Images at Librifly

Old man with a cane, first half 20th century, brush and black ink, gouache, watercolor, with traces of graphite framing lines, sheet: 16 x 6 13/16 in. (40.7 x 17.3 cm), Drawings, Sergey Sudeykin (Russian, Smolensk 1882–1946 Nyack

Cup in the shape of an archaic vessel with feline dragons, Qing dynasty (1644–1911), 17th century, China, Rhinoceros horn, H. 4 in. (10.2 cm), Horn, The jutting lip of this cup derives from the shape of a jue, a bronze cup found in

Bodice, 1775–89, European, silk, leather, iron, baleen, linen

Pleated linen of queen Neferu, Middle Kingdom, Dynasty 11, ca. 2051–2030 B.C., From Egypt, Upper Egypt, Thebes, Deir el-Bahri, Tomb of Neferu (TT 319, ), 1922–23, Linen, H. 14.5 × W. 12 cm (5 11/16 × 4 3/4 in

The Rest on the Flight into Egypt (The Repose of the Holy Family in Egypt), 1806, Watercolor, pen and black ink over graphite, Sheet: 13 13/16 × 14 9/16 in. (35.1 × 37 cm), Drawings, William Blake (British, London 1757–1827 London

Vase, 1883–87, American, Earthenware, 9 1/2 in. (24.1 cm), Ceramics, Eureka Pottery Co. (1883–1887

Landscape with Windmill, 18th century, Pen & brown ink and gray and brown wash over graphite. Framing line in pen & brown ink., 7 5/16 x 5 11/16 in. (18.6 x 14.4 cm), Drawings, Anonymous, Dutch, 18th century

Portrait of a Man, 1755–65, Red and black chalk on off-white laid paper, verso worked in black chalk (in area corresponding to the sitter's jacket on the recto), Sheet: 9 1/2 × 7 3/8 in. (24.1 × 18.7 cm), Drawings, Jean Étienne Liotard

Vase, 1770–95, Made in China, Chinese, Porcelain, H. 12 in. (30.5 cm), Ceramics

Column with Hathor-emblem capital and names of Nectanebo I on the shaft, Late Period, Dynasty 30, 380–362 B.C., Possibly from Delta; From Egypt, Limestone, H. 102 cm (40 3/16 in.); W. 34.3 cm (13 1/2 in.); D. 34.3 cm (13 1/2 in.), Hathor

Holly Leaves, 19th century, Watercolor, Sheet: 11 3/4 × 9 3/8 in. (29.8 × 23.8 cm), Drawings, Anonymous, British, 19th century

A Country Dance, ca. 1520, Pen and brown and black ink, traces of black chalk, 7 7/16 x 11 1/4 in. (18.9 x 28.6 cm), Drawings, Anonymous, Netherlandish, 16th century

Medallion, 1776–1800, Probably made in France, Ceramic, Diam. 4 7/8 in. (12.4 cm), Ceramics, Jean-Baptiste Nini (Italian, Urbino 1717–1786 Chaumont-sur-Loire

[Pleasant Valley Winery, New York], 1861–65, Albumen silver print from glass negative, Photographs

Landscape with Bridge, 19th century, Graphite, 7 11/16 x 9 7/16 in. (19.5 x 24 cm), Drawings, Franz von Hauslab the Younger (Austrian, Vienna 1798–1883

Sweetmeat Compote, 1850–70, Made in Pittsburgh, Pennsylvania, United States, American, Pressed glass, H. 6 3/8 in. (16.2 cm); Diam. 6 5/16 in. (16 cm), Glass, Bakewell, Pears and Company (1836–1882

Four iron spearheads, Archaic, ca. 550 B.C., Etruscan, Iron, H.: 18 7/8 in. (47.9 cm), Miscellaneous-Iron, Iron utensils from Monteleone di Spoleto, found with the Chariot

청자 상감 구름 학 무늬 매병 고려, 靑磁象嵌雲鶴文梅甁 高麗, Maebyeong decorated with cranes and clouds, Goryeo dynasty (918–1392), second half of the 12th century, Korea, Stoneware with inlaid decoration under celadon

Bronze situla (bucket), Archaic, ca. 550 B.C., Etruscan, Bronze, H. 9 15/16 in. (25.3 cm) diameter 11 7/8 in. (30.2 cm), Bronzes, Small holes around the rim indicate that originally there would have been handles attached

Side chair, ca. 1845, Made in New York, New York, United States, American, Walnut with upholstered seats, H. 33 1/2 in. (85.1 cm), Furniture

Pass in the Raccoon Range, Whiteside No. 2, 1860s, Albumen silver print from glass negative, Photographs, George N. Barnard (American, 1819–1902

Tumbler, after 1886, Made in Wheeling, West Virginia, United States, American, Pressed colorless and opalescent glass, H. 3 3/4 in. (9.5 cm), Glass, Probably Hobbs, Brockunier and Company (1863–1891

Drawings and Prints, Books Prints Ornament & Architecture, New Modelbüch (Page 13r), Printer, Designer, Henning Gross the younger, Andreas Bretschneider, German, Dresden ca. 1578–ca. 1640 Leipzig, Gross, Henning the younger,

[Two Firemen (?) with Axes], late 1850s–60s, Tintype, Image: 6.8 x 5.5 cm (2 11/16 x 2 3/16 in.), Photographs, Unknown (American

Jug, ca. 1820, Made in Mexico, Mexican, Tin-glazed earthenware, H. 9 in. (22.9 cm), Ceramics

Khamsa (Quintet) of Nizami, 15th century, Attributed to Iran, Shiraz, Ink, opaque watercolor, silver, and gold on paper, H. 11 1/2 in. (29.2 cm), Codices, By the end of the fifteenth century, manuscripts of Persian poetry typically were

Marie Struthers, 1890–1903, Platinum print, Photographs, Frank Eugene (American, New York 1865–1936 Munich

The Raising of the Youth of Naim, late 16th–early 17th century, Pen and black ink, grey wash, white bodycolour; on a counterproof of a pen drawing, sheet: 11 7/8 x 7 15/16 in. (30.1 x 20.1 cm), Drawings, Georg Pecham (German, Munich ca.

Portrait of Franz Hauer, 1914, Drypoint, plate: 5 x 4-1/4 inches (13 x 11 cm), Prints, Egon Schiele (Austrian, Tulln 1890–1918 Vienna

Ewer, ca. 1180–1210, Attributed to Iran or Afghanistan, Khurasan or Herat, Brass; raised, repoussé, inlaid with silver and a black compound, H. 15 3/4 in. (40 cm), Metal, This ewer comes from a group of silver-inlaid brass vessels of

Eight Kinds of Jin and Tang Writings in Small Standard Script, 晉唐 小楷 法書八種 舊拓本, Qing dynasty (1644–1911), 17th century (?), China, Set of rubbings mounted in an album of 45 leaves; ink on paper, Each leaf maximum size: 9

Drawings and Prints, Drawing Ornament & Architecture, Lyndhurst for George Merritt, Tarrytown, New York (first floor plan), Artist, Alexander Jackson Davis, American, New York 1803–1892 West Orange, New Jersey, Davis, Alexander Jackson,

Drawings and Prints, Books Prints Ornament & Architecture, Fiore D'Ogni Virtu Per le Nobili Et Honeste Matrone, page 34 (recto), Designer, Publisher, Isabella Catanea Parasole, Antonio Fachetti, Italian, ca. 1565/70–ca. 1625, Rome,

Drawings and Prints, Album Print Ornament & Architecture, Targhe ed altri ornati di varie e capricciose invenzioni (Cartouches and other ornaments of various and capricious invention, page 46), Publisher, Artist, After, Carlo Losi, Jacob

Lamp, 2nd century A.D., Roman, Terracotta, Overall: 7/8 x 2 3/4 in. (2.2 x 7 cm), Terracottas

Les Secondes Oeuvres, et Subtiles Inventions De Lingerie du Seigneur Federic de Vinciolo Venitien, page 9 (recto), 1603, Woodcut, Overall: 9 7/16 x 6 1/2 in. (24 x 16.5 cm), Designed by Federic de Vinciolo Venitien, published by Jean Le Clerc,

Drawing of Bas-Relief, 16th century, Pen and brown ink on tracing paper, 5-3/8 x 8-1/8 in. (13.7 x 20.6 cm), Drawings, Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580

Isolated View of Bernini's Baldacchino. Plate 39 from the Album 'Basilica di S. Pietro in Vaticano', 1653–91, Engraving, Plate: 26 1/2 x 14 7/16 in. (67.3 x 36.6 cm), After Gian Lorenzo Bernini (Italian, Naples 1598–1680 Rome), Isolated

The Aller Church in Sønderjyllands Amt (Denmark), seen from the North, late 18th–19th century, Graphite and brown wash; framing line in graphite, probably by the artist., sheet: 7 13/16 x 11 9/16 in. (19.9 x 29.3 cm), Drawings, Johan

Figure 52: Voluntary retraction of the lower lip, 1854–56, printed 1862, Albumen silver print from glass negative, Image (Oval): 28.4 × 20.3 cm (11 3/16 × 8 in.), Photographs, Guillaume-Benjamin-Amand Duchenne de Boulogne (French,

Candelabra Grotesque with a Crouched Satyr Carrying a Fruit Basket, 1540 after, Pen and black ink, brush and gray wash, Sheet: 9 11/16 x 4 1/2 in. (24.6 x 11.5 cm), Anonymous, Italian, 16th century ?, After Cornelis Bos (Netherlandish,

Musical Mokes, 1860s, Albumen silver print from glass negative, Image: 5 7/8 × 3 7/8 in. (14.9 × 9.8 cm), Photographs, J. Wood (American, active 1870s–80s

Figure 4: The face in repose of a young man, 1854–56, printed 1862, Albumen silver print from glass negative, Image (Oval): 28.5 × 20.3 cm (11 1/4 × 8 in.), Photographs, Guillaume-Benjamin-Amand Duchenne de Boulogne (French, 1806–1875),

The Wilderness Battlefield, 1864, Albumen silver prints from glass negatives, From 12.5 x 7.9 cm (4 15/16 x 3 1/8 in.) to 12.5 x 9.1 cm (4 15/16 x 3 9/16 in.), Photographs, Unknown (American), Possibly by Alexander Gardner (American, Glasgow,

Textile swatch to accompany letter, late 18th century, French, No dimensions recorded., Textiles-Woven

Shield, 1727, Persian, Steel, gold, textile (velvet), leather, iron, Diam. 15 in. (38.1 cm), Shields

Gourd-Shaped Vase with Design of Gourds and Vines, Qing dynasty (1644–1911), Kangxi period (1662–1722), early 18th century, China, Porcelain painted with cobalt blue under transparent glaze (Jingdezhen ware), H. 14 1/2 in. (36.8 cm); Diam.

In the Bows of the Great Eastern: The Cable Broken and Lost, Preparing to Grapple, August 2nd, 1865, 1865, Watercolor over graphite with touches of gouache, Sheet: 7 1/8 in. × 10 in. (18.1 × 25.4 cm), Drawings, Robert Charles Dudley

Drawings and Prints, Books Prints Ornament & Architecture, Libbretto nouellamete composto per maestro Domenico da Sera...lauorare di ogni sorte di punti, page 4 (verso), Publisher, Domenico da Sera, French, active Italy, 16th century, Sera,

Gothic Ornament with Putti and Acanthus Leaves, 19th century, Pen and black and brown ink, and graphite, sheet: 10 7/8 x 6 3/4 in. (27.6 x 17.1 cm), Drawings, Attributed to Bernd (German

Trellis, designed 1862, first produced 1864, Block-printed wallpaper, Sheet: 27 x 21 1/2 in. (68.6 x 54.6 cm), Wallpaper, William Morris (British, Walthamstow, London 1834–1896 Hammersmith, London), Birds designed by Philip Webb (British,

Wine glass, 1824–35, Made in Jersey City, New Jersey, United States, American, blown and cut glass, 4 7/8 in. (12.4 cm); Diam . 2 7/8 (7.3 cm), Glass

Ceiling Decoration with the Four Continents and the Signs of the Zodiac, second half 17th century, Pen and brown ink, brush and brown, gray, and red wash, heightened with white, over red and black chalk, 15 9/16 x 20 7/8 in. (39.5 x 53 cm),

Two-Handled Jar with Stag, ca. 1350, Made in Tuscany, Italy, Italian, Tin-glazed earthenware, Overall: 14 3/16 x 14 11/16 x 12 3/16 in. (36 x 37.3 x 31 cm), Ceramics, Combining Eastern and Tuscan decorative motifs, this rare type of early

Snuff Bottle with Old Man Carrying a Boy, Qing dynasty (1644–1911), late 18th century, China, Green tourmaline with pink tourmaline stopper, H. 2 5/8 in. (6.7 cm), Snuff Bottles

Designs for Three Couches, 1841–84, Graphite, sheet: 14 15/16 x 10 3/4 in. (38 x 27.3 cm), Charles Hindley and Sons (British, London 1841–1917 London

Drawings and Prints, Book Prints Ornament & Architecture, Trionfo Di Virtu. Libro Novo..., page 4 (recto), Publisher, Matteo Pagano, Italian, 1515–1588, Venice, Pagano, Matteo, Italian, 1515, 1588, 1563

Scribe's Palette, Middle Kingdom–Second Intermediate Period, Dynasty 12–17, ca. 2030–1550 BC, From Egypt, Wood, pigment, L. 34.6 cm (13 5/8 in.); W. 4.3 cm (1 11/16 in.); H. 1.7 cm (11/16 in.), Ancient Egyptian scribes used wooden

'Study of a Nilgai (Blue Bull)', Folio from the Shah Jahan Album, verso: ca. 1620; recto ca. 1540, Attributed to India, Ink, opaque watercolor, and gold on paper, H. 15 5/16 in. (38.9 cm), Codices, Painting by Mansur (active ca.

A Forest with a Rabbit Hunt, n.d., Engraving, sheet: 8 1/4 x 10 7/8 in. (21 x 27.6 cm), Prints, Aegidius Sadeler II (Netherlandish, Antwerp 1568–1629 Prague), After Roelandt Savery (Flemish, Kortrijk 1576–1639 Utrecht

Iron candelabrum, Hellenistic, early 3rd century B.C., Etruscan, Iron, H.: 13 1/2 in. (34.3 cm), Miscellaneous-Iron, The upper part of a simple type of candelabrum

Libro primo (-quinto, estraordinario) d'architettura, 1566, Printed book with woodcut illustrations, 9 3/4 x 7 1/4 in. (24.8 x 18.4 cm

Marble statue of Hermes, Imperial, 1st or 2nd century A.D., Roman, Marble, Pentellic, Overall: 71 1/4 x 29 1/2 x 23 1/2 in. (181 x 74.9 x 59.7 cm), Stone Sculpture, The left hand, tip of nose, and tips of some fingers of the right hand are

Manufacturer's Catalogue of Hardware, 18th century, Illustrations: engraving, 7 3/16 x 10 3/8 x 1 1/16 in. (18.3 x 26.4 x 2.7 cm), Anonymous, British, 18th century

Lioness Figure, ca. 1853–58, Made in Bennington, Vermont, United States, American, Mottled brown earthenware, 7 x 9 1/2 in. (17.8 x 24.1 cm), Ceramics

Copy after the Fresco with the Battle of Constantine in the Vatican Palace, 1499–1546, Pen and brown ink, brush and brown wash, 15-7/8 x 40-9/16 in. (40.4 x 103 cm), Drawings, After Giulio Romano (Italian, Rome 1499?–1546 Mantua

'Red-Headed Vulture and Long-Billed Vulture', Folio from the Shah Jahan Album, verso: ca. 1615–20; recto: ca. 1535–45, Attributed to India, Ink, opaque watercolor, and gold on paper, H. 15 3/8 in. (39.1 cm), Codices, Painting by Mansur

Gabrielle; M. Gutierrez de Estrada, 1867, Albumen silver print from glass negative, Image: 7 9/16 × 9 1/4 in. (19.2 × 23.5 cm), Photographs, André-Adolphe-Eugène Disdéri (French, Paris 1819–1889 Paris

Minerva Beautifies Ulysses, 19th century, Drawings, Anonymous, Italian, 19th century, After Francesco Primaticcio (Italian, Bologna 1504/5–1570 Paris

Design for a Staircase Ceiling, ca. 1756, Pen and wash, sheet: 4 1/4 x 7 1/2 in. (10.8 x 19 cm), Isaac Ware (British, before 1704–1766 Hampstead

Rebecca and Eleazer at the Well, ca. mid-1540s, Etching, Prints, Andrea Schiavone (Andrea Meldola) (Italian, Zadar (Zara) ca. 1510?–1563 Venice), In Mariette Album, folio 9, bottom

Snuff Bottle, Qing dynasty (1644–1911), late 18th–early 19th century, China, Agate with glass stopper, H. 2 1/2 in. (6.4 cm); W. 2 1/8 in. (5.4 cm); D. 1 in. (2.5 cm), Snuff Bottles

The Woodcutter's Breakfast, ca. 1832–34 (?), Watercolor and gouache over graphite on paper, 13 x 17 in. (33.0 x 43.2 cm), Drawings, William Henry Hunt (British, London 1790–1864 London

The Artist and the Grave Digger, 1843–44, Salted paper print from paper negative, Mount: 14 7/8 in. × 10 1/2 in. (37.8 × 26.7 cm), Photographs, Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews, Scotland), David

Drawings and Prints, Album Prints Ornament & Architecture, Nouveau Livre de Vases, Designer, Etcher, Jean Bernard Toro, Charles Nicolas Cochin I, French, Dijon 1672–1731 Toulon, French, Paris 1688–1754 Paris, Toro, Jean Bernard,

Shield Knave: A Horseman, 1712 or later, Recto: pen and black ink; verso is a woodcut., sheet: 3 9/16 x 2 5/16 in. (9 x 5.9 cm), Drawings, Johannes Brandenberg (Swiss, Zug 1661–1729 Zug

Drawings and Prints, Books Prints Ornament & Architecture, Teatro delle Nobili et Virtuose Donne..., page 17 (recto), Author, Publisher, Isabella Catanea Parasole, Mauritio Bona, Italian, ca. 1565/70–ca. 1625, Rome, Parasole, Isabella

House for Henry Whitney, New Haven, Connecticut (front and side elevations), 1835, Pen and ink, watercolor, graphite, Sheet: 16 3/4 × 11 7/8 in. (42.6 × 30.1 cm), Drawings

Drawings and Prints, Books Prints Ornament & Architecture, Schön Neues Modelbuch (Page 39 recto), Designer, Publisher, Johann Sibmacher, Balthasar Caymox, German, active 1590–1611, German, Bersse (?) 1561–1635 Nuremberg, Sibmacher,

Bronze statue of an aristocratic boy, Augustan, 27 B.C.–A.D. 14, Roman, Bronze, 46 1/2 × 20 × 16 1/2 in., 150 lb. (118.1 × 50.8 × 41.9 cm, 68 kg), Bronzes, This life-sized statue was found on the eastern Mediterranean island of Rhodes,

Figurine of a Dog, Middle Kingdom, Dynasty 12, ca. 1961–1917 B.C., From Egypt, Memphite Region, Lisht South, Pyramid Complex of Senwosret I, Pit 6L, Brick Vault, 1923–24, Faience, L. 5.3 cm (2 1/16 in.); W. 2.3 cm (7/8 in.); H. 3.6 cm

Fan Design with Mount Vesuvius, 19th century, Watercolor on vellum (?), arched, with double blue ink framing lines, mounted, image: 20 3/8 x 9 5/16 in. (51.7 x 23.6 cm), Drawings, Attributed to Anonymous, 19th century

Wine Cup with Bamboo (one of a pair), Qing dynasty (1644–1911), Yongzheng mark and period (1723–35), early 18th century, China, Porcelain painted with cobalt blue under and colored enamels over transparent glaze, H. 1 9/16 in. (3.9 cm);

Drawings and Prints, Books Prints Ornament & Architecture, Gemma pretiosa della virtuose donne, page 18 (recto), Designer, Publisher, Isabella Catanea Parasole, Gugliemo Facciotti, Italian, ca. 1565/70–ca. 1625, Rome, Parasole, Isabella

Stage Set Design of an Ancient Roman Ruin being Converted into a Barn, late 18th–mid-19th century, Pen and black ink, watercolor, and with touches of pen and brown ink, sheet: 8 1/16 x 11 9/16 in. (20.5 x 29.4 cm), Drawings, Johann Heinrich

Brooch, ca. 1900, Made in New York, New York, United States, American, Gold, amethyst, demantoid garnet, and enamel, 1 1/4 × 1 1/8 in. (3.2 × 2.9 cm), Jewelry, Theodore B. Starr (American, New Rochelle, New York 1837–1907

Design for the Triumphal Arch at the Porta Ticinese in Milan, with the Imperial Arms of the Hapsburg and Allegorical Figures, 1633, Pen and brown ink, brush and brown wash, over leadpoint, with stylus ruling and compass construction, 14 3/16 x

Lamp, 1st century B.C.–1st century A.D., Roman, Terracotta, Overall: 1 x 4 in. (2.5 x 10.2 cm), Terracottas

Boy with leaves and box, Qing dynasty (1644–1911), 19th century, China, Horn, H. inc. base 3 1/2 in. (8.9 cm); W. 2 3/4 in. (7 cm); D. 1 1/2 in. (3.8 cm), Horn, Two boys holding a lotus or leaf and a box are popular New Year’s images

H.R.H. Princess Rupprecht with Prince Leopold and Albrecht Johann, 1900–1908, printed 1910, Photogravure, Frank Eugene (American, New York 1865–1936 Munich

Linen mark, Wah, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Wah, Mummy, 1920, Linen

Crossbow, ca. 1425–75, Central European, possibly Austria, Wood (European hornbeam), horn, animal sinew, animal glue, birch bark, staghorn, iron alloy, hemp, leather, L. 37 5/8 in. (95.6 cm); W. 29 3/4 in. (75.5 cm); Wt. 8 lb. 12 oz.

Reproduction of the 'Ladies in Blue' fresco, Late Minoan IB, ca. 1525–1450 B.C., Minoan, painted plaster, Overall: 61 1/2 x 40 in. (156.2 x 101.6 cm), Excavated before 1914 near Royal Magazines, Knossos.. This group of three women was

S-Shaped Brooch, mid-6th century, Frankish, Silver-gilt, garnets, Overall: 1/16 x 1 3/16 x 3/8 in. (0.1 x 3 x 0.9 cm), Metalwork-Silver, Garnets, worked in the cloisonné technique, featured prominently in the luxury jewelry of the Franks.

Champagne flute, 1824–35, Made in Jersey City, New Jersey, United States, American, blown and cut glass, 4 7/8 in. (12.4 cm); Diam . 2 7/8 (7.3 cm), Glass

Vase, Qing dynasty (1644–1911), Qianlong mark and period (1736–95), last quarter 18th century, China, Porcelain with openwork medallions, painted in overglaze famille rose enamels, with engraved design, H. 11 3/4 in. (29.8 cm); Diam. 7

Drawings and Prints, Books Prints Ornament & Architecture, New Modelbüch (Page 30r), Printer, Designer, Henning Gross the younger, Andreas Bretschneider, German, Dresden ca. 1578–ca. 1640 Leipzig, Gross, Henning the younger,

Linen mark, Wah, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Wah, Mummy, 1920, Linen

Lukas Spielhausen, 1532, Oil and gold on beech, 20 x 14 3/8 in. (50.8 x 36.5 cm), Paintings, Lucas Cranach the Elder (German, Kronach 1472–1553 Weimar), The sitter, who wears the black-and-yellow striped dress of high-ranking members of the

Vase, 1830–70, Probably made in Bennington, Vermont, United States, American, Parian porcelain, 6 1/2 x 2 7/8 in. (16.5 x 7.3 cm), Ceramics