Images at Librifly

Portrait of P.-A. Caron de Beaumarchais, n.d., Brush and brown wash over graphite underdrawing., 16.8 x 11.7 cm, Drawings, Jean-Baptiste-François Bosio (French, Monaco 1764–1827 Paris

윤동섬 초상 조선, 尹東暹肖像 朝鮮, Portrait of Yun Dongseom (1710–1795), Joseon dynasty (1392–1910), ca. 1790–1805, Korea, Hanging scroll; ink and color on silk, Image: 52 3/8 × 30 3/8 in. (133 × 77.2 cm), Paintings,

Rummer Tumbler, 1850–70, Made in Pittsburgh, Pennsylvania, United States, American, Pressed glass, H. 4 1/4 in. (10.8 cm), Glass, Bakewell, Pears and Company (1836–1882

3 of Nooses, from The Cloisters Playing Cards, ca. 1475–80, Made in Burgundian territories, South Netherlandish, Paper (four layers of pasteboard) with pen and ink, opaque paint, glazes, and applied silver and gold, 5 3/16 × 2 3/4 in.

'The Father's Advice Followed by a Son who Sets out to Join a Caravan with the Two Oxen', Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high

Designs for Two Chairs, 1841–84, Watercolor over graphite, sheet: 9 15/16 x 14 1/2 in. (25.3 x 36.8 cm), Charles Hindley and Sons (British, London 1841–1917 London

Target Bolt, ca. 1575–1650, probably Saxony, German, probably Saxony, Steel, copper alloy, wood (oak), L. 13 15/16 in. (35.3 cm); Diam. head 17/32 in. (1.4 cm); Wt. 2 oz. (56 g), Archery Equipment

Designs for Chinoiserie Furniture: Three Tables and a Prie-Dieu, ca. 1800, Leadpoint, sheet: 9 7/8 x 7 5/8 in. (25.1 x 19.4 cm), Anonymous, Italian, 18th or early 19th century

Fishboat, 1930, Oil on paperboard nailed to wood strainer, 24 1/4 × 33 1/4 in. (61.6 × 84.5 cm), Paintings, Arthur Dove (American, Canandaigua, New York 1880–1946 Huntington, New York), Dove spent much of his artistic career either

Noli me tangere, 1580–1610, Black chalk, highlighted with white chalk, on blue paper., 8 7/16 x 5 5/8 in. (21.5 x 14.3 cm), Drawings, Anonymous, Italian, Florentine, 16th century

Edfou (Apollonopolis Magna), Vue Générale du Temple, 1851–52, printed 1853–54, Salted paper print from paper negative, 23.9 x 30.4 cm. (9 7/16 x 12 in.), Photographs, Félix Teynard (French, 1817–1892

[La Comtesse décolletée; Roses mousseuses], 1861–67, Salted paper print from glass negative, 44.8 x 29.2 cm (17 5/8 x 11 1/2 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913), This enlargement, made from the same negative as ,

Belt Buckle, 7th century, Frankish, Iron, silver and brass inlay, Overall: 3 3/4 x 1 5/8 x 1/2 in. (9.5 x 4.2 x 1.2 cm), Metalwork-Iron

Hat, 1887, French

Two Sleeping Children, n.d., Black chalk, heightened with white chalk, Sheet: 5 15/16 x 8 3/4 in. (15.1 x 22.2cm), Drawings, William Bouguereau (French, La Rochelle 1825–1905 La Rochelle

Writing Box, Edo period (1615–1868), 18th century, Japan, Lacquer with pewter and gold, H. 1 5/8 in. (4.1 cm); W. 8 1/4 in. (21 cm); L. 9 in. (22.9 cm), Lacquer, Formerly Attributed to Ogata Kōrin (Japanese, 1658–1716

[Cache of Cannon]. Brady album, p. 123, 1861–65, Albumen silver print from glass negative, Photographs

Pair of Gauntlets, ca. 1585, Milan, Italian, Milan, Steel, gold, silver, leather, L. of each 9 1/4 in. (23.5 cm); W. of each 3 3/4 in. (9.53 cm), Armor Parts-Gauntlets, These small gauntlets belong to an armor for foot tournament made for

Beads from a Necklace, 6th–7th century, Frankish, Glass, amethyst, quartz, glazed earthenware (faience), Overall: length of string 26 3/16 x 1 1/8 in. (66.5 x 2.8 cm), Glass-Beads

Covered Dish with Tray, 19th century, Pen and wash, 16 x 9-1/2 in, Drawings, Anonymous, Italian, 19th century

Fork, 1861–65, Albumen silver print from glass negative, Photographs

[Thatched House, People in Foreground, Telegraph Lines in Background], 1860s–70s, Albumen silver print from glass negative, 18.2 x 23.6 cm (7 3/16 x 9 5/16 in.), Photographs, Unknown

La Capresse des Colonies, 1861, French, Paris, Algerian onyx-marble, bronze and gilt bronze, and enamel; white marble socle, Overall on socle (confirmed): H. 37 3/4 x W. 23 1/4 x D. 12 1/4 in., 208.4lb. (95.9 x 59.1 x 31.1 cm, 946kg) [Weight

Fragment, 5th century, Attributed to Egypt, Wool, linen; plain weave, tapestry weave, Textiles

Water Jar, Qing dynasty (1644–1911), Kangxi mark and period (1662–1722), 1678–88, China, Porcelain with peach-bloom glaze (Jingdezhen ware), H. 2 1/4 in. (5.7 cm); Diam. 3 3/4 in. (9.5 cm), Ceramics

Hat, ca. 1887, American or European, straw, silk

Beaker, ca. 1805, Made in New York, United States, American, Silver, H. 4 in. (10.2 cm) 7oz. 16 dwt (180.1g), Silver, Benjamin Halsted (1734–1817

Potpourri vase, ca. 1810, German, Berlin, Glass, gilded yellow metal, marble, Overall (confirmed): 20 1/2 × 12 7/8 × 9 1/8 in., 9lb. (52 × 32.7 × 23.2 cm, 47kg), Glass, This vase embodies the elegant simplicity characteristic of

Two Draft Horses with a Sleeping Driver, 1820–22, Brush with brown ink, brown and gray wash over graphite, 11 3/4 x 15 1/16 in. (29.9 x 38.2 cm), Drawings, Théodore Gericault (French, Rouen 1791–1824 Paris

Bowl with Three Scalloped Feet, Muromachi period (1392–1573), 16th century, Japan, Negoro ware; red lacquer over black lacquer, Diam. 16 7/8 in. (43 cm), Lacquer

4 of Collars, from The Cloisters Playing Cards, ca. 1475–80, Made in Burgundian territories, South Netherlandish, Paper (four layers of pasteboard) with pen and ink, opaque paint, glazes, and applied silver and gold, 5 3/16 × 2 3/4 in.

Designs for One Half of an Overdoor, and One Half of a Pedestal (?), 1700–1780, Pen and brown ink, brush and gray wash, over traces of lead point or construction in lead point or graphite, framing outlines in pen and brown ink, Sheet: 9 3/4

Cuneiform tablet impressed with seals: administrative document inscribed in Achaemenid Elamite, Achaemenid, ca. 500 B.C., Iran, Qasr-i Abu Nasr, Achaemenid, Clay, 0.98 x 1.38 x .67 in. (2.49 x 3.51 x 1.7 cm), Clay-Tablets-Inscribed-Seal

Vase in the Form of a Double Gourd, 17th century, Attributed to Iran, Stonepaste; painted under transparent glaze, H. 5 1/2 in. (14 cm), Ceramics

Tile, marsh scene, New Kingdom, Amarna Period, Dynasty 18, ca. 1353–1336 B.C., From Egypt, Middle Egypt, Amarna (Akhetaten), Royal Palace of Akhenaten, Petrie excavations, 1891–92, Polychrome faience, h. 7.5 cm (2 15/16 in.); w. 5.5

Europe, 16th century (?), Pen and brown ink, brush and brown wash. Squared in black chalk, 9 1/4 x 12 in. (23.5 x 30.5 cm), Drawings, Anonymous, Netherlandish, 16th century ?, after Maerten de Vos (Netherlandish, Antwerp 1532–1603

Christ Healing the Lepers, ca. 1545 (?), Etching, Prints, Andrea Schiavone (Andrea Meldola) (Italian, Zadar (Zara) ca. 1510?–1563 Venice), In Mariette Album, folio 19

Nigella Damascena Spinnenkopf, ca. 1932, printed 1976, Gelatin silver print, 25.2 x 19.3 cm. (9 15/16 x 7 5/8 in.), Photographs, Karl Blossfeldt (German, 1865–1932

Knife, 17th century, Italian, Steel, wood (ebony), gold, L. 11 9/16 in. (29.3 cm); L. of blade 7 1/4 in. (18.4 cm); W. 1 1/16 in. (2.7 cm); W. of blade 1 1/16 in. (2.7 cm); thickness of blade 1/8 in. (0.3 cm); Wt. 2.8 oz. (80 g), Knives

Fragment of Mail, before 1271, probably European, Steel, 2 x 2 3/4 in. (5 x 7 cm), Mail

Les étoiles de jois, 1860s, Albumen silver print from glass negative, Photographs, Pierre-Louis Pierson (French, 1822–1913

Page from a Scrapbook containing Drawings and Several Prints of Architecture, Interiors, Furniture and Other Objects, Workshop of Charles Percier (French, Paris 1764–1838 Paris), Workshop of Pierre François Léonard Fontaine (French, Pontoise

Drawings and Prints, Books Prints Ornament & Architecture, Fiore D'Ogni Virtu Per le Nobili Et Honeste Matrone, page 21 (recto), Designer, Publisher, Isabella Catanea Parasole, Antonio Fachetti, Italian, ca. 1565/70–ca. 1625, Rome,

Lacquer Comb with Geese and Autumn Grasses, 月観作　雁秋草蒔絵櫛, Meiji period (1868–1912), second half of the 19th century, Japan, Lacquered wood with gold, silver hiramaki-e, red lacquer on gold ground, L. 3 5/16 in. (8.4 cm);

Design of a Carving Chair, 1884–92, Watercolor over graphite, sheet: 12 3/8 x 10 1/2 in. (31.4 x 26.7 cm), Charles Hindley and Sons (British, London 1841–1917 London

Design for Two Knife Handles, 1553–1615, Engraving, plate: 10 x 4 5/8 in. (25.4 x 11.8 cm), Prints, Cherubino Alberti (Zaccaria Mattia) (Italian, Borgo Sansepolcro 1553–1615 Rome), After Francesco Salviati (Francesco de' Rossi) (Italian,

Drawings and Prints, Books Prints Ornament & Architecture, Teatro delle Nobili et Virtuose Donne..., page 42 (recto), Author, Publisher, Isabella Catanea Parasole, Mauritio Bona, Italian, ca. 1565/70–ca. 1625, Rome, Parasole, Isabella

Disk Brooch, 6th century, Frankish, Silver, garnets; gilt with patterned foil backings, emeralds; silver back with gilt, beaded edge; no spring/pin extant, Overall: 1 1/16 x 3/8 in. (2.7 x 0.9 cm), Metalwork-Silver, Garnets, worked in the

Drawings and Prints, Books Prints Ornament & Architecture, Page from Eyn Newe kunstlich moetdelboech alle kunst (Page 14r), Publisher, Peter Quentel, German, active Cologne, 1518–46, Cologne, Quentel, Peter, German, 1500, 1550, 1532

Black and White Dog, Head Turned to the Left, 1794–95, Graphite, heightened with white chalk, orange chalk, on brown paper, 4 13/16 x 6 1/4 in. (12.3 x 15.9 cm), Drawings, Jean-Baptiste Huet I (French, Paris 1745–1811 Paris

Study of a King, Pen and brown ink, 4 1/16 x 2 15/16 in. (10.3 x 7.4 cm), Drawings, Rodolphe Bresdin (French, Montrelais 1822–1885 Sèvres

Adoration of the Shepherds, 1600–1605, Black and red chalk with traces of yellow chalk, 8-1/6 x 8-1/2 in. (20.7 x 21.6 cm), Drawings, Hendrick Goltzius (Netherlandish, Mühlbracht 1558–1617 Haarlem

Drawings and Prints, Books Prints Ornament & Architecture, Il Monte. Opera Nova di Recami, page 11 (recto), Binder, Designer, Publisher, Chambolle-Duru, Giovanni Antonio Bindoni, Giovanni & Marchio Sessa, French, 19th century, Italian,

Linen mark, Wah, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Wah, Mummy, 1920, Linen

Study of a Dead Tree, 1840–99, Graphite, sheet: 9 15/16 x 6 7/8 in. (25.2 x 17.5 cm), Drawings, Myles Birket Foster (British, Northumberland 1825–1899 Braeside

Wooded hillside with deer, 1780–1827, Pen and brown ink, wash with graphite, sheet: 8 3/8 x 12 1/2 in. (21.3 x 31.8 cm), Drawings, Thomas Rowlandson (British, London 1757–1827 London

St. Michael's Church, Charleston, S.C., ca. 1864, Albumen silver print from glass negative, Photographs, George N. Barnard (American, 1819–1902

The Falcon's Bath, ca. 1400–1415, South Netherlandish, Wool warp, wool wefts, Overall: 100 x 91in. (254 x 231.1cm), Textiles-Tapestries

Metal Bracket Supporting a Street lamp, St. Honoré, second half 19th century, Graphite on tracing paper, plate: 5 1/4 x 4 in. (13.4 x 10.2 cm), Anonymous, British, 19th century

A Death Scene, 17th century, Pen and dark brown ink with brush and brown wash, over red chalk underdrawing, 12 x 8-1/2 in. (30.5 x 21.6 cm), Drawings, Anonymous, Spanish, 17th century

Glass oinochoe, Classical or Hellenistic, mid-4th–early 3rd century B.C., Greek, Glass; core-formed, Group II, Other (H. w/ handles): 8 1/4 in. (20.9 cm), Glass, Translucent blue, with same color handle; trails and blobs in yellow and pale

Melchizedek Offering Bread and Wine, 16th century, Pen and brown ink, brown wash, Roundel: 3-3/4 in. (9.5 cm) in diameter, Drawings, Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580

Panel from a Hathor Column, Late Period–Ptolemaic Period, Dynasty 30–early Ptolemaic Period, 380–200 BC, From Egypt, Cedar, H. 44.8 cm (17 5/8 in); w. 26.7 cm (10 1/2 in), The panel may have originally formed one of the four faces of a

Illustrated Legends of the Kitano Shrine (Kitano Tenjin Engi), Kamakura period (1185–1333), 13th century, Japan, Handscroll; ink and color on paper, 11 3/4 in. x 28 ft. 3 3/4 in. (29.8 x 863 cm), Paintings, Emaki artists, Japanese artists

Globular Jar of King Merneferre Aya, Middle Kingdom, Dynasty 13, ca. 1700–1676 B.C., From Egypt, Obsidian, H. 4.0 cm (1 9/16 in.), D. 4.2 cm high (1 5/8 in

[View in New Hampshire], 1840–41, Daguerreotype, Image: 5 3/4 × 7 7/8 in. (14.6 × 20 cm), Photographs, Samuel Bemis (American, 1789–1881

Miracle of St. Sylvester; the Raising of Two Pagan Priests, after Maso di Banco, S. Croce, Florence, 1835–64, Graphite, 8 9/16 x 11 1/4 in. (21.7 x 28.6cm), Drawings

Shirt of Mail, 15th century, German, Steel, copper alloy (latten), iron, brass, H. (as mounted) 36 in. (91.5 cm); W. 56 5/16 in. (143.0 cm); W. of chest 24 3/8 in. (62.0 cm); Diam. (outside) of iron links 3/8 in. (9.3 mm); Diam. (inside) of

Designs for side chairs, 18th century, Graphite, sheet ((1)): 6 5/8 x 4 7/16 in. (16.9 x 11.2 cm), Drawings, Attributed to Anonymous, German, 18th century

Beaker, early 18th century, Hungarian, Úrvölogy (formerly Herrengrund), Copper, partly gilded, low-alloy silver, Overall: 1 15/16 x 3 1/8 x 3 1/8 in. (5 x 8 x 8 cm), Metalwork-Silver

Fragment, Qing dynasty (1644–1911), 19th century, China, Enamel, H. 1 1/4 in. (3.2 cm); W. 1 1/4 in. (3.2 cm), Enamels

Vendel. Jules. 34 (ou 33) ans, né le 2/4/61 à Chevry (Ain). Garçon de cuisine. Anarchiste. 2/7/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Aeneas and the Sibyl in the Underworld, 1630s, Oil on copper, 10 1/2 x 14 1/8 in. (26.7 x 35.9 cm), Paintings, Jan Brueghel the Younger (Flemish, Antwerp 1601–1678 Antwerp), This infernal image of the 1630s was inspired by the 'hell

Self-Portrait, from The Iconography, ca. 1630, Etching; first state of seven, 9 1/2 x 6 1/8in. (24.1 x 15.6cm), Prints, Anthony van Dyck (Flemish, Antwerp 1599–1641 London), In this lively 'Self-Portrait' of about 1640, Anthony van Dyck

Design for a Church Gate, ca. 1880, Pen and ink, wash and watercolor on tracing paper, sheet: 7 11/16 x 4 13/16 in. (19.5 x 12.3 cm), Richardson Ellson & Co. (British

Self-Portrait, ca. 1866, Conté crayon, sheet: 10 1/2 x 8 1/4 in. (26.7 x 21 cm), Drawings, Gustave Courbet (French, Ornans 1819–1877 La Tour-de-Peilz

Spoon, mid-16th century, possibly Hungarian, Silver, partly gilded, Length: 7 13/16 in. (19.8 cm), Metalwork-Silver, The carefully applied partial gilding and the elaborate leaf-shaped handle of this spoon reflect the international court style

Leopard-Head Girdle of Sithathoryunet, Middle Kingdom, Dynasty 12, ca. 1887–1813 B.C., From Egypt, Fayum Entrance Area, Lahun, Tomb of Sithathoryunet (BSA Tomb 8), Chamber E, box 1, BSAE excavations 1914, Gold, amethyst, diorite

Luks: Painter, ca. 1901, Platinum print, Image: 8 1/16 × 6 1/8 in. (20.4 × 15.6 cm), Photographs, Frederick H. Evans (British, London 1853–1943 London

Lamp, 1st century B.C.–1st century A.D., Roman, Cypriot, Terracotta, Overall: 7/8 x 3 1/2 in. (2.2 x 8.9 cm), Terracottas

Pygmalion, from Histoire Ancienne, published in Le Charivari, December 28, 1842, December 28, 1842, Lithograph; third state of three (Delteil), Sheet: 11 3/4 × 8 9/16 in. (29.8 × 21.8 cm), Prints, Honoré Daumier (French, Marseilles

Terracotta kylix (drinking cup), Archaic, ca. 510–500 B.C., Greek, Attic, Terracotta; red-figure, H. 2 15/16 in. (7.5 cm), Vases, Interior, maenad with bird. Like the cup by the Kiss Painter, this work was shaved down in antiquity. The

Romulus Receiving the Augury, 17th century, Pen and brown ink, brush and brown wash over black chalk on cream paper. Framing outline in brown ink, 8-11/16 x 6-7/8 in. (22 x 17.45 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th

General Bonchamp Shown in a Pose Designed for His Tomb (Recto), 19th century, Graphite, pen and bown ink (recto); graphite (verso), 8 7/16 x 11 in. (21.4 x 28 cm), Drawings, Pierre Jean David d'Angers (French, Angers 1788–1856 Paris

Haremhab as a Scribe of the King, New Kingdom, Dynasty 18, ca. 1336–1323 B.C., From Egypt; Said to be from Memphite Region, Memphis (Mit Rahina), Ptah Temple, a hole among palm trees, Granodiorite, h. 113 cm (44 1/2 in); w. 71 cm (27 15/16

Glass ornaments, Late Helladic III, ca. 1370–1200 B.C., Helladic, Mycenaean, Glass; mold-pressed, Other (Middle row): 1 3/8 x 7/16 x 1/8 in. (3.5 x 1.1 x 0.3 cm), Glass, Group of thirty-seven ornaments, of seven different designs., 1. One

Design for a window, late 19th–early 20th century, Made in New York, United States, American, Watercolor, gouache, graphite, and ink on paper, Overall: 24 1/8 x 12 3/4 in. (61.3 x 32.4 cm), Drawings, Possibly Tiffany Glass Company

Page from Illustrations and Explanations of the Three Jewels (Sanbō e-kotoba), one of the Tōdaiji Fragments (Tōdaiji-gire), 『三宝絵詞』断簡　（東大寺切）, Heian period (794–1185), 1120, Japan, Page from a book; ink on

Finger Bowl, 1880–88, Made in Sandwich, Massachusetts, United States, American, Blown amber glass with applied threaded decoration, H. 2 1/2 in. (6.4 cm); Diam. 5 1/8 in. (13 cm), Glass, Possibly Boston & Sandwich Glass Company (American,

Linen marks from the wrappings of Henhenet's mummy, Middle Kingdom, Dynasty 11, ca. 2051–2030 B.C., From Egypt, Upper Egypt, Thebes, Deir el-Bahri, Temple of Mentuhotep II, Pit 11 (Henhenet), Egypt Exploration Fund excavations,

Terracotta statuette of an enthroned goddess between two attendants, Cypro-Classical II, 4th century B.C., Cypriot, Terracotta; mold-made, h. 10 13/16 in. (27.5 cm), Terracottas, This figurine is one of the most completely preserved of a group

Female Figure Seated Beside an Urn, 1800, Pen and brown ink and brown wash over black chalk, 4 7/8 x 7 5/16 in. (12.4 x 18.6 cm), Drawings, circle of Angelica Kauffmann (Swiss, Chur 1741–1807 Rome

Medallion, 1777, Probably made in France, Terracotta, Diam. 4 1/2 in. (11.4 cm), Ceramics, Jean-Baptiste Nini (Italian, Urbino 1717–1786 Chaumont-sur-Loire

Design for a Mirror, mid-18th–early 19th century, James Wyatt (British, Weeford, Stafforshire 1746–1813 near Marlborough, Wiltshire

Openwork Belt Fitting, 6th century, Made in Northern France; Made in Alamanian, Frankish, Copper alloy, Overall: 2 3/8 x 1/16 in. (6.1 x 0.1 cm), Metalwork-Copper alloy

Tea Spoon, 1760–75, Made in New York, New York, United States, American, Silver, L. 6 3/4 in. (17.1 cm), Silver, Myer Myers (1723–1795

Moreau. Louis. 40 ans, né le 22/10/53 à Villiers (Nièvre). Tailleur de pierre. Anarchiste. 2/7/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Death of Christ Redeeming Souls from Purgatory, 17th century, Pen and brown ink over black chalk on light tan paper. Arched top, 10-1/16 x 5-1/16 in. (25.5 x 12.8 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

A Reconstruction of the Temple of Romulus and Remus (above) and a View of the Ruins (below), before 1704, Pen and black ink, brush and grey wash, traces of red chalk., 13 x 8 1/4 in. (33.0 x 21.0 cm), Drawings, Jan Goeree (Dutch, Middelburg

[Union Officer Standing at Attention], 1861–65, Ambrotype, Image: 10.8 x 8.3 cm (4 1/4 x 3 1/4 in.), Photographs, Unknown (American), This formal portrait of a Union officer standing at attention in a handsomely appointed studio is typical of