Images at Librifly

A Great Titmouse (Parus major) Perched on a Branch, 1670–93, Watercolour, bodycolour, sheet: 9 1/4 x 7 3/8 in. (23.5 x 18.8 cm), Drawings, Pieter Withoos (Dutch, 1654–1693

Pair of flower vases (vases hollandois), 1757–58, French, Sèvres, Soft-paste porcelain, Each, 7 1/2 × 7 3/4 × 5 5/8 in. (19.1 × 19.7 × 14.3 cm), Ceramics-Porcelain

Opera Nova Universali intitulata Corona di racammi, page 16 (verso), [1530], Woodcut, Overall: 8 7/8 x 6 7/8 in. (22.5 x 17.5 cm), Published by Giovanni Andrea (called 'Guadagnino') Vavassore, Italian, active 16th century, Venice. From top to

Drawers, ca. 1890, French, cotton

北魏/北齊 彩繪陶鎮墓獸, Tomb Guardian (Zhenmushou), Northern Wei (386–534)–Northern Qi (550–577) dynasty, mid-to-late 6th century, China, Earthenware with pigment, H. 12 in. (30.5 cm); W. 6 1/8 in. (15.6 cm); D. 12 1/2 in. (31.8

Drawing after a XVIth Century Marble Pilaster and Capital., 1886, Pencil, sheet: 18 1/4 x 12 1/4 in. (46.4 x 31.1 cm), Drawings, Ignazio Dimino (Italian

Plate, 1880–88, Made in Sandwich, Massachusetts, United States, American, Blown amber glass with applied threaded decoration, Diam. 6 5/16 in. (16 cm), Glass, Possibly Boston & Sandwich Glass Company (American, 1825–1888, Sandwich,

Tripod Candlestick, first half 14th century, Attributed to Egypt, Brass; cast, engraved, incised, and inlaid with silver, H. 12 5/8 in. (32 cm), Metal

Fairlop Fair, Essex, ca. 1816, Pen and brown and grey inks, tinted with watercolor, Sheet: 8 5/16 x 14 3/16 in. (21.1 x 36 cm), Drawings, Thomas Rowlandson (British, London 1757–1827 London

The Mouth of a Cave, 1784, Oil on canvas, 68 3/4 x 31 1/4 in. (174.6 x 79.4 cm), Paintings, Hubert Robert (French, Paris 1733–1808 Paris), From a set of six paintings made for the salle des bains of the comte d'Artois, Louis XVI's youngest

City Shelter (Städtisches Obdach), 1926, Lithograph, image: 17 1/4 x 21 1/4 in. (43.8 x 54 cm), Prints, Käthe Kollwitz (German, Kaliningrad (Königsberg) 1867–1945 Moritzburg

Disk Brooch, 7th century, Frankish, Silver sheet; blue, green and clear glass, Overall: 2 1/8 x 7/8 in. (5.4 x 2.2 cm), Metalwork-Silver

A Peasant Leading his Horse on the Outskirts of a Wood, late 18th–mid 19th century, Gouache, over traces of graphite. Framing line in gold., 9 x 11 5/8 in. (22.9 x 29.5 cm), Drawings, Pieter Barbiers II (Dutch, Amsterdam 1749–1842

Bridge. U.S. Military Railroad at City Point, 1861–65, Albumen silver print from glass negative, Photographs, Andrew Joseph Russell (American, 1830–1902

Oudin. Clovis. 49 ans, né à Saint-Hilaire (Marne). Mécanicien. Anarchiste. 2/3/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914),

Egg Cup, ca. 1760, Probably made in Bristol, Bristol, England, British, Opaque glass with enamel decoration, H. 2 5/8 in. (6.7 cm), Glass

Design for Wooden Desk, 1841–84, Graphite, sheet: 10 11/16 x 14 in. (27.2 x 35.6 cm), Charles Hindley and Sons (British, London 1841–1917 London

Newes Modelbuch in Kupffer(Page 36r), Johann Sibmacher (German, active 1590–1611), 1604

Cushion with Susanna and the Elders, first quarter 17th century, British, Silk and metal thread on canvas, H. 7 1/4 x W. 10 1/4 inches (18.4 x 26.0 cm), Textiles-Embroidered

清 琥珀寒山拾得像, Hanshan and Shide, Qing dynasty (1644–1911), 17th–18th century, China, Amber, H. 3 1/2 in. (8.9 cm), Amber

Design of Antique Pitcher, 16th century, Pen and brown ink, Drawings, Anonymous, Italian, 16th century

Study for 'The 'Bessie' of New York', 1932, Ink and watercolor on paper, 5 x 7 in. (12.7 x 17.8 cm), Drawings, Arthur Dove (American, Canandaigua, New York 1880–1946 Huntington, New York

[La Comtesse in Lace Shawl], 1860s, Salted paper print from glass negative, 54.6 x 36.2 cm (21 1/2 x 14 1/4 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Design for a Frontispiece with the Medici Arms, 16th century, Pen and brown ink, brush and blue wash, heightened with white, incised for transfer; with collage, 7-1/2 x 11-5/8 in. (19.1 x 29.5 cm), Drawings, Jan van der Straet, called

Dish, early Edo period (1615–1868), Japan, Porcelain with celadon glaze and enamels (Hizen ware), H. 7/8 in. (2.2 cm); Diam. 5 3/4 in. (14.6 cm), Ceramics

Drawings and Prints, Books Prints Ornament & Architecture, Essempio di recammi, page 25 (recto), Author, Publisher, Giovanni Antonio Tagliente, Giovanni Antonio di Nicolini da Sabio e i fratelli, Italian, Venice ca. 1465–1528 Venice,

Writing Box with Design of Maple Leaves and Bugaku Hat from the Tale of Genji, Edo period (1615–1868), 18th century, Japan, Gold and glazed pottery on colored lacquer inlaid with mother-of-pearl, H. 1 1/2 in. (3.8 cm); W. 7 in. (17.8 cm); L 9

Design for Cheval Glass, 1835–1900, Ink, graphite, watercolor, Robert William Hume (British, London 1816–1904 Long Island City

Cup Plate, 19th century, Made in Sandwich, Massachusetts, United States, American, Lacy pressed glass, Diam. 3 5/8 in. (9.2 cm), Glass, Probably Boston & Sandwich Glass Company (American, 1825–1888, Sandwich, Massachusetts

Roundel with Wild Man Supporting a Heraldic Shield, 1510–30, South Netherlandish, Colorless glass, vitreous paint and silver stain, Overall Diam.: 8 1/4 in. (21 cm), Glass-Stained

Neolithic Amulet, 2500 B.C–A.D. 700, Neolithic, Stone, Overall: 2 7/16 x 1 5/8 x 1/8 in. (6.2 x 4.2 x 0.3 cm), Miscellaneous-Stone

Landscape with a Mill (recto); A Steepled Façade and Farm House (verso), 17th century, Black chalk, gray wash, with traces of framing line in black chalk (recto); black chalk and wash (verso), 7 7/8 x 24 1/4 in. (20 x 61.6 cm), Drawings,

Mug, 1704, Hungarian, Transylvania, Silver, partly gilded, Overall: 3 7/8 x 2 15/16 in. (9.8 x 7.4 cm), Metalwork-Silver, This mug is engraved with the coat of arms of the Serédi family and an inscription that states Sofia Serédi

Winter Landscape with Two Peasants Walking, 1710–69, Brush and brown and blue ink, sheet: 6 15/16 x 11 9/16 in. (17.6 x 29.3 cm), Drawings, August Dahlsteen (Swedish, Stockholm before 1720–ca. 1769 Kassel

Spear, 17th century, North Indian, Steel, gold, L. 63 1/4 in. (160.7 cm); L. of head 14 15/16 in. (37.9 cm); W. 1 in. (2.5 cm); Wt. 2 lbs. 1.3 oz. (944 g), Shafted Weapons, Spears were a versatile tool for royal hunting expeditions, as

Ground Plan for the Hotel de la Rochefoucauld Doudeauville and its Garden, Paris, n.d., Pen and black ink, with colored washes, over graphite underdrawing, 54 7/16 x 17 5/8 in. (138.2 x 44.7 cm), Drawings, Jean Jacques Huvé (French,

Window Seat, 1841, Made in United States, American, Rosewood veneer on white pine, silk, 18 x 43 x 16 in. (45.7 x 109.2 x 40.6 cm), Furniture, D. Phyfe & Son (1840–1847), This architectural window seat is one of four from a large set of

東漢 彩繪陶舞俑（兩件）, Rustic Dancers, Eastern Han dynasty (25–220), China, Earthenware with traces of pigment, a: H. 6 1/2 in. (16.5 cm); W. 3 3/4 in. (9.5 cm); D. 3 3/8 in. (8.6 cm), Tomb Pottery

Puxian (Samantabhadra, Bodhisattva of Universal Benevolence), Qing dynasty (1644–1911), late 17th century, China, Porcelain with clear glaze (Dehua ware or 'blanc de chine, ' Fujian Province), H. 8 1/4 in. (21 cm); W. at base 4 1/4 in. (10.8

Alabama River, 1860s, Albumen silver prints, Mount: 10 x 17.7 cm (3 15/16 x 6 15/16 in.), Photographs, Unknown (American

Drawings and Prints, Books Prints Ornament & Architecture, Gemma pretiosa della virtuose donne, page 13 (recto), Designer, Publisher, Isabella Catanea Parasole, Gugliemo Facciotti, Italian, ca. 1565/70–ca. 1625, Rome, Parasole, Isabella

Tumbler, 1850–60, Probably made in Pittsburgh, Pennsylvania, United States, American, Pressed glass, H. 3 7/8 in. (9.8 cm); Diam. 3 1/2 in. (8.9 cm), Glass, With the development of new formulas and techniques, glass-pressing technology

[Aqueduct, Smyrna], 1880s, Albumen silver print from glass negative, Photographs, Unknown

Christ in Emmaus, late 16th century, Engraving, sheet: 7 13/16 x 6 in. (19.9 x 15.3 cm), Prints, Johann Sadeler I (Netherlandish, Brussels 1550–1600/1601 Venice), After Peter Candid (Pieter de Witte, Pietro Candido) (Netherlandish, Bruges

Diploma of the Freemasons of Bordeaux, Black and white oil paint on brown paper, 15 3/8 x 10 5/8 in. (39.1 x 27 cm), Drawings, François Boucher (French, Paris 1703–1770 Paris

Plate, 1870–90, Made in Pittsburgh, Pennsylvania, United States, American, Pressed yellow glass, Diam. 9 in. (22.9 cm), Glass, Adams and Company

Lamp, 1st century B.C.–1st century A.D., Roman, Terracotta, Overall: 1 x 3 7/8 in. (2.5 x 9.8 cm), Terracottas

Design for the Facade of an Arsenal., 1837, Pen and black ink, brush with gray and pale brown wash, over traces of graphite ruled construction, sheet: 25 1/8 x 31 1/4 in. (63.8 x 79.4 cm), Drawings, C. Pompetti (Italian

Drawings and Prints, Books Prints Ornament & Architecture, Libro quarto. De rechami per elquale se impara in diuersi modi lordine e il modo de recamare...Opera noua, page 7 (recto), Publisher, Alessandro Paganino, Italian, active Salò,

Design for a Mirror, 1841–84, Graphite, sheet: 12 13/16 x 8 1/8 in. (32.5 x 20.6 cm), Charles Hindley and Sons (British, London 1841–1917 London

Ornament with Children Catching Ducks on Baited Strings, ca. 1780–1820, Graphite, sheet: 12 13/16 x 8 in. (32.5 x 20.3 cm), Drawings, Anonymous, German, 19th century

Two Ladies Being Shown Fabric in a Dress Shop, 19th century, Watercolor, sheet: 5 1/4 x 5 1/2 in. (13.4 x 13.9 cm), Drawings, Anonymous, British, 19th century

Design for an Interior Wall Decoration of a Palazzo with Two Doorways and a Decorated Panelling with Trophies, 18th century, Pen and brown ink, brush and gray, yellow, blue and green wash (only in right half of sheet), over traces of black

Box with lid, late Ming dynasty (1368–1644), 1368–1644, China, Lacquer with inlay, H. 3 7/8 in. (9.8 cm); W. 8 in. (20.3 cm); L. 15 1/2 in. (39.4 cm), Lacquer

Glass alabastron (perfume bottle), Early Hellenistic, late 4th–early 3rd century B.C., Greek, Eastern Mediterranean, Glass; core-formed, Group II, H.: 2 3/4 in. (7.1 cm), Glass, Semi-opaque cobalt blue, with handles in same color; trails

The Martial Macaroni, November 6, 1771, Etching, plate: 6 3/16 x 4 1/8 in. (15.7 x 10.5 cm), Prints

Mirror with Dionysos, Late Classical, 4th century B.C., Etruscan, Bronze, Diameter (.b): 5 13/16 in. (14.8 cm), Bronzes

Sculptor at Work on a Colossal Statue, mid-18th–18th century, Pen and brown ink, brush and gray wash, white gouache, on gray paper., 16 7/16 x 10 1/2 in. (41.7 x 26.7 cm), Drawings, Carl August Ehrensvärd (Swedish, 1745–1800), This

Standing Woman, early 17th–mid 17th century, Lead and black chalk on paper., 4 7/8 x 3 1/4 in. (12.4 x 8.3 cm), Drawings, Attributed to Jan van Goyen (Dutch, Leiden 1596–1656 The Hague

梶川文竜斎作 宝船蒔絵印籠, Inrō with Treasure Boat, Edo period (1615–1868), 19th century, Japan, Gold and black lacquer and nashiji ground with gold and silver hiramaki-e, red lacquer, and mother-of-pearl inlay, 3 7/16 x 2 1/16

Two Men and a Boat by a House on the Water, 17th century (?), Pen and black ink, sheet: 29 1/2 x 4 3/16 in. (75 x 10.6 cm), Drawings, Anonymous, Dutch, 17th century

Baerisvuyl. Frédéric, Jean. 28 ans, né à Fribourg (Suisse). Ébéniste. Anarchiste. 8/1/93., 1893, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Ceiling Design, 19th century, Ink and watercolor and gold, Anonymous, British, 19th century

Tobacco pouch, Edo period (1615–1868), 18th century, Japan, Iron, H. 4 3/4 in. (12.1 cm); W. 2 1/2 in. (6.4 cm), Tobacco Pouches

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 29v), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

The Evacuation of Fort Sumter, April 1861, April 1861, Albumen silver print from glass negative, Image: 1 15/16 × 3 1/8 in. (5 × 7.9 cm), Photographs

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 25v), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

[Geisha with Attendant], 1860s, Ambrotype, Image: 10 x 7.6 cm (3 15/16 x 3 in.), Photographs, Yokoyama Matsusaburo (Japanese, 1838–1884), When Japan opened its ports to the West in the 1850s, photography—called shashin, literally, a

Figure 62: Terror, semiprofile, 1854–56, printed 1862, Albumen silver print from glass negative, Image: 28.4 × 20.3 cm (11 3/16 × 8 in.), Photographs, Guillaume-Benjamin-Amand Duchenne de Boulogne (French, 1806–1875), Adrien Tournachon

Plate depicting a lady with parasol, ca. 1734–37, Chinese, for Dutch market, Hard-paste porcelain painted with cobalt blue under transparent glaze (Jingdezhen ware), Overall: 4 1/8 × 19 1/2 in. (10.5 × 49.5 cm), Ceramics-Porcelain-Export,

The Return of the Cattle, ca. 1773–75, Oil on canvas, 80 3/4 x 48 in. (205.1 x 121.9 cm), Paintings, Hubert Robert (French, Paris 1733–1808 Paris), The picture is a pendant to The Portico of a Country Mansion

明 佚名 白衣觀音圖 軸, White-Robed Guanyin, Ming dynasty (1368–1644), late 14th century, China, Hanging scroll; ink on paper, Image: 36 x 12 7/8 in. (91.4 x 32.7 cm), Paintings, Unidentified, According to Buddhist belief, Guanyin

Design for a Baroque Style Chair, 18th century (?), Pen and brown ink, sheet: 17 3/8 x 10 7/16 in. (44.2 x 26.5 cm), Anonymous, British, 18th century

漢 綠釉陶羊頭, Ram's Head, Han dynasty (206 B.C.–A.D. 220), China, Pottery with green glaze, H. 5 3/4 in. (14.6 cm); W. 4 1/2 in. (11.4 cm); D. 5 1/4 in. (13.3 cm), Tomb Pottery

Holy Woman, ca. 1480, South Netherlandish, Walnut, polychromy and gilding, Overall: 19 5/16 x 5 5/8 x 4 13/16 in. (49 x 14.3 x 12.3 cm), Sculpture-Wood

Design for Heraldic Ornament, 19th century, Ink and wash, Anonymous, British, 19th century

Serpentine blossom bowl, Late Minoan I, ca. 1600–1450 B.C., Minoan, Serpentine, H.: 3 3/16 in. (8.1 cm), Miscellaneous-Stone Vases, High shouldered blossom bowl carved with ribs and grooves

Penitent Saint Jerome, 17th century, Black chalk, heightened with white chalk, sheet: 5 13/16 x 3 7/8 in. (14.7 x 9.9 cm), Drawings, Lucas Franchoys the Younger (Flemish, Mechelen 1616–1681 Mechelen

Christ Presented to the People, early 17th century, Pen and brown ink and brown wash with white heightening; squared in red chalk, sheet: 11 1/16 x 8 3/4 in. (28.1 x 22.2 cm), Drawings, Georg Vischer (German, Riedlingen ca. 1595–ca. 1637

Portrait of O. Rietschel, ca. 1854, Graphite, heightened with white chalk, 7 9/16 x 6 7/16 in. (19.2 x 16.4 cm), Drawings, J. H. Schulz (German, active mid-19th century

The Presentation of the Infant Jesus in the Temple, early to mid-16th century , Pen and brown ink, gray and some pink wash, red chalk, Diameter 8 15/16 in. (22.7 cm), Drawings, Sebald Beham (German, Nuremberg 1500–1550 Frankfurt

Red Shōki, the Demon Queller, Edo period (1615–1868), dated 1847, Japan, Hanging scroll; ink and color on silk, Image: 23 1/4 × 11 7/8 in. (59.1 × 30.2 cm), Paintings, Katsushika Hokusai (Japanese, Tokyo (Edo) 1760–1849 Tokyo (Edo

Marble portrait, probably of Matidia, niece of the emperor Trajan and mother of Sabina, wife of the emperor Hadrian, Hadrianic, A.D. 117–138, Roman, Marble, H. 11 1/4 in. (28.6 cm), Stone Sculpture, This portrait resembles those of

Tile, ca. 1882–84, Made in Chelsea, Massachusetts, United States, American, Earthenware, 4 1/4 x 4 1/4 in. (10.8 x 10.8 cm), Ceramics, J. and J. G. Low Art Tile Works (1877–1907

Design for 'Orthographia' pl.8, late 17th–mid-18th century, Pen and brown and gray ink, brush and gray wash over black chalk. Inlayed on paper mount with green and black framing lines., 6 1/8 x 11 1/8 in. (15.6 x 28.3 cm), Johann Daniel

Letter with textile samples, late 18th–early 19th century, French, No dimensions recorded., Textiles-Archives

Campbell Hospital, D.C., 1861–65, Albumen silver print from glass negative, Photographs

Design for window, late 19th–early 20th century, Made in New York, United States, American, Watercolor, black ink, and graphite on paper mounted on board, Overall: 23 x 19 1/8 in. (58.4 x 48.6 cm), Drawings, Tiffany Studios (1902–32

Story Title Page, 'L'oiseau de Feu', verso: text, ca. 1925, Gouache, metallic inks, and black ink, heightened with white, over graphite., 13 5/8 x 10 1/2 in. (34.6 x 26.7 cm), Drawings, Boris Zvorykin (Russian, Moscow 1872–1942 Paris

House among Trees, at Right Man and Dog on a Footbridge, 17th century, Black chalk, sheet: 5 3/8 x 7 3/16 in. (13.6 x 18.2 cm), Drawings, Jacob van Ruisdael (Dutch, Haarlem 1628/29–1682 Amsterdam

St. Paul Preaching in Athens, ca. 1548–53, Etching, Prints, Andrea Schiavone (Andrea Meldola) (Italian, Zadar (Zara) ca. 1510?–1563 Venice), In Mariette Album, folio 25

Ceiling design, 19th century, Graphite with pink wash, sheet: 13 1/8 x 18 in. (33.3 x 45.7 cm), John Gregory Crace (British, London 1809–1889 Dulwich) , and Son

Drawings and Prints, Books Prints Ornament & Architecture, Page from Ein new kunstlich Modelbuch...(Page 3v), Publisher, Peter Quentel, German, active Cologne, 1518–46, Cologne, Quentel, Peter, German, 1500, 1550, 1544

Double Counter, ca. 1825, Made in New Lebanon, New York, United States, American, Shaker, Pine, applewood, pearwood, 32 3/4 x 68 x 17 1/2 in. (83.2 x 172.7 x 44.5 cm), Furniture

Drawings and Prints, Books Prints Ornament & Architecture, New Modelbüch (Page 3r), Printer, Designer, Henning Gross the younger, Andreas Bretschneider, German, Dresden ca. 1578–ca. 1640 Leipzig, Gross, Henning the younger,

Design for a Cabinet with a Black Top and Blue Interior, 19th century, Ink and watercolor, sheet: 5 3/16 x 6 7/8 in. (13.2 x 17.5 cm), Anonymous, British, 19th century

청자 상감 모란 물고기 무늬 대접 고려, 靑磁象嵌牡丹魚文大楪 高麗, Bowl with decoration of fish, Goryeo dynasty (918–1392), second half of the 12th century, Korea, Stoneware with inlaid design under celadon glaze, H.

America, designed ca. 1786, woven 1790–91; settee frame second half 19th century, French, Beauvais, Carved and gilded wood; wool, silk, Overall: 42 1/4 × 75 3/8 × 28 in. (107.3 × 191.5 × 71.1 cm), After a composition by Jean Jacques

Design for the Decoration of the Jaw of the Cock of a Firearm, ca. 1795–1805, Versailles, French, Versailles, Pencil, ink, gray wash on paper, 1 x 1 in. (2.5 x 2.5 cm), Works on Paper-Drawings

Pair of Ear Clips with Granulate Design, Central Javanese period, second half of the 8th–second half of the 10th century, Indonesia (Java), Gold, Each: H. 1/16 in. (0.2 cm), Diam. 13/16 in. (2.1 cm), Jewelry