Images at Librifly

Chalice veil, 16th century, Italian, Linen, needle lace (punto in aria), a) H. 22 x W. 22 in. (55.9 x 55.9), Textiles-Laces, Punto in aria—literally, 'stitches in the air'—is one of the earliest styles of needle lace, which is itself

Furniture Designs, 1800–1900, Sheet: 9 5/8 × 12 7/8 in. (24.4 × 32.7 cm), Drawings, Anonymous, Italian, 19th century

唐 彩繪陶女俑, Female Attendant, Tang dynasty (618–907), mid-7th century, China, Earthenware with painted decoration, H. 11 3/4 in. (29.8 cm); W. 3 1/4 in. (8.3 cm), Tomb Pottery

Tea Bowl with Leaf Decoration, Southern Song dynasty (1127–1279), 12th–13th century, China, Stoneware with black and brown glaze and pigment (Jizhou ware), H. 2 1/8 in. (5.4 cm); Diam. 5 5/8 in. (14.3 cm), Ceramics

Two Alternate Designs for a Doorway, 1700–1780, Brush and gray wash, over ruled and compass constructions in lead point or graphite, 15 1/16 x 9 13/16 in. (38.3 x 25 cm), Drawings, Anonymous, Italian, Piedmontese, 18th century

Drawings and Prints, Books Prints Ornament & Architecture, La Pratique de l'Aiguille, page 39 (recto), Author, Engraver, Dedicatee, Publisher, Title by, Dedicated to, Published by, Matthias Mignerak, Pierre Firens, Marie de Medici, Jean

Family Gathered Before a Monument in a Landscape with a Waterfall, 1805, Brush and grey wash, pen and blue and brown ink, heightened with white bodycolor. Broad framing line in pen and black ink., sheet: 15 13/16 x 20 9/16 in. (40.1 x 52.2 cm),

Barbichon. Jacques, Émile. 62 ans, né à Provins. Marchand de mouron. Anarchiste. 9/3/91., 1891, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Design for a Portion of Cornice and Ceiling, 1700–1780, Pen and brown ink, brush with red wash, over lead point or graphite. Ruled lines in lead point or graphite, Sheet: 7 1/4 x 7 13/16 in. (18.4 x 19.8 cm), Drawings, Anonymous, Italian,

Standard Bearer, 1500–1530, White gouache on red tinted paper, sheet: 5 3/4 x 4 in. (14.6 x 10.2 cm), Drawings, Anonymous, after Urs Graf (Swiss, Solothurn ca. 1485–1529/30 Basel

Figures Historiques du Vieux Testament, 1614, Woodcuts, Overall: 14 x 10 3/16 x 1 1/8 in. (35.5 x 25.9 x 2.9 cm), Books, Attributed to Jean Cousin the Younger (French, Sens ca. 1522–1594 Paris

Peony, Edo period (1615–1868), 19th century, Japan, Folding fan; ink on paper, 10 3/16 x 16 15/16 in. (25.8 x 43.1 cm), Paintings, Takahashi Sōhei (Japanese, 1804?–?1835), Sōhei, born into a merchant family in Bungo-han (present-day

Madonna and Child [?], n.d., Pen and dark brown ink on tan paper. Paper cut in an oval shape, 3-7/16 x 2-13/16 in. (8.7 x 7.1 cm), Drawings, Circle of Alonso Cano (Spanish, Granada 1601–1667 Granada

Rice Fields, 1870s–80s, Albumen silver print from glass negative, 19.4 x 24.3 cm (7 5/8 x 9 9/16 in.), Photographs, Unknown

Tile, ca. 1882–84, Made in Chelsea, Massachusetts, United States, American, Earthenware, 6 1/8 x 3 1/8 in. (15.6 x 7.9 cm), Ceramics, J. and J. G. Low Art Tile Works (1877–1907

Heavy Artillery, 1861–65, Albumen silver print from glass negative, Photographs

Memorial Head (Nsodie), 17th–mid-18th century, Ghana, Akan peoples, Terracotta, roots, quartz fragments, H. 8 x W. 5 5/8 x D. 5 in. (20.3 x 14.3 x 12.7 cm), Ceramics-Sculpture, This elegant terracotta head is a memorial portrait (nsodie)

Drawings and Prints, Books Prints Ornament & Architecture, Schön newes Modelbuch (Page 53r), Publisher, Sigismundus Latomus, German, active 1599–ca. 1627, Frankfurt am Main, Latomus, Sigismundus, German, 1599, 1632, 1608

The Passing of Venus, 1898, Brush, gouache and metallic paint on cardboard, 16-1/16 x 38-11/16 in. (40.8 x 98.2 cm), Drawings, Sir Edward Burne-Jones (British, Birmingham 1833–1898 Fulham), Overwhelming passion was a constant theme in

Mourning Figures: possibly a copy after a fresco by Cimabue, ca. 1773–75, Pen and brown ink over traces of black chalk, sheet: 8 1/8 x 11 13/16 in. (20.6 x 30 cm), Drawings, George Romney (British, Beckside, Lancashire 1734–1802 Kendal,

Registrum huius Operis libri cronicarum cum figuris et ymagibus ab inicio mundi, July 12, 1493, Woodcut, Closed: 18 11/16 × 14 × 3 7/16 in. (47.5 × 35.5 × 8.7 cm), Books, Michael Wolgemut (German, Nuremberg 1434–1519 Nuremberg), Wilhelm

Imitation Green-Splashed Samarra Ware, 9th–10th century, Excavated in Iran, Nishapur, Earthenware; painted in black with splashes of green on opaque white (tin) glaze, H. 2 1/2 in (6.3 cm), Ceramics, This bowl, with its opaque white ground,

Malpet. Jeanne (femme Pivier). 51 ans, née en mai 42. Couturière. Anarchiste. 3/7/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914),

Tree Forms and Water, ca. 1928, Pastel on plywood, 30 x 26 1/8 in. (76.2 x 66.4 cm), Drawings, Arthur Dove (American, Canandaigua, New York 1880–1946 Huntington, New York), This landscape, lacking perspective and a horizon line, is so

[Man in Loincloth with Strands of Beads], 1860s–70s, Albumen silver print from glass negative, 23.5 x 18.4 cm (9 1/4 x 7 1/4 in.), Photographs, Unknown

Design drawing, ca. 1883, based on earlier design, Graphite, ink, and gouache, sheet: 15 15/16 x 11 in. (40.5 x 27.9 cm), Christopher Dresser (British, Glasgow, Scotland 1834–1904 Mulhouse

Pietà (recto); Sketches of Kneeling Figures, Putto (verso), 1760–1806, Pen and brown ink, brush and brown wash over black chalk on light brown laid paper (recto). Ruled framing outlines in pen and brown ink. Pen and brown ink, black chalk

Design for a Wall Decoration, 1780–1800, Pen and ink with yellow, brown and dark gray wash, 7-1/8 x 7-1/4 in, Anonymous, Italian, North Italy, 18th century

Fragment of a Processional Standard ('Alam), late 16th century, Country of Origin India, probably Hyderabad, Deccan, Brass with relief and pierced decoration, H. 40 in (101.6 cm), Metal, Although it has lost its surrounding edge and crest of

A Saint Healing a Sick Man, 16th century, Pen and brown ink, brown wash, 13 x 9-1/8 in. (33 x 23.2 cm), Drawings, Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580

Designs for iron work balcony, 18th century, sheet: 3 9/16 x 7 5/8 in. (9 x 19.4 cm), Drawings

Chattanooga Valley from Lookout Mountain No. 2, 1860s, Albumen silver print from glass negative, Photographs, George N. Barnard (American, 1819–1902

Esemplario di Lauori..., page 5 (recto), August 1, 1532, Woodcut, Overall: 8 7/16 x 6 5/16 in. (21.5 x 16 cm), Originally published by Giovanni Andrea Vavassore, Italian, active 16th century, Venice, designed by Florio Vavassore (Giovanni's

Pieta, 17th–18th century, Pen and brown ink, brush and gray wash over black chalk. Laid down., 5 1/2 x 4 1/8 in. (13.9 x 10.4 cm), Drawings, Anonymous, German, 17th century (?), Anonymous, German, 18th century

Studies of Three Naked Men, a Right Arm and a Nude Figure Supported by Another (recto); Studies of a Figure with Left Arm Upraised, a Leg, and Putti with Foliage (verso), 1700–1710, Pen and brown ink, brush and brown wash, over black chalk

Censer with Figures in Landscape, Qing dynasty (1644–1911), Kangxi period (1662–1722), dated 1707, China, Porcelain painted with cobalt blue under a transparent glaze (Jingdezhen ware), H. 6 3/8 in. (16.2 cm); Diam. 7 1/4 in. (18.4 cm),

Landscape with Herdsman, 17th century, Pen and brown ink, brush and brown wash on cream paper, 9-1/8 x 11-9/16 in. (23.1 x 29.4 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

Ring, 12th century, Attributed to Iran, Gold; cast and fabricated from sheet, decorated with bitumen-highlighted incising, set with tourmaline bead, H. 15/16 in. (2.4 cm), Jewelry, This ring with a tourmaline bead conforms to a popular design

Millard. Victor. 53 ans, né le 5/6/40 à Moyon (Oise). Cordonnier. 16/3/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914), Born into

Scene with Banditti, mid-18th–early 19th century, Black pen and ink, wash, sheet: 8 7/8 x 7 1/16 in. (22.5 x 18 cm), Drawings, Attributed to Anonymous, British, late 18th to early 19th century

The Evacuation of Fort Sumter, April 1861, April 1861, Albumen silver print from glass negative, Image: 1 15/16 × 3 1/8 in. (5 × 7.9 cm), Photographs, J. M. Osborn (American, active Charleston, South Carolina, 1850s–1860s

'Funeral Procession', Folio 35r from a Mantiq al-tair (Language of the Birds), dated A.H. 892/ A.D. 1487, Made in present-day Afghanistan, Herat, Opaque watercolor, silver, and gold on paper, Painting: H. 9 3/4 in. (24.8 cm), Codices, This

Winter Drive, 19th century, Pen and brown ink, brown, blue and yellow wash, over traces of graphite, 9 15/16 x 14 5/8 in. (25.2 x 37.1 cm), Drawings, Constantin Guys (French, Flushing 1802–1892 Paris

Drawings and Prints, Album Print Ornament & Architecture, Page from Album of Ornament Prints from the Fund of Martin Engelbrecht, Artist, Artist, Publisher, Carl Pier, Franz Xavier Habermann, Jeremias Wachsmuth, Martin Engelbrecht, German,

Illustrated Manuscript, dated A.H. 815/ A.D. 1412, Attributed to Iran, Shiraz, Ink, opaque watercolor, and gold on paper; leather binding, 6 5/16 x 4 1/2in. (16.1 x 11.4cm), Codices, This unidentified manuscript addresses the beliefs and

Deathbed Scene with Monks, 1580–1600, Pen and brown ink, brush and gray wash, over black chalk, sheet: 6 9/16 x 7 5/8 in. (16.7 x 19.4 cm), Drawings, Anonymous, Italian, 16th to 17th century

Plate, ca. 1824–ca. 1828, Made in Staffordshire, Stoke-on-Trent, England, British (American market), Earthenware, transfer-printed, Diam. 10 1/8 in. (25.7 cm), Ceramics, Henshall, Williamson & Co. (ca. 1802–28

Cuneiform prism describing the restoration of Babylon by Esarhaddon, stamped with Assyrian hieroglyphic inscription, Neo-Assyrian, ca. 676-672 B.C., Mesopotamia, probably from Babylon (modern Hillah), Assyrian, Clay, 4.25 x 11.4 x 2.75 in.

Capital, ca. 6th century, Said to be from Egypt, Bawit, Limestone; carved, H. 18 7/8 in. (47.9 cm), Sculpture, The monastic community of Bawit, founded in the 300s by Apa (Father) Apollo at a small village, grew to consist of numerous

Silver Earring, 5th–6th century, Ostrogothic, Silver, Overall: 1 1/8 x 1/4 in. (2.9 x 0.7 cm), Metalwork-Silver

Marble portrait bust of a man, Late Imperial, mid–3rd century A.D., Roman, Marble, H. 10 1/4 in. (26 cm), Stone Sculpture, The alert, asymmetrical gaze, deeply drilled eyes, and full hair of this imposing figure suggest that the bust

Georgia O'Keeffe—Hands, 1917, Platinum print, 22.6 x 16.8 cm (8 7/8 x 6 5/8 in.), Photographs, Alfred Stieglitz (American, Hoboken, New Jersey 1864–1946 New York), Georgia O’Keeffe—Hands is one of the images that Stieglitz made during

Design for a Cabinet with Three Glass Doors and a Porcelain Plaque, 19th century, Graphite, watercolor and scratching on green ground, each sheet less than: 8 x 9 in. (20.3 x 22.9 cm), Anonymous, British, 19th century

Design for a Cross Supported by Lead Roof Cap, for Belleaw Church, 1, ca. 1880, Pen and ink, wash and watercolor, sheet: 15 1/4 x 11 1/8 in. (38.8 x 28.3 cm), Attributed to Richardson Ellson & Co. (British

Design for Small Table or Bookshelf, 19th century, Graphite, sheet: 6 3/8 x 6 3/8 in. (16.2 x 16.2 cm), John Dibblee Crace (British, London 1838–1919 London) , and Son

Christ's Entry into Jerusalem, 16th century, Pen and brown ink on brown paper, 5-7/8 x 5 in. (14.9 x 12.7 cm), Drawings, Anonymous, Italian, Venetian, 15th to 16th century

白衣観音図, White-Robed Kannon, Kamakura period (1185–1333), 13th century, Japan, Hanging scroll; ink and color on silk, Image: 29 1/2 × 15 3/8 in. (74.9 × 39.1 cm), Paintings, This graceful frontal view of Kannon (Sanskrit:

Battle Ground of Resacca, Georgia No. 3, 1860s, Albumen silver print from glass negative, Photographs, George N. Barnard (American, 1819–1902

Design for Altar Frontal, 18th century, Pen with brown and black ink, brush and gray wash, 6 13/16 x 5 3/4 in. (17.3 x 14.6 cm), Anonymous, Italian, Piedmontese, 18th century

Temple Model, 200 B.C.–A.D. 500, Mexico, Mesoamerica, Guerrero, Mezcala, Stone, Height 5-5/8 in., Stone-Sculpture, Stone models in the Mezcala style come largely from the present-day state of Guerrero, in southwest Mexico. A particularly

Pepperharrow Park, Surrey, 1852–54, Albumen silver print from paper negative, 11 1/4 x 15 1/4, Photographs, Benjamin Brecknell Turner (British, 1815–1894

Silver drinking cup, Late Hellenistic or Republican, 1st century B.C.–1st century A.D., Roman, Silver, gold, Overall: 2 3/8 x 7 in. (6 x 17.8 cm), Gold and Silver, These cups are an unusual variant among silver vessels of the Republican

Bowl in the shape of a lotus leaf, Qing dynasty (1644–1911), late 18th–early 19th century, China, Glass with carved and incised decoration, H. 2 3/4 in. (7 cm); Diam. 6 in. (15.2 cm); Diam. of rim 6 1/2 in. (16.5 cm), Glass, Known as

Woman Lighting a Sacrificial Fire, n.d., Black and white chalk on blue paper, with touches of red wash, sheet: 6 x 3 1/2 in. (15.3 x 8.9 cm), Drawings, Attributed to Claude Guy Hallé (French, Paris 1652–1736 Paris

A River Landscape, Oil on wood, 16 3/8 x 24 7/8 in. (41.6 x 63.2 cm), Paintings, Théodore Rousseau (French, Paris 1812–1867 Barbizon), In 1844, Rousseau visited the Landes region of southwestern France, which probably served as inspiration

The Garden of Love, 16th century, Pen and brown ink, brown, pink and blue wash, over black chalk., Diameter 11 1/4 in. (28.6 cm), Drawings, After Jörg Breu the Younger (German, Augsburg ca. 1510–1547 Augsburg

Barla. Jean Michel. 46 ans, né à Sirié (Italie). Mécanicien. Anarchiste. 2/3/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914),

Thomas Carlyle, 1867, Carbon print, 35.0 x 28.1 cm. (13 3/4 x 11 1/16 in.), Photographs, Julia Margaret Cameron (British (born India), Calcutta 1815–1879 Kalutara, Ceylon), Cameron long wished to photograph the brilliant but controversial

Christ as Judge, 1708–74, Pen and black ink, gray wash, heightened with white on buff paper, sheet: 8 7/16 x 15 9/16 in. (21.5 x 39.5 cm), Drawings, Gottfried Bernhard Goetz (German, Velehrad 1708–1774 Augsburg

Venus Triumphant, n.d., Pen and black ink, gray wash, squared red chalk, 8 9/16 x 5 1/4 in. (21.7 x 13.3 cm), Drawings, Hans Werl (German, Munich ca. 1570–1608 Munich

Bucranium, Second Intermediate Period, Dynasty 14–17, ca. 1640–1550 B.C., From Egypt, Antler, bone, paint, overall h. 22.2 cm (8 3/4 in); h. of skull 15.5 cm (6 1/8 in); w. of antlers 24.8 (9 3/4 in

The Lamentation, ca. 1480, Made in Castile-La Mancha, Spain, Central Spanish, Walnut, paint, and gilt, 83 x 48 1/2 x 13 1/2 in. (210.8 x 123.2 x 34.3 cm), Sculpture-Wood, The highly emotional, wrenching expressions on the faces of the

Bowl with acorn bosses at shoulder, lotus pattern beneath, and rosette on bottom, and with inscribed weight, Late Period–Ptolemaic Period, 4th century B.C., From Egypt, Lower Egypt, Silver, H. 8.5 x Diam. 13.6 cm at mouth 15 for body (3

Tile, ca. 1882–84, Made in Chelsea, Massachusetts, United States, American, Earthenware, 6 1/8 x 3 1/8 in. (15.6 x 7.9 cm), Ceramics, J. and J. G. Low Art Tile Works (1877–1907

Torso of Nefertiti, Aten cartouches, New Kingdom, Amarna Period, Dynasty 18, ca. 1352–1336 B.C., From Egypt, Middle Egypt, Amarna (Akhetaten), Great Temple of the Aten, pit outside southern wall, Petrie/Carter excavations, 1891–92,

Scrolled Ornament Design, 19th century, Ink on tracing paper, Anonymous, British, 19th century

Sand Shaker, ca. 1830, Made in Mexico, Mexican, Tin-glazed earthenware, Diam. 3 1/2 in. (8.9 cm), Ceramics

Drawings and Prints, Books Prints Ornament & Architecture, Ein new getruckt model Büchli...Page 14, recto, Publisher, Johann Schönsperger the Younger, German, active 1510–30, Schönsperger, Johann the Younger, German, 1490, 1550,

明 傳謝環 杏園雅集圖 卷, Elegant Gathering in the Apricot Garden, Ming dynasty (1368–1644), ca. 1437, China, Handscroll; ink and color on silk, Image: 14 5/8 x 95 3/4 in. (37.1 x 243.2 cm), Paintings, After Xie Huan (Chinese,

Landscape with a Country Chapel, 1605–35, Brush and brown wash over black chalk, 4 3/4 x 9 5/16 in. (12.1 x 23.7 cm), Drawings, Jacques Callot (French, Nancy 1592–1635 Nancy

Splendore delle virtuose giovani, page 11 (verso), 1564

Allegorical Figure (Faith?), early 16th–mid 16th century, Pen and brown ink. Framing line in black chalk (left, right and upper edge) and pen and grey ink (lower edge), possibly by the artist., sheet: 9 5/16 x 6 3/4 in. (23.6 x 17.1 cm),

Incense holder, Qing dynasty (1644–1911), 18th century, China, Bamboo, H. 21 7/8 in. ( (55.6 cm); Diam. 2 7/8 in. (7.3 cm), Bamboo

Tureen in the form of a goose, ca. 1770, Chinese, made for export, Hard-paste porcelain, Overall (confirmed): 15 3/4 × 14 × 10 in. (40 × 35.6 × 25.4 cm), Ceramics-Porcelain-Export, This goose tureen is a significant example of Chinese

Landscape with a ruin near Mödling, 1796, Brush and brown and grey ink, black chalk, sheet: 16 9/16 x 22 11/16 in. (42 x 57.7 cm), Drawings, Jakob Matthias Schmutzer (Austrian, Vienna 1733–1811 Vienna

Death wearing a black robe, first half 20th century, brush and black ink, gouache, watercolor, sheet: 16 3/8 x 5 15/16 in. (41.6 x 15.1 cm), Drawings, Sergey Sudeykin (Russian, Smolensk 1882–1946 Nyack

Eugène Pelletan, 1855–59, Salted paper print from glass negative, 23.5 x 17.6 cm (9 1/4 x 6 15/16 in.), Photographs, Nadar (French, Paris 1820–1910 Paris), No portraitist in any medium better rendered the spirit and intellect of his

Smokestack of Confederate Ram Merrimac at Richmond/Remains of Ironclad Ram 'Virginia #2', April, 1865, 1865, Albumen silver print from glass negative, Photographs, Alexander Gardner (American, Glasgow, Scotland 1821–1882 Washington, D.C

Zanclus cornutus / Acanthurus nigros, 1896, Photogravure, Image: 9 1/2 × 7 13/16 in. (24.2 × 19.8 cm), Photographs, Josef Maria Eder (Austrian, Krems an der Donau, 1855–1944 Kitzbühel) and, Eduard Valenta (Austrian, 1857–1937), Eder

Patchwork of Woven Textiles, Yuan (1271–1368) to early Ming (1368–1644) dynasty, 13th–14th century, China, Silk, metallic thread, 26 1/4 x 26 3/4 in. (66.7 x 67.9 cm), Textiles-Woven

Ile de Fîleh (Philæ), Vue Générale Prise du Sud-Est au Point B, 1851–52, printed 1853–54, Salted paper print from paper negative, 24.2 x 30.5 cm. (9 1/2 x 12 in.), Photographs, Félix Teynard (French, 1817–1892

Mother and Child, 1835–1903, Pen and dark brown and reddish-brown ink, brush and grey wash over traces of a graphite underdrawing., Sheet :7 5/16 x 5 1/16 in. (18.6 x 12.8 cm) , Drawings, Lorenz Frølich (Danish, Copenhagen 1820–1908

Pelgrom. Elise (femme Schouppe). Deux photographies, dont une légendée: Reprod. faite 22/2/93., 1893, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Trinket Box, 1830–70, Probably made in Bennington, Vermont, United States, American, Parian porcelain, 2 1/2 x 4 1/2 x 2 3/4 in. (6.4 x 11.4 x 7 cm), Ceramics

Study of a Plant, 1712–74, Watercolor over graphite. Framing line in graphite, 7 5/16 x 6 3/8 in. (18.5 x 16.2 cm), Drawings, Christian Wilhelm Ernst Dietrich (German, Weimar 1712–1774 Dresden

Africa, from the Four Continents, n.d., Engraving; first state, 8 1/4 x 10 1/8 in. (21 x 25.7 cm), Prints, Adriaen Collaert (Netherlandish, Antwerp ca. 1560–1618 Antwerp), After Maerten de Vos (Netherlandish, Antwerp 1532–1603 Antwerp

Drawings and Prints, Albums Prints Ornament & Architecture, Schon newes Modelbuch...Page 13(r), Designer, Sigismundus Latomus, German, active 1599–ca. 1627, Latomus, Sigismundus, German, 1599, 1632, 1617, 1617

Drawings and Prints, Album Print Ornament & Architecture, Page from Album of Ornament Prints from the Fund of Martin Engelbrecht, Publisher, Artist, Artist, Martin Engelbrecht, Jeremias Wachsmuth, Carl Pier, Franz Xavier Habermann, German,

Bronze tripod and dinos (deep round-bottomed bowl), Archaic, ca. 525–475 B.C., Etruscan, Bronze, total H. 35 3/4 in. (90.8 cm), Bronzes, Tripods composed of solid cast rods with lion-paw feet and the foreparts of lions and ducks supporting a

Glass lentoid aryballos (perfume bottle), Late Classical or Early Hellenistic, late 4th–early 3rd century B.C., Greek, Glass; core-formed, Group II, 3 7/16 x 2 7/8 x 2 1/16 in. (8.8 x 7.26 x 5.25 cm), Glass, Semi-opaque dark blue, with