Images at Librifly

Château de Versailles seen from the forecourt, from Chalcographie du Louvre, Vol. 22, 1682, Etching, Plate: 14 15/16 x 19 13/16 in. (38 x 50.4 cm), Israel Silvestre (French, Nancy 1621–1691 Paris), This engraving, showing the facade of

Rebel Works in Front of Atlanta, Georgia No. 5, 1860s, Albumen silver print from glass negative, Photographs, George N. Barnard (American, 1819–1902

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 15v), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

Getting Out One of the Great Buoys: The Deck of the Great Eastern Looking From the Forecastle, 1865–66, Watercolor over graphite with touches of gouache, Sheet: 9 13/16 × 14 7/16 in. (25 × 36.7 cm), Drawings, Robert Charles Dudley (British,

Dolly Varden, 1900s, Platinum print, Photographs, Frank Eugene (American, New York 1865–1936 Munich

Young Girl with a Boy and a Dog, 18th century, Red chalk., 11 5/16 x 8 1/8in. (28.7 x 20.6cm), Drawings, François Boucher (French, Paris 1703–1770 Paris

Wall Painting, 650–750, Mexico, Teotihuacan, Lime plaster, paint, H. 25 3/4 × W. 30 3/4 in. (65.41 × 78.11 cm), Paintings-Frescoes, The work is a portion of a frescolike wall painting from an apartment compound in the ancient Mexican city

Death of Regulus, 1615–73, Pen and brown ink, brush and brown wash, on faded light green paper, 18-1/8 x 28-7/8 in. (46 x 73.4 cm), Drawings, After Salvator Rosa (Italian, Arenella (Naples) 1615–1673 Rome

高野四所明神像, The Four Deities of Mount Kōya, Muromachi period (1392–1573), 16th century, Japan, Hanging scroll; ink, color and gold on silk, Image: 40 3/16 × 19 1/2 in. (102 × 49.5 cm), Paintings, The four deities of Mount

Architectura von Ausstheilung / Symmetria und Proportion der Fünff Seulen, 1598, Etching, Overall: 14 9/16 x 10 5/8 x 1 9/16in. (37 x 27 x 4cm), Books, Wendel Dietterlin, the Elder (German, Pfullendorf 1550/51–ca. 1599 Strasbourg

Vase, 1760–65, Probably made in Bristol, Bristol, England, British, Opaque glass with enamel decoration, H. 9 3/8 in. (23.8 cm), Glass

Les Singuliers et Nouveaux Portraicts... page 32 (recto), 1588, Woodcut, Overall: 8 1/16 x 6 5/16 in. (20.5 x 16 cm), Designed by Federic de Vinciolo, published by Jean Le Clerc, Paris, bound by Chambolle-Duru, French, 19th century. From top

Studio delle virtuose Dame, page 14 (recto), 1597

富士飛雁蒔絵硯箱, Box for Inkstone and Writing Implements (Suzuribako) with Geese against Mount Fuji in Moonlight and (inner lid) with Plovers by the Seashore, Edo period (1615–1868), early to mid-19th century, Japan, Black lacquer

He Wakes Up Kicking, 1801–3, Brush and gray wash on laid paper, Sheet: 9-5/16 x 5-3/4 in. (23.6 x 14.61cm), Drawings, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux

Earring, 675–725, Frankish, Silver, Overall: 3 1/4 x 3/16 in. (8.3 x 0.5 cm), Metalwork-Silver, Hoop earrings with polyhedral beads, derived from late Roman jewelry, remained fashionable among Frankish women from the 400s through the 700s.

The Dead Christ, 17th century, Black and red chalks on light tan paper, 4-3/4 x 4-5/16 in. (12.1 x 11 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

Ce est ung tractat de la noble art de leguille ascavoir ouvraiges de spaigne... page 18 (recto), after 1527, Woodcut, Overall: 6 7/8 x 5 11/16 in. (17.5 x 14.5 cm), Printed by Willem Vosterman. From top to bottom, and left to right: Design

Glass Shade, ca. 1900, Made in New York, New York, United States, American, Glass, H. 5 in. (12.7 cm); Diam. 2 1/8 in. (5.4 cm), Glass, Tiffany Glass and Decorating Company (American, 1892–1902

Designs for the Ornament of Swords and Firearms, ca. 1850–60, Paris, French, Paris, Leather, paper, pencil, ink, colored wash, 19 x 12 1/2 in. (48.2 x 31.7 cm), Works on Paper-Drawings, These designs are part of an album from the

Saltcellar, 1780–1825, Possibly made in United States, American, Blown pattern-molded glass, H. 3 in. (7.6 cm), Glass

Female Figure Holding Wreaths, 17th century, Pen and brown ink, brush and brown wash, sheet: 4 3/4 x 1 7/8 in. (12.1 x 4.7 cm), Drawings, Anonymous, Italian, 17th century

Scroll flask, 1840–50, Made in Pennsylvania, United States, American, Free-blown molded aquamarine glass, H. 8 3/4 in. (22.2 cm), Glass

Earring, 6th–7th century, Langobardic or Byzantine (?), Gold and garnets., Overall: 1 15/16 x 1/2 x 11/16in. (5 x 1.2 x 1.8cm), Metalwork-Gold

Curtain, 17th century, Portuguese, Velvet with gilt thread, L. 102 x W. 62 in. , Textiles-Embroidered

Drawings and Prints, Books Prints Ornament & Architecture, Schön newes Modelbuch (Page 60r), Publisher, Sigismundus Latomus, German, active 1599–ca. 1627, Frankfurt am Main, Latomus, Sigismundus, German, 1599, 1632, 1608

Figure 71: Same head as in Plate 70, 1854–56, printed 1862, Albumen silver print from glass negative, Image (Oval): 28.3 × 20.4 cm (11 1/8 × 8 1/16 in.), Photographs, Guillaume-Benjamin-Amand Duchenne de Boulogne (French, 1806–1875),

Venus Lamenting the Dead Adonis (or Diana and Endymion), 1740–97, Black and white chalk on blue paper, sheet: 7 1/16 x 10 3/8 in. (18 x 26.4 cm), Drawings, Januarius Zick (German, Munich before 1730–1797 Ehrenbreitstein

Finger Ring, 7th century, Made in Northern France, Frankish, Copper alloy, Overall: 13/16 x 1/2 in. (2 x 1.2 cm), Metalwork-Copper alloy

Tile, ca. 1882–84, Made in Chelsea, Massachusetts, United States, American, Earthenware, 4 1/4 x 4 1/4 in. (10.8 x 10.8 cm), Ceramics, J. and J. G. Low Art Tile Works (1877–1907

Glass ribbed bowl, Early Imperial, 1st century AD, Roman, Glass; mold-blown, H.: 1 7/8 in. (4.8 cm), Glass, Translucent blue green., Vertical unworked rim; pronounced concave shoulder expanding downwards; convex sides sloping inwards towards

Solomon, 17th century, Pen and brown ink, highlighted with lead white on gray paper, 5-1/8 x 7-3/8 in. (13.0 x 18.7 cm), Drawings, Johan Carl Loth (German, Munich 1632–1698 Venice

Terracotta mounted figure, Early Cypro-Archaic II, ca. 600 B.C., Cypriot, Terracotta; hand-made, H. 7 13/16 in. (19.9 cm), Terracottas, Though conventionally identified as a horse, the animal here shows quite different features: a long,

Silver and gilt amphoriskos (scented oil flask), Hellenistic, early 3rd century B.C., Apulian, possibly Tarentine, Silver, gold, H. 6 1/16 in. (15.4 cm), Gold and Silver, Several elegant vases of this type have been found in Southern Italy,

Marcus Curtius, 1540–91, Pen and black ink on cream colored paper, 5 3/4 x 5 1/8 in. (14.6 x 13 cm), Drawings, Attributed to Jost Amman (Swiss, Zurich before 1539–1591 Nuremberg

Man carrying a box, possibly for offerings, Early Dynastic I-II, ca. 2900–2600 B.C., Mesopotamia, Sumerian, Copper alloy, H. 37.8 x W. 12.3 x D. 9.7 cm (14 7/8 x 4 7/8 x 3 7/8 in.), Metalwork-Sculpture, Temples were the most important

나전 칠 모란 넝쿨 무늬 옷상자조선, 螺鈿漆牡丹唐草文衣箱子 朝鮮, Clothing box decorated with peony scrolls, Joseon dynasty (1392–1910), , 17th century, , Korea, , Lacquer inlaid with mother-of-pearl and

Two Antique Vases with Strigil Decorations, 18th century, Pen and brown ink, brush and brown wash, over black chalk, 4-7/8 x 6-3/4 in, Anonymous, Italian, 18th century

Miss Gladys Lawrence - The Seashell, 1910–13, Platinum print, Photographs, Frank Eugene (American, New York 1865–1936 Munich

Punchinello's Mother (?) Sick in Pregnancy, early 19th century, Pen and brown ink, brown wash, over black chalk, 13 7/8 x 18 1/2 in. (35.3 x 47 cm), Drawings, Giovanni Domenico Tiepolo (Italian, Venice 1727–1804 Venice

Drawings and Prints, Books Prints Ornament & Architecture, Page from Ein new kunstlich Modelbuch...(Page 27v), Publisher, Peter Quentel, German, active Cologne, 1518–46, Cologne, Quentel, Peter, German, 1500, 1550, 1544

A Saint Healing the Sick (recto); Upper Body of Nude Male with Outstretched Arms, seen from the rear (verso), 17th century, Red chalk on cream paper (recto); black chalk (verso), 8 x 9-5/8 in. (20.3 x 24.5 cm), Drawings, Anonymous, Italian,

Lea Castle, Worcestershire, Dining Room Looking South, ca. 1816, Watercolor, sheet: 8 x 6 3/4 in. (20.3 x 17.1 cm), John Carter (British, London 1748–1817 London

Fall of the Giants, 1638, Chiaroscuro woodcut from three blocks, printed on four sheets, Sheet: 34 9/16 × 24 5/8 in. (87.8 × 62.5 cm), Prints, Bartolomeo Coriolano (Italian, Bologna ca. 1599–ca. 1676 Bologna (?)), After Guido Reni

Design for a Box-Lid, 18th century, Black chalk with graphite, 3 3/16 x 3 3/16 in. (8.1 x 8.1 cm.), Drawings, Hubert François Gravelot (French, Paris 1699–1773 Paris

Landscape with Cottage, early 17th century, Pen and brown ink, 4 1/2 x 9 3/8 in. (11.4 x 23.8 cm), Drawings, In the manner of Jacques Callot (French, Nancy 1592–1635 Nancy

Jug with twisted handle, late 13th century, Made in Potter Toynton (?), Lincolnshire, England, British, Lead glazed earthenware, 10 11/16 × 8 1/8 × 7 3/8 in. (27.2 × 20.6 × 18.7 cm), Ceramics-Pottery, The twisted handle, beak-like spout

Drawings and Prints, Books Prints Ornament & Architecture, Prima parte de' fiori, page 13 (recto), Author, Printer, Publisher, Giovanni Battista Ciotti, Nicolo Moretti, Francesco de' Franceschi, Italian, born Siena, ca. 1560, Italian,

Design for Curtains, 1841–84, Graphite and watercolor, sheet: 13 3/4 x 7 5/16 in. (34.9 x 18.6 cm), Charles Hindley and Sons (British, London 1841–1917 London

Textile Panel with Birds amid Flowering Vines, first half 17th century, Attributed to Iran, Silk, metal wrapped thread; taqueté, Textile: H. 38 1/2 in. (97.8 cm), Textiles-Woven, The interlocking pattern of this silk panel features a popular

Drawings and Prints, Books Prints Ornament & Architecture, Prima Parte de' Fiori, e Disegni di varie sorti di Ricami Moderni, page 14 (recto), Author, Publisher, Giovanni Battista Ciotti, Francesco de' Franceschi, Italian, born Siena, ca.

Summer, 1898, Platinum print, 17.7 x 6.3 cm. (7 x 2 1/2 in.), Photographs, Frank Eugene (American, New York 1865–1936 Munich

Bottle, ca. 1760, Probably made in Bristol, Bristol, England, British, Opaque glass with enamel decoration, H. 3 3/8 in. (8.6 cm), Glass

Two men in Conversation, early 20th century, Brush and black ink on cardboard., (Drawing) 6 1/2 x 6 1/2 in. (16.5 x 16.5 cm), Drawings, Hans Schliessmann (German, Mainz 1892–1920 Vienna

Goblet, 1850–70, Made in Pittsburgh, Pennsylvania, United States, American, Pressed glass, H. 6 1/4 in. (15.9 cm), Glass, Bakewell, Pears and Company (1836–1882

Washington. Armory Square Hospital, 1861–65, Albumen silver print from glass negative, Photographs, Unknown (American

Design with Medici Coat of Arms and Harpy (Embroidery Design?), 16th century, Pen and brown ink, watercolor, on vellum, sheet: 1 15/16 x 6 1/4 in. (5 x 15.8 cm), Anonymous, Italian, 16th century

Corona delle Nobile et Virtuose Donne, Libro Terzo, page 26 (recto), 1620, Woodcut, Overall: 5 1/2 x 7 11/16 in. (14 x 19.5 cm), Designed by Cesare Vecellio, Italian, Pieve di Cadore 1521-1601 Venice, Venice, published by Alessandro de'

Drawings and Prints, Album Print Ornament & Architecture, Diverses Pieces de Serruriers, page 12 (recto), Artist, Artist, After, Hugues Brisville, Jean Berain, Gabriel Ladame, French, born ca. 1633, active Paris 1663, French,

Sample of Fringed Cloth, Third Intermediate Period, Dynasty 23, ca. 818–700 B.C., From Egypt, Fayum Entrance Area, Tarkhan, BSAE excavations 1911-1913, Linen, 13.5 x 17.5 cm (5 5/16 x 6 7/8 in

[Grand Army Review, Pennsylvania Avenue, Washington], May 23 or 24, 1865, Albumen silver print from glass negative, 8.8 × 9.9 cm (3 7/16 × 3 7/8 in.), irregularly trimmed, Photographs, Alexander Gardner (American, Glasgow, Scotland

Belt Fitting, middle of 6th century, Made in Niederbreisig, Germany, Frankish, Copper alloy, Overall: 1 9/16 x 1 9/16 x 1/4 in. (4 x 3.9 x 0.7 cm), Metalwork-Copper alloy

Bottle, ca. 1760, Probably made in Bristol, Bristol, England, British, Opaque glass with enamel decoration, H. 4 5/8 in. (11.7 cm), Glass

清 青金石羅漢山子, Seated luohan (arhat) in a grotto, Qing dynasty (1644–1911), 18th–19th century, China, Lapis lazuli, H. 7 1/8 in. (18.1 cm); W. 10 in. (25.4 cm), Hardstone

Armenian Manuscript Bifolium, 15th century, Armenian, Tempera and gold leaf on paper, bifolio: 6 3/8 × 10 1/2 in. (16.2 × 26.6 cm), Manuscripts and Illuminations, Illuminator Minas (?) (active in region of Vaspurakan (now eastern Turkey)),

Shepherd, graphite, highlighted with red chalk, 7-3/16 x 8-7/8 in. (18.3 x 22.5 cm), Drawings, Félicien Rops (Belgian, Namur 1833–1898 Essonnes

Design for Ecclesiastical Embroidery -- Cross Stitch Pattern, late 19th–early 20th century, Watercolor, pen and black ink over graphite, sheet: 10 1/4 x 10 1/2 in. (26 x 26.7 cm), Ernest Geldart (British, London 1848–1929

Robert E. Lee, 1869, Albumen silver print from glass negative, Mount: 32.1 × 30.6 cm (12 5/8 × 12 1/16 in.), Photographs, Mathew B. Brady (American, born Ireland, 1823?–1896 New York

Four-Cornered Hat, A.D. 500–900, Peru, Wari, Camelid fiber, H. 4 7/8 x W. 6 7/8 in. (12.4 x 17.5 cm), Textiles-Costumes

Essempio di recammi, page 13 (verso), 1530, Woodcut, Overall: 7 13/16 x 6 3/16 x 3/8 in. (19.8 x 15.7 x 1 cm), Written by Giovanni Antonio Tagliente, Italian, Venice ca. 1465-1527 Venice, published by Giovanantonio e i fratelli da Sabbio

明 藍瑛 紅友圖 軸, Red Friend, Ming dynasty (1368–1644), 16th– mid-17th century, China, Hanging scroll; ink and color on paper, Image: 58 5/8 x 18 5/8 in. (148.9 x 47.3 cm), Paintings, Lan Ying (Chinese, 1585–1664), Strangely

Avenue des Gobelins, 1927, Gelatin silver print from glass negative, 36.8 x 28.6 cm (14 1/2 x 11 1/4 in.), Photographs, Eugène Atget (French, Libourne 1857–1927 Paris), In this headless mannequin, clothed in a simple white uniform, Atget

Death of a Male Saint (Joseph?) with Four Secondary Figures, 17th century, Pen and brown ink with brush and brown wash over black chalk underdrawing. On off-white paper, 7 x 8-1/2 in. (17.8 x 21.6 cm), Drawings, Anonymous, Spanish, School of

Terracotta cinerary urn, Hellenistic, 3rd century B.C., Etruscan, Terracotta, paint, H.: 26 in. (66 cm), Terracottas, The frieze depicts an unidentified battle scene. The composition is repeated on many urns associated with workshops in

Illustration for 'Little Peter: A Christmas Morality for Children of Any Age', 1908, Watercolor and gouache over graphite, sheet: 11 5/8 x 7 1/4 in. (29.5 x 18.4 cm), Drawings, Charles Edmund Brock (British, London 1870–1938 Cambridge

Earring with head of lion-griffin, Ptolemaic Period, 4th–3rd century B.C., From Egypt, Gold, As Worn: H. 3.4 × W. 3.3 cm (1 5/16 × 1 5/16 in.), Hoops formed of wound wire with animal head terminals are the commonest type of Hellenistic

[Plasterers and Painters], 1870s–80s, Tintype, Image: 6.9 x 5.6 cm (2 11/16 x 2 3/16 in.), Photographs, Unknown (American

Saints Procopius and Adalbert, ca. 1340–50, Made in Prague, Bohemian, Tempera and gold leaf on panel, Overall: 8 3/16 × 6 3/8 × 9/16 in. (20.8 × 16.2 × 1.5 cm), Paintings-Panels, After Prague became the capital of Bohemia and the seat of

Allegory of Art, 1609, Pen and black ink, brush and gray wash, heightened with white on yellow prepared paper, sheet: 7 1/2 x 5 11/16 in. (19 x 14.5 cm), Drawings, Peter Schmidt von Lichtenberg (German, Lichtenberg 1585–1620 Breslau

Drawings and Prints, Album Print Ornament & Architecture, Page from Album of Ornament Prints from the Fund of Martin Engelbrecht, Artist, Artist, Publisher, Jeremias Wachsmuth, Franz Xavier Habermann, Carl Pier, Martin Engelbrecht, German,

Gold Strap End from a Shoe Buckle, ca. 600, Langobardic, Gold, Overall: 1 3/16 x 1/2 x 1/8 in. (3 x 1.3 x 0.3 cm), Metalwork-Gold, This group of objects was found in the grave of a Langobardic horseman, who was buried in his warrior dress,

Tomb for a Bishop, early 17th century, Pen and brown and gray ink, and brush and gray wash over traces of red chalk, 7 1/16 x 9 5/16 in. (18 x 23.7 cm), Anonymous, German, 17th century

[Seated Man in Floral Vest], 1840s–50s, Daguerreotype, Image: 6.8 x 5.6 cm (2 11/16 x 2 3/16 in.), Photographs, William Langenheim (American, born Germany, Schöningen 1807–1874), Frederick Langenheim (American, born Germany,

Fall of the Giants, 17th century, Pen and brown ink, brush and brown wash, over traces of black chalk on cream laid paper. Framing outline in brown ink along all edges, 8-1/8 x 10-3/16 in. (20.6 x 25.8 cm), Drawings, Anonymous, Italian,

[Snow Crystal], 1890s–1920s, Gelatin silver print, Image: 2 15/16 × 3 1/8 in. (7.4 × 7.9 cm), Photographs, Wilson Alwyn Bentley (American, 1865–1931

[Two Union Soldiers Holding Hands, Arms Around Each Other's Shoulders], 1860s, Tintype, Image: 6.5 x 5.3 cm (2 9/16 x 2 1/16 in.), Photographs, Unknown (American

Sculpture, 1928 ?, Stoneware, 26 3/4 × 26 3/4 × 7 in. (67.9 × 67.9 × 17.8 cm), Ceramics-Pottery

Design for a Table with Ornate Legs, 17th century, Pen and brown ink, brush and brown wash, over graphite underdrawing, sheet: 7 1/16 x 9 3/16 in. (18 x 23.4 cm), Drawings, Anonymous, Italian, 17th century

Venus and the Dead Adonis (recto); Sketches of Venus and the Dead Adonis; several sketches of kneeling and standing figures (verso), 1696–1770, Red chalk over graphite or lead underdrawing on light tan laid paper (recto); pen and brown ink over

Road Leading to the Grotto of Posillipo, 18th century, Pen and black ink, brown wash, watercolor, over faint underdrawing in graphite, 8 7/16 x 5 13/16 in. (21.5 x 14.8 cm), Drawings, Claude Louis Châtelet (French, Paris 1753–1794 Paris

Drawings and Prints, Books, Prints, Ornament & Architecture, La Vera Perfettione del Disegno di varie sorti di recami, page 37 (recto), Publisher, Illustrator, Woodcut of Lucrezia designed by, Giovanni Ostaus, Giuseppe Salviati (Giuseppe

Saint Mark (one of four), late 16th–early 17th century, Italian or Spanish, Silk and metal-wrapped thread on canvas, Diameter: 8 in. (20.3 cm), Textiles-Embroidered

Box, 1830–70, Probably made in Bennington, Vermont, United States, American, Parian porcelain, 4 1/4 x 6 7/8 x 4 3/4 in. (10.8 x 17.5 x 12.1 cm), Ceramics

Farmyard, n.d., Brush and brownish-gray washes, over traces of black chalk, 10 13/16 x 14 1/2 in. (27.5 x 36.9 cm), Drawings, Jean Jacques de Boissieu (French, Lyons 1736–1810 Lyons

Mold for a Persea Fruit Pendant, New Kingdom, Amarna Period, Dynasty 18, ca. 1353–1336 B.C., From Egypt, Middle Egypt, Amarna (Akhetaten), Town manufactories, Petrie/Carter excavations, 1891–92, Pottery, l. 2.4 cm (15/16 in

[Ku Klux Klansman], ca. 1869, Tintype, 8.1 x 4.9 cm (3 3/16 x 1 15/16 in.), Photographs, Unknown (American), Almost immediately after the Civil War, hundreds of secret societies were established in the South by ex-Confederates to oppose

Drawings and Prints, Books Prints Ornament & Architecture, Libbretto nouellamete composto per maestro Domenico da Sera...lauorare di ogni sorte di punti, page 11 (verso), Publisher, Domenico da Sera, French, active Italy, 16th century, Sera,

Antique-Style Ornamental Frieze Design: Lettered Panels, Rinceaux, and Masks, early 16th century, Pen and two color brown inks, over traces of leadpoint, on buff laid paper, Overall: 13 1/2 x 6 1/2 in. (34.3 x 16.5 cm), Drawings, Anonymous,

Hivon. Pierre. 45 ans, né à Bourbon le Chambai (Allier). Lithographe. Anarchiste. 4/3/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

[Opium Smokers], 1870s, Albumen silver print, Photographs, Pun-Lun (Chinese, 1864–ca. 1900