Images at Librifly

Rood and screen for Panfield church, 1898, Pen and ink, over graphite, with watercolor, sheet: 15 x 10 3/4 in. (38.1 x 27.3 cm), Ernest Geldart (British, London 1848–1929

Portrait of an Old Man, ca. 1475, Oil on wood, Overall 10 3/8 x 7 5/8 in. (26.4 x 19.4 cm); painted surface 10 x 7 1/4 in. (25.4 x 18.4 cm), Paintings, Hans Memling (Netherlandish, Seligenstadt, active by 1465–died 1494 Bruges), This

清 緙絲隸書聯, Calligraphy Couplet, Qing dynasty (1644–1911), 19th century, China, Silk, Overall (a): 67 1/2 x 14 3/4 in. (171.5 x 37.5 cm), Textiles-Tapestries, The poetic couplet on this pair of tapestries is woven to represent

Allegory of Art and Knowledge with the Coat-of-Arms of Hans Wilpert Zoller, 1694, Pen and brown ink, brush and brown wash, sheet: 3 11/16 x 5 7/16 in. (9.4 x 13.8 cm), Drawings, Mathais Füssli the Youngest (Swiss, Zurich 1671–1739 Zurich

Haman begs Esther for his Life, 16th–mid 16th century ?, Pen and brown ink, with brush and black ink, highlighted with white gouache, diameter: 9 1/4 in. (circular), Drawings, ? Circle of Pseudo-Aert Ortkens (Flemish, 1510–1540

Jurōjin, Edo period (1615–1868), 19th century, Japan, Hanging scroll; ink on silk, 36 11/16 x 15 in. (93.2 x 38.1 cm), Paintings, Kano Tanshin Moromichi (Japanese, 1785–1835), Jurōjin, said to have lived in China at the end of the

[Adolph Hitler Leaving Landsberg Prison], December 20, 1924, Gelatin silver print, 22.2 x 16.4 cm (8 3/4 x 6 7/16 in.), Photographs, Heinrich Hoffmann (German, 1885–1957

Three Bands Friezes with Grotesques and Several Figure Studies (recto); Term with a Marine Creature (Zephyr) (verso), ca. 1545–60, Pen and gray-brown ink (recto)., 13-1/4 x 9-1/4 in. (33.7 x 23.5 cm), attributed to Andrés de Melgar (Spanish,

Miniature Jug, 14th century, British, Earthenware, green glaze, Overall: 3 1/8 x 1 11/16 x 2 7/16 in. (8 x 4.3 x 6.2 cm), Ceramics-Pottery

August, 1772, Black chalk, brown, black or gray ink and watercolor, sheet: 5 3/16 x 7 7/16 in. (13.1 x 18.9 cm), Drawings, Hendrik Meijer (Dutch, Amsterdam 1744–1793 London

Hab.t de Hapae from Playing Cards (for Quartets) 'Costumes des Peuples Étrangers', 1700–1799, Etching and hand coloring (watercolor), 3 3/16 × 2 1/16 in. (8.1 × 5.3 cm), Prints, Anonymous, French, 18th century

Fragment of a Scheme with Grotesque Decorations; Fragment of an Ornament Design after the antique (verso), 16th century, Pen and brown ink, brush with brown wash, over charcoal underdrawing., 3 3/8 x 3 7/8 in. (8.5 x 9.9 cm), Anonymous,

Drawings and Prints, Books Prints Ornament & Architecture, Fiore D'Ogni Virtu Per le Nobili Et Honeste Matrone, page 30 (recto), Designer, Publisher, Isabella Catanea Parasole, Antonio Fachetti, Italian, ca. 1565/70–ca. 1625, Rome,

Inlay in the form of the Horus falcon, Late Period–Ptolemaic Period, 4th century B.C., From Egypt; Possibly from Middle Egypt, Hermopolis (Ashmunein; Khemenu), Faience, H. 16 cm (6 5/16 in.); W. 1.2 cm (1/2 in.); L. 15.5 cm (6 1/8 in.), This

Piece, 16th century, Spanish, Silk, L. 13 7/8 x W. 12 1/4 inches (35.2 x 31.1 cm), Textiles-Woven

Carving in the Form of a Purse, Qing dynasty (1644–1911), 18th century, China, Jade (nephrite), H. 1/2 ×W. 2 × L. 3 in. (1.3 × 5.1 × 7.6 cm), Jade

Design for a Ceiling with Virgin and Child in Glory, 18th century, Pen and ink wiht yellow, gray and brown wash, 15-9/16 x 10-1/4 in, Anonymous, Italian, 18th century

Drawings and Prints, Books Prints Ornament & Architecture, Eyn new kunstlichboich, page 14v, Publisher, Designer, Woodcut border designed by, Peter Quentel, Anton Woensam von Worms, German, active Cologne, 1518–46, German, active first

Study of a red catchfly (Lychnis hirsuta), 1680, Watercolor, gum arabic, silver gouache (?), over a sketch in black chalk, sheet: 7 13/16 x 6 3/16 in. (19.9 x 15.7 cm), Drawings, Herman Saftleven II (Dutch, Rotterdam 1609–1685 Utrecht

[Barefoot Boy Holding Hat and Drum Stick, Leaning Forearm on Child-sized Drum on Table], 1850s, Daguerreotype, Image: 7 x 5.6 cm (2 3/4 x 2 3/16 in.), Photographs, Unknown (American), The daguerreotype, the first photographic process, was

Tile, ca. 1882–84, Made in Chelsea, Massachusetts, United States, American, Earthenware, 6 1/8 x 3 1/8 in. (15.6 x 7.9 cm), Ceramics, J. and J. G. Low Art Tile Works (1877–1907

Dodot. Émile (ou Jules). 55 ans, né à Paris Ier. Cordonnier. Anarchiste. 27/2/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914),

Design for a Ceiling for the First Drawing Room at Culzean Castle, Ayrshire, 1779–82, Pen, watercolor and green wash, sheet: 13 9/16 x 17 in. (34.4 x 43.2 cm), Robert Adam (British, Kirkcaldy, Scotland 1728–1792 London

The Portico of a Country Mansion, 1773, Oil on canvas, 80 3/4 x 48 1/4 in. (205.1 x 122.6 cm), Paintings, Hubert Robert (French, Paris 1733–1808 Paris), This painting commissioned by a financier, Jean-François Bergeret de Frouville, was

Drawings and Prints, Books Prints Ornament & Architecture, Libbretto nouellamete composto per maestro Domenico da Sera...lauorare di ogni sorte di punti, page 21 (recto), Publisher, Domenico da Sera, French, active Italy, 16th century, Sera,

Piano Design, 19th century, Ink on tracing paper, Anonymous, British, 19th century

Esemplario di Lauori..., page 12 (verso), August 1, 1532, Woodcut, Overall: 8 7/16 x 6 5/16 in. (21.5 x 16 cm), Originally published by Giovanni Andrea Vavassore, Italian, active 16th century, Venice, designed by Florio Vavassore

Capriccio with a Circular Tower, Two Houses, and a Bridge, 18th century, Italian, Oil on paper, laid down on Masonite, 2 1/8 x 3 1/2 in. (5.4 x 8.9 cm), Paintings, Follower of Francesco Guardi

Anmerckungen Der Fürtrefflichsten Mahler unserer zeit über die Zeichen-und Mahlerey-Kunst zusammen getragen, Und in Sechs Tablellen, von der Delineation, Proportion, Expression, Leicht und Schatten Ordonanz..., 1699, Illustrations:

Mug, 1850–70, Probably made in Pittsburgh, Pennsylvania, United States, American, Pressed glass, diamond thumbprint, H. 3 1/4 in. (8.3 cm), Glass, With the development of new formulas and techniques, glass-pressing technology had

Headrest, Second Intermediate Period–Early New Kingdom, Dynasty 17–early 18, ca. 1570–1492 B.C., From Egypt, Upper Egypt, Thebes, Asasif, Tomb CC 37, Carnarvon/Carter excavations, 1907–11, Wood, h. 17 cm (6 11/16 in); w. 30 cm (11

Drawings and Prints, Books Prints Ornament & Architecture, Schön newes Modelbuch (Page 6r), Publisher, Sigismundus Latomus, German, active 1599–ca. 1627, Frankfurt am Main, Latomus, Sigismundus, German, 1599, 1632, 1608

Drawings and Prints, Books Prints Ornament & Architecture, Corona delle Nobili et Virtuose Donne: Libro IV, page 5 (recto), Publisher, Cesare Vecellio, Italian, Pieve di Cadore 1521–1601 Venice, Vecellio, Cesare, Italian, 1521, 1601

Lydia Leslie Lydie - Candlestick, 1900s, Platinum print, Photographs, Frank Eugene (American, New York 1865–1936 Munich

Plate, 1815–30, Made in Paris, France, French, Porcelain, H. 15/16 in. (2.4 cm); Diam. 6 3/4 in. (17.1 cm), Ceramics

Bowl, 1800–1830, Probably made in Mantua, Ohio, United States, American, Blown pattern-molded lead glass, H. 5 3/8 in. (13.7 cm), Glass

Temple Model, 1400–1521, Mexico, Mesoamerica, Guerrero (?), Balsas River region, Aztec, Ceramic, H.4 7/8 x W. 2 1/4 in. (12.4 x 5. cm), Ceramics-Sculpture, Aztec emperors ruled over a vast portion of what is now Central Mexico and parts

Piazza del Quirinale, Rome., 18th century, Pen and brown ink, brush and gray wash, over black chalk, sheet: 4 13/16 x 5 7/8 in. (12.2 x 14.9 cm), Drawings, Anonymous, Italian, first half of the 18th century

St. Basil's Cathedral, Red Square, Moscow, ca. 1860, Salted paper print, Image: 13 1/8 × 10 9/16 in. (33.4 × 26.8 cm), Photographs, Unknown (Russian

Medallion with the Face of Christ, ca. 1380–1400, Made in Lands of the Teutonic Knights, present-day Poland, Polish, Baltic amber with traces of paint, Overall: 3 1/4 x 1 5/16 in. (8.2 x 3.3 cm), Lapidary Work-Amber, Carved from amber, a

Warships at Sea, mid-17th–early 18th century, Pen and brown ink, gray wash, sheet: 9 7/16 x 17 7/8 in. (24 x 45.4 cm), Drawings, Willem van de Velde II (Dutch, Leiden 1633–1707 London

Arch of Septimius Severus, Frontal Elevation (above) and Side View (below), before 1704, Red chalk, pen and brown and black ink, brush and grey wash, over black chalk., 14 1/16 x 8 9/64 in. (35.7 x 20.7 cm), Drawings, Jan Goeree (Dutch,

Fifteen Architectural Subjects: Views of Munich, 1835, Watercolor, The drawings range in size from (sight): 1 3/8 x 11 3/8in. (3.5 x 3.5 cm) to 5 1/4 x 7 1/4 in. (13.3 x 18.4 cm), Drawings, Heinrich Adam (German, Nördlingen 1787–1862 Munich

Hope, 1604–54, Pen and brown ink, brush and brownish grey wash, mount: 3 7/16 x 4 13/16 in. (8.7 x 12.2 cm), Drawings, Attributed to Hans Ulrich Jegli (Swiss, 1604–1654

Serpent in C, ca. 1805, Mainz, Germany, German, Wood, leather, brass, Length 67.1 cm, Length of tube ca. 197 cm without mouthpipe, Diameter of bell: oval 13.5 cm x 10.5 cm, Diameter of bore: 0 in. at mouthpiece socket, 0 in. mouthpiece

Jacob Willemsz. van Veen (1456–1535), the Artist's Father, 1532, Oil on wood, 20 1/2 x 13 3/4 in. (52.1 x 34.9 cm), Paintings, Maarten van Heemskerck (Netherlandish, Heemskerck 1498–1574 Haarlem), This sober image of the artist's father

Médînet-Abou (Thèbes). Constructions Postérieures - Deuxiéme Cour, 1851–52, printed 1853–54, Salted paper print from paper negative, 25.0 x 30.3 cm. (9 13/16 x 11 15/16 in.), Photographs, Félix Teynard (French, 1817–1892

Proposed Statue of St. Michael for St. Patrick's Church, Dumbarton, ca. 1917, Graphite and watercolor, sheet: 10 3/8 x 7 in. (26.3 x 17.8 cm), Drawings, Eric Gill (British, Brighton, Sussex 1882–1940 Uxbridge, London

Parterre du Palais de Nancy / The Garden Palace of Nancy, early 17th century, Pen with brown ink., 9 1/4 x 15 3/16 in. (23.5 x 38.5 cm.), Drawings, Jacques Callot (French, Nancy 1592–1635 Nancy

Woman Reading, 1606–69, Pen and brown ink, brush and brown wash, with framing line in pen and brown ink, sheet: 2 5/8 x 3 7/16 in. (6.7 x 8.8 cm), Drawings, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam

Travellers and wagons fording a river in a Southern landscape, ca. 1646–62, Brush and gray ink, sheet: 7 13/16 x 10 9/16 in. (19.8 x 26.9 cm), Drawings, Hendrick Verschuring (Dutch, Gorinchem 1627–1690 near Dordrecht

Head of Augustus, Roman Period, Augustus, 27 B.C.–A.D. 14, From Egypt; Possibly from Memphite Region, Memphis (Mit Rahina), Faience, H. 7.7 cm (3 1/16 in.); W. 6 cm (2 3/8 in.); D. 6.5 cm (2 9/16 in.), This small head is thought to depict

Drawings and Prints, Book Prints Ornament & Architecture, New Modelbüch allen Nägerin u. Sydenstickern (Page 19r), Designer, Publisher, Hans Hoffman, Jacob Frölich, German, active Strasbourg, 1556, Strassburg, Hoffman, Hans, Frölich,

Javanese Child, 1860s–70s, Albumen silver print from glass negative, 22.2 x 16.8 cm (8 3/4 x 6 5/8 in.), Photographs, Unknown

Design for a Mirror, late 18th–early 19th century, Pen and ink and wash, sheet: 14 5/8 x 8 3/4 in. (37.1 x 22.2 cm), John Yenn (British, London (?) 1750–1821 London

Bearded Man, 1690, Brush and brown ink, sheet: 4 15/16 x 3 1/8 in. (12.5 x 8 cm), Drawings, Christoph Joseph Werner (German, ca. 1670–1750 Dresden

Jupiter and Ceres, ca. 1777, Brush and gray and black wash over black chalk, 10 13/16 x 7 7/8 in. (27.5 x 20 cm), Drawings, Antoine François Callet (French, Paris 1741–1823 Paris

Le Grand Russe, 1860s, Albumen silver print from glass negative, 9.8 x 13.3 cm. (3 7/8 x 5 1/4 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Shield Designs, second half 19th century, Ink and watercolor, sheet: 5 9/16 x 9 1/4 in. (14.2 x 23.5 cm), Anonymous, British, 19th century

Design for a Chimney Piece in the Pompeian Style, ca. 1775, Ink wash over graphite and black ink, sheet: 9 1/2 x 14 3/16 in. (24.2 x 36 cm), Style of Robert Adam (British, Kirkcaldy, Scotland 1728–1792 London

Marble head of a female satyr, Hellenistic, 3rd or 2nd century B.C., Greek, Marble, H. 2 3/4 in. (7 cm), Stone Sculpture, Delicately modeled, with head thrown back and eyes half closed in ecstasy

The Month of May: An Elegant Man Holding a Flower and Lute, 16th century, Pen and black ink over black chalk, 4 1/8 x 3 1/16 in. (10.5 x 7.8 cm), Drawings, Attributed to Erasmus Hornick (Netherlandish, Antwerp ca. 1520–1583 Prague) attributed

Violin, 1783, Livorno, Italy, Italian, Spruce, maple, ebony, Total L. 33 cm (13 in.); String L. 60 cm (23-5/8 in.), Chordophone-Lute-bowed-unfretted, Antonio Gragnani (Italian, Livorno active 1765–1795

Design for Hanging Vase or Lamp, 18th century, Ink and yellow, 16-3/8 x 9-3/4 in, Anonymous, Italian, 18th century

Elevation and Plan of the Façade of a Building, 1840, Pen and black ink and watercolor over graphite, 9 7/16 x 9 in. (24 x 22.9 cm), Drawings, Karl Friedrich Schinkel (German, Neuruppin 1781–1841 Berlin

Bow Brooch, 500–550, Frankish, Silver-gilt, niello, garnets, Overall: 1 15/16 x 3 3/4 x 3/8 in. (4.9 x 9.5 x 1 cm), Metalwork-Silver, The bow brooch was a component of many Germanic women’s dress. In Frankish territory brooches were

A Nude Woman Seated Beside a Brook (Summer?), from Images of Spain Album (F), page 32, 1812–20, Brush and irongall ink, with scraping, Sheet: 8-1/8 x 5-5/8 in. (20.6 x 14.3cm), Drawings, Goya (Francisco de Goya y Lucientes) (Spanish,

Element from a Stalactite Squinch (Muqarnas), 10th century, Excavated in Iran, Nishapur, Stucco; painted, H. 12 1/4 in. (31.1 cm), Stucco, Probably originally part of a muqarnas, or stalactite squinch, this and other muqarnas elements would

Bowl, used as lid, Ptolemaic Period, 3rd–late 2nd century B.C., From Egypt, Upper Egypt, Thebes, Asasif, Birabi, grave 36, Pottery, H. 11.5 cm (4 1/2 in.); Diam. 22.4 cm (8 13/16 in.), This bowl served as the lid for a large jar.

Angel (Recto); Fragmentary Sketches of Same Subject (Verso), 16th century, Red chalk on cream paper, 6-3/4 x 5-5/16 in. (17.1 x 13.5 cm), Drawings, Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580

Egg Cup, 1860–70, Made in East Cambridge, Massachusetts, United States, American, Pressed glass, H. 4 in. (10.2 cm); Diam. 2 5/8 in. (6.7 cm), Glass, New England Glass Company (American, East Cambridge, Massachusetts, 1818–1888

A Reconstruction of the Temple of Fortuna, before 1704, Pen and black and brown ink, brush and brown wash, brush and grey ink, over red chalk, traces of black chalk. Partly incised?, 5 1/16 x 7 11/16 in. (12.9 x 19.5 cm), Drawings, Jan

A Concert, 19th century, Watercolor, sheet: 5 7/8 x 8 1/16 in. (14.9 x 20.5 cm), Drawings, Attributed to Daughters of Bishop Parr (British, 19th century

Lamp, Late Imperial, 3rd century A.D., Roman, Terracotta, Overall: 1 x 3 1/8 in. (2.5 x 7.9 cm), Terracottas

Flask, 1840–60, Made in Louisville, Kentucky, United States, American, Free-blown molded blue glass, H. 6 in. (15.2 cm), Glass, Possibly Kentucky Glass Works (ca. 1850–55

Danvers, February–July 14, 1864, Albumen silver print from glass negative, Image: 20 × 24.2 cm (7 7/8 × 9 1/2 in.), Photographs, André-Adolphe-Eugène Disdéri (French, Paris 1819–1889 Paris

Drawings and Prints, Books Prints Ornament & Architecture, New Modelbüch (Page 37r), Designer, Printer, Andreas Bretschneider, Henning Gross the younger, German, Dresden ca. 1578–ca. 1640 Leipzig, Bretschneider, Andreas, Gross, Henning

Drawings and Prints, Books Prints Ornament & Architecture, Schön Neues Modelbuch (Page 40 recto), Designer, Publisher, Johann Sibmacher, Balthasar Caymox, German, active 1590–1611, German, Bersse (?) 1561–1635 Nuremberg, Sibmacher,

Ewer of Zenobius, 700s, Avar or Byzantine, Silver, partial-gilt, 9 1/8 × 5 1/16 in., 20 Troy Ounces (23.2 × 12.9 cm, 652g), Metalwork-Silver, It is unclear whether this ewer, with its Greek inscription, is actually Byzantine. Though five

Drawings and Prints, Books Prints Ornament & Architecture, Prima parte de' fiori, page 5 (recto), Author, Printer, Publisher, Giovanni Battista Ciotti, Nicolo Moretti, Francesco de' Franceschi, Italian, born Siena, ca. 1560, Italian,

Design for Fountain with Dolphins and Grotesque Head, 18th century, Pen and gray wash, 7-1/16 x 5-1/4 in, Anonymous, Italian, 18th century

Cauldron, mid-15th century, Found/excavated Caucasus, Dagestan, Copper alloy; worked and incised, H. 15 3/8 in. (39 cm), Metal, This cauldron was made from a copper alloy sourced in the Caucasus Mountains, a region that has been mined for its

Drawings and Prints, Books Prints Ornament & Architecture, Corona delle Nobili et Virtuose Donne: Libro IV, page 66 (recto), Publisher, Cesare Vecellio, Italian, Pieve di Cadore 1521–1601 Venice, Vecellio, Cesare, Italian, 1521, 1601

Allegorical Tapestry with Sages of the Past, ca. 1480–1500, Made in Middle Rhineland, Germany, German, Linen warp; wool, metal-wrapped threads and wool pile, a: 54 1/2 × 84 1/2 in. (138.4 × 214.6 cm), Textiles-Tapestries, The subject

Coudry. Hubert, Louis. 24 ans, né à Paris XVe. Corroyeur. Anarchiste. 7/3/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914), Born

Roundel with the Temptation of Saint Anthony, 1532, Made in Swabia, German, Colorless glass, vitreous paint and silver stain, Overall: 8 in. (20.3 cm), Glass-Stained, Saint Anthony Abbot's test of faith at the hands of a clutch of demons is

Tea Bowl with Decoration of Standing Cranes, Edo period (1615–1868), mid- to late 18th century, Japan, Stoneware with inlaid design (Kyoto ware), H. 3 3/4 in. (9.5 cm); Diam. of rim 3 7/8 in. (9.8 cm); Diam. of foot 2 1/4 in. (5.7 cm),

Square, 4th century, Said to be from Egypt, Akhmim (former Panopolis), Linen, wool, 19 11/16 in. high 17 11/16 in. wide (50 cm high 45 cm wide), Textiles

The Repository of Arts, Literature, Commerce, Manufactures, Fashions, and Politics, 1st series, vol. 2, July–December 1809, Illustrations: hand-colored etching, engraving, woodcut, and textile samples, 9 7/16 in. × 6 in. × 1 3/4 in.

Jar with Carp in Lotus Pond, Ming dynasty (1368–1644), Jiajing mark and period (1522–66), mid-16th century, China, Porcelain painted with cobalt blue under and colored enamels over transparent glaze (Jingdezhen ware), H. 9 1/8 in. (23.2

Standing Figure of Christ with Arms Upraised, 1484–1539, Point of brush and brown wash in two shades, faintly squared in charcoal, on beige paper, 15-13/16 x 9-1/8 in. (40.2 x 23.1 cm), Drawings, Giovanni Antonio da Pordenone (Giovanni

Spouted Vessel, 注口土器, Late Jōmon (ca. 1500–1000 B.C.), Japan, Earthenware with carved and cord-marked decoration (Tohoku region, Tokoshinai 5 type), H. 6 1/4 in. (15.9 cm); Diam. 6 1/8 in. (15.6 cm); Diam. at spout 6 7/8 in. (17.5

Fragment, late 16th–early 17th century, Made in Iran, Cotton and silk (foundation), wool (pile); asymmetrically knotted pile, Mount: , Textiles-Rugs, Among the rarest of all classical Persian carpets is the Khorasan type, from northeastern

Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide), Codices

Relief plaque with ram's head from a god's figure, Late Period–Ptolemaic Period, 400–30 B.C., From Egypt, Limestone, H. 17.2 x W. 21.5 cm (6 3/4 x 8 7/16 in), Small Late Period and Ptolemaic reliefs or sculptures that depict a subject in a

Textile Fragment Depicting a Figure in a Landscape, 16th century, Attributed to Iran, Silk; lampas, Textile: H. 40 in. (101.6 cm), Textiles-Woven, This group of four fragments depicts a courtier holding a wine cup amid cypresses, flowering

Ornament Designs on Two Panels, the Central Cartouches Decorated with Tents, ca. 1880, Graphite on tracing paper, sheet: 9 1/2 x 6 11/16 in. (24.2 x 17 cm), Richardson Ellson & Co. (British

Vase with Dragons and Bats amid Clouds, Qing dynasty (1644–1911), Jiaqing period (1796–1820), China, Porcelain with incised decoration under turquoise glaze (Jingdezhen ware), H. 12 1/2 in. (31.8 cm), Ceramics

Drawings and Prints, Books Prints Ornament & Architecture, Corona delle Nobili et Virtuose Donne: Libro IV, page 2 (verso), Publisher, Cesare Vecellio, Italian, Pieve di Cadore 1521–1601 Venice, Vecellio, Cesare, Italian, 1521, 1601

Le Pompe: Opera Nova, page 10 (verso), 1557, Woodcut, Overall: 8 1/16 x 5 7/8 in. (20.5 x 15 cm), Published by Giovanni Battista & Marchio Sessa, Venice. From top to bottom, and left to right: Design composed of 3 vertical columns. Left column