Images at Librifly

Studies of Two Pollard Willows; Verso: Wide Landscape Prospect, late 16th–mid-17th century, Pen and brown ink, watercolor, traces of black chalk, framing line in pen and brown ink; verso black chalk and watercolor, 8 1/4 x 12 3/16 in. (21 x

The Martyrdom of St. Peter and St. Paul, ca. 1527, Engraving, Prints, Engraved by Giovanni Jacopo Caraglio (Italian, Parma or Verona ca. 1500/1505–1565 Krakow (?)), Designed by Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma

Corona delle Nobile et Virtuose Donne, Libro Terzo, page 2 (verso), 1620, Woodcut, Overall: 5 1/2 x 7 11/16 in. (14 x 19.5 cm), Designed by Cesare Vecellio, Italian, Pieve di Cadore 1521-1601 Venice, Venice, published by Alessandro de'

Head of a Woman with Helmet Looking Left, late 16th century, Pen and brown ink, brush and pink wash, over graphite, sheet: 5 1/2 x 4 1/16 in. (14 x 10.3 cm), Drawings, Circle of Francesco Salviati (Francesco de' Rossi) (Italian, Florence

Bow Brooch, 550–600, Visigothic, Copper alloy, quaternary, Overall: 1/16 x 4 13/16 x 2 x 13/16 in. (0.1 x 12.3 x 5.1 x 2 cm), Metalwork-Copper

Beadwork apron of Senebtisi, Middle Kingdom, Dynasty 12, late–early 13, ca. 1850–1775 B.C., From Egypt, Memphite Region, Lisht North, Tomb of Senwosret, burial of Senebtisi, 1906–07, Light and dark green, blue and black faience,

Fragment of a figure holding a multistrand coil of beads, preceded by another individual, Middle Kingdom, Dynasty 12, ca. 1961–1917 B.C., From Egypt, Memphite Region, Lisht South, Pyramid Temple of Senwosret I, 1912–13, Limestone,

Saintly Prelate Distributing Alms, 1505–62, Pen and brown ink and gray wash, Diam. 7 11/16 in (19.6 cm), Drawings, Attributed to Christoph Amberger (German, ca. 1505–1561/62 Augsburg

Pair of Flintlock Pistols Made for Ferdinand IV, King of Naples and Sicily (1751–1825), ca. 1768, Naples, Italo-Spanish, Naples, Steel, gold, wood (walnut), silver, L. of each 17 3/8 in. (44.1 cm); L. of each barrel 11 1/16 in. (28.1 cm);

Drawings and Prints, Book Prints Ornament & Architecture, Trionfo Di Virtu. Libro Novo..., page 14 (verso), Publisher, Matteo Pagano, Italian, 1515–1588, Venice, Pagano, Matteo, Italian, 1515, 1588, 1563

Bashi-Bazouk, 1868–69, Oil on canvas, 31 3/4 x 26 in. (80.6 x 66 cm), Paintings, Jean-Léon Gérôme (French, Vesoul 1824–1904 Paris), This arresting picture was made after Gérôme returned to Paris from a twelve-week journey to the Near

Design for a Title Page Sheet Music, 19th century, Pen and brown ink brush and watercolor over red chalk on green washed paper., 13 3/4 x 9 5/16 in. (35 x 23.7 cm), Drawings, Anonymous, German, 19th century

Les Secondes Oeuvres, et Subtiles Inventions De Lingerie du Seigneur Federic de Vinciolo Venitien, page 28 (recto), 1603, Woodcut, Overall: 9 7/16 x 6 1/2 in. (24 x 16.5 cm), Designed by Federic de Vinciolo Venitien, published by Jean Le

Glass jug, Late Imperial, 4th–5th century A.D., Roman, Glass; blown, tooled, and trailed, H.: 5 7/8 in. (14.9 cm), Glass, Translucent pale blue green; trails in same color, but handle in deeper blue green., Plain, rounded rim; flaring,

The Music Master, 1855, Illustrations: wood engraving, 6 7/8 x 4 1/2 in. (17.5 x 11.5 cm), Books, Rossetti’s first published illustration was made for this volume to accompany the poem The Maids of Elfin-mere. Characteristically, the image

Design for Loo-Table with PIllar and Claw Support, 1835–1900, Ink, Robert William Hume (British, London 1816–1904 Long Island City

Pastoral Landscape with Roman Ruins, 1645–86, Pen and ink, grey wash., 7 5/8 x 11 3/4 in. (19.3 x 29.8 cm), Drawings, Johann Heinrich Roos (German, Reipoltskirchen 1631–1685 Frankfurt am Main

Flower vase, Edo period (1615–1868), ca. 1700–1780, Japan, Stoneware (Ko-Kiyomizu ware), H. 14 in. (35.6 cm), Ceramics

Les Secondes Oeuvres, et Subtiles Inventions De Lingerie du Seigneur Federic de Vinciolo Venitien, page 8 (recto), 1603, Woodcut, Overall: 9 7/16 x 6 1/2 in. (24 x 16.5 cm), Designed by Federic de Vinciolo Venitien, published by Jean Le Clerc,

Spill Vase, 1830–70, Probably made in Bennington, Vermont, United States, American, Parian porcelain, 5 3/4 x 3 1/8 x 3 1/4 in. (14.6 x 7.9 x 8.3 cm), Ceramics

Fort Beauregard, Manassas, VA, 1861–65, Albumen silver print from glass negative, Photographs, Andrew Joseph Russell (American, 1830–1902

Lamp, 1st century B.C.–1st century A.D., Roman, Cypriot, Terracotta, Overall: 7/8 x 3 1/2 in. (2.2 x 8.9 cm), Terracottas

The Triumph of Galatea, 17th century, Black chalk. Oval composition outlined in black chalk, with decorative black chalk elements in four corners outside this line. On light beige paper, 9-7/16 x 8-3/8 in. (24 x 21.2 cm), Drawings, Anonymous,

Covered Owl Jar, 1880–90, Made in Pittsburgh, Pennsylvania, United States, American, Pressed blue glass, H. 6 3/4 in. (17.1 cm), Glass, Atterbury and Company (ca. 1867–1893

Terracotta oinochoe (jug), Archaic, ca. 520–510 B.C., Greek, Attic, Terracotta; red-figure, H. 6 7/16 in. (16.3 cm), Vases, The Judgement of Paris. By the last decade of the sixth century B.C., there were artists who had achieved a

Bull Run. Matthews House, 1861–62, Albumen silver print from glass negative, Photographs, George N. Barnard (American, 1819–1902

Helmet for a Harquebusier, ca. 1630–40, probably Greenwich, British, London or Greenwich, Steel, silver, gold, copper alloy, textile, H. 13 7/8 (35.3 cm); W. 9 3/8 (23.8 cm); D. 16 7/16 in. (41.7 cm); Wt. 4 lb. 7 oz. (2010 g), Helmets,

Study for an Engraving of 'Songs in the Opera of Flora', ca. 1737, Pen and blue ink with black chalk and graphite, 2 13/16 x 3 15/16 in. (7.2 x 10 cm.), Drawings, Hubert François Gravelot (French, Paris 1699–1773 Paris

Drawer pull, ca. 1810–30, Possibly made in France; Possibly made in England, Cast brass, mercury, gold, Diam. 1 3/8 in. (3.5 cm), Metal

The Crowning with Thorns, ca. 1520–30, Pen and brown ink, on paper washed pink, Diameter: 9 1/16 in. (23 cm), Drawings, Circle of Lucas van Leyden (Netherlandish, Leiden ca. 1494–1533 Leiden

청자 음각 당초 무늬 기름병 고려, 青磁陰刻唐草文油甁 高麗, Oil bottle decorated with floral scrolls and lotus petals, Goryeo dynasty (918–1392), 12th century, Korea, Stoneware with incised design under celadon glaze,

Design for a Box-Lid, 18th century, Pen and black ink over graphite underdrawing, 5 7/8 x 2 3/8 in. (14.9 x 6.1 cm.), Drawings, Hubert François Gravelot (French, Paris 1699–1773 Paris

Indo-Persian carpet with vine scroll and palmette pattern, ca. 1625 (or earlier), Indo-Persian, Wool pile on cotton foundation., Length: 7 m., Textiles-Rugs

Drawings and Prints, Book Ornament & Architecture, Livre de Moresques, page 13 (recto), Publisher, Artist, Published by, Previously published by, Hiérosme de Gormont, Cornelis Bos, Francesco di Pellegrino, Netherlandish, Hertogenbosch

Table or bracket clock with calendar, Clockmaker: Daniel Delander (British, 1678–1733), probably ca. 1720, British, London, Case: walnut, oak veneered with walnut and burl walnut; stained wooden moldings; and brass fittings; Dial: gilded and

[Carpenter with Ladder, Hammer, Level, and Toolbox], 1860s–70s, Tintype, Image: 8.8 x 6.6 cm (3 7/16 x 2 5/8 in.), Photographs, Unknown (American

'Pianissimo', 1925–26, Lacquered wood, eggshell, mother-of-pearl, gold, H: 98 x W: 35 x D: 1 1/2 in. (248.9 x 88.9 x 3.8 cm), Furniture, Created for the music room of Solomon R. Guggenheim’s residence in Port Washington, Long Island,

Satirical Drawing of the Sâr Joséphin Peladan, 1891, Pen and brown ink, watercolor, 8 15/16 x 6 15/16 in. (22.7 x 17.7 cm), Drawings, After Marcellin-Gilbert Desboutin (French, Cérilly 1823–1902 Nice

Promenade bonnet, 1882, American, straw, silk

Vase, ca. 1893, French, Paris, Stoneware, Overall (confirmed): 15 15/16 × 10 5/8 × 10 5/8 in., 12.2 lb. (40.5 × 27 × 27 cm, 5.6 kg), Ceramics-Pottery

Portrait of a Couple in a Round Pendant, late 18th century, Attributed to Iran, Gold; enamel-painted, Diam. 20.6 mm., Jewelry, The enamels of Qajar Iran are figurative, and closely resemble in style oil paintings produced during the same

Ex Cathedra ('ex catedra'), 1807–45, Pen and dark brown ink with some brush and gray-brown wash on off-white paper, 7-1/8 x 5-1/8 in. (18.1 x 13.0 cm), Drawings, Leonardo Alenza y Nieto (Spanish, Madrid 1807–1845 Madrid

Reliefs from the tomb of Meketre, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Meketre (TT 280, ), 1920, Limestone, paint, H. 15.3 cm (6 in.); W. 19.2 cm (7 9/16 in.); D. 7.3

Appomattox River, 1864, Albumen silver print from glass negative, Photographs, Timothy H. O'Sullivan (American, born Ireland, 1840–1882

Guitar, ca. 1835–40, Vienna, Austria, Austrian, Spruce, maple, Chordophone-Lute-plucked-fretted, Johann Anton Stauffer (Austrian), An engraved paper label in the body states: “Nach dem Modell / des Luigi Legnani 3347 / von Johann Anton

Jérusalem. Vue des Remparts., 1860 or later, Albumen silver print from paper negative, Image: 7 3/8 × 10 3/16 in. (18.8 × 25.8 cm), Photographs, Louis de Clercq (French, 1837–1901

Male Figure with Raised Arms, 14th–17th century, Mali, Tintam village, Dogon peoples, Wood, patina, H. 82 7/8 x W. 14 1/4 x D. 8 3/8 in. (210.5 x 36.2 x 21.3 cm), Wood-Sculpture, The Dogon live in the elevated rocky heights of Mali's

「六波羅合戦」　平治物語絵巻　断簡, Battle at Rokuhara, from The Tale of the Heiji Rebellion (Heiji monogatari), Kamakura period (1185–1333), first quarter of the 14th century, Japan, Handscroll fragment mounted as hanging

Decoration for a Piano, 17th century, Pen and brown ink, brush and brown wash, over black chalk on light tan paper, 5-1/2 x 14-1/16 in. (13.9 x 35.7 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

Allegory of the Death of Philip IV (1605-1665), 1619–71, Pen and brown ink with brush and brown wash over traces of black chalk underdrawing. Composition outlines in pen and dark brown ink on all four borders of sheet, 9-9/16 x 6-1/4 in. (24.3 x

Relief showing part of a temple of Ptah with Haremhab smiting an enemy in front of the god, New Kingdom, Amarna Period, Dynasty 18, ca. 1353–1295 B.C., From Egypt, Limestone, H. 5.8 cm (2 5/16 in

Lamp, 2nd century A.D., Roman, Terracotta, Overall: 7/8 x 2 7/8 in. (2.2 x 7.3 cm), Terracottas

Tankard, 1879, Pen and ink, sheet: 11 1/4 x 8 1/2 in. (28.6 x 21.6 cm), Drawings, C. Prosdocimi (Italian

Panel from a Portable Shrine: The Descent of the Buddha from Trayastrimsha Heaven, 7th–8th century, India (Jammu and Kashmir, ancient kingdom of Kashmir), Ivory with traces of color, H. 2 1/2 (6.4 cm); W. 1 3/4 in. (4.5 cm), Ivories, This

Peony and Swallow, Edo period (1615–1868), 1854, Japan, Hanging scroll; ink and color on paper, 51 1/8 x 11 5/16 in. (129.9 x 28.8 cm), Paintings, Tsubaki Chinzan (Japanese, 1801–1854

Belle Plain, Virginia, 1864, Albumen silver print from glass negative, Photographs, Timothy H. O'Sullivan (American, born Ireland, 1840–1882), James Gardner (American, born 1832

Marble head of a boy, Early Imperial, 1st century A.D., Roman, Marble, Island, H. 8 1/16 in. (20.5 cm), Stone Sculpture, Copy or adaptation of a Greek work of the 3rd century B.C.. This head of a boy with half-opened mouth and tousled hair is

[Seated Elderly Man with Arms Crossed], 1850s, Daguerreotype, Image: 8.8 x 6.3 cm (3 7/16 x 2 1/2 in.), Photographs, Unknown (American

Men Shoveling Chairs (Scupstoel), 1444–50, Pen and brown ink over traces of black chalk., 11 13/16 x 16 3/4 in. (30.0 x 42.6 cm), Drawings, Circle of Rogier van der Weyden, possibly Vranke van der Stockt (Netherlandish, ca. 1420–1495),

The Vision of St. Helena, Etching, Prints, Circle of Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?)), In Mariette Album, folio 56

Desseins a Plusieurs Usages Inventés par M. B. Toro (Title Page), 1718 or after

Grotesque with a Bacchus Fountain Placed in an Architectural Structure, 1540 after, Pen and black ink, brush and gray wash, Sheet: 9 5/8 x 6 5/8 in. (24.4 x 16.8 cm), Anonymous, Italian, 16th century, After Cornelis Bos (Netherlandish,

Sèriè à la Ristori, 1860s, Albumen silver print from glass negative, Photographs, Pierre-Louis Pierson (French, 1822–1913

Capital, late 12th century, French, Stone, Overall: 11 5/8 x 9 1/2 x 9 5/8 in. (29.5 x 24.1 x 24.4 cm), Sculpture-Architectural

Hunting Knife, ca. 1500, Hall, Tyrol, Austrian, Hall, Steel, copper alloy, wood, bone, mother-of-pearl, L. 18 5/8 in. (47.29 cm); W. 2 1/2 in. (6.35 cm), Knives, The grip is inlaid with the coat of arms of Austria in carved

Sheet with various peasants, graphite, 7-1/2 x 10-1/8 in. (19.1 x 25.7 cm), Drawings, Félicien Rops (Belgian, Namur 1833–1898 Essonnes

Pair of Transverse Flutes, mid-18th century, Nürnberg, Germany, German, Ivory, silver, wood, Height (With longest corps de rechange): 24 3/4 in. (62.8 cm), Aerophone-Blow Hole-side-blown flute (transverse), Johann Wilhelm Oberlender (the

Madonna and Child, Oil on wood, 24 x 18 1/8 in. (61 x 46 cm), Paintings, Francesco Francia (Italian, Bologna ca. 1447–1517 Bologna), The perfection of Francia’s technique, the serenity of his landscapes, and the sweet delicacy of his

Garnier. Anatole, Auguste. 18 ans, né à Montereau (Seine & Marne). Orfèvre. Anarchiste. 1/3/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Bull Run, 1861–62, Albumen silver print from glass negative, 10.2 x 20 cm (4 x 7 7/8 in. ), Photographs, George N. Barnard (American, 1819–1902), Timothy H. O'Sullivan (American, born Ireland, 1840–1882), Andrew Joseph Russell

Lamp, 1st century B.C.–1st century A.D., Roman, Terracotta, Overall: 7/8 x 3 5/8 in. (2.2 x 9.2 cm), Terracottas

One of a Pair of Gold Earrings, 550–650, Avar, Gold, 2 3/16 × 7/8 × 13/16 in., 0 Troy Ounces (5.6 × 2.2 × 2.1 cm, 16g), Metalwork-Gold, In the 500s and early 600s, when the Avars were regularly receiving enormous payments from the

Spoon, 1775–1800, Made in Boston, Massachusetts, United States, American, Silver, L. 8 1/4 in. (21 cm), Silver, Paul Revere Jr. (American, Boston, Massachusetts 1734–1818 Boston, Massachusetts

Landscape with a Large Building, 1818–83, Watercolor over graphite, 9 5/8 x 15 3/4 in. (24.4 x 40 cm), Drawings, Franz von Hauslab the Younger (Austrian, Vienna 1798–1883), Von Hauslab is a little known figure in the history of art. As

Modelbuch aller Art Nehens vn Stickens, 1535, Woodcut, Overall: 7 5/16 x 5 5/16 in. (18.5 x 13.5 cm), Published by Christian Egenolff, German, 1502-1555, Frankfort am Mayn. Illustrated title page, 26 pages of designs including 4 pages of

Futuh al-Haramain (Description of the Holy Cities), mid-16th century, Attributed to Turkey, Main support: Ink, opaque watercolor, and gold on paper, H. 8 3/8 in (21.3 cm), Codices, The text of the Futuh al Haramain comprises a guidebook for

Saint John the Baptist, 1550 (?), Pen and dark brown ink, brush and brown wash over traces of black chalk and compass and incised lines (recto). Framing lines in pen and dark brown ink. Design traced in black chalk (verso), 7- 5/16 x 4- 1/2 in.

Bamborough Castle from the Northeast, with Holy Island in the Distance, Northumberland, 1827, Watercolor and graphite with scratching out, sheet: 7 3/8 x 10 1/4 in. (18.7 x 26 cm), Drawings, John Varley (British, London 1778–1842 London),

Half of Double Saddle Bag (Khorjin), ca. 1850, Country of Origin Northwestern Iran, Wool; sumak brocaded, slit tapestry weave, H. 26 3/4 in. (67.9 cm), Textiles-Woven-Brocade

Port Royal, Rappahannock River, 1861–65, Albumen silver print from glass negative, Photographs, Andrew Joseph Russell (American, 1830–1902

Terracotta neck-amphora (jar), Archaic, ca. 540–530 B.C., Greek, Attic, Terracotta; black-figure, H. 13 3/16 in. (33.5 cm), Vases, Obverse, Athena in quadriga wheeling round; Reverse, Dionysos with satyr and maenad. The chariot scene on

Goblet, 1870–90, Made in Tarentum, Pennsylvania, United States, American, Pressed purple marble glass, H. 6 3/8 in. (16.2 cm), Glass, Challinor, Taylor and Company (1866–1891

Bag, 7th century, From Egypt, Thebes, Linen, H. 14 9/16 in.. (37 cm), Textiles-Costumes

Coffeepot, ca. 1740, Hungarian, Érsekújvár, Silver, wood, Overall: 9 1/8 x 4 1/16 in. (23.2 x 10.3 cm), Metalwork-Silver, Coffee was first brought to Europe from Arabia. The Viennese claim that they looted sacks of coffee beans after the

Standing Prophet in a Niche, Holding a Book, 1529–66, Pen and brown ink, brush and brown wash, over black chalk, on brownish paper, 15-7/8 x 5-11/16 in. (40.4 x 14.4 cm), Drawings, Taddeo Zuccaro (Italian, Sant'Angelo in Vado 1529–1566

Street Scene, La-Queue-en-Brie (Val-de-Marne), ca. 1896, Gelatin silver print, 28.5 x 39.5 cm (11 1/4 x 15 9/16 in. ), Photographs, Edgar Degas (French, Paris 1834–1917 Paris

Drawings and Prints, Album Prints Ornament & Architecture, Cartouches Nouvellement Inventez par J.B. Toro, Designer, Etcher, Publisher, Jean Bernard Toro, Charles Nicolas Cochin I, Jacques-Nicolas Le Pas Dubuisson, French, Dijon 1672–1731

[Two Young Women at Window], ca. 1870, Albumen silver print from glass negative, Image: 8 1/2 × 6 1/8 in. (21.6 × 15.6 cm), Photographs, Andrei Osipovich Karelin (Russian, 1837–1906), Trained as an icon painter, Karelin operated a

Equal-Arm Brooch with Cross Decoration, 7th–8th century, Frankish, Copper alloy, Overall: 11/16 x 1 9/16 x 11/16 in. (1.8 x 3.9 x 1.8 cm), Metalwork-Copper alloy

Study of a Ballet Dancer (recto); Two Studies of Dancers (verso), ca. 1873, Black ink heightened with body color on prepared pink paper, 17 1/2 x 12 3/8 in. (44.5 x 31.4 cm), Drawings, Edgar Degas (French, Paris 1834–1917 Paris), This

Drawings and Prints, Books Prints Ornament & Architecture, Studio delle virtuose Dame, page 5 (recto), Designer, Publisher, Isabella Catanea Parasole, Antonio Fachetti, Italian, ca. 1565/70–ca. 1625, Rome, Parasole, Isabella Catanea,

De gli habiti antichi et moderni di diversi parti del mondo, libri due ..., 1590, Woodcut, Overall: 6 9/16 x 4 15/16 x 2 1/16 in. (16.7 x 12.5 x 5.2 cm), After Cesare Vecellio (Italian, Pieve di Cadore 1521–1601 Venice), Christoph Krieger

Covered Vase on a Three-Footed Pedestal, 1510–84, Pen and black ink, brush and gray wash, 10 3/8 x 6 5/16 in. (26.3 x 16 cm.), Drawings, Jacques Androuet Du Cerceau (French, Paris 1510/12–1585 Annecy

Round Box Brooch, 700–900, Made in Gotland, Sweden, Viking, Copper alloy, cast, traces of an iron pin, Overall: 2 1/16 x 7/8 x 1/16 in. (5.2 x 2.3 x 0.2 cm), Metalwork-Copper, A menagerie of tiny animals inhabits the interlace patterns on

Glass Bowl, 375–425, Late Roman, Glass (greenish), Overall: 3 11/16 x 4 13/16 in. (9.3 x 12.2 cm), Glass-Vessels

Les Secondes Oeuvres, et Subtiles Inventions De Lingerie du Seigneur Federic de Vinciolo Venitien, page 22 (recto), 1603, Woodcut, Overall: 9 7/16 x 6 1/2 in. (24 x 16.5 cm), Designed by Federic de Vinciolo Venitien, published by Jean Le

Diana and Actaeon, 1580–1604, Pen and black ink and brown and blue wash over traces of black chalk, 8 x 6 in. (20.3 x 15.3 cm), Drawings, Georg Pecham (German, Munich ca. 1568–1604 Munich

Drawings and Prints, Books Prints Ornament & Architecture, Convivio delle Belle Donne, page 12 (verso), Publisher, Designer, Woodcut border on title signed by, Nicolò Zoppino, Matteo da Treviso, Italian, Ferrara 1478/80–1544 Venice,

Jar, New Kingdom, Dynasty 18, early, ca. 1550–1458 B.C., From Egypt, Upper Egypt, Thebes, Asasif, Courtyard CC 41, Pit 2, Burials C x, 1915–16, Travertine (Egyptian alabaster), H. 6.9 cm (2 11/16 in

King George II (1683–1727, reigned 1727–60), ca. 1760, British, probably Vauxhall, Soft-paste porcelain, Overall (confirmed): 7 1/16 × 12 5/8 × 6 7/8 in. (17.9 × 32.1 × 17.5 cm), Ceramics-Porcelain, The king wears a cavalry officer's