Images at Librifly

Earring, 6th–7th century, Frankish, Gold, green and clear glass, pearls(?); hoop copper alloy or base silver, Overall: 2 5/8 x 2 3/8 x 5/8 in. (6.6 x 6 x 1.6 cm), Metalwork-Gold

[Entryway of Renaissance Court; Medieval Vestibule; View of the Renaissance Court; Room of Classical Reliefs and Sarcophagi], ca. 1859, Albumen silver print from glass negative, 7.9 x 8.1 cm (3 1/8 x 3 3/16 in.), each, Photographs, Attributed

Snapshot - In the New York Central Yards, 1903, printed 1907, Photogravure, 19.4 x 15.9 cm (7 5/8 x 6 1/4 in.), Alfred Stieglitz (American, Hoboken, New Jersey 1864–1946 New York

Les Secondes Oeuvres, et Subtiles Inventions De Lingerie du Seigneur Federic de Vinciolo Venitien, page 40 (recto), 1603, Woodcut, Overall: 9 7/16 x 6 1/2 in. (24 x 16.5 cm), Designed by Federic de Vinciolo Venitien, published by Jean Le

Queen Mother Pendant Mask: Iyoba, 16th century, Nigeria, Court of Benin, Edo peoples, Ivory, iron, copper (?), H. 9 3/8 x W. 5 x D. 3 1/4 in. (23.8 x 12.7 x 8.3 cm), Bone/Ivory-Sculpture, This ivory pendant mask is one of a pair of nearly

Frieze with Fruit, Foliage and Putti Climbing through Strapwork, late 16th century, Pen and brown ink, brush and brown wash, over traces of red chalk, 3 5/8 x 10 5/16 in. (9.2 x 26.2 cm), Drawings, Anonymous, Netherlandish, 16th century,

Statue of a goddess, probably Nehemetaui or Nebethetepet, Late Period–Ptolemaic Period, Dynasty 27–30, 550–300 B.C., From Egypt, cupreous metal, H. 17.8 × W. 4.3 × D. 10 cm (7 × 1 11/16 × 3 15/16 in.), The shrine-shaped sistrum

Mountains of Auvergne, 1831–33, Watercolor with pen and brown ink, 6 5/16 x 11 1/4 in. (16 x 28.5 cm), Drawings, Paul Huet (French, Paris 1803–1869 Paris

A Great Grey Shrike, 17th century, Watercolor and bodycolor, sheet: 5 7/16 x 7 3/16 in. (13.8 x 18.2 cm), Drawings, Pieter Holsteyn II (Dutch, Haarlem, ca. 1614–1673/83

Terracotta antefix (roof tile), Archaic, ca. 625–600 B.C., Greek, South Italian, Terracotta, Overall: 7 3/4 x 8 7/8in. (19.7 x 22.6cm), Terracottas, This antefix in the form of a female head comes from the ancient city of Matauros, a

Marble portrait bust of a woman, Trajanic, ca. A.D. 100–120, Roman, Marble, H. 22 5/8 in. (57.4 cm), Stone Sculpture, This portrait of a stern Trajanic matriarch has much in common with images of Trajan’s wife, the empress Plotina. Two

和更紗模様帯, Obi with Design of Fish and Marine Objects, Taishō period (1912–26), Japan, Compound weave with brocading, 27 x 146 in. (68.6 x 370.8 cm), Costumes

[Group of 11 Stereograph Views of Cowboys], 1850s–1910s, Albumen silver prints, Mounts approximately: 3.9 x 17.8 cm (1 9/16 x 7 in.), Photographs, Benneville Lloyd Singley (American, Union Township, Pennsylvania 1864–1938 Meadville,

Roman Capriccio with Terrace, 17th–18th century, Pen and brown ink, brush and gray-brown wash, over black chalk or graphite underdrawing., image: 10 13/16 x 7 11/16 in. (27.5 x 19.5 cm), Drawings, Anonymous, Italian, 17th or 18th century

The Adoration of the Shepherds, n.d., Engraving, Prints, Engraved by Giovanni Jacopo Caraglio (Italian, Parma or Verona ca. 1500/1505–1565 Krakow (?)), After Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503–1540

[A Gypsy Dancing-Girl, Kathiawar], ca. 1915, Albumen silver print from glass negative, 23.5 x 18.2 cm (9 1/4 x 7 3/16 in.), Photographs, E. Taurines (probably French, active ca. 1885–1901

Square-Headed Bow Brooch, 530–560, Frankish, Silver-gilt, niello inlay; iron spring/pin, Overall: 3 15/16 x 1 13/16 x 11/16 in. (10 x 4.6 x 1.7 cm), Metalwork-Silver

Drawings and Prints, Books Prints Ornament & Architecture, Neu künstlich Modelbuch (page 21r), Publisher, Bernhard Jobin, Swiss, Porrentruy (Jura) before 1545–1593/1597 Strasbourg, Stassburg, Jobin, Bernhard, Swiss, 1535, 1597, 1598

Piriform macehead with male faces, Predynastic, Naqada II–Naqada III, ca. 3650–3100 B.C., From Egypt, Limestone (pink), organic material, H. 4.2 x W. 5.6 cm (1 5/8 x 2 3/16 in

Candi Jago plaque of the Bodhisattva Amoghapasa, Singasari kingdom, late 13th century, probably 1286–92, Indonesia (East Java), Copper alloy, H. 8 3/4 in. (22.2 cm); W. 5 1/2 in. (14 cm); D. 1 5/8 in. (4.1 cm), Sculpture, This is one of a

Room Design Showing Plan and Three Wall Elevations, ca. 1740–60, Pen and ink and watercolor, Anonymous, British, 18th century

Drawings and Prints, Album Print Ornament & Architecture, Page from Album of Ornament Prints from the Fund of Martin Engelbrecht, Artist, Publisher, Artist, Jeremias Wachsmuth, Martin Engelbrecht, Franz Xavier Habermann, Carl Pier, German,

Terracotta mug in the form of a black African boy's head, Late Classical, late 4th century B.C., Etruscan, Terracotta, H. 6 in. (15.2 cm), Vases, This boy wears an olive-leaf wreath decorated with a central medallion

Mount Olympus from Larissa, Thessaly, Greece, 1848–88, Watercolor, sheet: 7 x 15 in. (17.8 x 38.1 cm), Drawings, Edward Lear (British, London 1812–1888 San Remo

Design for a Chandelier with Sixteen Candles, 1632, Brush and brown, ochre, and gold paint, touches of orange and blue gouache, over a preliminary sketch in grey gouache(?) on vellum prepared with white., sheet: 11 7/8 x 10 1/16 in. (30.1 x

Landscape, n.d., Pen, brush, brown ink and brown wash, on beige cardboard., 3 15/16 x 6 5/16 in. (10 x 16 cm), Drawings, Hendrik-Dirk Kruseman Van Elten (American (born Holland), Alkmaar 1829–1904 United States

Design for an Arch Through Which Is Seen a Fountain with Two Putti (recto); Design for an Architectural Structure (verso), 1700–1780, Pen and dark brown ink, brush and gray wash over lead point (recto). Sums and scales in lead point. Pen and

Apollo and Galatea in a Landscape with Neptune and Three Nymphs, 1550–60, Pen and brown ink, brush and brown wash, over black chalk, squared for transfer in black chalk (with some corrections to squaring grid); traces of framing outlines in

Brewing Tea in a Snow-Covered Hut, Edo period (1615–1868), 1791, Japan, Hanging scroll; ink and color on paper, Image: 52 15/16 in. × 11 in. (134.5 × 27.9 cm), Paintings, Tani Bunchō (Japanese, 1763–1840), An intimate scene of two

He Looks and Doesn't Recognize Himself ('Se mira y no se ve'), 1807–45, Pen and dark brown ink with traces of black chalk underdrawing. Composition outlined with pen and dark brown ink on all sides. On off-white paper, 7-5/16 x 5-1/8 in. (18.6 x

Lamp, 1st century B.C.–1st century A.D., Roman, Terracotta, Overall: 7/8 x 3 5/8 in. (2.2 x 9.2 cm), Terracottas

Project for the New Theater at St. Quentin (Aisne) - Section, ca. 1841, Watercolor over pencil., 10 x 6.25 in. (25.4 x 15.9 cm

Spill Vase, 1830–70, Probably made in Bennington, Vermont, United States, American, Parian porcelain, 6 1/8 x 3 1/8 in. (15.6 x 7.9 cm), Ceramics

Design for a Monument to the Three Wives of the First Earl of Guilford, at Wroxton, Oxfordshire, 1783, Pen and ink, wash, sheet: 10 x 9 in. (25.4 x 22.9 cm), Joseph Wilton (British, London 1722–1803 London

[Frames for Mirrors], ca. 1600, Etchings, 11 3/8 x 14 3/16 x 1/8 in. (28.9 x 36 x 0.3 cm), Books, Nicolaes de Bruyn (Netherlandish, Antwerp 1571–1656 Rotterdam

Death of a Saint, 17th century, Pen and brown ink, brush and brown wash over charcoal on light tan paper, 3-3/16 x 2-11/16 in. (8.1 x 6.9 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

Earring (one of a pair), 6th–7th century, Byzantine, Gold, pearls, Overall: 3 1/4 x 1 1/4 x 1/4 in. (8.3 x 3.2 x 0.7 cm), Metalwork-Gold, Earrings like these are found throughout the Byzantine world

Figure of Red Riding Hood with Basket, 1852–58, Made in Bennington, Vermont, United States, American, Parian porcelain, H. 6 1/4 in. (15.9 cm), Ceramics, United States Pottery Company (1852–58

Nativity, before 1761, Pen and black ink, brush and grey wash with white heightening on brown paper. Incised for transfer. Reddened on verso with chalk., 5 7/8 x 3 3/4 in. (15 x 9.6 cm), Drawings, Johann Wolfgang Baumgartner (German, Kufstein

Bramling (Fringilla Montifringilla), 1679, Watercolor over pencil. Framing line in pen and brown ink., 5 3/8 x 7 3/8 in. (13.7 x 18.7 cm), Drawings, Gerardus van Veen (Dutch, ca. 1620–1683

Drawings and Prints, Books Prints Ornament & Architecture, Page from Eyn Newe kunstlich moetdelboech alle kunst (Page 8v), Publisher, Peter Quentel, German, active Cologne, 1518–46, Cologne, Quentel, Peter, German, 1500, 1550, 1532

Beaker, ca. 1730–50, Hungarian, Silver, partly gilded, Overall: 7 7/8 x 4 13/16 in. (20 x 12.2 cm), Metalwork-Silver, An elegant rhythm is created in this beaker by alternating gilded vertical concave flutes with silver panels containing

Drawings and Prints, Books Prints Ornament & Architecture, Newes Modelbuch in Kupffer(Page 55r), Artist, Johann Sibmacher, German, active 1590–1611, Sibmacher, Johann, German, 1590, 1611, 1604, 1604

Pitcher, 1885, Made in Baltimore, Maryland, United States, American, Parian porcelain, 11 1/2 in. (29.2 cm), Ceramics, Chesapeake Pottery (Baltimore, Maryland, 1882–1914

Lassalas. Ernest, Auguste. 33 ans, né à Paris IVe. Ébéniste. Anarchiste. 2/1/94, 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914),

3 of Horns, from The Cloisters Playing Cards, ca. 1475–80, Made in Burgundian territories, South Netherlandish, Paper (four layers of pasteboard) with pen and ink, opaque paint, glazes, and applied silver and gold, 5 3/16 × 2 3/4 in.

Cup Plate, 1830–50, Made in Boston, Massachusetts, United States, American, Lacy pressed glass, Glass, Probably Boston & Sandwich Glass Company (American, 1825–1888, Sandwich, Massachusetts

Statue of the Overseer of Stonemasons Senbebu and Family, Middle Kingdom, Dynasty 12, ca. 1981–1802 B.C., From Egypt; Probably originally from Southern Upper Egypt, Elephantine, Sandstone, H. 22.2 cm (8 3/4 in.); W. 30 cm (11 13/16 in.); D.

Design for double-lancet window, late 19th–early 20th century, Made in New York, United States, American, Graphite on tissue paper mounted on board, Overall: 21 1/16 x 7 3/8 in. (53.5 x 18.7 cm), Drawings, Possibly Tiffany Glass Company

Earring with lion-griffin head terminal, Ptolemaic Period, 4th–3rd century B.C., From Egypt, Gold, As Worn: H. 2.3 × W. 2.2 cm (7/8 × 7/8 in.), Hoops formed of wound wire with animal head terminals are the commonest type of Hellenistic

There Was a Cat Somewhere, ca. 1940, Ink and watercolor on paper, 5 5/8 x 8 7/8 in. (14.3 x 22.5 cm), Drawings, Arthur Dove (American, Canandaigua, New York 1880–1946 Huntington, New York

Design for a Wall Elevation, late 17th–early 18th century, Pen and brown ink, brush and pink and gray washes, over traces of black chalk., sheet: 8 1/2 x 3 7/8 in. (21.6 x 9.8 cm), Simon Schijnvoet (Dutch, The Hague 1653–1727 Amsterdam

Hab.t de l'Acadie from Playing Cards (for Quartets) 'Costumes des Peuples Étrangers', 1700–1799, Etching and hand coloring (watercolor), 3 3/16 × 2 1/16 in. (8.1 × 5.3 cm), Prints, Anonymous, French, 18th century

Allegory of Winter, Oil on canvas, Irregular, 39 1/4 x 41 5/8 in. (99.7 x 105.7 cm), Paintings, Jacques de La Joue the Younger (French, Paris 1686–1761 Paris), La Joue was a painter of ornament and architectural subjects. This canvas was

Etruscan Candelabrum Finial (from Cassiano dal Pozzo's 'Paper Museum'), 1620–40, Red chalk on off-white laid paper, glued onto mount (Cassiano dal Pozzo collection, Type 'A'), 8-1/4 x 5-5/16 in. (21.0 x 13.5 cm), Drawings, Anonymous,

Design for a Vase, 1828–40, Pen and black ink, sheet: 15 13/16 x 10 3/16 in. (40.1 x 25.9 cm), J. Hulme (British, active 1828–40

Platter, 1815–30, Made in Paris, France, French, Porcelain, 1 3/4 x 14 1/16 x 9 3/8 in. (4.4 x 35.7 x 23.8 cm), Ceramics

Yellow and Blue, 1915, Watercolor on paper, 14 x 10 in. (35.6 x 25.4 cm), Drawings, Charles Demuth (American, Lancaster, Pennsylvania 1883–1935 Lancaster, Pennsylvania

Jérusalem. Porte de Damas (Bab-el-Ahmoud), 1860 or later, Albumen silver print from paper negative, Image: 11 in. × 8 9/16 in. (28 × 21.7 cm), Photographs, Louis de Clercq (French, 1837–1901

Drawings and Prints, Print, The Tempter (Punch, November 27, 1886), Artist, Sir John Tenniel, British, London 1820–1914 London, Tenniel, John Sir, British, 1820, 1914, 1886

Lithographic Plates, 1850, Paris, France, French, Lithographs, Lithographs: H. 10-1/2 in., W. 8-1/4 in., Works on Paper, Alexandre Désiré Collette (French, 1814–1876

Punchbowl, 1810–20, Made in Pittsburgh, Pennsylvania, American, Blown, molded, pressed, and engraved glass, 9 in. (22.9 cm), Glass, Bakewell, Page & Bakewell (1808–1882), Benjamin Bakewell & Co. (1809–1813

Candlestick, 1760–70, Probably made in Bristol, Bristol, England, British, Opaque glass with enamel decoration, H. 8 15/16 in. (22.7 cm), Glass, Possibly Michael Edkins

Drawings and Prints, Books Prints Ornament & Architecture, Giardineto novo di punti tagliati et gropposi per exercitio & ornamento delle donne (Venice 1554), page 14 (verso), Binder, Publisher, Lloyd, Wallis & Lloyd, Matteo Pagano, British,

Africa, 17th century, Pen and gray and brown ink, brush and gray wash, sheet: 10 1/2 x 8 1/8in. (26.7 x 20.6cm), Drawings, Godfried Maes (Antwerp 1649–1700 Antwerp

Judgment of Paris, 1800–1900 (?), Gouache on paper pasted down on sheet metal, 8-7/8 x 12-15/16 in. (22.5 x 32.8 cm), Drawings, Anonymous, Italian, 19th century

Disk Brooch, 7th century, Frankish, Silver-gilt, glass, pearl, Gilded silver with filigree and glass inlays, Overall: 1 5/8 x 9/16 in. (4.1 x 1.5 cm), Metalwork-Silver, The dress of Frankish women generally consisted of a tunic, cinched by

Drawings and Prints, Album Print Ornament & Architecture, Targhe ed altri ornati di varie e capricciose invenzioni (Cartouches and other ornaments of various and capricious invention, page 19), Publisher, Artist, After, Carlo Losi, Jacob

Dirham of Nasir al-Din Mahmud (r. 1201–22): Double-Headed Bird of Prey, dated A.H. 615/ A.D. 1218–19, Made in Turkey, Hisn Kayfa, Copper, Diam. 1 1/8 in. (2.9 cm), Coins, The period from the mid-twelfth to the mid-thirteenth century

William and Sophia Palmer Langenheim, ca. 1846–47, Daguerreotype, Image: 12.1 x 8.9 cm (4 3/4 x 3 1/2 in.), Photographs, William Langenheim (American, born Germany, Schöningen 1807–1874

Borderie. Raoul. 18 ans, né à Castelsarazin (Tarn & Garonne). Peintre en bâtiment. Anarchiste. 1/3/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon

Design for a Box-Lid, 18th century, Pen and black ink over black chalk underdrawing, 1 5/16 x 2 13/16 in. (3.4 x 7.1 cm.), Drawings, Hubert François Gravelot (French, Paris 1699–1773 Paris

Médînet-Abou (Thèbes), Construction Postérieures - Deuxiéme Cour - Galerie Sud-Ouest, 1851–52, printed 1853–54, Salted paper print from paper negative, 30.5 x 25.1 cm. (12 x 9 7/8 in.), Photographs, Félix Teynard (French,

Inkwell, ca. 1860, Made in Mexico, Mexican, Tin-glazed earthenware, H. 2 1/2 in. (6.4 cm), Ceramics

Bronze attachment with satyr head, Archaic, late 6th century B.C., Etruscan, Bronze, H.: 1 1/16 in. (2.7 cm), Bronzes, Helmet attachment that depicts Acheloos, a river god who can change into a serpent or a bull. Thus, he is often shown with

Rocks Overgrown with Bushes, 17th century, Black chalk, sheet: 6 5/16 x 8 7/8 in. (16.1 x 22.5 cm), Drawings, Attributed to Francois van Knibbergen (Dutch, 1596/97–after 1664

Textile, 14th century, Made in Lucca, Italy, Italian, Silk, metal thread, Overall: 24 x 6 1/2 in. (61 x 16.5 cm), Textiles-Woven

Design for a Doorway, first half 19th century, Graphite, Anonymous, British, 19th century

Drawings and Prints, Books Prints Ornament & Architecture, Page from Eyn Newe kunstlich moetdelboech alle kunst (Page 10r), Publisher, Peter Quentel, German, active Cologne, 1518–46, Cologne, Quentel, Peter, German, 1500, 1550, 1532

Drawings and Prints, Books, Prints, Ornament & Architecture, La Vera Perfettione del Disegno di varie sorti di recami, page 29 (verso), Publisher, Illustrator, Woodcut of Lucrezia designed by, Giovanni Ostaus, Giuseppe Salviati (Giuseppe

Grüne Eidechse, 1896, Photogravure, Image: 3 5/8 × 6 1/4 in. (9.2 × 15.9 cm), Photographs, Josef Maria Eder (Austrian, Krems an der Donau, 1855–1944 Kitzbühel) and, Eduard Valenta (Austrian, 1857–1937), Eder was the director of an

Mystic Marriage of St. Catherine (reverse copy), Etching, Sheet: 6 1/2 × 4 1/2 in. (16.5 × 11.4 cm), Prints, Anonymous, Italian, 16th century, After Marco Angolo del Moro (Italian, Verona (?) ca. 1537–after 1586), After a design by

Clasp from the tomb of Senebtisi, Middle Kingdom, Dynasty 12, late–early 13, ca. 1850–1775 B.C., From Egypt, Memphite Region, Lisht North, Tomb of Senwosret (758), Pit 763, burial of Senebtisi, 1906–07, Gold, clasp: l. 1.5 cm (9/16

Karttikeya, the God of War, 8th century, India (Jammu and Kashmir, ancient kingdom of Kashmir), Brass with silver inlay, H. 10 1/2 × W. 6 1/4 × D. 3 in. (26.7 × 15.9 × 7.6 cm), Sculpture, Here, the god of war sits regally on his vehicle,

Disk Brooch, 6th century, Frankish, Silver, garnets with patterned foils, Overall: 7/8 x 1/4 in. (2.2 x 0.7 cm), Metalwork-Silver

Woman wearing a blue-green suit, first half 20th century, traces of graphite, brush and black ink, gouache, watercolor, sheet: 16 9/16 x 10 1/16 in. (42 x 25.5 cm), Drawings, Sergey Sudeykin (Russian, Smolensk 1882–1946 Nyack

The Christ Child Adored by Angels, late 16th–mid-17th century, Black chalk, pen and brown ink and wash and white heightening, 11-7/8 x 8 in. (30.2 x 20.3 cm), Drawings, Gottfried de Wedig (German, Cologne 1583–1641 Cologne

V-Shaped Buckle, 7th century, Frankish, Copper alloy, cast (tongue, loop, plaque); red enamel with impressed..., Overall: 4 5/16 x 1 13/16 x 11/16 in. (11 x 4.6 x 1.7 cm), Metalwork-Copper

Castellamarre, Panorama, ca. 1870, Albumen silver print, Image: 19.6 × 25 cm (7 11/16 × 9 13/16 in.), Photographs, Unknown (Italian

Tea Spoon, ca. 1775, Made in Boston, Massachusetts, United States, American, Silver, L. 5 in. (12.7 cm), Silver, Joseph Edwards Jr. (1737–1783

Design for a Box-Lid, 18th century, Black chalk and pen and black ink, 4 7/16 x 4 1/2 in. (11.3 x 11.5 cm.), Drawings, Hubert François Gravelot (French, Paris 1699–1773 Paris

Stage Design Showing a Vaulted Hall with Double-Headed Bird Seal, 1930, Watercolor, gouache, gold paint, over graphite., sheet: 12 9/16 x 19 5/8 in. (31.9 x 49.9 cm), Drawings, Pavel Petrovic Froman (Russian, Moscow 1894–1940 Zagreb

Textile with Brocade, 13th century, Italian, Silk, gold thread, Overall: 27 x 10 1/2 in. (68.6 x 26.7 cm), Textiles-Woven

Fluted bottle with lid, Middle Kingdom, Dynasty 12, ca. 1950 B.C., From Egypt; Probably from Northern Upper Egypt, Qasr wa el-Sayed, Anhydrite, h. 1..5 cm (4 1/2 in

Drawings and Prints, Album Print Ornament & Architecture, Copies after the 'Livre contenant passement de moresques' (plate 8), Artist, After, Jacques Androuet Du Cerceau, French, Paris 1510/12–1585 Annecy, Du Cerceau, Jacques Androuet,

[Stonecutter with Child], 1860s–70s, Tintype, Image: 4.8 x 3.5 cm (1 7/8 x 1 3/8 in.), Photographs, Unknown (American

Terracotta stirrup jar with octopus, Late Helladic IIIC, ca. 1200–1100 B.C., Helladic, Mycenaean, Terracotta, H. 10 1/4 in. (26 cm); diameter 8 7/16 in. (21.5 cm), Vases, The shape takes its name from the configuration of the spout and the

Figures Gathered Before a Group of Buildings, One with a Colonnade (recto); Corner View of a Building all'antica (verso), 17th century, Pen and brown ink, brush and brown wash on light tan paper (recto and verso). Recto has lunette-shaped framing

Livre de Tables de Diverses Formes, 1716 or after

Construction in Progress (Images of Spain Album, 46), 1812–20, Brush with gray-brown and irongall washes, with scraping on laid paper, Sheet: 8-1/16 x 5-5/8 in. (20.5 x 14.3cm), Drawings, Goya (Francisco de Goya y Lucientes) (Spanish,