Images at Librifly

Les Singuliers et Nouveaux Portraicts... page 66 (recto), 1588, Woodcut, Overall: 8 1/16 x 6 5/16 in. (20.5 x 16 cm), Designed by Federic de Vinciolo, published by Jean Le Clerc, Paris, bound by Chambolle-Duru, French, 19th century. From top

Triple Niche Carpet, dated A.H. 1182/ A.D. 1768–69, Attributed to probably Western Turkey, Wool, Rug: H. 81 in. (205.7 cm), Textiles-Rugs

Lidded Vase, 1926, Glazed porcelain, Height 28 1/4 in. (71.8 cm), diameter 11 in. (27.9 cm), Ceramics-Porcelain, Although Fauvism lasted in painting from only 1905 to 1907, its impact lingered in the decorative arts well into the 1920s. The

Alcibiades Interrupting the Symposium; verso: Sketches of the Baptism of Christ and of a Man, 1600–1640, Pen and brown ink, over black chalk, sheet: 10 1/2 x 14 7/16 in. (26.7 x 36.7 cm), Drawings, Peter Paul Rubens (Flemish, Siegen

Bastard. Élisée, Joseph, Michel. 22 ans, né à Birnel (Oise). Polisseur. Anarchiste. 20/8/93., 1893, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Wooded Landscape, mid-18th–early 19th century, Red chalk, sheet: 7 13/16 x 9 7/8 in. (19.8 x 25.1 cm), Drawings, Friedrich August Brand (Austrian, Vienna 1735–1806 Vienna

View of Nantes, ca. 1650s, Pen and brown ink, grey and brown wash over black chalk. Framing line in pen and brown ink., sheet: 9 1/4 x 14 7/16in. (23.5 x 36.7cm), Drawings, Lambert Doomer (Dutch, Amsterdam 1624–1700 Amsterdam

Design for a Painted Ceiling, 1800–1900, Watercolor, Drawings, Anonymous, Italian, 19th century

Textile Medallion, 6th century, Attributed to Iraq or Syria, Silk; twill, Mount: H. 12 3/8 in. (31.4 cm), Textiles, Textiles like this one were produced in the pre-Islamic Sasanian empire, which ruled Persia from A.D. 224 to 651. The designs

Terracotta hydria (water jar), Late Classical, ca. 350–320 B.C., Greek, South Italian, Campanian, Terracotta; red-figure, H. 23 1/2 in. (59.7 cm), Vases, On the body, return of a mounted warrior On the shoulder, tritons Under the

Snuffbox, 1738–44, French, Paris, Gold, mother-of-pearl, Overall: 2 1/2 × 1 13/16 × 1 1/4 in. (6.4 × 4.6 × 3.2 cm), Metalwork-Gold and Platinum, The use of snuff became very fashionable in Europe during the eighteenth century. The

Battle of the naked men, ca. 1470–90, Engraving, sheet: 15 1/8 x 23 3/16 in. (38.4 x 58.9 cm), Prints, Antonio Pollaiuolo (Italian, Florence ca. 1432–1498 Rome), One of the earliest and most influential Italian engravings, this print is

Pennsylvania Light Artillery, Keystone Battery, 1861–65, Albumen silver print from glass negative, Photographs

The Street, 1917, Lithograph, image: 19 x 15 1/4 in. (48.3 x 38.7 cm), Prints, George Bellows (American, Columbus, Ohio 1882–1925 New York

'Ombellifères' (cow parsley) Cabinet, ca. 1900, Birchwood, rosewood, various other woods, 40 x 49 1/2 x 12 in. (101.6 x 125.7 x 30.5 cm), Furniture, Emile Gallé (French, Nancy 1846–1904 Nancy), The revolutionary style known as Art

Snuffbox, Henry Bodson (master 1763, active 1789), Chased by Gérard Debèche (1706–ca. 1777), 1768/69, French, Paris, Gold, H. 1-3/4 × W. 3-5/8 × D. 1-13/16 in. (4.4 × 9.2 × 4.6 cm), Metalwork-Gold and Platinum, Henry Bodson (master

元 王冕 墨梅圖 軸, Fragrant Snow at Broken Bridge, Yuan dynasty (1271–1368), China, Hanging scroll; ink on silk, Image: 44 1/2 x 19 3/4 in. (113 x 50.2 cm), Paintings, Wang Mian (Chinese, 1287–1359), An ambitious scholar, Wang

A Reconstruction of the Base of the Column Rostrata., before 1704, Brush and grey ink and grey wash, pen and black and brown ink, red chalk., 13 1/16 x 8 1/16 in. (33.2 x 20.5 cm), Drawings, Jan Goeree (Dutch, Middelburg 1670–1731

Drawings and Prints, Album Print Ornament & Architecture, Targhe ed altri ornati di varie e capricciose invenzioni (Cartouches and other ornaments of various and capricious invention, page 44), Artist, Publisher, After, Georges Reverdy, Jacob

Folio from a Qur'an Manuscript, dated A.H. 707/ A.D. 1307–8, Attributed to Iraq, Baghdad, Ink, opaque watercolor, and gold on paper, 20 3/16 x 14 1/2in. (51.3 x 36.8cm), Codices, During the Ilkhanid period, a series of magnificent, large

Drawings and Prints, Books Prints Ornament & Architecture, Eyn new kunstlichboich, page 18r, Publisher, Designer, Woodcut border designed by, Peter Quentel, Anton Woensam von Worms, German, active Cologne, 1518–46, German, active first

Jean-Francois Millet, 1856–58, Salted paper print from paper negative, Mount: 15 7/8 in. × 11 5/8 in. (40.4 × 29.5 cm), Photographs, Nadar (French, Paris 1820–1910 Paris

Jug from Kedleston Hall, 13th century, Made in Derbyshire, England, British, Glazed earthenware, 16 × 13 5/8 × 13 1/16 in. (40.7 × 34.6 × 33.2 cm), Ceramics-Pottery, When this massive jug was excavated in the nineteenth century in a

Les Singuliers et Nouveaux Portraicts... page 37 (recto), 1588, Woodcut, Overall: 8 1/16 x 6 5/16 in. (20.5 x 16 cm), Designed by Federic de Vinciolo, published by Jean Le Clerc, Paris, bound by Chambolle-Duru, French, 19th century. From top

Three Noblemen in Procession on an Elephant, ca. 1790, Attributed to India, Hyderabad, Opaque watercolor and gold on paper, Page: H. 18 3/4 in. (47.6 cm), Codices, Painting by Venkatchellum (active 1780s–90s), This painting of a royal

[Chatham Square, New York], 1853–55, Daguerreotype, Image: 8.9 x 12.2 cm (3 1/2 x 4 13/16 in.), irregular, Photographs, Unknown (American), This chaotic street scene shows Chatham Street, now Park Row, from below its intersection with

손잡이 달린 인화 무늬 합 통일신라, 把手有蓋印花文盒 統一新羅, Covered urn with geometric decoration, South and North Kingdoms period, Unified Silla (676–935), 8th century, Korea, Stoneware with stamped decoration,

Four Continents: The Peoples of the Earth Invoking the Deities, 1720–74, Pen and brown and black ink, gray wash touched with white, 8 1/8 x 6 1/4 in. (20.6 x 15.9 cm), Drawings, Gottfried Bernhard Goetz (German, Velehrad 1708–1774

[Girl Reading], 1870s, Albumen silver print, Photographs, Unknown

Charger, 1840–85, Made in Long Island, Huntington, New York, United Sates, American, Redware, 12 1/2 in. (31.8 cm), Ceramics, Unknown, This charger bears slip decoration typical of the pottery from Huntington, New York. Huntington,

Josiah Bunting, 85, with George M. Bunting, 17 Months, 1850s, Daguerreotype, Image: 8.8 x 6.8 cm (3 7/16 x 2 11/16 in.), Photographs, Samuel Broadbent Jr. (American, 1810–1880

Standing Bodhisattva, probably Maitreya, 7th–8th century, Thailand (Buriram province, Prakhon Chai), Silver alloy, H. 3 3/4 in. (9.5 cm), Sculpture

One of Twenty-Three Sheets of Drawings of Glassware (Mirrors, Chandeliers, Goblets, etc.), 1850–80, Tissue, with pencil, pen and ink, and watercolor, 14 x 19 in. (35.6 x 48.3 cm), Drawings, Compagnia di Venezia & Murano

Design for an Interior Wall Elevation, 1700–1780, Pen and gray ink, brush with black, gray, pink, and yellow wash, over ruled and compass constructions in pen and gray ink. Framing outlines in pen and brown ink. Scale, below the design, in

Earring, 7th century (?), Made in Northern France, Frankish, Gold, blue and light green glass, pearls, Overall: 1 1/2 x 9/16 in. (3.8 x 1.5 cm), Metalwork-Gold

Design for a Cartouche with the 'IHS' Monogram of the Society of Jesus, Putti, Fantastick Creatures, at the Borders, a Central Scene of the Virgin and Child with a Monastic Figure, and the Family Arms of a Cardinal, 1550–1600, Pen and brown

Rosette Brooch, 6th century, Frankish, Silver-gilt, beaded filigree edging, garnets with patterned foil ..., Overall: 5/8 x 1/8 in. (1.6 x 0.3 cm), Metalwork-Silver

Illustration in Jérôme Paturot, by Louis Reybaud, Paris, 1846, ca. 1846, Pen and brown ink, brush and gray wash, white heightening over graphite., sheet: 5 7/16 x 3 3/4 in. (13.8 x 9.5 cm), Drawings, J. J. Grandville (French, Nancy

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 37r), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

The Lamentation, ca. 1514–16, Oil on wood, 22 × 18 in. (55.9 × 45.7 cm), Paintings, Ludovico Mazzolino (Italian, Ferrara ca. 1480–after 1528 Ferrara), Mazzolino’s precious devotional panels and narratives were appreciated at the court

Drawings and Prints, Book, A System of Anatomical Plates of the Human Body, vol. 2, Author, Publisher, Publisher, John Lizars, William Home Lizars, William Curry and Co., W. Highley, London, Daniel Lizars, American, 1787?–1860,

Ornamento delle belle & virtuose donne, page 5 (verso), 1554, Woodcut, Overall: 7 1/2 x 5 7/8 in. (19 x 15 cm), Published by Matteo Pagano, Italian, 1515-1588, Venice, bound by Lloyd, Wallis & Lloyd, British, active London after 1821.

Section of a Qur'an Manuscript, late 14th–early 15th century, Attributed to present-day Uzbekistan, probably Samarqand, Ink, opaque watercolor, and gold on paper, H. 17 5/16 in. (44 cm), Codices, These two lines of calligraphy in elegant

Drawings and Prints, Books Prints Ornament & Architecture, Corona delle Nobili et Virtuose Donne: Libro IV, page 114 (recto), Publisher, Cesare Vecellio, Italian, Pieve di Cadore 1521–1601 Venice, Vecellio, Cesare, Italian, 1521, 1601

Miniature Square-Headed Brooch, first half 6th century, Made in Kent, England, Anglo-Saxon, Silver-gilt, niello, inlays lost, Overall: 7/8 x 1 13/16 x 3/8 in. (2.2 x 4.6 x 1 cm), Metalwork-Silver, The affinity of these brooches, found in

Miniature Jug, 14th century, British, Earthenware, green glaze, Overall: 4 3/4 x 2 3/16 x 2 15/16 in. (12.1 x 5.5 x 7.5 cm), Ceramics-Pottery

Ceiling design, 19th century, Graphite and wash, sheet: 14 3/4 x 20 3/8 in. (37.4 x 51.8 cm), John Gregory Crace (British, London 1809–1889 Dulwich) , and Son

Standing Peasant Girl, 1847, Graphite, Sheet: 8 3/8 x 5 5/8 in. (21.3 x 14.3cm), Drawings, François Bonvin (French, Paris 1817–1888 Saint-Germain-en-Laye

Relief fragments from the tomb of Meketre, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Meketre (TT 280, ), 1920, Limestone, paint, H 14.6 cm ( 5 3/4 in.); W 12.5 cm ( 4 15/16

Head of a Bearded Man, 1564–1644, Black chalk and traces of white chalk on blue paper, 4-1/4 x 3-5/16 in. (10.8 x 8.4 cm), Drawings, Attributed to Francisco Pacheco (Spanish, Sanlúcar de Barrameda 1564–1644 Seville

A Roman Triumph, 16th century, Pen and brown ink, brush and wash, highlighted with Chinese white, 8-1/2 x 13-1/2 in. (21.6 x 34.3 cm), Drawings, Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580

Ispahan, designed ca. 1888, British, Merton Abbey, Surrey, Wool, L. 82 1/4 (incl. fringe) x W. 95 7/8 inches (208.9 x 243.5 cm), Textiles-Woven

Interor of a Room: 'Our Quarters Calcutta', 1875, Pen and ink, sheet: 10 x 12 1/2 in. (25.4 x 31.8 cm), Drawings, Anonymous, British, 19th century

Blackware Bowl, 12th–8th century B.C., Mexico, Mesoamerica, Olmec, Ceramic, H. 4 1/2 x Diam. 5 9/16 in. (11.4 x 14.2 cm), Ceramics-Containers, The blackware bowl, reportedly from Las Bocas, Puebla, Mexico, has a flat bottom and almost

[Civil War View], 1860s, Albumen silver print from glass negative, Photographs, Thomas C. Roche (American, 1826–1895) , et al

Tree Spirit Deity (Yakshi), 1st–2nd century, India (Uttar Pradesh, Mathura region), Red sandstone, H. 13 3/4 in. (34.9 cm); W. 12 1/2 in. (31.8 cm); D. 5 in. (12.7 cm), Sculpture, This double-sided bracket (vrksadevata) for a gateway

Soup Tureen, 1785–90, Made in China, Chinese, for American market, Porcelain, 8 1/2 x 11 1/2 in. (21.6 x 29.2 cm), Ceramics, This object belongs to a large dinner service bearing the Townley family coat-of-arms. The service, probably

Mission Ridge Scene of Sherman's Attack, 1860s, Albumen silver print from glass negative, Photographs, George N. Barnard (American, 1819–1902

Tumbler, 1830–70, Made in United States, American, Pressed glass, H. 3 3/4 in. (9.5 cm); Diam. 3 7/16 in. (8.7 cm), Glass, With the development of new formulas and techniques, glass-pressing technology had improved markedly by the late

Les Singuliers et Nouveaux Portraicts... page 48 (verso), 1588, Woodcut, Overall: 8 1/16 x 6 5/16 in. (20.5 x 16 cm), Designed by Federic de Vinciolo, published by Jean Le Clerc, Paris, bound by Chambolle-Duru, French, 19th century. From top

Banjo, ca. 1845, Baltimore, Maryland, United States, American, Hardwood, calfskin, brass, iron, 34 1/2 × 11 × 3 1/4 in. (87.6 × 27.9 × 8.3 × 87.6 cm), Chordophone-Lute-plucked, William Esperance Boucher, Jr. (Hanover, Germany

Salad Bowl, 1785–90, Made in China, Chinese, for American market, Porcelain, H. 5 in. (12.7 cm); Diam. 10 3/8 in. (26.4 cm), Ceramics, This object belongs to a large dinner service bearing the Townley family coat-of-arms. The service,

Elizabeth MacDowell Kenton, 1880s, Albumen silver print , Photographs, Thomas Eakins (American, Philadelphia, Pennsylvania 1844–1916 Philadelphia, Pennsylvania

Bowl with Face, 5th–4th century B.C., Peru, Paracas, Ceramic, post-fired paint, Overall: 3 3/4 in. (9.53 cm), Ceramics-Containers

Glass lid, Mid Imperial, 2nd–3rd century A.D., Roman, Cypriot, Glass; blown, 7/16 in. (1.1 cm), Glass, Colorless with greenish tinge. Knocked-off, inverted lip; rounded edge; broad, concave top. Intact, except for losses to part of lip;

Tomb Design, 1740–75, Pen and black ink, brush and grey brown, and pink wash. Laid down on paper mount with NILSON written below drawing now erased. Gold and black boardering., 12 1/8 x 7 25/16 in (30.8 x 20.2 cm.) (image), Drawings, Ignaz

Bramante's Plan for St. Peter's, 16th–17th century, Ink and watercolors on laid paper, 19 1/4 x 13 1/2 in., Drawings, Anonymous, Italian, 16th to 17th century

Figurine of bound captive, Early Dynastic Period, ca. 3100–2650 B.C., From Egypt, Memphite Region, Saqqara, Faience, L: 5.5 cm (2 3/16 in.); W: 3 cm (1 3/16 in.); H. 3.7 cm (1 7/16 in

Sèriè à la Ristori, 1860s, Albumen silver print from glass negative, Photographs, Pierre-Louis Pierson (French, 1822–1913

One Half Design for a Painted Ceiling with Central Oval Left Blank, 1700–1780, Pen and gray ink, brush and gray and black wash, over lead point or graphite, with ruled and compass construction. Scale in pen and brown ink over graphite, below

Star Ushak Carpet, probably 17th century, Attributed to West Central Turkey, Wool (warp, weft and pile); symmetrically knotted pile, H. 1213/4 in. (309.2 cm), Textiles-Rugs, The starlike medallions that give this type of carpet its name were a

Young Woman Surrounded by Briars, Lightning and Roses (Chapter Heading for Thomas Malory, 'Le Morte d'Arthur, ' J. M. Dent 1893–94, Part III, book vi, chapter xvii, p. 215 and Part VII, book x, chapter xxii, p. 500), by May 30, 1893,

[Clown], ca. 1860, Albumen silver print, Image: 8 1/16 × 6 13/16 in. (20.5 × 17.3 cm), Photographs, Charles DeForest Fredricks (American, 1823–1894), Fredricks operated one of the most successful photographic studios in New York City, at

Pitcher, ca. 1850, Made in Jersey City, New Jersey, United States, American, Earthenware, H. 7 3/4 in. (19.7 cm), Ceramics, Jersey City Pottery (1855–92

Gecko: study from life, second half 19th century, Graphite, Overall: 8 7/8 x 5 15/16 in. (22.5 x 15.1 cm), Drawings, George Du Maurier (British, Paris 1834–1896 London

Jewelry Design, n.d., Purple, green and white gold watercolor, 12 11/16 x 9 13/16 in. (32.3 x 25 cm), Eugène-Samuel Grasset (French, born Switzerland, Lausanne 1841–1917 Paris

Gold Goblet and Cover (?), 700s, Avar or Byzantine, Gold, a only: 6 5/8 × 4 3/4 in., 13 Troy Ounces (16.8 × 12.1 cm, 418g), Metalwork-Gold, This goblet may in fact be a Byzantine export, though the foot of the cup does not conform to the

Design for a Tomb with Female Figures, Putti and Mythological Creatures, 16th century, Pen and brown ink, brush and gray wash, over leadpoint, 8-9/16 x 7-1/8 in. (21.7 x 18.1 cm), Drawings, Anonymous, Italian, 16th century (Italian, active

St. Cecilia, 19th century, Pen and black ink, brush and gray wash., 12 3/8 x 7 3/8 in. (31.5 x 18.7 cm), Drawings, Anonymous, German, 19th century

Design for a Wall Fountain, 1550–1620, Pen and brown ink, brush and light brown wash, over lead point, with ruled construction and framing outlines, 14 5/8 x 9 3/4 in. (37.2 x 24.8 cm), Drawings, Anonymous, Italian, Lombard, 16th

Design for a Ceiling Decoration with Chinoiseries, 1725–75, Watercolor, 10-1/4 x 13-3/4 in, Anonymous, Italian, 18th century

Drawings and Prints, Books Prints Ornament & Architecture, New Künstlichs Modelbuch (Page 20 recto), Publisher, Bernhard Jobin, Swiss, Porrentruy (Jura) before 1545–1593/1597 Strasbourg, Jobin, Bernhard, Swiss, 1535, 1597, 1600, 1600

Limestone statue of a god, Hellenistic, 3rd century B.C., Cypriot, Limestone, Overall: 23 1/2 x 9 1/8 x 5 1/4 in. (59.7 x 23.2 x 13.3 cm), Stone Sculpture, The identity of this young plump figure with horns at his forehead and a lion in his

A Beggar Playing a Flute, early 17th century, Pen and red ink, graphite underdrawing, 2 9/16 x 3 7/16 in. (6.5 x 8.7 cm.), Drawings, After Jacques Callot (French, Nancy 1592–1635 Nancy

Gart der gesuntheit - Ortus sanitatis (Herbarius), March 28, 1485, plates: hand colored woodcuts, 12 x 8 7/16 x 3 3/8 in. (30.5 x 21.5 x 8.5 cm), Books

Armor of Sir James Scudamore (1558–1619), ca. 1595–96, Greenwich, British, Greenwich, Steel, gold, leather, H. 70 1/4 in. (178.5 cm); Wt. 50 lb. 7 oz. (22.88 kg), Armor for Man, Sir James Scudamore (1558–1619) was a prominent

Snuff Bottle with Horse Rider, Qing dynasty (1644–1911), Daoguang mark and period (1821–50), China, Porcelain with overglazed enamel colors, coral stopper, H. 2 5/8 in. (6.7 cm), Snuff Bottles

Drawings and Prints, Book ; Print, Plate for The Fish and the Fireworks, Fable Sixteen, in Fables Nouvelles, Dediées au Roy, Artist, Publisher, Author, Claude Gillot, Gregoire Dupuis, Lamotte-Houdar, French, Langres 1673–1722 Paris,

Woman in blue dress, first half 20th century, brush and black ink, watercolor, gouache, traces of graphite framing lines, sheet: 15 9/16 x 7 7/8 in. (39.6 x 20 cm), Drawings, Sergey Sudeykin (Russian, Smolensk 1882–1946 Nyack

Batavia, 1860s–70s, Albumen silver print from glass negative, 23.3 x 22.4 cm (9 3/16 x 8 13/16 in.), Photographs, Unknown

Side Elevation of an Italian Villa Style House, 1851 (?), Ink and watercolor washes, circular sheet: diameter 6 5/8 in. (16.7 cm), Anonymous, British, 19th century

The Mystic Marriage of St. Catherine, Engraving, Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576), After Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503–1540 Casalmaggiore), In Mariette

Allegory of Lyric Poetry, 1753, Oil on canvas, Irregular, 45 1/4 x 62 3/4 in. (114.9 x 159.4 cm), Paintings, François Boucher (French, Paris 1703–1770 Paris) and Workshop

Landscape with a Shepherd and His Flock, 1622–74, Pen and brown ink, brush and brown wash on Japanese paper. Lined., sheet: 9 1/8 x 15 3/16in. (23.2 x 38.5cm), Drawings, Jan Lievens (Dutch, Leiden 1607–1674 Amsterdam

The Prodigal Son, late 16th–early 17th century, Pen and black ink, 12 13/16 x 8 1/2 in. (32.5 x 21.6 cm), Daniel Lindtmayer (Swiss, Schaffhausen 1552–1606/1607 Lucerne

Plate, ca. 1800, Made in Bucks County, Pennsylvania, United States, American, Earthenware; Redware, Diam. 11 5/8 in. (29.5 cm), Ceramics, Attributed to David Spinner (1758–1811

Funerary relief, ca. 125–150, Syria, probably from Palmyra, Limestone, 25 1/2 x 20 1/8 x 12 in. (64.8 x 51.1 x 30.5 cm), Stone-Sculpture, Inscription: (at right)1 Nesha, 2 son of 3 [ ... ](at left)1 Belha, 2 (son of) Hashash. 3

Ravinet. Gaston. 34 ans, né à Paris XIXe. Couvreur. Anarchiste. 1/3/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914), Born into a

Interior of an English room in India or Ceylon, ca. 1830, Watercolor, sheet: 14 1/4 x 10 in. (36.2 x 25.4 cm), Drawings, Anonymous, British, 19th century

Forti. Alfred. 18 ans, né à Milan (Italie). Restaurateur. Anarchiste. 27/2/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914), Born