Images at Librifly

Study of a Nude Man, 1753, Red chalk on off-white paper, 15-3/4 x 9-5/8 in. (40 x 24.5 cm), Drawings, Corrado Giaquinto (Italian, Molfetta 1703–1766 Naples

Neu künstlich Modelbuch (page 15r), 1598

Drawings and Prints, Books Prints Ornament & Architecture, New Modelbüch (Page 48v), Designer, Printer, Andreas Bretschneider, Henning Gross the younger, German, Dresden ca. 1578–ca. 1640 Leipzig, Bretschneider, Andreas, Gross, Henning

[Man with Mustache Wearing Oilskin Hat], 1854–1855, Daguerreotype, Image: 5.3 x 3.9 cm (2 1/16 x 1 9/16 in.), Photographs, Edward M. Tyler (American

Drawings and Prints, Books Prints Ornament & Architecture, La Gloria et l'Honore di Ponti Tagliati, E Ponti in Aere, page 12 (recto), Publisher, Matteo Pagano, Italian, 1515–1588, Venice, Pagano, Matteo, Italian, 1515, 1588

Lamp, 1st century B.C.–1st century A.D., Roman, Terracotta, Overall: 1 5/8 x 3 1/2 in. (4.1 x 8.9 cm), Terracottas

Box, 1830–70, Probably made in Bennington, Vermont, United States, American, Parian porcelain, 2 1/8 x 4 x 2 7/8 in. (5.4 x 10.2 x 7.3 cm), Ceramics

Landscape near Rome; verso: Fountain, 17th century, Pen, brown ink and brown wash over traces of black chalk. Framing line in pen and brown ink. Verso: pen, brown ink and some brown wash over black chalk., 4 1/4 x 6 1/2 in. (10.8 x 16.5 cm),

Tooth pendant set in gold, Late Classical, 4th century B.C., Etruscan, Gold, bone, Other: 2 in. (5.1 cm), Gold and Silver, Ornamented with filigree, with suspension loop

明 徐敬 歲寒清白圖 軸, The Pure Whiteness of Winter, Ming dynasty (1368–1644), dated 1441, China, Hanging scroll; ink on silk, Image: 58 7/8 x 30 in. (149.5 x 76.2 cm), Paintings, Xu Jing (Chinese, active first half 15th century),

Globular Glass Beaker, 5th–7th century, Frankish, Glass, Overall: 2 3/4 x 3 3/8 in. (7 x 8.6 cm), Glass-Vessels

Cattle Resting in a Mountainous Landscape, ca. 1808–12, Watercolor over graphite with stopping out, touches of bodycolor and gum, sheet: 4 7/8 x 7 15/16 in. (12.4 x 20.2 cm), Drawings, George Chinnery (British, London 1774–1852 Macau), In

Le Pompe: Opera Nova, page 5 (recto), 1557, Woodcut, Overall: 8 1/16 x 5 7/8 in. (20.5 x 15 cm), Published by Giovanni Battista & Marchio Sessa, Venice. From top to bottom, and left to right: Design composed of 6 horizontal registers. Each

Giardineto novo di punti tagliati et gropposi per exercitio & ornamento delle donne (Venice 1554), page 8 (verso), 1554, Woodcut, 7-5/8 x 6-3/8 x 1/4 in. (19.4 x 16.2 x 0.6 cm), Published by Matteo Pagano, Italian, 1515-1588, bound by Lloyd,

Study of a Lady in a Riding Habit, late 19th–early 20th century, Pen and black ink, sheet: 8 3/4 x 8 1/8 in. (22.3 x 20.6 cm), Drawings, Phil May (British, New Wortley, Leeds 1864–1903 London

Tall bird, 1896, British, Southall, London, Stoneware; wood, Overall (confirmed, on socle): 20 1/4 × 8 1/4 × 9 7/8 in., 15 lb. [body (a) 11 lb., head (b) 4 lb.] (51.4 × 21 × 25.1 cm, 6.8 kg), Ceramics-Pottery

Bronze mirror cover, Late Classical, 4th century B.C., Greek, Bronze, diameter 6 3/4in. (17.2cm), Bronzes, Woman doing her hair with another holding a mirror and alabastron (perfume jar

Linen mark, Wah, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Wah (), Mummy, 1920, Linen

Asia, early 17th century, Pen, brown ink, and gray wash on paper, framing line in pen and brown ink., sheet: 6 3/4 x 15 13/16 in. (17.1 x 40.2 cm), Drawings, Ascribed to Pieter Jacobsz. van Laer (Dutch, Haarlem ca. 1592/95–1642 (?)

[Smyrna, General View of the Quais], 1880s, Albumen silver print, Photographs, Unknown

Dedicatory Inscription from a Mosque, dated A.H. 905/ A.D. 1500, Made in India, Bengal, Gabbro; carved, H. 16 1/8 (41 cm), Stone, This dedicatory inscription in 'tughra' script, dated A.H. 905/A.D. 1500, is from a mosque in western Bengal

Isis with Horus, Ptolemaic Period, 332–30 B.C., From Egypt, Statue: marble; Base: limestone, H. 19.9 × W. 5.1 × D. 10.4 cm (7 13/16 × 2 × 4 1/8 in.), Isis with her son Horus seated on her lap is sculpted here in a marble with a

Cabinet Design, 19th century, Ink and watercolor, sheet: 4 7/8 x 7 9/16 in. (12.4 x 19.2 cm), Anonymous, British, 19th century

Portrait of Charles II in raised work embroidery, ca. 1675, British, Silk, lace, metal foil on silk, H. 12 x W. 12 x D. 2 inches (30.5 x 30.5 x 5.1 cm), Textiles-Embroidered, After a painting by Jan Baptist Jaspers (1620–1691

[Snow Crystal], 1890s–1920s, Gelatin silver print, Image: 2 7/8 in. × 3 in. (7.3 × 7.6 cm), Photographs, Wilson Alwyn Bentley (American, 1865–1931

Caroline Rosati, ca. 1860, Salted paper print from glass negative, Image: 29.8 × 23.6 cm (11 3/4 × 9 5/16 in.), Photographs, André-Adolphe-Eugène Disdéri (French, Paris 1819–1889 Paris

元 趙原 (元) 晴川送客圖 軸, Farewell by a Stream on a Clear Day, Yuan dynasty (1271–1368), second half of the 14th century, China, Hanging scroll; ink on paper, Image: 37 1/2 x 13 7/8 in. (95.3 x 35.2 cm), Paintings, Zhao Yuan

Pretiosa Gemma delle virtuose donne, page 26 (recto), 1600

La Bocca, 1882, Watercolor, Sheet: 9 1/2 x 12 3/4 in. (24.1 x 32.4cm), Drawings, Henry Victor Burgy (French, died 1901

The Passing of Arthur, 1874, Albumen silver print from glass negative, 35.2 x 25.2 cm. (13 7/8 x 9 15/16 in.), Photographs, Julia Margaret Cameron (British (born India), Calcutta 1815–1879 Kalutara, Ceylon

Cup Plate, 1825–60, Lacy pressed glass, Glass

'Building Winter Quarters', 1861–65, Albumen silver print from glass negative, Photographs

Landscape with Cattle, Graphite on blue paper faded to gray, Sheet: 9 1/8 x 10 3/16 in. (23.1 x 25.8cm), Drawings, Marie-Rosalie Bonheur (French, Bordeaux 1822–1899 Melun

Lamp, saucer-shaped, 4th century B.C., Cypriot, Terracotta, Overall: 1 5/8 x 5 5/8 in. (4.1 x 14.3 cm), Terracottas

Drawings and Prints, Books Prints Ornament & Architecture, Newes Modelbuch in Kupffer(Page 17r), Artist, Johann Sibmacher, German, active 1590–1611, Sibmacher, Johann, German, 1590, 1611, 1604, 1604

The Black-Banded Underwing from The Butterflies and Moths of America Part 2, 1862, Color lithograph, Sheet: 4 1/8 x 2 1/2 in. (10.5 x 6.3 cm

Orpheus, 17th century, Pen and brown ink, brush and brown wash, over black chalk on light brown paper. Squared for transfer in leadpoint or black chalk. Oval framing outline in pen and brown ink, 8-5/16 x 7-5/16 in. (21.1 x 18.5 cm), Drawings,

St. Michael's Church, Cherry Burton: North East View, 1845–50, Pen and black ink, watercolor over graphite, sheet (pointed arched top): 8 7/16 x 10 15/16 in. (21.4 x 27.8 cm), Sir Horace Jones (British, London 1819–1887 London

Eight-Pointed Star-Shaped Tile, 13th century, Made in Iran, Kashan, Stonepaste; inglaze painted in blue, luster-painted on opaque white glaze, Diam. 6 7/8 in. (17.5 cm), Ceramics-Tiles, Combining star- and cross-shaped luster tiles, this

Table Tray, 根来塗衝重, Momoyama period (1573–1615), early 17th century, Japan, Lacquered wood with black and red lacquer layers (Negoro ware), H. 14 1/2 in. (36.8 cm); W. 15 in. (38.1 cm); L. 15 in. (38.1 cm), Lacquer, In the medieval

Gold Belt Mount with Loop, 700s, Avar, Gold, 7/8 × 1 15/16 × 7/16 in., 1 Troy Ounces (2.3 × 5 × 1.1 cm, 38g), Metalwork-Gold, The treasure contains an array of belt fittings, some elaborately decorated, some unfinished or defectively

Kneeling Saint and Lost Souls before the Madonna and Child, with Four Alternate Border Designs, 17th century, Pen and brown ink, over graphite underdrawing, sheet: 12 3/8 x 9 in. (31.5 x 22.8 cm), Drawings, Anonymous, Italian, 17th century

Bronze oinochoe (jug), Hellenistic, early 3rd century B.C., Etruscan, Bronze, H. 14 in. (35.6 cm), Bronzes, The escutcheon at the base of the handle is modeled into an elegant plant resembling an acanthus leaf, common in Apulian pottery of

Design for Stained Glass: A Halbardier by an Unfinished Coat of Arms, ca. 1570–80, Pen and black ink and gray wash, 12 1/8 x 8 5/16 in. (30.8 x 21.1 cm), Hans Jakob Plepp (Swiss, Biel ca. 1557/60–ca. 1597/98 Bern

Box for Accessories, with Illustrations from the Kikujidō, Muromachi period (1392–1573), 15th century, Japan, Gold and silver maki-e on black lacquer, H. 7 in. (17.8 cm); W. 10 1/2 in. (26.7 cm); L. 14 1/4 in. (36.2 cm), Lacquer, The

Still Life with Checked Tablecloth, Paris, spring 1915, Oil and graphite on canvas, 45 7/8 x 35 1/8 inches (116.5 x 89.2 cm), Paintings, Juan Gris (Spanish, Madrid 1887–1927 Boulogne-sur-Seine), Gris, a master of disguised images,

View of a Building in the Ionic Style, 1830–47, Graphite, sheet: 14 x 21 in. (35.6 x 53.3 cm), Harvey Lonsdale Elmes (British, Orving near Chichester 1814–1847 Jamaica

Vase with mythological scenes, 1867, French, Paris, White earthenware, confirmed: 26 1/4 × 14 1/8 in., 26.3 lb. (66.7 × 35.9 cm, 12 kg), Ceramics-Pottery, Artist-potters associated with Art Nouveau condemned historical revivalism.

Design for a Throne (recto); Recumbent Figure (verso), 1805–40, Pen and black ink, graphite, sheet: 4 5/8 x 4 1/2 in. (11.7 x 11.4 cm), William Pitts (British, London 1790–1840 London

Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide), Codices

Drawing Room of Lea Castle, Looking West, ca. 1816, Watercolor, brush and brown ink over graphite, sheet: 14 3/16 x 12 15/16 in. (36.1 x 32.8 cm), Attributed to John Carter (British, London 1748–1817 London

Design for a Chimneypiece, 1740–1800, Pen and brown ink, brush and gray wash, graphite, sheet: 13 1/4 x 10 1/4 in. (33.7 x 26 cm), After Sir William Chambers (British (born Sweden), Göteborg 1723–1796 London

Opera Nova Universali intitulata Corona di racammi, page 23 (verso), [1530], Woodcut, Overall: 8 7/8 x 6 7/8 in. (22.5 x 17.5 cm), Published by Giovanni Andrea (called 'Guadagnino') Vavassore, Italian, active 16th century, Venice. From top to

Design for an Elaborate Cornice with a Cartouche and Figures Supporting a Ceiling, with Two Arched Openings., 1700–1780, Pen and brown ink, brush and gray wash over traces of lead point or graphite. Scales at bottom in pen and brown ink.

Inkwell, ca. 1840, Made in Mexico, Mexican, Tin-glazed earthenware, Diam. 3 1/2 in. (8.9 cm), Ceramics

Drawings and Prints, Books, Prints, Ornament & Architecture, La Vera Perfettione del Disegno di varie sorti di recami, page 21 (verso), Illustrator, Publisher, Woodcut of Lucrezia designed by, Giuseppe Salviati (Giuseppe Porta, called Il

Judas Entering the Garden of Gethsemane to Betray Christ, 15th century, German or South Netherlandish, Limewood with paint and gilding, Overall: 19 11/16 x 18 3/8 x 1 15/16in. (50 x 46.7 x 5cm), Sculpture-Wood

Harvesting Wheat in Iowa, 1909, Gelatin silver print, Image: 8.4 x 14 cm (3 5/16 x 5 1/2 in.), Photographs, William H. Martin (American, 1865–1940), The tall-tale postcard was a uniquely American genre that flourished in the Midwest between

Drawing for a Palace Decoration, 18th century, Pen and brown ink, brush and brown wash, 12-5/8 x 10-11/16 in (32.1 x 27.1 cm), Anonymous, Italian, 18th century

The Wilderness Battlefield, 1864, Albumen silver print from glass negative, Image: 5 in. × 3 9/16 in. (12.7 × 9.1 cm), Photographs, Unknown (American), Possibly by Alexander Gardner (American, Glasgow, Scotland 1821–1882 Washington, D.C

Lion Sleeping, 1810–75, Watercolor on wove paper, lined, Sheet: 9 3/16 x 11 5/8 in. (23.3 x 29.5cm), Drawings, Antoine-Louis Barye (French, Paris 1796–1875 Paris

Design for a Stage Set with a Monumental Arcaded Courtyard., early 18th century, Pen and brown ink, with brush and gray wash, sheet: 11 3/4 x 13 3/8 in. (29.8 x 34 cm), Drawings, Giuseppe Galli Bibiena (Italian, Parma 1696–1756 Berlin) ,

Sixpence, ca. 1667–ca. 1682, Made in Boston, Massachusetts, United States, American, Silver, 3/4 in., 2.14 Grams (1.9 cm, 1 dwt), Silver, John Hull (1624–1683), Robert Sanderson Sr. (ca. 1608–1693), In 1652 John Hull and Robert

Glass double head-shaped flask, Late Imperial, 4th century A.D., Roman, Glass; mold-blown, H.: 3 7/8 in. (9.8 cm), Glass, Translucent colorless with greenish tinge, with handle of indeterminate color., Unworked, uneven, and everted rim,

Tall vase with four handles, ca. 1893–94, French, Paris, Stoneware, Overall (confirmed): 29 7/16 × 11 1/2 × 11 1/2 in., 28.8 lb. (74.8 × 29.2 × 29.2 cm, 13 kg), Ceramics-Pottery, Delaherche elongated the shape of a traditional vase and

Beaker, ca. 1805, Made in New York, United States, American, Silver, H. 4 in. (10.2 cm) 6 oz. 3 dwt (191.1g), Silver, Benjamin Halsted (1734–1817

Miss L.L.L., 1900s, Platinum print, Photographs, Frank Eugene (American, New York 1865–1936 Munich

Earrings, Early Medieval, 6th century (?), Roman, Pendant: silver - sheet; wire - beaded; granulation. Loop: silver, rod; wire - beaded; granulation. Suspension Loop: silver, rod., 1 1/4 × 7/8 × 7/16 in., 0.1oz. (3.2 × 2.2 × 1.1 cm,

Costume Design for a Maiden Draped in White, n.d., Pen and black ink with watercolor, 12 5/16 x 9 7/16 in. (31.3 x 23.9 cm), Drawings, Charles Bianchini (French, Lyons 1860–1905 Paris

Essempio di recammi, page 3 (verso), 1530, Woodcut, Overall: 7 13/16 x 6 3/16 x 3/8 in. (19.8 x 15.7 x 1 cm), Written by Giovanni Antonio Tagliente, Italian, Venice ca. 1465-1527 Venice, published by Giovanantonio e i fratelli da Sabbio

Drawings and Prints, Books Prints Ornament & Architecture, Page from Ein new kunstlich Modelbuch...(Page 4v), Publisher, Peter Quentel, German, active Cologne, 1518–46, Cologne, Quentel, Peter, German, 1500, 1550, 1544

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 29 (recto), October 1, 1604, Etching and drawing, Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm), Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua.

Ewer with Horsemen Inscribed in Arabic with Good Wishes to its Owner, second half 12th–early 13th century, Attributed to Iran, Stonepaste; polychrome inglaze and overglaze painted on opaque monochrome glaze (mina'i), H. 5 1/8 in. (13 cm),

Drawings and Prints, Album Print Ornament & Architecture, Targhe ed altri ornati di varie e capricciose invenzioni (Cartouches and other ornaments of various and capricious invention, page 22), Artist, Publisher, After, Georges Reverdy, Jacob

Jérusalem. (Environs) Tombeau de la vierge, 1860 or later, Albumen silver print from paper negative, Image: 11 in. × 8 1/4 in. (28 × 21 cm), Photographs, Louis de Clercq (French, 1837–1901

[Group of 23 Stereograph Views of Yosemite Valley Housed in Original Publisher's Box], ca. 1902, Albumen silver prints, Mounts: 8.9 x 17.8 cm (3 1/2 x 7 in.), Photographs, Unknown (American

Shabti of Senebimi, Middle Kingdom, Dynasty 12, ca. 1981–1802 B.C., From Egypt, Middle Egypt, Meir, Khashaba excavations, 1910, Wood, paint, H. 36.2 cm (14 1/4 in.); W. 6 cm (2 3/8 in.); D. 6 cm (2 3/8 in.), Funerary figures known as

Buckle, 7th century (?), Frankish, Copper alloy, Overall: 2 1/16 x 1 3/16 x 1/2 in. (5.3 x 3 x 1.2 cm), Metalwork-Copper alloy, Belts were important features of early medieval dress. Not only did they serve the practical function of holding

Fragment of a Carpet with Quatrefoil Design, 16th–17th century, Attributed to Western Turkey, Ushak, Wool (warp, weft, and pile); symmetrically knotted pile, Rug: H. 114 1/2 in. (290.8 cm), Textiles-Rugs, The star-like medallions that give

Terracotta lekythos (oil flask), Classical, ca. 460 B.C., Greek, Attic, Terracotta; red-figure, H. 13 3/8 in. (34 cm); diameter 5 5/16 in. (13.5 cm), Vases, Maenad; on shoulder, satyr eating grapes. Hermonax was a follower of the Berlin

La Pratique de l'Aiguille, page 8 (recto), Title by Pierre Firens (French, born Paris 1641), 1605

Cup with two dragons in waves, Qing dynasty (1644–1911), mid-to-late 17th century, China, Rhinoceros horn, H. 2 3/4 in. (7 cm); W. 4 3/8 in. (11.1 cm); D. 3 in. (7.6 cm), Horn, The bodies of two dragons are carved on the exterior of this cup

Saint John the Baptist, ca. 1620–30, Spanish, Seville, Polychromed wood with gilding, Overall (confirmed): H. 60 5/8 x W. 29 5/8 x D. 27 5/8 in. (154 x 75.2 x 70.2 cm), Sculpture, Juan Martínez Montañés (Spanish, Alcalá la Real

Drawings and Prints, Books Prints Ornament & Architecture, Studio delle virtuose Dame, page 26 (recto), Designer, Publisher, Isabella Catanea Parasole, Antonio Fachetti, Italian, ca. 1565/70–ca. 1625, Rome, Parasole, Isabella Catanea,

Ornament, ca. 1880, Graphite on tracing paper, sheet: 4 3/8 x 5 5/16 in. (11.1 x 13.5 cm), Richardson Ellson & Co. (British

[Husainabad Bazar Gateway, Lucknow, India], 1860s–70s, Albumen silver print from glass negative, 20.1 x 27.0 cm (7 15/16 x 10 5/8 in.), Photographs, Unknown

Arctia Virgo from The Butterflies and Moths of America Part 5, 1862, Color lithograph, Sheet: 3 15/16 x 2 3/8 in. (10 x 6 cm), Prints

Female Figure, 3rd century B.C.–A.D. 4th century, Mexico, Mesoamerica, Michoacan, Chupicuaro, Ceramic, pigment, H. 2 15/16 in. (7.4 cm), Ceramics-Sculpture

Group of 3 worked obsidian fragments and a raw obsidian lump, Neolithic or later, 5th millennium or later, Cycladic, Obsidian, a: 13/16 × 1 7/8 × 3/16 in. (2.1 × 4.8 × 0.5 cm), Miscellaneous-Stone, Obsidian is a natural glass. The lump of

Drawings and Prints, Books Prints Ornament & Architecture, Neu künstlich Modelbuch (page 7r), Publisher, Bernhard Jobin, Swiss, Porrentruy (Jura) before 1545–1593/1597 Strasbourg, Stassburg, Jobin, Bernhard, Swiss, 1535, 1597, 1598

Silk Fragment with Circular Rosace-like Floriate Medallions, first half 16th century, Attributed to Turkey, probably Istanbul, Silk, metal wrapped thread; lampas (kemha), Textile: H. 50 in. (127 cm), Textiles-Woven

Singeries, ou Differentes Actions De La Vie Humaine, [before 1748], Etching, Overall: 9 3/4 x 12 15/16 x 1/2 in. (24.8 x 32.9 x 1.3 cm), Books, J. B. Guélard (French, active ca. 1730), After Christophe Hüet (French, Pontoise 1700–1759

The Sack of Troy: Pyrrhus Killing Priam, before 1654, Black chalk and gray wash on a sheet of laid paper; incised for transfer; framing lines in graphite; verso treated with red chalk for transfer, sheet: 10 3/8 x 7 11/16 in. (26.4 x 19.5 cm),

Dress Fragments, 4th century, Made in Kharga Oasis, Byzantine Egypt, Coptic, Linen, wool, 21 1/2 in. × 11 in. (54.6 × 27.9 cm), Textiles-Costumes-Secular

Essempio di recammi, page 24 (verso), 1530, Woodcut, Overall: 7 13/16 x 6 3/16 x 3/8 in. (19.8 x 15.7 x 1 cm), Written by Giovanni Antonio Tagliente, Italian, Venice ca. 1465-1527 Venice, published by Giovanantonio e i fratelli da Sabbio

Seal Ring with Inscription, late 15th–early 16th century, Attributed to Iran or Central Asia, Gold, cast and chased; nephrite, carved, H.1 3/8 in. (3.5 cm), Jewelry, This magnificent gold ring holds a jade stone engraved with religious

Reclining Semi-Nude with Arms Raised, 1914, Graphite on paper, 12 1/8 x 19 1/8 in. (30.8 x 48.6 cm), Drawings, Egon Schiele (Austrian, Tulln 1890–1918 Vienna

Landscape with Buildings (recto); Studies for a Flagellation (verso), 16th century, Pen and brown ink, 6-1/2 x 10-1/16 in. (16.5 x 25.6 cm), Drawings, Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580

Model of a Scribe's Palette Inscribed for Amenhotep, New Kingdom, Dynasty 18, ca. 1390–1352 B.C., Possibly from Upper Egypt, Thebes; From Egypt, Travertine (Egyptian alabaster), L. 44.5 cm (17 1/2 in); w. 8 cm (3 1/8 in), This funerary

The Virgin Immaculate with the Christ Child, 1770, Pen and brown ink, brush and brown and gray wash, over black chalk, 17 11/16 x 12 1/16in. (44.9 x 30.7cm), Drawings, Giuseppe Cades (Italian, Rome 1750–1799 Rome