Images at Librifly

Beaker, late 16th century, Hungarian, possibly Nagyszombat, Silver, partly gilded, Overall: 4 7/16 x 3 1/4 in. (11.3 x 8.2 cm), Metalwork-Silver, The gracefully curved, tapering sides of this beaker are characteristic of late

Shield, ca. 1560, Landshut or Augsburg, German, Landshut or Augsburg, Steel, gold, Diam. 22 1/4 in. (56.5 cm); Wt. 7 lb. 2 oz. (3232 g), Shields, The three lions, masterfully embossed in low relief, refer to the heraldic arms of the

Bannerstone, 3000–2000 B.C., United States, Ohio, Tiffin area, Archaic, Slate, H. 2 3/4 x W. 6 x D. 3/4 in. (7 x 15.2 x 1.9 cm), Stone-Implements

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 38 (recto), October 1, 1604, Etching and drawing, Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm), Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua.

Drawings and Prints, Books, Prints, Ornament & Architecture, La Vera Perfettione del Disegno di varie sorti di recami, page 40 (verso), Publisher, Illustrator, Woodcut of Lucrezia designed by, Giovanni Ostaus, Giuseppe Salviati (Giuseppe

Fragment of a Gold Attachment Plate for a Buckle, 700s, Avar, Gold, 1 3/16 × 13/16 × 5/16 in., 0 Troy Ounces (3 × 2 × 0.8 cm, 21g), Metalwork-Gold, The treasure contains an array of belt fittings, some elaborately decorated, some

Madonna and Child with Mary Magdalen, late 16th–early 17th century, Black and red chalk, 9 15/16 x 7 3/16 in. (25.3 x 18.3 cm), Drawings, Joseph Heintz the Elder (Swiss, Basel 1564–1609 Prague

The Holy Ghost Surrounded by Angels, late 17th–early 18th century, Pen and brown ink, gray wash, heightened with white, sheet: 7 11/16 x 11 7/8 in. (19.5 x 30.2 cm), Drawings, Hans Georg Asam (German, Rott am Inn 1649–1711 Sulzbach

Jasper intaglio: Harcoprates seated on a lotus flower, Imperial, ca. 2nd–3rd century A.D., Roman, Jasper, Other: 5/8 x 7/16 x 1/16 in. (1.6 x 1.2 x 0.2 cm), Gems

Disk Brooch, second half 7th century, Frankish, Gold sheet, filigree, moonstone/adularia, glass cabochons, garnets, mother-of-pearl, and moonstone, Overall: 2 5/16 x 3/4 x 2 5/16 in. (5.8 x 1.9 x 5.8 cm), Metalwork-Gold, The dress of

Beads from a Necklace, 500–600, Frankish, Glass, amethyst, copper alloy rings, Overall: length of string 29 1/2 x 1 9/16 in. (75 x 3.9 cm), Glass-Beads, Beads from Frankish necklaces exhibit a stunning variety of patterns, colors, and

[Snow Crystal], 1890s–1920s, Gelatin silver print, Image: 2 13/16 in. × 3 in. (7.1 × 7.6 cm), Photographs, Wilson Alwyn Bentley (American, 1865–1931

The Beach at Blankenberghe, 1863, graphite, 8-3/8 x 13-1/4 in. (21.3 x 33.7 cm), Drawings, Félicien Rops (Belgian, Namur 1833–1898 Essonnes

Cruet, ca. 1765, Probably made in Bristol, Bristol, England, British, Opaque glass with enamel decoration, H. 7 7/8 in. (20 cm); Diam. 7 1/8 in. (18.1 cm), Glass

Street Scene: Vendor of Brushes, 1780–1827, Watercolor, Sheet: 4 15/16 x 3 7/16 in. (12.6 x 8.8 cm), Drawings, Thomas Rowlandson (British, London 1757–1827 London

Earring, 6th–7th century, Langobardic or Byzantine (?), Gold and garnets., Overall: 1 15/16 x 11/16 x 13/16 in. (5 x 1.7 x 2 cm), Metalwork-Gold

Belt Buckle, 7th century, Made in Burgundy, Frankish or Burgundian, Iron, silver inlay, copper alloy, Overall: 6 1/8 x 3 1/16 x 1 in. (15.5 x 7.8 x 2.5 cm), Metalwork-Iron

Fragment of a Gold Ingot, 700s, Avar, Gold, 2 11/16 × 11/16 × 3/8 in., 3.73 Troy Ounces (6.9 × 1.7 × 0.9 cm, 116g), Metalwork-Gold, The treasure contains an array of belt fittings, some elaborately decorated, some unfinished or

'The Dishonest Goldsmith is Hanged', Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide), Codices

Bowl with dragon decoration, Ming dynasty (1368–1644), dated 1589, China, Carved red lacquer, H. 2 7/8 in. (7.4 cm); Diam. 5 3/8in. (13.7 cm), Lacquer

Turkoman Prisoner, ca. 1610, Attributed to Iran, Isfahan, Ink and transparent watercolor on paper, H. 14 1/16 in. (35.7 cm), Codices, Numerous paintings and drawings of a Turkman prisoner with his hand and head in a type of stock, known as a

Drawings and Prints, Books Prints Ornament & Architecture, Il Monte. Opera Nova di Recami, page 2 (recto), Designer, Publisher, Binder, Giovanni Antonio Bindoni, Giovanni & Marchio Sessa, Chambolle-Duru, Italian, active 1557, French,

Coin Weight, 808–810, Attributed to Egypt, Glass, Diam. ca. 1 1/8 in. (2.9 cm), Glass, Some weights made in Byzantine-period Egypt were made of glass and stamped in Greek. Glass was a preferable medium for these weights, since they could be

Terracotta neck-amphora (jar), Archaic, ca. 510 B.C., Greek, Attic, Terracotta; black-figure, H. 40.3-40.5 cm., Vases, Introduced on vases and monuments of the sixth century B.C. and becoming less popular after 510 B.C., the motif of

Nawab Muzaffar 'Ali Khan on Horseback, ca. 1730, Attributed to India, Ink, opaque watercolor, gold on paper, 7 7/8 x 9 5/8 in. (20 x 24.4 cm), Codices, Attributed to Rai Kalyan Das (Chitarman II) (active 1715–60), Muzaffar 'Ali Khan was

Stucco fragment with male torso, Stucco, paint, 3 3/16 × 2 5/8 × 1 1/8 in. (8.1 × 6.7 × 2.9 cm), Miscellaneous-Stucco

Relief fragment, tomb of Meketre, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Meketre (TT 280, ), 1920, Limestone, paint

Il Monte. Opera Nova di Recami, page 8 (verso), after 1557

Study for the figure of Moses, 1730–37, Point of the brush and black ink with black and gray wash over red chalk, 7 11/16 x 5 15/16 in. (19.6 x 15.1 cm), Drawings, Jacob de Wit (Dutch, Amsterdam 1695–1754 Amsterdam

Pitcher, 1850–55, Made in New York, New York, United States, American, Blue-cut-to-clear glass, 10 3/4 in. (27.3 cm), Glass, New York City was an important center for machine-cut luxury glass in the middle of the nineteenth century. This

Neolithic Amulet, 2500 B.C–A.D. 700, Neolithic, Stone, Overall: 1 5/16 x 3/8 in. (3.4 x 1 cm), Miscellaneous-Stone

Glass flask, Late Imperial, 4th century A.D., Roman, Glass; blown and cut, H.: 5 3/16 in. (13.2 cm), Glass, Colorless with pale green tinge. Plain, vertical rim, ground flat; funnel-shaped neck; globular body; small, flattened bottom. On

Saint Paul's Bay, Malta, Spring 1846, Salted paper print from paper negative, Image: 6 5/8 × 8 9/16 in. (16.9 × 21.7 cm), Photographs, Calvert Richard Jones (British, Swansea, Wales 1802–1877 Bath, England

Bassoon in C, ca. 1813–25, Paris, France, French, Maple, brass, Height: 50 3/8 in. (127.9 cm), Aerophone-Reed Vibrated-double reed, Jean-Jacques Baumann (French, Paris 1772–1845 Paris), Keys by C.H. Felix (French, Paris flourished

Saber with Scabbard and Carrying Belt, early 17th century, Polish, Steel, gold, silver, leather, wood, textile, semiprecious stones, L. 37 1/2 in. (95.2 cm); L. of blade 31 1/2 in. (80 cm); Wt. 2 lb. 1 oz. (936 g); Wt. of scabbard 2 lb. 3

Man in Turkish Costume Holding a Shield, 16th century, Pen and brown ink, brush and brown wash, over traces of black chalk, 7 1/16 x 3 3/4 in. (18 x 9.5 cm), Drawings, Anonymous, 16th century, After Enea Vico (Italian, Parma 1523–1567

Bowl with “Hare’s Fur” Decoration, Northern (960–1127) to Southern Song (1127–1279), 11th–12th century, China, Stoneware with iron-oxide glaze (Jian ware); Japanese lacquer repair, H. 3 1/8 in. (7.9 cm); Diam. 6 1/2 in. (16.5 cm),

Design for a Ceiling, Ampthill Park, Bedfordshire (Half plan), ca. 1769, Pen and wash, sheet: 15 x 18 in. (38.1 x 45.7 cm), Sir William Chambers (British (born Sweden), Göteborg 1723–1796 London

Bead ornament, Late Imperial, 3rd century A.D., Roman, Gold, 1/4 × 1/16 × 7/16 in. (0.6 × 0.2 × 1.1 cm), Gold and Silver, Bead ornament with embossed decoration

Joseph Interpreting Pharaoh's Dream, ca. 1567, probably British, Silver, parcel gilt, Overall (confirmed): 5/8 x 7 3/4 in., 7 oz. 19 dwt. (1.6 x 19.7 cm, 0.2475kg), Metalwork-Silver, The fine engraving on this set of plates depicts scenes

Silver Ball, Barge, and Trees, 1930, Watercolor, gouache, ink and charcoal on paper, 4 7/8 x 6 7/8 in. (12.4 x 17.5 cm), Drawings, Arthur Dove (American, Canandaigua, New York 1880–1946 Huntington, New York

Ulrich Fugger the Younger (1490–1525), 1525, Oil on linden, 15 7/8 x 12 3/4 in. (40.3 x 32.4 cm), Paintings, Hans Maler (German, Ulm, born ca. 1480, died ca. 1526–29 Schwaz (?)), Hans Maler produced numerous portraits of members of the

Officers of U.S.S. Hunchback, 1861–65, Albumen silver print from glass negative, Photographs

Cup Plate, ca. 1829–40, Probably made in Sandwich, Massachusetts, United States, American, Lacy pressed glass, Glass, Probably Boston & Sandwich Glass Company (American, 1825–1888, Sandwich, Massachusetts

Man in a Long Coat and Turban with a Sword, 18th century, Pen and brown ink over black chalk on cream laid paper., 7-11/16 x 4-1/2 in. (19.5 x 11.4 cm), Drawings, Anonymous, Italian, first half of the 18th century

Oak Forest with a Pig, early 19th century, Black and white chalks on grey paper, sheet: 14 3/4 x 20 1/4 in. (37.4 x 51.4 cm), Drawings, Anonymous, British, 19th century, British nineteenth-century viewers would have recognized these mature

German's Day, California Midwinter Exposition, 1850s–1910s, Albumen silver prints, Mount: 8.9 x 17.8 cm (3 1/2 x 7 in.), Photographs, Kilburn Brothers (American, active ca. 1865–1890

Drawings and Prints, Album Print Ornament & Architecture, Targhe ed altri ornati di varie e capricciose invenzioni (Cartouches and other ornaments of various and capricious invention, page 3), Publisher, Artist, After, Carlo Losi, Jacob

Small table, Ming dynasty (1368–1644), 1368–1644, China, Red lacquer, H. 2 5/8 in. (6.7 cm); L. 10 3/4 in. (27.3 cm), Lacquer

Design for a Catafalque or a Tomb Monument, 18th century, Wash over black chalk, 10-1/2 x 8 in, Anonymous, Italian, 18th century

Woman’s Rights Quilt, ca. 1875, Made in Illinois, United States, American, Cotton, 70 × 69 1/2 in. (177.8 × 176.5 cm), Textiles, Emma Civey Stahl (American), This unique pictorial quilt tells two distinct stories. Three of the circular

Lady with a Parasol, 1838, Pen and brown ink., 11 1/16 x 7 11/16 in. (28.1 x 19.5 cm), Drawings, Achille-Jacques-Jean-Marie Devéria (French, Paris 1800–1857 Paris

View of the Outskirts of Madrid, 1857, Graphite, sheet: 8 1/4 x 13 3/8 in. (21 x 34 cm), Drawings, Fritz Bamberger (German, Würzburg 1814–1873 Neuenhain

'The Swing, ' after Antoine Watteau (Les Agréements de l'été), 1798–1863, Brush and brown wash over graphite on wove paper, 8-7/16 x 13 in. (21.4 x 33.0 cm), Drawings, Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris),

Drawings and Prints, Book Prints Ornament & Architecture, New Modelbüch allen Nägerin u. Sydenstickern (Page 15v), Designer, Publisher, Hans Hoffman, Jacob Frölich, German, active Strasbourg, 1556, Strassburg, Hoffman, Hans, Frölich,

Interior of an English Country House Library, ca. 1900, Pen and ink and wash, sheet: 10 1/2 x 14 3/4 in. (26.7 x 37.5 cm), Anonymous, British, late 19th to early 20th century

Newes Modelbuch in Kupffer(Page 34r), Johann Sibmacher (German, active 1590–1611), 1604

Officers of 'Mendota', 1861–65, Albumen silver print from glass negative, Photographs

Christ and the Woman of Samaria, early 18th century, Pen and brush and black ink and gray wash, sheet: 14 x 11 in. (35.5 x 28 cm), Drawings, Nicholas Verkolje (Dutch, Delft 1673–1746 Amsterdam

Three Women and a Child on a Roof, 1820–84, Graphite, brush, and brown wash., 3 7/16 x 4 7/16 in. (8.8 x 11.2 cm), Drawings, Adrian Ludwig Richter (German, Dresden 1803–1884 Dresden

Design for Fireplace Wall and Ceiling, second half 19th century, Watercolor, gouache and gold, image: 14 7/8 x 11 7/16 in. (37.8 x 29.1 cm), Anonymous, British, 19th century

Rest on the Flight into Egypt, 1620–69, Pen and brown ink. Framing line in dark brown ink., sheet: 6 3/8 x 7 7/16 in. (16.2 x 18.9 cm), Drawings, School of Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam

Harpoon Counterweight, 10th century, United States, Alaska, Punuk, Ivory (walrus), H. 3 x W. 3 1/16 in. (7.6 x 7.7 cm), Bone/Ivory-Implements, In the last two millennia before the Common Era, the peoples who established themselves along the

A Poppy in Three Stages of Flowering, with a Caterpillar, Pupa and Butterfly, late 17th–early 18th century, Watercolor and gouache over traces of black chalk, sheet: 15 3/16 x 11 13/16 in. (38.6 x 30 cm), Drawings, Johanna Helena Graff

[Carte-de-Visite Album of British and European Royalty], 1860s–70s, Albumen silver prints, Albums, F. Joubert (British), Hermann Günther (German), Hills and Saunders (British, active 1856–95), W. C. Lacy, Frères Ghemar, Alfred Windsor

The Trees, Early Afternoon, France, ca. 1905, Oil on canvas, 20 × 26 in. (50.8 × 66 cm), Paintings, William A. Harper (American (born Canada), Cayuga 1873–1910 Mexico City), This rare work by the African American landscape painter

白描印相図巻, Scroll of Mudras, Heian period (794–1185), 11th–12th century, Japan, Handscroll; ink on paper, 11 3/16 x 97 1/2 in. (28.4 x 247.6 cm), Paintings, This handscroll depicts hand gestures known as mudras in Sanskrit, the

Mug, 1700–1800, Made in Bohemia, Czech Republic, Non-lead glass with enamel decoration, H. 6 3/4 in. (17.1 cm), Glass

Empress Eugénie, 1860, Albumen silver print from glass negative, Image: 13.6 × 9.2 cm (5 3/8 × 3 5/8 in.), arched top, Photographs, Olympe Aguado de las Marismas (French, Paris 1827–1894 Compiegne), On January 30, 1853, less than two

Page from a sample book, 1840, British, Silk, Page: H. 16 x W. 10 1/2 inches, Textiles-Methods and Materials

Bronze torso of a youth, Archaic or Classical, 1st half of the 5th century B.C., Greek, Bronze, H. 29 3/4 in. (75.6 cm), Bronzes, Roman overcast of a Greek bronze statue of the early 5th century B.C.. In antiquity most large freestanding

Morning: Pope's Odyssey, Book 12 (recto); Study for the final drawing (verso), 1792, Pen and gray ink over graphite, Sheet: 8 5/16 x 10 13/16 in. (21.1 x 27.5 cm), Drawings, John Flaxman (British, York 1755–1826 London

Convalescent Camp near Alexandria, 1861–65, Albumen silver print from glass negative, 13.2 x 21 cm (5 3/16 x 8 1/4 in. ), Photographs

Gendarmes d'Ordonnance, 1894, Oil on canvas, 22 x 16 5/8 in. (55.9 x 42.2 cm), Paintings, Édouard Detaille (French, Paris 1848–1912 Paris

Design drawing, ca. 1883, based on earlier design, Graphite, ink, and gouache, sheet: 15 15/16 x 11 in. (40.5 x 27.9 cm), Christopher Dresser (British, Glasgow, Scotland 1834–1904 Mulhouse

Pitcher, 1889–1906, Made in Trenton, New Jersey, United States, American, Belleek porcelain, with overglaze enamel decoration and gilding, 3 5/8 x 2 13/16 in. (9.2 x 7.1 cm), Ceramics, Ceramic Art Company (American (Trenton, New Jersey),

Illuminated Leaf with Initial 'I', 1830–62, Pen and colored inks over graphite with touches of watercolor and gold, sheet: 13 1/16 x 9 1/8 in. (33.1 x 23.1 cm), Freeman Gage Delamotte (British, Sandhurst 1813/14–1862 London

Unfinished Stela to Amun-Re, New Kingdom, Ramesside, Dynasty 20, ca. 1184–1070 B.C., Probably from Upper Egypt, Thebes; From Egypt, Limestone, paint, H. 42.5 cm (16 3/4 in), This unfinished stela from the Valley of the Kings depicts the

Pitcher, 1847–48, Made in Bennington, Vermont, United States, American, Parian porcelain, 5 1/2 x 6 1/8 x 4 1/2 in. (14 x 15.6 x 11.4 cm), Ceramics, Fenton's Works (1847–1848

George Washington, 1840–83, Made in France, French, Faience, Diam. 8 3/4 in. (22.2 cm), Ceramics, After John Trumbull (American, Lebanon, Connecticut 1756–1843 New York

Tumbler, ca. 1885–87, Made in Wheeling, West Virginia, United States, American, Blown glass, H. 2 3/4 in. (7 cm); Diam. 2 1/8 in. (5.4 cm), Glass, Probably Hobbs, Brockunier and Company (1863–1891

The Circumcision of Christ, 1510–50, Pen and brown ink, brush and gray wash, over black chalk., Diameter 22.3 cm. (8 3/4 in.), Drawings, Sebald Beham (German, Nuremberg 1500–1550 Frankfurt

Portrait of the Elephant 'Alam Guman, ca. 1640, Made in India, Opaque watercolor and gold on paper, a) Whole page H. 18.1 in. (46 cm), Codices, Painting attributed to Bichitr (active ca. 1610–60), Persian inscription (in nasta'liq script in

Holy Family with St. John the Baptist (recto); Study of a Foot (verso), 17th century, Pen and brown ink over black chalk (recto); red chalk (verso), 7 5/16 x 5 5/8 in. (18.5 x 14.3 cm), Drawings, Anonymous, Italian, 17th century

Drawings and Prints, Books Prints Ornament & Archiecture, Fiori di Ricami Nuovamente Posti in Luce, page 2 (recto), Designer, Publisher, Matteo Florimi, Francesco de' Franceschi, Italian, active Siena, ca. 1581–died 1613, Italian,

Folio from a Qur'an Manuscript, ca. 1180, Attributed to Eastern Iran or present-day Afghanistan, Ink, opaque watercolor, and gold on paper, H. 11 3/4 in. (29.8 cm), Codices, This folio from a dispersed Qur'an exemplifies the transition during

Transformation Mask, 1820–30, United States, Alaska, Tlingit, Wood, paint, metal coins, native-tanned skin, H. 8 x W. 7 1/2 x D. 2 in. (20.3 x 19.1 x 5.1 cm), Wood-Sculpture

Two Alternate project for Cornice., 1700–1780, Pen and dark brown ink, brush and brown, gray wash over lead point, with riled and compass construction. Framing outlines in pen and brown ink. Scale at bottom of design, in pen and brown ink

Drawings and Prints, Books Prints Ornament & Architecture, New Künstlichs Modelbuch (Page 39 recto), Publisher, Bernhard Jobin, Swiss, Porrentruy (Jura) before 1545–1593/1597 Strasbourg, Jobin, Bernhard, Swiss, 1535, 1597, 1600, 1600

Head of Man Facing Left, Black chalk, 3 9/16 x 4 1/8 in. (9.1 x 10.5 cm), Drawings, Attributed to Charles Nicolas Cochin II (French, Paris 1715–1790 Paris

Night Skirmish (Henderson Ledger Artist A), ca. 1882, United States, Central plains, Arapaho, Pencil, colored pencil on paper, H. 5 3/8 x W. 11-7/8 in., Paper-Drawings, Frank Henderson (Native American, Hinono'eiteen (Arapaho),

Design for large fireplace white tiles produced in Wedgwood's factory, 19th century, Pen and black ink over graphite, mount: 8 1/4 x 11 7/16 in. (21 x 29 cm), After John Flaxman (British, York 1755–1826 London

Drawings and Prints, Album Prints Ornament & Architecture, Trophées Nouvellement Inventez par J.B. Toro., Designer, Etcher, Publisher, Jean Bernard Toro, Charles Nicolas Cochin I, Jacques-Nicolas Le Pas Dubuisson, French, Dijon 1672–1731

Christ Healing the Blindman, ca. 1725–30, Oil on canvas, 35 1/4 × 45 in. (89.5 × 114.3 cm), Paintings, Gerardus Duyckinck I (1695–1746

Teapot, 1785–1805, Made in China, Chinese, Porcelain, H. 4 3/4 in. (12.1 cm), Ceramics

Venus in the Forge of Vulcan, ca. 1605, Pen and black ink, gray wash, heightened with white (partially oxidized), 9-5/8 x 6-3/8 in. (24.5 x 16.1 cm), Drawings, Anonymous, German, 17th century

An old woman giving a pedicure to a young lady, mid-19th–early 20th century, Pen and ink, brush and blue wash, blue and black chalk., 15 15/16 x 12 7/16 in. (40.5 x 31.6 cm), Drawings, Karl Wagner (German, Karlsruhe 1839–1923 Düsseldorf

Catafalque for a Cardinal, 17th century, Pen and brown ink, brush and brown wash, over black chalk on light tan paper, 9-1/4 x 5-11/16 in. (23.5 x 14.4 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

Small Hounds & Jackals Game Board, Middle Kingdom, Dynasty 11, ca. 2030–1640 B.C., From Egypt, Upper Egypt, Thebes, Deir el-Bahri, Tomb TT 312, courtyard, 1922–23, Wood, paint, l. 6.2 cm (2 7/16 in.); w. 3.7 cm (1 7/16 in.); h. 5 cm

Spoon, ca. 1750, Made in Newport, Rhode Island, United States, American, Silver, L. 8 1/8 in. (20.6 cm), Silver, John Tanner (1713–1785