], Woodcut, Overall: 8 7/8 x 6 7/8 in. (22.5 x 17.5 cm), Published by Giovanni Andrea (called 'Guadagnino') Vavassore, Italian, active 16th century, Venice. Grid with

Allegorical Scene, 16th century, Pen and brown ink, brush and brown wash. Pasted down on blue paper., 6 3/16 x 3 7/8 in. (15.7 x 9.8 cm), Drawings, Anonymous, German, 16th century

Drawings and Prints, Album Print Ornament & Architecture, Page from Album of Ornament Prints from the Fund of Martin Engelbrecht, Artist, Artist, Publisher, Carl Pier, Franz Xavier Habermann, Jeremias Wachsmuth, Martin Engelbrecht, German,

Flask, ca. 1847–48, Made in Kensington, Pennsylvania, United States, American, Free-blown molded aquamarine glass, H. 8 5/8 in. (21.9 cm), Glass, Dyottville Glass Works (1833–1923

1 of Horns, from The Cloisters Playing Cards, ca. 1475–80, Made in Burgundian territories, South Netherlandish, Paper (four layers of pasteboard) with pen and ink, opaque paint, glazes, and applied silver and gold, 5 3/16 × 2 3/4 in.

Elevation 'della nuova Galleria', 1796–1873, Pen and ink, wash. On paper of O. & I. Honig, sheet: 15 3/4 x 19 1/2 in. (40 x 49.5 cm), Drawings, Giovanni Battista Silvestri (Italian, Florence, 1796–1873

Square-Headed Bow Brooch, second half 6th century, Frankish, Silver-gilt, niello, Overall: 4 x 9/16 x 9 15/16 in. (10.1 x 1.4 x 25.2 cm), Metalwork-Silver, The bow brooch was a component of many Germanic women's dress. In Frankish territory

Tile with Eagle Motif, late 13th–14th century, Made in Somerset, England, British, Glazed earthenware, 5 3/8 × 5 3/8 × 1 1/4 in. (13.7 × 13.6 × 3.2 cm), Ceramics-Tiles, This encaustic tile with an eagle on the diagonal came from the

Lamp, 2nd century A.D., Roman, Terracotta, Overall: 1 1/2 x 3 5/8 in. (3.8 x 9.2 cm), Terracottas

Confederate Prisoners for Exchange, Cox's Landing, James River, 1864, Albumen silver print from glass negative, Photographs, Andrew Joseph Russell (American, 1830–1902

[Victorian House], ca. 1860, Albumen silver print from glass negative, Image: 24.8 × 32.5 cm (9 3/4 × 12 13/16 in.), Photographs, James Wallace Black (American, 1825–1896

The Composer André-Ernest-Modeste Grétry (1741–1813), 1804–8, French, Paris, Marble, Overall (confirmed): 67 1/4 x 36 1/4 x 30 5/8 in. (170.8 x 92.1 x 77.8 cm), Sculpture, Jean-Baptiste Stouf (Belgian (active France), Paris 1742–1826

Design for a Mirror, 1841–1900, Pen and brown ink, sheet: 8 3/4 x 6 7/8 in. (22.3 x 17.5 cm), Charles Hindley and Sons (British, London 1841–1917 London

A Reconstruction of the Aedes Concordiae (above) and a View of the Ruins (below), before 1704, Pen and black ink, brush and brown wash, red chalk., 13 x 10 5/8 in. (33.0 x 27 cm), Drawings, Jan Goeree (Dutch, Middelburg 1670–1731 Amsterdam

Dress, early 1880s, American, silk

Drawings and Prints, Album Print Ornament & Architecture, Page from Album of Ornament Prints from the Fund of Martin Engelbrecht, Artist, Publisher, Artist, Carl Pier, Jeremias Wachsmuth, Martin Engelbrecht, Franz Xavier Habermann, German,

Ornamento delle belle & virtuose donne, page 4 (recto), 1554, Woodcut, Overall: 7 1/2 x 5 7/8 in. (19 x 15 cm), Published by Matteo Pagano, Italian, 1515-1588, Venice, bound by Lloyd, Wallis & Lloyd, British, active London after 1821.

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 18 (recto), October 1, 1604, Etching and drawing, Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm), Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua.

Architecture, 1898, Bronze, 12 3/8 × 4 1/8 × 2 3/4 in. (31.4 × 10.5 × 7 cm), Sculpture, Daniel Chester French (American, Exeter, New Hampshire 1850–1931 Stockbridge, Massachusetts), Located at Fifth Avenue and Seventieth Street, the

Zhenwu, Daoist Lord of the Northern Palace, Qing dynasty (1644–1911), Kangxi period (1662–1722), early 18th century, China, Porcelain with ivory glaze (Fujian Province; Dehua ware), H. 11 3/4 in. (29.8 cm), Ceramics, The tortoise at the

Design for a Small Table on Casters, 19th century, Ink and watercolor over graphite, sheet: 4 5/16 x 3 7/8 in. (11 x 9.9 cm), Anonymous, British, 19th century

The Hours of Jeanne d'Evreux, Queen of France, ca. 1324–28, Made in Paris, French, Grisaille, tempera, and ink on vellum, single folio: 3 5/8 x 2 7/16 in. (9.2 x 6.2 cm), Manuscripts and Illuminations, Jean Pucelle (French, active Paris,

Drawings and Prints, Books Prints Ornament & Architecture, Page from Ein new kunstlich Modelbuch...(Page 25r), Publisher, Peter Quentel, German, active Cologne, 1518–46, Cologne, Quentel, Peter, German, 1500, 1550, 1544

Prayer Rug with Inscription in Niche, dated A.H. 1210/A.D. 1795–96, Attributed to Turkey, Manisa, Wool (warp, weft and pile); symmetrically knotted pile, H. 62 in. (157.48 cm), Textiles-Rugs

The Archangel Michael Banishing Vice, 1782, Brush and blue-green and black wash, heightened with white gouache, sheet: 10 7/16 x 6 7/16 in. (26.5 x 16.3 cm), Drawings, Franz Ludwig Hermann (German, Wangen 1710–1791 Konstanz

The Public Viewing David’s 'Coronation' at the Louvre, 1810, Oil on canvas, 24 1/4 x 32 1/2 in. (61.6 x 82.6 cm), Paintings, Louis Léopold Boilly (French, La Bassée 1761–1845 Paris), Here the public views David's enormous painting of

The South West Wind, 1864, Albumen silver print from glass negative, 25.4 x 21.6 cm (10 x 8 1/2 in. ), Photographs, Julia Margaret Cameron (British (born India), Calcutta 1815–1879 Kalutara, Ceylon

Russian male dancer costume, n.d., Graphite on tracing paper, sheet: 14 15/16 x 10 11/16 in. (38 x 27.2 cm), Drawings, Léon Bakst (Russian, Grodno 1866–1924 Paris

Snapshot - From My Window, Berlin, 1890s–1900s, printed 1907, Photogravure, 21.1 x 17.0 cm. (8 5/16 x 6 11/16 in.), Photographs, Alfred Stieglitz (American, Hoboken, New Jersey 1864–1946 New York

Storage Case (Karabitsu), Muromachi period (1392–1573), 1422, Japan, Red over black lacquer on wood with gilt bronze fittings (Negoro ware), H. 13 in. (33 cm); W. 15 3/4 in. (40 cm); L. 22 1/8 in. (56.2 cm), Lacquer, The karabitsu

[Formal Family Portrait of Thirteen People, Men in European Dress], 1860s–70s, Albumen silver print from glass negative, 18.2 x 23.6 cm (7 3/16 x 9 5/16 in.), Photographs, Unknown

Cabinet Design, 19th century, Ink and watercolor, sheet: 5 3/8 x 6 7/16 in. (13.6 x 16.3 cm), Anonymous, British, 19th century

The Paris Shoe Cleaner, July 1, 1771, Etching, plate: 5 7/8 x 4 5/16 in. (14.9 x 10.9 cm), Prints, Attributed to Sir Henry William Bunbury (British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland

'Over Farms and Fields and Rivers and Ponds': Cosey Hokie, Topsy-Turvy Tales, ca. 1923, Pen and ink and wash, sheet: 14 1/2 x 10 1/2 in. (36.8 x 26.7 cm), Drawings, William Heath Robinson (British, London 1872–1944 Highgate, London

Powder Flask, 17th century, Indian, possibly Deccan, Horn, lacquer, ivory, bone, gold, silver, copper alloy, iron, pigment, L. 7 3/4 in. (19.7 cm); W. 7 7/8 in. (20 cm); Wt. 1 lb. 4 oz. (576 g), Firearms Accessories-Flasks & Primers,

Benedictine Convent, Catania, 1846, Salted paper print from paper negative, Image: 6 3/4 × 8 9/16 in. (17.1 × 21.7 cm), Photographs, George Wilson Bridges (British, 1788–1864), Bridges learned the negative-positive, paper-based calotype

Segard. Émilien (dit Segard Fils). 18 ans, né à Saloüel (Somme). Peintre en voitures. Anarchiste. 2/7/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon

The Pampered Idiot ('Niño zangolotino'), 1807–45, Pen and black ink with brush and gray wash. On off-white paper. Composition outlined in pen and black ink on all sides, 6-15/16 x 4-15/16 in. (17.6 x 12.5 cm), Drawings, Leonardo Alenza y

Hanging, ca. 1780, British, Cotton, 79 × 43 in. (200.7 × 109.2 cm), Textiles-Printed

The Grasshoppers and the Ants: A Souvenir of Martinique, from the Volpini Suite: Dessins lithographiques, 1889, Zincograph on chrome yellow wove paper; first edition, Sheet: 13 3/8 × 18 7/8 in. (34 × 48 cm), Prints, Paul Gauguin (French,

Folio from the Kathasaritsagara, ca. 1590, Attributed to India, Ink, opaque watercolor, and gold on paper, 12 3/4 x 8 1/8 in. (32.4 x 20.6 cm), Codices, This folio is from a vast compilation of tales in Sanskrit written by the

Eleven-Headed Kannon on Mount Fudaraka, 十一面観音影向図, Kamakura period (1185–1333), 13th century, Japan, Hanging scroll; ink, color, and gold on silk, Image: 42 1/2 × 16 1/8 in. (108 × 41 cm), Paintings, Described in the

Washington, D.C., 1861–65, Albumen silver print from glass negative, Photographs

Bird-Shaped Brooch, late 5th–early 6th century, Frankish, Copper alloy, Overall: 1 1/8 x 11/16 x 7/16 in. (2.9 x 1.7 x 1.1 cm), Metalwork-Copper alloy

Esemplario di Lauori..., title page (recto), August 1, 1532, Woodcut, Overall: 8 7/16 x 6 5/16 in. (21.5 x 16 cm), Originally published by Giovanni Andrea Vavassore, Italian, active 16th century, Venice, designed by Florio Vavassore

Two Women Embracing, 1918, Charcoal on paper, 18 1/4 x 11 3/4 in. (46.4 x 29.8 cm), Drawings, Egon Schiele (Austrian, Tulln 1890–1918 Vienna

Lamp, 1st century B.C.–1st century A.D., Roman, Terracotta, Length 8.6 cm. H. 2.4 cm., Terracottas

Small Buckle, 7th century (?), Made in Niederbreisig, Germany, Frankish, Copper alloy, Overall: 1 11/16 x 7/8 x 1/2 in. (4.3 x 2.2 x 1.2 cm), Metalwork-Copper

Colombet. Frédéric. 28 ans, né à Prigonnieux (Dordogne). Employé de commerce. Anarchiste. 2/3/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Design for iron work balcony, with alternate, 18th century, sheet: 3 5/8 x 7 5/16 in. (9.2 x 18.5 cm), Drawings

Paten, ca. 1230–50, German, Silver, partly gilt; niello, jewels, 7/8 x 8 3/4 in. (2.2 x 22.2 cm), Metalwork-Silver, This paten is one of an ensemble containing some of the elements needed for the celebration of the Eucharist: the paten for

Head of a Young Woman, a Probable Finial for Fountain or other Type of Waterwork., 16th century, Pen and brown ink, sheet: 4 13/16 x 3 7/16 in. (12.2 x 8.7 cm), Drawings, Anonymous, Italian, Sienese or Marchigian, 16th century

Ceremonial Knife (Tumi), 12th–15th century, Peru, Chimú, Copper, H. 5 13/16 in. (14.8 cm), Metal-Implements, The Moche people of northern Peru (first–seventh century) were among the first to use copper, often with the addition of arsenic

Covered Figural Dish, ca. 1887–90, Made in Pittsburgh, Pennsylvania, United States, American, Pressed amethyst and opaque turquoise glass, 5 x 10 7/8 in. (12.7 x 27.6 cm), Glass, Atterbury and Company (ca. 1867–1893

Landscape, 18th century, Red chalk and brown wash, 8-1/8 x 10-1/8 in. (20.6 x 25.7 cm), Drawings, Anonymous, Italian, first half of the 18th century

Les Secondes Oeuvres, et Subtiles Inventions De Lingerie du Seigneur Federic de Vinciolo Venitien, page 51 (verso), 1603, Woodcut, Overall: 9 7/16 x 6 1/2 in. (24 x 16.5 cm), Designed by Federic de Vinciolo Venitien, published by Jean Le

[Man Cutting Watermelon], 1898–1903, Carbon print, Image: 9.4 × 13.2 cm (3 11/16 × 5 3/16 in.), Photographs

Glass bowl decorated with hunting scenes, Late Imperial, 2nd half of the 4th–early 5th century A.D., Roman, Glass; blown and cut, H. 3 1/16 in. (7.7 cm), Glass, Translucent deep blue green., Slightly inverted, ground rim; hemispherical

Round Box with Chinese-Style Landscape, Edo period (1615–1868), early 18th century, Japan (Ryūkyū Islands), Black lacquer inlaid with mother-of-pearl; wire, H. 6 in. (15.2 cm); Diam. 16 in. (40.6 cm), Lacquer, The rolling hills, small

Drawings and Prints, Album Print Ornament & Architecture, Targhe ed altri ornati di varie e capricciose invenzioni (Cartouches and other ornaments of various and capricious invention, page 30), Publisher, Artist, After, Carlo Losi, Georges

[Two Seated Young Women Identically Dressed], 1840s, Daguerreotype, Image: 6.9 x 5.5 cm (2 11/16 x 2 3/16 in.), Photographs, Unknown (American

Design for a Vestibule for A. C. Grant, Priory Grove, Perspective, 19th century, Pen and ink, and brush and wash, sheet: 13 3/4 x 8 3/4 in. (34.9 x 22.2 cm), Anonymous, British, early 19th century

Design for a chancel, late 19th–early 20th century, Made in New York, United States, American, Watercolor, pen and colored inks, colored pencils, and graphite on artist board in original warm grey window mat, Overall: 29 1/16 x 21 in.

King's Head with Egyptian Headdress but Greek Hair and Features, Ptolemaic Period, 2nd century B.C. or early 1st century B.C., From Egypt, Gabbro, H. 6.6 cm (2 5/8 in.); W. 7 cm (2 3/4 in.); D. 5.3 cm (2 1/6 in.), This head depicts a Ptolemaic

Interior Design for a Gray Curtained Alcove, with an Uphostered Armchair, Ottoman and Cabinet, late 19th century (?), Gouache, sheet: 9 1/2 x 7 1/2 in. (24.1 x 19.1 cm), Anonymous, British, 19th century

Classical Landscape with Ruins (recto); Two men in Roman military dress (verso), 1748–92, Brush and gray wash over pen and brown ink and graphite, Sheet: 6 1/8 x 8 in. (15.5 x 20.3 cm), Drawings, Style of Robert Adam (British, Kirkcaldy,

Rosary, ca. 1500–1525, German, Ivory, silver, and partially gilded mounts, Overall: 24 11/16 x 2 1/8 x 1 3/4 in. (62.7 x 5.4 x 4.5 cm), Ivories, Each of the memento mori beads at the ends shows a human face on one side (apparently that of a

Bowl, 1736–95, Made in China, Chinese, Porcelain, H. 4 1/8 in. (10.5 cm); Diam. 9 1/4 in. (23.5 cm), Ceramics

Ornamental Column Designs, second half 19th century, Graphite, sheet: 6 1/8 x 3 9/16 in. (15.5 x 9 cm), Anonymous, British, 19th century

Square-Headed Bow Brooch, 6th century, Frankish, Copper alloy, Overall: 4 5/8 x 2 5/16 x 13/16 in. (11.7 x 5.9 x 2.1 cm), Metalwork-Copper

Southern Imaginary Landscape with Mountains and a Lake, late 17th–18th century, Pen and brown ink, brush and brown wash. At left, traces of a framing line in black chalk, sheet: 11 3/8 x 16 7/8 in. (28.9 x 42.9 cm), Drawings, Theodorus

Sauce Dish, 1870–90, Made in Tarentum, Pennsylvania, United States, American, Pressed purple marble glass, H. 2 3/8 in. (6 cm); Diam. 4 in. (10.2 cm), Glass, Challinor, Taylor and Company (1866–1891

Candelabrum (one of a pair), 1742/43, British, London, Silver, Height: 15 1/4 in. (38.7 cm), Metalwork-Silver, The modeler of these candlesticks, influenced by contemporary French designs, has endowed the usually static form with an organic,