Images at Librifly

Vanitas Still Life, n.d., Watercolor, gouache, and gum arabic on parchment, sheet: 13 x 11 in. (33 x 27.9 cm), Drawings, Herman Henstenburgh (Dutch, 1667–1726

Design for a Frieze with Two Women Flanking an Urn, ca. 1775–85, Pen and brown ink, brush and brown wash, highlighted with white, over traces of black chalk, 13-1/4 x 19-5/16 in. (33.6 x 49.0 cm), attributed to Giuseppe Cades (Italian, Rome

Plan and elevation of a roccoco arch, 1710–30, Bistre pen and gray wash, Sheet: 14 5/16 x 10 1/4 in. (36.3 x 26 cm), Anonymous, German (?), 18th century, Recto: Plan and elevation of roccoco arch, Verso: landscape

Terracotta jug, Cypro-Archaic I, ca. 750–600 B.C., Cypriot, Terracotta, H. 9 5/16 in. (23.7 cm), Vases, The front of the jug is decorated with the head of a man wearing a horned helmet. Male figures, probably deities, with horns are

Terracotta olpe (one-handled jug), Hellenistic, early 3rd century B.C., Etruscan, Terracotta, H. 3 15/16 in. (10 cm), Vases, From a group of 6 undecorated vessels, simple objects that may have been used in a drinking ritual

Fragment of design for architectural frame, 16th century, Watercolor, pen and black and red ink, irregular, sheet: 5 1/8 x 5 1/2 in. (13 x 14 cm), Drawings, Anonymous, Netherlandish, 16th century

Miss Horton as Morgana, 1800–1856, Watercolor, pen and black ink, over graphite, sheet: 8 9/16 x 6 13/16 in. (21.8 x 17.3 cm), Drawings, Robert Cruikshank (British, London 1789–1856

Title Page for 'Illustrirte Zeitung 1856', 1856, Graphite, pen and gray ink, brush and gray and brown wash, 14 3/16 x 9 13/16 in. (36 x 25 cm), Drawings, Johann Caspar Nepomuk Scheuren (German, Aachen 1810–1887 Düsseldorf

Lidded Box of Muhammad al-Hamawi, Timekeeper at the Umayyad Mosque, Damascus, 15th century, Attributed to Syria, Brass; engraved and inlaid with silver, H. 4 in. (10.2 cm), Metal, Mamluk metalwork began to decline in quality by the late

Drawings and Prints, Book Prints Ornament & Architecture, Trionfo Di Virtu. Libro Novo..., page 19 (recto), Publisher, Matteo Pagano, Italian, 1515–1588, Venice, Pagano, Matteo, Italian, 1515, 1588, 1563

Vase, 1830–70, Probably made in Bennington, Vermont, United States, American, Parian porcelain, 6 3/4 x 3 in. (17.1 x 7.6 cm), Ceramics

Clouds, ca. 1838, Oil on paper laid down on canvas, 8 3/4 × 10 7/8 in. (22.2 × 27.6 cm), Paintings, Thomas Cole (American, Lancashire 1801–1848 Catskill, New York

La Pratique de l'Aiguille, page 10 (recto), Title by Pierre Firens (French, born Paris 1641), 1605

Bird Vessel, 12th–9th century B.C., Mexico, Mesoamerica, Olmec, Ceramic, red ochre, H. 6 1/2 in. (16.5 cm), Ceramics-Containers, Animal effigy vessels are among the most engaging objects known from Mesoamerica. Often the animal body forms

Nutmeg Grater, 1780–1825, Probably made in United States, American, Silver and steel, 3 1/2 x 1 3/16 in. (8.9 x 3 cm); 3 oz. 3 dwt. (97.8 g), Silver, Marked by J. R

Design for a Hall Lantern, Elevation, mid-18th–early 19th century, Pen and wash, sheet: 6 x 3 9/16 in. (15.2 x 9 cm), Attributed to James Wyatt (British, Weeford, Stafforshire 1746–1813 near Marlborough, Wiltshire

Sculptural bowl, 1900, Stoneware, 10 7/8 × 21 3/4 in. (27.6 × 55.2 cm), Ceramics-Pottery, James Vibert (Swiss, 1872–1917), Massier specialized in pottery with a metallic iridescent glaze inspired by medieval Spanish lusterware. This bowl

Study of a Nude Man in Profile turned to the Right, n.d., Pen and brown ink over graphite, sheet: 19 1/8 x 12 15/16 in. (48.6 x 32.8 cm), Drawings, Antonio Canova (Italian, Possagno 1757–1822 Venice

[Birds on Roof of Small Building], 1860s–70s, Albumen silver print from glass negative, 18.3 x 23.6 cm (7 3/16 x 9 5/16 in.), Photographs, Unknown

Panel of Nasta'liq Calligraphy, mid-17th century, Made in India, Black ink on marbled paper, 10 3/4 x 6 7/16in. (27.3 x 16.4cm), Codices, This panel, written in Persian nasta’liq script, would originally have been mounted on an album page

A House with a Dovecote and Trees by the Sea., 16th century, Pen and brown ink, brush and pale brown wash, highlighted with white gouache on blue paper, sheet: 5 1/8 x 8 1/8 in. (13 x 20.6 cm), Drawings, Gherardo Cibo (Italian, Genoa

Drawings and Prints, Books Prints Ornament & Architecture, Spechio di pensieri delle belle et Virtudiose donne, page 2 (verso), Publisher, Matteo Pagano, Italian, 1515–1588, Venice, Pagano, Matteo, Italian, 1515, 1588, 1546

La tête renversée, 1860s, Albumen silver print from glass negative, Photographs, Pierre-Louis Pierson (French, 1822–1913

Folios from a Non-Illustrated Manuscript, 16th–17th century, Attributed to Iran, Ink, opaque watercolor, and gold on paper, Codices

Lamp, 1st century B.C.–1st century A.D., Roman, Terracotta, Overall: 1 x 3 3/8 in. (2.5 x 8.6 cm), Terracottas

Drawing with Seven Designs for Firearms Ornament, 1806, French, Pen and black ink, with gray wash and traces of graphite, on paper, 10 15/16 x 7 13/16 in. (27.8 x 19.8 cm), Drawings, Jean-Francois Lucas (French, 1747–1825), These seven

Kohl jar with lid, Second Intermediate Period–Early New Kingdom, Dynasty 17–Early Dynasty 18, ca. 1635–1458 B.C., From Egypt, Upper Egypt, Thebes, Asasif, Courtyard CC 41, Pit 3, Burial B 2, In coffin, 1915–16, Serpentinite, H.

[Materialization of a Woman's Face Produced by the Medium Eva C.], February 26, 1918, Gelatin silver print, 17.9 x 13 cm (7 1/16 x 5 1/8 in.), Photographs, Gustave Geley (French, 1868–1924

Plaque, 1776–1800, Made in Hauts-de-Seine, Sèvres, France, Porcelain, Diam. 3 5/8 in. (9.2 cm), Ceramics

[Pair of Stereograph Views of General Jacob S. Coxey's Army of the Unemployed], 1850s–1910s, Albumen silver prints, Mount: 8.9 x 17.8 cm (3 1/2 x 7 in.), Photographs, J. F. Jarvis (American

Migrants, 1780–1827, Watercolor, Sheet: 5 11/16 x 9 3/8 in. (14.5 x 23.8 cm), Drawings, Thomas Rowlandson (British, London 1757–1827 London

Terracotta kyathos (single-handled cup), Italic, 7th century B.C., Late Villanovan, Terracotta; buccheroid impasto, H. without handle 4 9/16 in. (11.6 cm), Vases, Buccheroid impasto is wheel thrown pottery. The clay is less refined, and the

Drawings and Prints, Books Prints Ornament & Architecture, Page from Ein new kunstlich Modelbuch...(Page 28r), Publisher, Peter Quentel, German, active Cologne, 1518–46, Cologne, Quentel, Peter, German, 1500, 1550, 1544

Study of a Piece of Turf, early 19th century, Watercolor over graphite on buff-colored paper, sheet: 5 11/16 x 8 3/4 in. (14.4 x 22.2 cm), Drawings, Anonymous, British, early 19th century

Terracotta stemmed kyathos (single-handled cup), Archaic, ca. 575–550 B.C., Etruscan, Terracotta; bucchero pesante, H. 9 in. (22.9 cm); H. with handle 16 1/8 in. (41 cm); diameter of mouth 10 in. (25.4 cm), Vases, Oversized, elaborately

Figure 63: Expression of terror, 1854–56, printed 1862, Albumen silver print from glass negative, Image (Oval): 28.2 × 20.3 cm (11 1/8 × 8 in.), Photographs, Guillaume-Benjamin-Amand Duchenne de Boulogne (French, 1806–1875), Adrien

One of Twenty-Three Sheets of Drawings of Glassware (Mirrors, Chandeliers, Goblets, etc.), 1850–80, Tissue, with pencil, pen and ink, and watercolor, 14 x 19 in. (35.6 x 48.3 cm), Drawings, Compagnia di Venezia & Murano

Buckle Shank, first half 6th century, Visigothic, Copper alloy, 4 3/8 x 2 1/2 x 15/16 in. (11.1 x 6.3 x 2.4 cm), Miscellaneous-Buckles & Ornament

Case (Inrō) with Design of Deer and Maple Trees (obverse); Mount Fuji (reverse), Edo period (1615–1868), ca. 1820, Japan, Case: lacquer with pottery plaques; Fastener (ojime): coral; Toggle (netsuke): red lacquer carved with design of Chinese

Details of Groining, 16th century, Pen and brown ink, 7 x 6-1/2 in. (17.8 x 16.5 cm), Drawings, Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580

Terracotta lamp: on dscus, scallop shell, Early Imperial, 2nd half of 1st century A.D., Roman, Terracotta; mold-made, Overall: 1 1/8 x 3 1/2 in. (2.9 x 8.9 cm), Terracottas

Marble fragment of a hero relief, Classical, late 5th century B.C., Greek, Attic, Marble, Pentelic, H. 9 3/16 in. (23.32 cm.), Stone Sculpture, Inscribed on the molding above the relief, KALLO.... A woman holds out a wreath whose painted

Le Pompe: Opera Nova, title page (verso), 1557, Woodcut, Overall: 8 1/16 x 5 7/8 in. (20.5 x 15 cm), Published by Giovanni Battista & Marchio Sessa, Venice. From top to bottom, and left to right: Design is for bobbin lace and is composed of 2

[X-Ray of a Box Compasses], 1896, Gelatin silver print, Image: 17.2 x 11.9 cm (6 3/4 x 4 11/16 in.), Photographs, Dr. Henri van Heurck (Belgian, 1838–1909

Drawings and Prints, Album Print Ornament & Architecture, Page from Album of Ornament Prints from the Fund of Martin Engelbrecht, Artist, Publisher, Artist, Franz Xavier Habermann, Martin Engelbrecht, Carl Pier, Jeremias Wachsmuth, German,

Saint Elizabeth of Thuringia Giving Alms, 1833, Pen and grey ink, grey wash, watercolor, gold paint, over graphite; original wooden frame, sheet: 7 3/8 x 4 3/4 in. (18.7 x 12 cm), Drawings, Karl Ballenberger (German, Ansbach 1801–1860

Drawings and Prints, Books Prints Ornament & Architecture, Libbretto nouellamete composto per maestro Domenico da Sera...lauorare di ogni sorte di punti, page 6 (recto), Publisher, Domenico da Sera, French, active Italy, 16th century, Sera,

Design for a Church Gate, ca. 1880, Pen and ink, wash and watercolor, sheet: 5 3/16 x 3 13/16 in. (13.2 x 9.7 cm), Attributed to Richardson Ellson & Co. (British

Fish Series, No. 4, 1916, Watercolor and graphite on paper, 8 x 10 in. (20.3 x 25.4 cm), Drawings, Charles Demuth (American, Lancaster, Pennsylvania 1883–1935 Lancaster, Pennsylvania

Barbier. Louis, Alexandre. 31 ans, né à Jussecourt (Marne). Comptable. Anarchiste. 27/2/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Bottle with European and Indian Figures, 18th century, Attributed to India, Kota, Rajasthan, Glass, colorless with green tinge; mold blown, painted, H. 10 5/8 in. (27.0 cm), Glass, Square bottles of this type derive from Dutch and German

On the Wabash (Miss D.), 1900s, Platinum print, Photographs, Frank Eugene (American, New York 1865–1936 Munich

Eyn new kunstlichboich, page 25r, 1529

[Sculptures of Abraham Duquesne; an Ancient Briton; David with his Slingshot; a Hunter], ca. 1859, Albumen silver print from glass negative, 7.9 x 8.1 cm (3 1/8 x 3 3/16 in.), each, Photographs, Attributed to Philip Henry Delamotte (British,

The Descent from the Cross, ca. 1720, Pen and brown ink, brush and brown and red wash, over red chalk, 16 7/16 x 11in. (41.8 x 27.9cm), Drawings, Gian Antonio Burrini (Italian, Bologna 1656–1727 Bologna), The signature blue and gold mount

Page from Ein new kunstlich Modelbuch...(Page 10v), 1544

Wall Decoration, 16th century, Pen and brown ink, 5-3/4 x 6-7/8 in. (14.6 x 17.5 cm), Drawings, Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580

Cartouche, 18th century, sheet: 9 1/2 x 5 1/2 in. (24.1 x 14 cm), Drawings, Anonymous, Italian, first half of the 18th century

Design for a Painted Ceiling, 1800–1900, Watercolor, 8-3/4 x 12-1/4 in, Drawings, Anonymous, Italian, 19th century

Game piece, Middle Kingdom, Dynasty 13, ca. 2030–1640 B.C., From Egypt, Upper Egypt, Thebes, Asasif, Tomb CC 41, 1915–16, Wood, L. 9.5 cm (3 3/4 in

In Claudii Ptolemaei Geographiacae Enarrationis Libri octo., March 30, 1525, Woodcuts, Overall: 16 1/8 x 10 11/16 x 1 3/4 in. (41 x 27.2 x 4.5 cm), Books, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg), After Daniel Hopfer (German,

Designs for Four Upholstered Chairs, 1841–84, Black chalk with touches of graphite, sheet: 12 3/8 x 10 1/16 in. (31.5 x 25.6 cm), Charles Hindley and Sons (British, London 1841–1917 London

Palace or Villa Interior, Colonnaded Hall, 1700–1750, Pen and brown ink, grey wash over black chalk, Drawings, Anonymous, Italian, first half of the 18th century

Earring with granulation, Ptolemaic Period, 200–30 B.C., From Egypt, Memphite Region, Memphis (Mit Rahina), Gold, H. 6.4 × W. 1.8 × D. 1.8 cm (2 1/2 × 11/16 × 11/16 in

Base of a Footed Buff Ware Vessel, late 8th–9th century, Attributed to Iran, Nishapur. Excavated in Iran, Nishapur, Earthenware; polychrome decoration under transparent glaze (buff ware), H. 1 in. (2.5 cm), Ceramics, This fragment decorated

'Winter' Needlework Picture, 1819, Made in Upper Providence, Pennsylvania, United States, American, Silk and chenille embroidery threads on silk, 17 3/4 × 19 1/4 in. (45.1 × 50.2 cm), Textiles, Hannah Robinson (American, 1795–1870),

Stable Yard with Horses, 1776–1827, Pen and India ink and wash, Sheet: 11 5/8 x 17 1/2 in. (29.5 x 44.5 cm), Drawings, Thomas Rowlandson (British, London 1757–1827 London

British Reception in Baghdad, 1865, Watercolor, oval: 7 11/16 x 10 7/16 in. (19.5 x 26.5 cm), Drawings, W. Henry Pierson (British, active 1860s

Fête of the Spaniards in Rome in the Year of the Jubilee, 1650, ca. 1650, Etching, sheet: 15 3/16 x 24 15/16 in. (38.6 x 63.3 cm), Dominique Barrière (French, Marseille 1610–1678), View of the Piazzo Navona during the Jubilee celebration

Design for Cushioned Bench, 1841–84, Pen and black ink, watercolor over graphite, sheet: 10 15/16 x 14 7/8 in. (27.8 x 37.8 cm), Charles Hindley and Sons (British, London 1841–1917 London

LaumesfeIt. Paul, Mathias. 35 ans, né le 29/3/59. à Paris VIe. Tailleur d'habits. Anarchiste. 2/7/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon

Snuff bottle in the shape of a gourd, Qing dynasty (1644–1911), Qianlong period (1736–95), China, Painted enamel with lapis lazuli stopper, H. 3 1/4 in. (8.3 cm), Snuff Bottles, A popular decorative motif, the gourd is synonymous of

Ce est ung tractat de la noble art de leguille ascavoir ouvraiges de spaigne... page 14 (verso), after 1527, Woodcut, Overall: 6 7/8 x 5 11/16 in. (17.5 x 14.5 cm), Printed by Willem Vosterman. From top to bottom, and left to right: Design

[Boy Holding Cap, Resting Arm on a Column], 1840s, Daguerreotype, Image: 6.5 x 5.2 cm (2 9/16 x 2 1/16 in.), Photographs, Unknown (American

Drawings and Prints, Books Prints Ornament & Architecture, Libro quarto. De rechami per elquale se impara in diuersi modi lordine e il modo de recamare...Opera noua, page 2 (verso), Publisher, Alessandro Paganino, Italian, active Salò,

Design for the Decoration of Firearms, ca. 1795–1805, Versailles, French, Versailles, Pencil, ink, gray wash on paper, 3 3/8 x 4 5/8 in. (8.6 x 11.7 cm), Works on Paper-Drawings

Deep Dish, second half 15th century, Made in Valencia, probably Manises, Spain, Spanish, Tin-glazed earthenware, Overall: 18 1/8 in. (46 cm), Ceramics

Land Battery of Naval Guns, 1861–65, Albumen silver print from glass negative, Photographs

Windswept Landscape, n.d., Watercolor and gouache, over traces of black and red chalk, 15 11/16 x 20 11/16 in. (39.9 x 52.6 cm), Drawings, Louis Gabriel Moreau (French, Paris 1740–1806 Paris

The Flight into Egypt, 17th century, Pen, brown ink, brush and brown wash, heightened with white and yellow, 5 3/4 x 8 5/16 in. (14.6 x 21.1 cm), Drawings, After Claude Lorrain (Claude Gellée) (French, Chamagne 1604/5?–1682 Rome

Drawings and Prints, Books Prints Ornament & Architecture, Ornamento nobile...Fatta da Lucretia Romana (Libro V of the Corona), page 7 (recto), Publisher, Author, Alessandro de' Vecchi, Cesare Vecellio, Italian, active Venice, 1570–1629,

Drawings and Prints, Books Prints Ornament & Architecture, Schön newes Modelbuch (Page 36r), Publisher, Sigismundus Latomus, German, active 1599–ca. 1627, Frankfurt am Main, Latomus, Sigismundus, German, 1599, 1632, 1608

One Edged Comb, 7th century (?), Made in Niederbreisig, Germany, Frankish, Bone, iron pins, Overall: 7 1/16 x 1 11/16 x 13/16 in. (18 x 4.3 x 2.1 cm), Ivories-Bone

General William Ward and Staff, ca. 1861, Albumen silver print from glass negative, Image: 24.6 × 19 cm (9 11/16 × 7 1/2 in.), Photographs, Mathew B. Brady (American, born Ireland, 1823?–1896 New York

Madonna and a Group of Saints, 16th century, Pen and brown ink on gray paper, probably faded from blue-gray. Arched framing outline in brown ink at top edge, 3-7/8 x 2-3/4 in. (9.8 x 7 cm), Drawings, Anonymous, Italian, 16th century (Italian,

One of Twenty-Three Sheets of Drawings of Glassware (Mirrors, Chandeliers, Goblets, etc.), 1850–80, Tissue, with graphite, pen and ink, and watercolor, 14 x 19 in. (35.6 x 48.3 cm), Drawings, Compagnia di Venezia & Murano

Maince. Émile. 19 ans, né à Levallois-Perret (Seine). Réparateur d'objets d'arts. Anarchiste. 6/1/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon

Girl's Head, n.d., Red chalk, 11 5/16 x 13 1/4 in. (28.7 x 33.7 cm), Drawings, Manner of Jean-Baptiste Greuze (French, Tournus 1725–1805 Paris

Crossbow (Halbe Rüstung) with Winder (Cranequin), crossbow, ca. 1720–30; winder, ca. 1575–1600, probably Dresden, Saxony, crossbow, German, probably Dresden; winder, possibly German, Steel, wood (walnut), staghorn, copper alloy,

Portrait of a Man, 17th century, Attributed to Iran, Ink, opaque watercolor, and gold on paper, H. 8 3/8 in. (21.3 cm), Codices

Charles Hay Cameron, 1864, Albumen silver print from glass negative, Photographs, Julia Margaret Cameron (British (born India), Calcutta 1815–1879 Kalutara, Ceylon

Bronze floral element, Archaic, ca. 550–500 B.C., Etruscan, Bronze, H.: 4 15/16 in. (12.6 cm), Bronzes, Originally, this object probably formed the top of an elaborate incense burner

Arms and Armor, Rapier, German, Saxony, ca. 1600–10, 1575, 1635, Steel

Hercules Capturing the Cretan Bull: part of a cycle depicting the Labors of Hercules, 17th century, Pen and brown ink over black chalk on light tan paper. Strips of cream paper with two ruled framing outlines in blue ink glued to edges of sheet,

Drawings and Prints, Books Prints Ornament & Architecture, Esemplario di lavori, page 8 (verso), Publisher, Nicolò Zoppino, Italian, Ferrara 1478/80–1544 Venice, Zoppino, Nicolò, Italian, 1478, 1544, August 1529

Drawings and Prints, Books Prints Ornament & Architecture, Page from Ein new kunstlich Modelbuch...(Page 38r), Publisher, Peter Quentel, German, active Cologne, 1518–46, Cologne, Quentel, Peter, German, 1500, 1550, 1544

Drawings and Prints, Books Prints Ornament & Architecture, Corona delle Nobili et Virtuose Donne: Libro IV, page 47 (recto), Publisher, Cesare Vecellio, Italian, Pieve di Cadore 1521–1601 Venice, Vecellio, Cesare, Italian, 1521, 1601

Mrs. Greenhow and Daughter, Imprisoned in the Old Capitol, Washington, 1862, Albumen silver print from glass negative, Photographs, Alexander Gardner (American, Glasgow, Scotland 1821–1882 Washington, D.C

Lamp, Roman, Terracotta, Overall: 1 3/4 x 3 3/8 in. (4.4 x 8.6 cm), Terracottas

The Finding of Moses, 1725–47, Black chalk and brush and gray ink; framing lines in black ink, 9 1/8 x 16 in. (23.2 x 40.7 cm), Drawings, Anton Kern (German, Teschen 1710–1747 Dresden