Images at Librifly

Fire Dogs which belonged to King Henry VIII, formerly found at Leeds Castle, second half 19th century, Wood engraving, sheet: 4 7/16 x 2 15/16 in. (11.3 x 7.4 cm), Anonymous, British, 19th century

Vine Lattice with Birds, 6th–9th century, Attributed to Egypt, possibly Akhmim (former Panopolis), Silk; samit, Textile: L. 6 1/8 in. (15.5 cm), Textiles-Woven, This two-toned silk fragment features circular and lobed medallions composed of

Drawings and Prints, Books Prints Ornament & Architecture, Eyn new kunstlichboich, page 19r, Publisher, Designer, Woodcut border designed by, Peter Quentel, Anton Woensam von Worms, German, active Cologne, 1518–46, German, active first

'The Funeral of Isfandiyar', Folio from a Shahnama (Book of Kings), 1330s, Attributed to Iran, Tabriz, Ink, opaque watercolor, and gold on paper, Page: H. 22 13/16 in. (58 cm), Codices, From a dispersed copy of the Ilkhanid manuscript

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 45 (recto), October 1, 1604, Etching and drawing, Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm), Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua.

Covered Jar (Hu), Western Han dynasty (206 B.C.–A.D. 9), 2nd–1st century B.C., China, Earthenware with painted decoration, H. 18 in. (45.7 cm); Diam. 11 in. 27.9 cm); Diam. of rim 6 7/8 in. (17.5 cm); Diam. of foot 8 1/2 in. (21.6 cm), Tomb

Cascade of the Aray at Inveraray (Scotland), June 30, 1791, Watercolor over pen and black ink, 9-9/16 x 7-7/16 in. (24.3 x 18.9 cm), Drawings, John White Abbott (British, Exeter 1764–1851 Exeter), A life-long resident of Exeter in Devon,

Goblet, 1870–90, Made in Tarentum, Pennsylvania, United States, American, Pressed purple marble glass, H. 6 3/8 in. (16.2 cm), Glass, Challinor, Taylor and Company (1866–1891

Bracelet with Birds and Geometric Patterns, 1100–1400, Byzantine, Glass, silver stain, Overall: diam. 2 15/16 x 9/16 x 3/16 in. (diam. 7.5 x 1.4 x 0.4 cm), Glass, The silver stain used to decorate this bracelet is a medium well known in

Platter, 1800–1830, Made in England, British, Earthenware; Redware, 12 3/8 x 7 3/4 in. (31.4 x 19.7 cm), Ceramics

Ewer with Birds and Animals, 10th century, Attributed to probably Iran. Excavated in Iran, Nishapur, Glass, colorless; blown, folded foot, applied handle, cut, H. 5 3/4 in. (14.5 cm), max. diam. 4 in. (10.2 cm), Glass, This ewer decorated

Ear Ornament in the form of Vishnu Riding Garuda, late Central Javanese period, late 9th–early 10th century, Indonesia (Java), Gold, 3/4 in. (2 cm), Metalwork

Hunchback Leaning on Staff, 10th–12th century, Mexico, Mesoamerica, Veracruz, Huastec, Sandstone, H. 35 x W. 5 3/4 x D. 14 3/4 in. (88.9 x 14.6 x 37.5 cm), Stone-Sculpture, The sculpture of the Huastec area of northern Veracruz is

Ornamento delle belle & virtuose donne, page 3 (verso), 1554, Woodcut, Overall: 7 1/2 x 5 7/8 in. (19 x 15 cm), Published by Matteo Pagano, Italian, 1515-1588, Venice, bound by Lloyd, Wallis & Lloyd, British, active London after 1821.

Imported Luster Bowl, 10th century, Made in Iraq. Excavated in Iran, Nishapur, Earthenware; luster-painted on an opaque white glaze, H. 1 1/2 in. (3.8 cm), Ceramics, This luster ware bowl represents just one of the ceramic types from Iraq that

Drawings and Prints, Album Prints Ornament & Architecture, Livre de Tables de Diverses Formes, Designer, Etcher, Publisher, Jean Bernard Toro, de Rochefort, Jacques-Nicolas Le Pas Dubuisson, French, Dijon 1672–1731 Toulon, French,

Design for a Box-Lid or Medal, 18th century, Pen and black and gray ink over graphite underdrawing, 1 15/16 x 1 15/16 in. (4.9 x 4.9 cm.), Drawings, Hubert François Gravelot (French, Paris 1699–1773 Paris

The Portico of the National Gallery, London, 1878, Etching and drypoint on laid paper; second state of two, Plate: 14 15/16 × 8 1/4 in. (38 × 21 cm), Prints, James Tissot (French, Nantes 1836–1902 Chenecey-Buillon

Relief Fragment with Two Birds in the Papyrus Thicket, Middle Kingdom, Dynasty 12, ca. 1925–1900 B.C., From Egypt, Memphite Region, Lisht North, Cemetery, 1906–07, Limestone, paint, H. 18.5 cm (7 5/16 in.); W. 25.5 cm (10 1/16 in.); D.

Lamp, 1st century B.C.–1st century A.D., Roman, Terracotta, Length 9.9 cm. H. 2.7 cm., Terracottas

A Wooded Landscape Near Beekhuizen, 19th century, Watercolor over black chalk, within black ink framing lines, sheet: 9 3/8 x 12 1/4 in. (23.8 x 31.1 cm), Drawings, Andreas Schelfhout (Dutch, The Hague 1787–1870 The Hague

Project for the New Theater at St. Quentin (Aisne) - Elevation, ca. 1841, Watercolor over pencil., 11.5 x 6.75 in. (29.2 x 17.1 cm

Chūkei Fan, Edo period (1615–1868), 19th century, Japan, Ink, color, and gold leaf on paper; bamboo and lacquer, 13 1/4 × 19 in. (33.7 × 48.3 cm), Fans, An important accessory of Noh actors is the chūkei fan. In the refined and

Footed Goblet, 7th–8th century, Country of Origin Iran, Glass; cast and facet cut, H: 7 1/8 in. (18.1 cm), Glass, This goblet in dark blue-green glass is a rare speciman made in Iran in the first centruries after the Arab conquest, although

染付富士山形硯屏, “Inkstone-screen” in the Shape of Mount Fuji, Edo period (1615–1868), mid- 19th century, Japan, White porcelain decorated in blue under the glaze, H. 5 5/8 in. (14.3 cm); L. 5 5/8 in. (14.3 cm), Ceramics

[Hudson River Seen from United State Military Academy at West Point, New York], 1867, Albumen silver print, Image: 6 1/4 × 9 1/8 in. (15.9 × 23.2 cm), Photographs, George Kendall Warren (American, 1834–1884), Warren, who lived from 1851

Opera Nova Universali intitulata Corona di racammi, page 30 (verso), [1530], Woodcut, Overall: 8 7/8 x 6 7/8 in. (22.5 x 17.5 cm), Published by Giovanni Andrea (called 'Guadagnino') Vavassore, Italian, active 16th century, Venice. From top to

Antique Vase of Copper in the Capitol, ca. 1750–55, Pen and gray wash, sheet: 14 1/2 x 21 1/2 in. (36.8 x 54.6 cm), Sir William Chambers (British (born Sweden), Göteborg 1723–1796 London

[Carpenter, Standing Behind a Decorative Balustrade, Holding a Square], 1870s, Tintype, Image: 8.4 x 6.3 cm (3 5/16 x 2 1/2 in.), Photographs, Unknown (American

Terracotta warriors, Cypro-Archaic II, 6th century B.C.(?), Cypriot, Terracotta; hand-made, H. 5 15/15 in. (15.1 cm), Terracottas, This exceptional group shows a foot soldier, with conical helmet and round shield, beside an archer, with bow

'Diving Dipper and Other Birds', Folio from the Shah Jahan Album, recto: ca. 1610–15; verso: ca. 1535–45, Attributed to India, Ink, opaque watercolor, and gold on paper, H. 15 3/8 in. (39.1 cm), Codices, Painting by Mansur (active ca.

Madonna and Child, 1370s, Tempera on wood, gold ground, Overall, with engaged frame, 34 1/4 x 23 1/4 in. (87 x 59.1 cm); painted surface 27 x 16 7/8 in. (68.6 x 42.9 cm), Paintings, Paolo di Giovanni Fei (Italian, San Quirico, active by

The Return of the Prodigal Son, Engraving, Prints, Georges Reverdy (French, active Lyon, 1529–57), After Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503–1540 Casalmaggiore), In Mariette Album, folio 13, bottom

Acorn King: A Man Astride a Cow, 1712 or later, Pen and black ink, sheet: 3 9/16 x 2 5/16 in. (9 x 5.9 cm), Drawings, Johannes Brandenberg (Swiss, Zug 1661–1729 Zug

Automaton in the form of a chariot pushed by a Chinese attendant and set with a clock, James Cox (British, ca. 1723–1800), 1766, British, London, Case: gold with diamonds and paste jewels set in silver, pearls; Dial: while enamel; Movement:

Shallow Round Dish on tall Pedestal Decorated with Fruit and Female Masks, 16th century, Pen and black ink, brush and gray and yellow wash, 16 3/8 x 11 3/8 in. (41.6 x 28.9 cm), Drawings, Erasmus Hornick (Netherlandish, Antwerp ca. 1520–1583

'Bizhan Receives an Invitation through Manizha's Nurse', Folio 300v from the Shahnama (Book of Kings) of Shah Tahmasp, ca. 1525–30, Made in Iran, Tabriz, Opaque watercolor, ink, silver, and gold on paper, Painting: H. 12 5/8 x W. 7 1/4 in.

Drawings and Prints, Books Prints Ornament & Architecture, Ein new getruckt model Büchli...Page 18, verso, Publisher, Johann Schönsperger the Younger, German, active 1510–30, Schönsperger, Johann the Younger, German, 1490, 1550,

Egg Cup, 1870–80, Made in Pittsburgh, Pennsylvania, United States, American, Pressed yellow glass, H. 4 1/4 in. (10.8 cm); Diam. 2 3/4 in. (7 cm), Glass, Adams and Company

Willow Bough, designed 1887, Block-printed wallpaper, Sheet: 27 x 21 1/2 in. (68.6 x 54.6 cm), Wallpaper

La Gloria et l'Honore di Ponti Tagliati, E Ponti in Aere, page 6 (verso), 1556, Woodcut, Overall: 8 1/4 x 6 1/8 in. (21 x 15.5 cm), Published by Matteo Pagano, Italian, 1515-1588, Venice. From top to bottom, and left to right: Design

East End of Tunstall Church (recto and verso), 19th century, Recto: watercolor; verso: pen and ink, sheet: 9 1/2 x 12 1/2 in. (24.1 x 31.8 cm), Anonymous, British, 19th century

Self-Portrait, ca. 1797–98, Red chalk, 7-7/8 x 5-5/8 in. (20.0 x 14.3 cm), Drawings, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux), This is a preparatory drawing for the what is now the first print in his

'The Fox and the Drum', Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide), Codices

Lagane (ou Lagasse). Lucien, Pierre. 35 ans. 22/2/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914), Born into a distinguished family

Valle Crucis Abbey, Denbighshire, 1770–79 (?), Reed pen, with gray and black ink and watercolor over graphite, Sheet: 26 × 39 3/16 in. (66 × 99.5 cm), Drawings, Paul Sandby (British, baptized Nottingham 1731–1809 London), This

Shell, 6th–7th century, Made in Niederbreisig, Germany, Frankish, Shell, Overall: 2 13/16 x 5/8 x 1 3/4 in. (7.2 x 1.6 x 4.4 cm), Miscellaneous-Shell

Bull Run. Blackburn's Ford, ca. 1862, Albumen silver print from glass negative, Photographs, Timothy H. O'Sullivan (American, born Ireland, 1840–1882

Hiranyakashipu, The Demon-King, ca. 1700–1750, Southern India, Tamil Nadu, probably Thanjavur district, Wood with cloth and polychrome, H. 27 in. (68.6 cm); W. 22 in. (55.9 cm); D. 6 3/4 in. (17.1 cm), Sculpture, Only the two small fangs

Bowl, Neolithic, ca. late 8th millennium B.C., Syria, Calcite alabaster, 1.76 in. (4.47 cm), Stone-Vessels, Using only stone and sand to shape and polish objects, Neolithic stoneworking reached extraordinary levels of sophistication. Artisans

Soubrié. François. 39 ans, né à Livignac-le-Haut (Aveyron). Brûleur de café. Anarchiste. 14/3/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon

Teutsche Academie der Bau-Bildhauer-und Maler-Kunst, Volume 4, 1768–75, Engravings, Overall: 15 7/8 x 10 15/16 x 2 1/16 in. (40.3 x 27.8 x 5.3 cm), Books

Reliefs from the tomb of Meketre, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Meketre (TT 280, ), 1920, Limestone, paint, H. 2.4 cm (15/16 in.); W. 2.5 cm (1 in.); D. cm (

Tara, ca. 7th century, North India (possibly Uttar Pradesh), Copper alloy, H. 12 in. (30.5 cm), Sculpture, This elegant, full-bodied figure of a Buddhist saviouress holding a long-stemmed lotus suggests affiliations with Avalokiteshvara, the

Counter Plate of a Belt Buckle, last quarter 7th century, Frankish, Iron, silver inlay, copper alloy inlay, Overall: 3 11/16 x 1 7/8 x 5/8 in. (9.4 x 4.7 x 1.6 cm), Metalwork-Iron

Lady in Elizabethan Costume, late 17th century, Country of Origin India, probably Lucknow, Opaque watercolor, gold, and silver on paper, H. 7 in. (17.8 cm), Codices, This image is probably based on a European engraving following a popular

The Martyrdom of Saint Hippolytus, 19th century, Oil paint, over black chalk on fine canvas, varnished, 7 1/16 x 12 11/16 in. (17.9 x 32.3 cm), Drawings, François Joseph Heim (French, Belfort 1787–1865 Paris

Happy Peasant, August 1, 1771, Etching, plate: 5 15/16 x 4 1/8 in. (15.1 x 10.4 cm), Prints, After Sir Henry William Bunbury (British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland

Diploma of the Freemasons of Bordeaux, after François Boucher, 1766, Etching and engraving; third state of four (Jean-Richard), 15 3/4 x 10 5/16 in. (40 x 26.2 cm), Prints, Pierre Philippe Choffard (French, Paris 1730–1809 Paris

House and Grape Leaves, 1934, Gelatin silver print, 24.2 x 19.3 cm (9 1/2 x 7 5/8 in.), Photographs, Alfred Stieglitz (American, Hoboken, New Jersey 1864–1946 New York

Nymphs And Satyrs, late 17th–early 18th century, Pen and brown ink, brown wash, heightened with white (slightly oxidized) on blue paper., sheet: 6 5/16 x 10 13/16 in. (16.1 x 27.5 cm), Drawings, Circle of Bernard Picart (French, Paris

明 永樂 紅漆戧金 《佛名經》 夾經板, Sutra Covers with the Eight Buddhist Treasures, Ming dynasty (1368–1644), Yongle period (1403–24), 1403–1424, China, Red lacquer with incised decoration inlaid with gold , L. 28 1/2 in.

Fragment of a marble grave stele with the head of a youth, Archaic, 1st quarter of the 5th century B.C., Greek, Marble, H. 9 3/4 in. (24.8 cm), Stone Sculpture, The very short hair, well-defined jaw, and unsmiling mouth identify this as a

Virgin and Child, 1345, South Netherlandish, Marble with traces of gilding, Overall: 45 3/4 x 16 x 8 7/8 in. (116.2 x 40.6 x 22.5 cm), Sculpture-Stone, In 1345 the Beguines (a religious order of lay women) of Saint Catherine at Diest paid two

Ewer and stand (présentoir), 1758, Austrian, Salzburg, Alpine ibex horn, gold and gilded copper, Overall (Ewer): 12 13/16 in. (32.5 cm); Overall (Basin): 17 5/16 × 14 15/16 in. (44 × 38 cm), Natural Substances, Worth its weight in gold,

Disk Brooch, 6th century, Frankish, Copper alloy cloisons, side and back; glass and patterned copper alloy, Overall: 1 3/8 x 13/16 in. (3.5 x 2 cm), Metalwork-Copper, Garnets, worked in the cloisonné technique, featured prominently in the

Portrait of a Young Woman, ca. 1795, Ivory, Octagonal, 2 3/8 x 2 7/8 in. (63 x 73 mm), Miniatures, Attributed to Jean Antoine Laurent (French, 1763–1832

Seated Dancer, 1873–74, Graphite and charcoal heightened with white on pink wove paper;squared for transfer, Sheet: 16 9/16 x 12 5/8 in. (42 x 32cm), Drawings, Edgar Degas (French, Paris 1834–1917 Paris

The Dark Mountain, No. 1, 1909, Oil on commercially prepared paperboard (academy board), 14 x 12 1/8 in. (35.6 x 30.8 cm), Paintings, Marsden Hartley (American, Lewiston, Maine 1877–1943 Ellsworth, Maine), Soon after his May 1909

Wagner. Paul, Louis. 38 ans, né le 14/10/55. Ébéniste. Anarchiste. 2/7/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914), Born

Naval Battle Between Greeks and Trojans, 1538, Engraving, Sheet: 16 x 23 1/16 in. (40.6 x 58.5 cm), Prints, Giovanni Battista Scultori (Italian, 1503–1575), The presence of the chariot of Poseidon (known to the Romans as Neptune) abandoned

Bacchante (Grapes or Autumn), ca. 1874, French, Terracotta, wood base, Overall (without base): 15 1/2 × 8 7/8 × 9 3/8 in. (39.4 × 22.5 × 23.8 cm), Sculpture, Auguste Rodin (French, Paris 1840–1917 Meudon), When Rodin began his studies

The Evacuation of Fort Sumter, April 1861, April 1861, Albumen silver print from glass negative, Image: 1 15/16 × 3 1/4 in. (5 × 8.2 cm), Photographs, J. M. Osborn (American, active Charleston, South Carolina, 1850s–1860s

Hanging, 18th century, Attributed to India, Cotton, H. 115 in. (292.1 cm), Textiles-Painted and/or Printed, A technique called kalamkari was used in the production of this hanging fabric. In this multi-step process, each color is applied with

La Mere et L'Epoux, 1860s, Albumen silver print from glass negative, 13.3 x 16.8 cm. (5 1/4 x 6 5/8 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Page of Calligraphy from an Anthology of Poetry by Sa`di and Hafiz, late 15th century, Attributed to present-day Afghanistan, Herat, Ink, opaque watercolor, silver, and gold on paper, 11 7/8 x 7 5/8in. (30.2 x 19.4cm), Codices, This folio,

Tiger, 1810–75, Watercolor on heavy wove paper, Sheet: 6 11/16 x 10 1/16 in. (17 x 25.6cm), Drawings, Antoine-Louis Barye (French, Paris 1796–1875 Paris

Earring (one of a pair), 6th–7th century, Byzantine, Gold, pearls, Overall: 3 1/4 x 1 1/4 x 1/4 in. (8.3 x 3.1 x 0.7 cm), Metalwork-Gold, Earrings like these are found throughout the Byzantine world

Sake bottle with pine and plum, Edo period (1615–1868), 18th century, Japan, Stoneware (Kyoto ware), Diam. 6 in. (15.2 cm), Ceramics

Drawings and Prints, Album Prints Ornament & Architecture, Trophées Nouvellement Inventez par J.B. Toro., Designer, Etcher, Publisher, Jean Bernard Toro, Charles Nicolas Cochin I, Jacques-Nicolas Le Pas Dubuisson, French, Dijon 1672–1731

Afghans, 1843, Salted paper print from paper negative, Photographs, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland), Robert Adamson (British, St. Andrews, Scotland 1821–1848 St. Andrews, Scotland), The

[Man with Buckets], 1870s, Albumen silver print, Photographs, Unknown

The Sense of Hearing; verso: light sketch of a woman's head and an arm, late 16th–early 17th century, Black chalk, heightened with white chalk, stumped; traces of brown and yellow chalks, 12 3/8 x 8 1/16 in. (31.4 x 20.4 cm), Drawings,

Design with Dancing Figures, 1805–40, Pen and brown ink, sheet: 8 3/4 x 6 13/16 in. (22.3 x 17.3 cm), Drawings, William Pitts (British, London 1790–1840 London

Sir John Herschel, 1867, Albumen silver print from glass negative, Image: 33.8 x 26.2cm (13 5/16 x 10 5/16in.), Photographs, Julia Margaret Cameron (British (born India), Calcutta 1815–1879 Kalutara, Ceylon

Drawings and Prints, Books Prints Ornament & Architecture, New Modelbüch (Page 33r), Designer, Printer, Andreas Bretschneider, Henning Gross the younger, German, Dresden ca. 1578–ca. 1640 Leipzig, Bretschneider, Andreas, Gross, Henning

夏秋花鳥図, Birds and Flowers of Summer and Autumn, Muromachi period (1392–1573), mid-16th century, Japan, Pair of hanging scrolls; ink and color on paper, Image (a): 37 11/16 × 17 5/8 in. (95.8 × 44.8 cm), Paintings, Shikibu

The Artist's Children: Friedrich, Emil, and Ernst, ca. 1848, Graphite, sheet: 5 5/8 x 8 1/8 in. (14.3 x 20.7 cm), Drawings, Friedrich Preller the Elder (German, Eisenach 1804–1878 Weimar

New Modelbüch allen Nägerin u. Sydenstickern (Page 25v), 1556

Hematite intaglio: Lion-headed god, Imperial, ca. 2nd–3rd century A.D., Roman, Hematite, H.: 1 5/16 in. (3.3 cm), Gems, Digestive amulet: on obverse, lion-headed god standing to left and above, a scarab. At the sides, a bird, scorpion,

Design for Iron Screen, 1902, Watercolor, pen and black ink over graphite, sheet: 11 5/8 x 10 7/16 in. (29.5 x 26.5 cm), Ernest Geldart (British, London 1848–1929

Lamp, 1st century B.C.–1st century A.D., Roman, Terracotta, Length 9.2 cm. H. 2.5 cm., Terracottas

Hairpin, 6th century, Made in Northern France, Frankish, Silver (pin), gold (knop) with filigree granulation, garnets, Overall: 5 1/2 x 9/16 in. (13.9 x 1.4 cm), Metalwork-Silver

Waking from Sleep in the Open Air, from Images of Spain Album (F), 71, 1812–20, Brush and brown wash on laid paper, Sheet: 8-1/16 x 5-3/4 in. (20.5 x 14.61cm), Drawings, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828

The Listeners, n.d., Charcoal and cardboard, 19 3/16 x 13 11/16 in. (48.7 x 34.7 cm), Drawings, Ernst Barlach (German, Wedel 1870–1938 Rostock

La Civilité Puérile et Honnête expliquée par l'Oncle Eugène, 1887, Colored wood engravings, 23 x 27 x 1 cm, Books

Queen of Collars, from The Cloisters Playing Cards, ca. 1475–80, Made in Burgundian territories, South Netherlandish, Paper (four layers of pasteboard) with pen and ink, opaque paint, glazes, and applied silver and gold, 5 3/16 × 2 3/4

Plate with Dragon and Waves, Qing dynasty (1644–1911), first half of the 18th century, China, Porcelain painted with colored enamels over transparent glaze and gilding (Jingdezhen ware), Diam. 19 1/2 in. (49.5 cm), Ceramics, The chaos that

Caricatures of a Fish and a Bird Peddler in Ornamental Frames, 1735–88, Pen and brown ink with grey and reddish wash, Both sheets: 7 5/16 x 5 13/16 in. (18.6 x 14.8 cm), Drawings, Johann Esaias Nilson (German, Augsburg 1721–1788 Augsburg

Creamer, ca. 1888, Made in Tarentum, Pennsylvania, United States, American, Pressed colorless and opalescent glass, H. 6 in. (15.2 cm), Glass, Richards and Hartley Flint Glass Co. (ca. 1870–1890