Images at Librifly

Carpet, late 18th–early 19th century, Attributed to present-day China, Kashgar, Cotton (warp and weft) silk (pile); asymmetrically knotted pile, H. 174 in. (442 cm), Textiles-Rugs, Carpets woven in the former silk road settlements of

Plate, 1870–90, Made in Pittsburgh, Pennsylvania, United States, American, Pressed yellow glass, Diam. 6 1/2 in. (16.5 cm), Glass, Adams and Company

The Month of February: Man Pruning a Tree, 16th century, Pen and black ink over black chalk., 4 3/16 x 3 in. (10.6 x 7.6 cm), Drawings, Attributed to Erasmus Hornick (Netherlandish, Antwerp ca. 1520–1583 Prague

Lamp, Roman, Cypriot, Terracotta, Overall: 1 1/4 x 3 3/8 in. (3.2 x 8.6 cm), Terracottas

Design for interior, ca. 1830, Watercolor, sheet: 14 1/4 x 19 in. (36.2 x 48.3 cm), Drawings, Charles de Brocktorff (Danish, active 1830

Female Torso, ca. 1924, Bronze, nickel-plated, 10 1/4 x 6 3/4 x 3 1/2 in. (26 x 17.1 x 8.9 cm), Sculpture, Gaston Lachaise (American (born France) 1882–1935

Descent of Christ into Limbo, 16th century, Pen and brown ink, brush and brown wash, over black chalk on cream paper, 5-11/16 x 6-1/8 in. (14.5 x 15.5 cm), Drawings, Anonymous, Italian, 16th century (Italian, active Central Italy, ca.

Ewer base with Zodiac medallions, first half 13th century, Probably made in Iran, Brass; engraved, inlaid with silver and copper, H. 8 3/4 in. (22.2 cm), Metal, The full zodiacal cycle is depicted in the twelve medallions on the facets of this

Study for Uylenspiegel, graphite, 7-1/8 x 6-3/4 in. (18.1 x 17.1 cm), Drawings, Félicien Rops (Belgian, Namur 1833–1898 Essonnes

Sculptures, May–June 1858, Albumen silver print from dry collodion on glass negative, Image: 25.8 x 23.2 cm (10 3/16 x 9 1/8 in.), Photographs, Linnaeus Tripe (British, Devonport (Plymouth Dock) 1822–1902 Devonport), These extraordinary

En famille, 1860s, Salted paper print from glass negative, 17.8 x 21.9 cm. (7 x 8 5/8 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Design for Single Footed Dish with Cover Shaped like Flower and Foliage, 16th century, Pen and brown ink, brush and gray and yellow wash over red chalk, 16 7/16 x 11 5/8 in. (41.7 x 29.5 cm), Drawings, Erasmus Hornick (Netherlandish, Antwerp

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 32v), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

Figure 55: Astonishment badly rendered by the subject: a ridiculous and inane expression., 1854–56, printed 1862, Albumen silver print from glass negative, Image (Oval): 28.3 × 20.4 cm (11 1/8 × 8 1/16 in.), Photographs,

A Bejewelled Maiden with a Parakeet, ca. 1670–1700, Country of Origin India, Golconda, Deccan, Opaque watercolor and gold on paper, Image:, Codices, This young beauty seen through a cusped arch has been idealized as the daughter of the

Fiore D'Ogni Virtu Per le Nobili Et Honeste Matrone, page 14 (recto), 1610

Drawings and Prints, Book Prints Ornament & Architecture, Trionfo Di Virtu. Libro Novo..., page 27 (recto), Publisher, Matteo Pagano, Italian, 1515–1588, Venice, Pagano, Matteo, Italian, 1515, 1588, 1563

Esemplario di Lauori..., page 2 (recto), August 1, 1532, Woodcut, Overall: 8 7/16 x 6 5/16 in. (21.5 x 16 cm), Originally published by Giovanni Andrea Vavassore, Italian, active 16th century, Venice, designed by Florio Vavassore (Giovanni's

Drawings and Prints, Books, Prints, Ornament & Architecture, La Vera Perfettione del Disegno di varie sorti di recami, page 11 (recto), Publisher, Illustrator, Woodcut of Lucrezia designed by, Giovanni Ostaus, Giuseppe Salviati (Giuseppe

Design for a Title Page, 17th century, Pen and brown ink, black chalk, brown wash, white gouache, 11 9/16 x 7 15/16 in. (29.3 x 20.2 cm), Drawings, Abraham van Diepenbeeck (Flemish, 's Hertogenbosch 1596–1675 Antwerp

Two Men Resting by a Lake (recto); Studies for Soldiers Mounted on Horseback (verso), early to mid-19th century, Graphite heightened with white bodycolor, on brown paper., sheet: 11 11/16 x 15 3/16 in. (29.7 x 38.6 cm), Drawings, Alexandre

Tankard, 1736–37, German, Bayreuth, Tin-glazed earthenware, Overall (confirmed): 7 1/8 x 6 x 4 3/16 in. (18.1 x 15.2 x 10.6 cm), Ceramics-Pottery

Head of a Bearded Man, Looking up to the Right, n.d., Black chalk and white chalk, on blue paper, sheet: 18 1/4 x 9 7/16 in. (46.3 x 24 cm), Drawings, Bartolomeo Schedoni (Italian, Formigine 1578–1615 Parma

Fissore’s Plow from Tortona, Plow from Parma, 1861, Albumen silver print from collodion negative, Image: 4 7/16 × 10 13/16 in. (11.3 × 27.4 cm), Photographs, Pietro Semplicini (Italian, active 1850s–90s), Trained as a chemist,

Drawings and Prints, Album Prints Ornament & Architecture, Livre de Tables de Diverses Formes, Designer, Etcher, Publisher, Jean Bernard Toro, de Rochefort, Jacques-Nicolas Le Pas Dubuisson, French, Dijon 1672–1731 Toulon, French,

Design for a Platter with Battling Tritons and Sea Nymphs, 16th century, Pen and black ink, brush with gray and yellow wash, 11 7/8 x 16 5/16 in. (30.2 x 41.5 cm), Drawings, Erasmus Hornick (Netherlandish, Antwerp ca. 1520–1583 Prague

Design for Ceiling, either for 13 Berners Street, Westminster, London, or Whitton Park, Middlesex, 1765–66, Pen and brown ink, brush and washes, sheet: 8 9/16 x 12 1/16 in. (21.8 x 30.6 cm), Sir William Chambers (British (born Sweden),

Moucheraud. Adrien, Eugène. 28 ans, né à Paris IVe. Imprimeur. Anarchiste. 4/3/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914),

Saint John (one of four), late 16th–early 17th century, Italian or Spanish, Silk and metal-wrapped thread on canvas, Diameter: 8 in. (20.3 cm), Textiles-Embroidered

Design for Curtains, 1841–84, Graphite with touches of white gouache, sheet: 14 1/4 x 9 15/16 in. (36.2 x 25.2 cm), Charles Hindley and Sons (British, London 1841–1917 London

Crossbow Bolt Box (Bolzenkasten) with Accessories, ca. 1735–50, probably Dresden, Saxony, German, probably Dresden, Wood (poplar, walnut, plum, ash), steel, iron alloy, copper alloy, staghorn, feathers (probably goose), box: H. 4

Harlequin Family, model ca. 1740, German, Meissen, Hard-paste porcelain, Height: 7 1/8 in. (18.1 cm), Ceramics-Porcelain

[Herd of Horses]. Brady album, p. 123, 1861–65, Albumen silver print from glass negative, Photographs

Belt Buckle, 7th century, Frankish, Iron, silver inlay, copper alloy inlay, Overall: 4 5/8 x 2 3/8 x 1/2 in. (11.7 x 6 x 1.3 cm), Metalwork-Iron

Drawings and Prints, Books Prints Ornament & Architecture, Lucidario di Recami, page 10 (recto), Publisher, Designer, Jeronimo Calepino, Iseppo Foresto, Italian, active Venice, 1557, 1564, Calepino, Foresto, Iseppo, Italian, 1500,

Candidates for Admission to the Paris Salon, late 19th–early 20th century, Pen and brush and black ink, graphite., Image: 11 x 17 15/16 in. (28 x 45.6 cm), Drawings, Felicien Myrbach-Rheinfeld (Austrian, Zaleszczyki 1853–1909 Klagenfurt

Design for the Headpiece of the 'Gazette de France', 18th century, Black chalk with traces of white chalk, incised, 7 5/16 x 4 11/16 in. (18.6 x 11.9 cm.), Drawings, Hubert François Gravelot (French, Paris 1699–1773 Paris

Page from Ein new kunstlich Modelbuch...(Page 15r), 1544

Design for a Stole or Maniple, late 19th–early 20th century, Graphite, pen and ink with watercolor, Ernest Geldart (British, London 1848–1929

[Adolescent, 12, Wearing Earrings and a Suit], 1850s, Daguerreotype, Image: 7.2 x 6.9 cm (2 13/16 x 2 11/16 in.), Photographs, Unknown (American

Marble stele with a Lydian inscription, Archaic, 6th century B.C.?, Lydian, Marble, Overall: 64 3/16 x 24 1/2 x 8 in. (163 x 62.2 x 20.3 cm), Stone Sculpture, Excavated at Sardis. This stele once stood in a row of such monuments at the west

Longitudinal Section of the Small Theater in the Palace at Caserta, 1700–1773, Pen and black ink, brush and gray wash, over traces of compass and ruled construction lines in graphite, 12-1/16 x 12-5/16 in. (30.6 x 31.3 cm), Drawings, Luigi

Seated Male Nude with Open Book, 17th century, Black chalk partly reinforced with pen and dark brown ink. Black chalk lines along right and left borders of sheet. On ivory paper, 8 x 5-3/16 in. (20.3 x 13.1 cm), Drawings, Anonymous, Spanish,

Diana with Two Dogs, Pen and dark gray ink with brush and gray wash, Overall: 6 5/16 x 5 1/4in. (16 x 13.3cm), Drawings, Anonymous, German, 17th century

Design for a Bucket, 16th century, Pen and black ink, brush with yellow and gray wash over traces of red and black chalk, 16 7/16 x 11 1/2 in. (41.7 x 29.2 cm), Drawings, Erasmus Hornick (Netherlandish, Antwerp ca. 1520–1583 Prague

Intartenimento che demo ogni giorno li Ciarlatani from Habiti d'huomeni et donne Venetiane, ca. 1610, Engraving, Plate: 10 9/16 x 6 3/4 in. (26.8 x 17.1 cm), Prints

Pitcher, 1830–70, Probably made in Bennington, Vermont, United States, American, Parian porcelain, 4 3/8 x 3 1/8 x 3 1/4 in. (11.1 x 7.9 x 8.3 cm), Ceramics

[Child Wearing Straw Hat, Arm Resting on Table], 1840s–1850s, Daguerreotype, Image: 7 x 5.8 cm (2 3/4 x 2 5/16 in.), Photographs, Unknown (American

Counter plate of a Belt Buckle, late 6th–7th century, Frankish, Iron, with silver inlay, iron rivet with copper alloy head, Overall: 2 3/16 x 2 3/16 x 1/2 in. (5.6 x 5.6 x 1.3 cm), Metalwork-Iron

Drawings and Prints, Books Prints Ornament & Archiecture, Fiori di Ricami Nuovamente Posti in Luce, page 9 (recto), Designer, Publisher, Matteo Florimi, Francesco de' Franceschi, Italian, active Siena, ca. 1581–died 1613, Italian,

[Snow Crystal], 1890s–1920s, Gelatin silver print, Image: 2 15/16 × 3 1/8 in. (7.5 × 8 cm), Photographs, Wilson Alwyn Bentley (American, 1865–1931

Design for a Pier-glass with Arched Head and Palmette Terminations, 1743–96, Pen and wash, sheet: 36 x 25 in. (91.4 x 63.5 cm), Sir William Chambers (British (born Sweden), Göteborg 1723–1796 London

Design for a candelabrum, 19th century, Brown ink and wash, sheet: 11 15/16 x 9 15/16 in. (30.3 x 25.2 cm), Anonymous, British, 19th century

St. Sebastian, 16th century, Pen and ink, brush and wash, 10 x 4-1/16 in. (25.4 x 10.3 cm), Drawings, Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580

Design for a Monument with Minerva?, 16th century, Pen and black ink, brush and gray wash, sheet: 9 15/16 x 6 3/16 in. (25.3 x 15.7 cm), Drawings, Anonymous, Spanish, 16th century ?, Attributed to Patrizio Cajés (Italian, Arezzo

[Young Woman Wearing Lace Collar and Brooch], 1850s, Daguerreotype, Image: 8.9 x 6.6 cm (3 1/2 x 2 5/8 in.), Photographs, Attributed to Albert Sands Southworth (American, West Fairlee, Vermont 1811–1894 Charlestown, Massachusetts),

The Annunciation, 16th century, Pen and brown ink over black chalk, with brown ink framing lines, with traces of red chalk, sheet: 10 13/16 x 14 7/16 in. (27.4 x 36.7 cm), Drawings, Dirck Pietersz. Crabeth (Netherlandish, Gouda 1501–1574

Aube en Dentelle, Appartenant au Couvent de la Visitation, 1857, Salted paper print (Blanquart-Évrard process) from paper negative, Image: 4 3/4 × 7 1/4 in. (12 × 18.4 cm), Photographs, Hippolyte Malègue (French

Design for the Decoration of the Side Plate of a Firearm, ca. 1797–1805, Versailles, French, Versailles, Pencil, ink, gray wash on paper, 2 3/4 x 6 1/4 in. (7 x 15.9 cm), Works on Paper-Drawings

Mangin. Edmond, Émile. 33 ans, né le 19/3/61 à Senon (Meuse). Cimentier. Anarchiste. 8/7/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Fiore D'Ogni Virtu Per le Nobili Et Honeste Matrone, page 11 (recto), 1610

Banks of the Seine, Graphite, 3 3/8 x 5 15/16 in. (8.5 x 15.1 cm), Drawings, Rodolphe Bresdin (French, Montrelais 1822–1885 Sèvres

Lamp, 1st century B.C.–1st century A.D., Roman, Terracotta, Overall: 1 1/8 x 4 1/4 in. (2.9 x 10.8 cm), Terracottas

Glass lentoid amphoriskos, Eraly Imperial, 1st century A.D., Roman, Glass; blown in a two-part mold, Overall: 3 x 2 1/8 x 1 1/2 in. (7.6 x 5.4 x 3.8 cm), Glass, Translucent greenish yellow; handles in a slightly greener color. Tubular rim,

Massacre of the Innocents, 16th century, Pen and brown ink over red chalk on cream paper, 10-3/4 x 16-5/8 in. (27.3 x 42.2 cm), Drawings, Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580

Parinirvana (Extinction of the Buddha) and Attendant, Ming dynasty (1368–1644), dated 1503, China, Glazed pottery, H. 11 1/2 in. (29.2 cm); W. 4 5/8 in. (11.7 cm); D. 4 3/4 in. (12.1 cm), Ceramics, Qiao Bin (Chinese, active 1481–1507),

Drawings and Prints, Books Prints Ornament & Architecture, Ein new getruckt model Büchli...Page 10, verso, Publisher, Johann Schönsperger the Younger, German, active 1510–30, Schönsperger, Johann the Younger, German, 1490, 1550,

Job. Eugène, François. 31 ans, né à Paris Xle. Chaisier. Anarchiste. 6/3/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914), Born

Study of St. John (recto); Study of a Warrior (verso), 17th century, Red chalk with brush and red wash (recto and verso), 9 x 8 in. (22.9 x 20.3 cm), Drawings, Eugenio Cajés (Spanish, Madrid 1575–1634 Madrid

Tobacco Pouch, 18th century, Japan, Iron, H. 2 3/8 in. (6 cm); W. 3 1/4 in. (8.3 cm), Tobacco Pouches

Landscape with Herdsmen and Their Cattle, 1785, Pen and brown and gray ink, over traces of black chalk, sheet: 10 1/16 x 13 1/8 in. (25.5 x 33.3 cm), Drawings, Jordanus Hoorn (Dutch, 1753–1833

Eyn new kunstlichboich, page 20v, 1529

[Views of Byzantine Court with Royal Effigies], ca. 1859, Albumen silver print from glass negative, 7.9 x 8.1 cm (3 1/8 x 3 3/16 in.), each, Photographs, Attributed to Philip Henry Delamotte (British, 1821–1889

Lady with attendant, ca. 1740, German, Meissen, Hard-paste porcelain, gilt-bronze mount, Height: 7 1/4 in. (18.4 cm), Ceramics-Porcelain, After a composition by Laurent Cars (French, Lyons 1699–1771 Paris), After a composition by

Les Secondes Oeuvres, et Subtiles Inventions De Lingerie du Seigneur Federic de Vinciolo Venitien, page 27 (recto), 1603, Woodcut, Overall: 9 7/16 x 6 1/2 in. (24 x 16.5 cm), Designed by Federic de Vinciolo Venitien, published by Jean Le

Drawings and Prints, Books Prints Ornament & Architecture, Gemma pretiosa della virtuose donne, page 11 (recto), Designer, Publisher, Isabella Catanea Parasole, Gugliemo Facciotti, Italian, ca. 1565/70–ca. 1625, Rome, Parasole, Isabella

Drawings and Prints, Book Prints Ornament & Architecture, Trionfo Di Virtu. Libro Novo..., page 21 (verso), Publisher, Matteo Pagano, Italian, 1515–1588, Venice, Pagano, Matteo, Italian, 1515, 1588, 1563

Brush Rest in Shape of Bamboo Stalk with Insects, Qing dynasty (1644–1911), 18th century, China, Ivory, L. 8 9/16 in. (21.7 cm); W. 1 3/8 (3.5 cm); H. 13/16 in. (2.1 cm), Ivories

[Old Man and Women with Children, One Nursing], 1860s–70s, Albumen silver print from glass negative, 18.4 x 23.6 cm (7 1/4 x 9 5/16 in.), Photographs, Unknown

A Woman Asleep (recto); Landscape Composition with Well-Sweep (verso), 1633–36, Black chalk, 4 3/4 x 6 9/16 in. (12.1 x 16.6 cm), Drawings, Govert Flinck (Dutch, Cleve 1615–1660 Amsterdam

Drawings and Prints, Books Prints Ornament & Architecture, Corona delle Nobili et Virtuose Donne: Libro IV, page 82 (recto), Publisher, Cesare Vecellio, Italian, Pieve di Cadore 1521–1601 Venice, Vecellio, Cesare, Italian, 1521, 1601

Two Horsemen Shooting at Each Other, 1600–1677, Pen and black ink, brush and grey wash, with gouache, sheet: 2 7/8 x 4 1/2 in. (7.3 x 11.4 cm), Drawings, Heinrich Werdmüller (Swiss, died Zurich, 1677

Moti Masjid: Pearl Mosque in Interior of Fort Agra, 1860s–70s, Albumen silver print from glass negative, 22.0 x 28.2 cm (8 11/16 x 11 1/8 in.), Photographs, Unknown

Head of a Putto, 1690, Brush and brown ink, sheet: 3 1/8 x 4 5/16 in. (8 x 11 cm), Drawings, Christoph Joseph Werner (German, ca. 1670–1750 Dresden

Man Playing The Violin, 1645, Black chalk, brush and gray wash, sheet: 5 1/2 x 4 13/16 in. (13.9 x 12.2 cm), Drawings, Hendrick Sorgh (Dutch, Rotterdam 1609/11–1670 Rotterdam

Pompeii, Pompey’s Lane, Tomb Monument of Mamia, ca. 1853, Salted paper print from a waxed paper negative, Mount: 13 13/16 in. × 19 3/16 in. (35.1 × 48.8 cm), Photographs, Firmin-Eugène Le Dien (French, 1817–1865), Gustave Le Gray

Drawings and Prints, Books Prints Ornament & Architecture, New Künstlichs Modelbuch (Page 29 recto), Publisher, Bernhard Jobin, Swiss, Porrentruy (Jura) before 1545–1593/1597 Strasbourg, Jobin, Bernhard, Swiss, 1535, 1597, 1600, 1600

De Humana Physiognomonia. Libri III, 1586, Letterpress text with engraved illustrations, Overall: 13 x 9 1/4 x 1 1/16 in. (33 x 23.5 x 2.7 cm), Books

Fragment of Wall Hanging with confronted cocks and running dogs, 4th–6th century, Made in Byzantine Egypt, Coptic, Wool and linen, Overall: 12 13/16 x 24 5/16 in. (32.5 x 61.8 cm), Textiles-Woven, This elaborately woven band was probably

Sacred animal mummy in the form of an ibis decorated with appliqué of Ibis-headed god, Late Period–Roman Period, ca. 400 B.C.–100 A.D., From Egypt, Memphite Region, Saqqara, Mariette 1853, Dyed and undyed linen, animal remains,

[Two Women and a Child], 1860s, Tintype, Photographs, Unknown

Architectur oder Bawmeisterschaft..., 1628, Illustrations: etching and engraving, 12 3/16 × 8 5/16 × 1 7/8 in. (30.9 × 21.1 × 4.7 cm), After Hans Vredeman de Vries (Netherlandish, Leeuwarden 1527–1606 (?) Antwerp (?)), Hendrick Hondius I

Design for a Marble-topped Cabinet and Mirror, 1840–99, Ink and watercolor and wash, sheet: 12 7/16 x 8 3/4 in. (31.6 x 22.2 cm), Anonymous, British, 19th century

Terracotta lamp: on discus, two dolphins, 1st century B.C.–1st century A.D., Roman, Terracotta, Overall: 7/8 x 3 1/2 in. (2.2 x 8.9 cm), Terracottas

Coach Painter's Sign, 1800–1810, Painted wood, 17 7/8 x 24 x 1 1/2 in. (45.4 x 61 x 3.8 cm), Paintings, J. Mason

Drawings and Prints, Books, Prints, Ornament & Architecture, La Vera Perfettione del Disegno di varie sorti di recami, page 30 (recto), Publisher, Illustrator, Woodcut of Lucrezia designed by, Giovanni Ostaus, Giuseppe Salviati (Giuseppe

[Group of 8 Early Stereograph Views of British Monuments, Memorials, and Tombs], 1850s–1910s, Albumen silver prints, Mounts approximately: 8.4 x 17.1 cm (3 5/16 x 6 3/4 in.) to 8.5 x 17.8 cm (3 3/8 x 7 in.), Photographs, Lennie (British,

Terracotta oil lamp, Late Antique, 3rd–4th century A.D., Roman, Cypriot, Terracotta; mold-made, H.: 1 1/16 x 3 1/4 in. (2.7 x 8.3 cm), Terracottas, This lamp is unusual since the figure on the discus faces the handle and so the holder of

Limestone fragment of a sarcophagus, Hellenistic, 3rd century B.C., Cypriot, Limestone (not marble, as in Doell), Overall: 18 × 69 × 2 15/16 in. (45.7 × 175.3 × 7.5 cm), Stone Sculpture, This piece once formed one of the long sides of a

Corona delle Nobili et Virtuose Donne: Libro I-IV, page 23 (recto), 1601