Images at Librifly

Candle Box, 1800–1830, Made in Pennsylvania, United States, American, White pine, 5 5/8 x 12 x 6 1/4 in. (14.3 x 30.5 x 15.9 cm), Furniture

Tournadre. Jacques (ou Eugène). 32 ans, né à Marchal (Cantal). Journaliste. Anarchiste. 3/3/94, 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Design for Curtains, 1841–84, Graphite and brown ink wash, sheet: 14 5/8 x 10 3/8 in. (37.2 x 26.3 cm), Charles Hindley and Sons (British, London 1841–1917 London

Head of a satyr for attachment to a jug, Ptolemaic Period, 246–221 B.C., From Egypt, Faience, h. 5.2 cm (2 1/16 in.) × w. 3.6 cm (1 7/16 in.), Satyr masks like this one were affixed to the inside rim of elaborate wine jugs (oinochoai) where

Lamp, saucer-shaped, 4th century B.C., Cypriot, Terracotta, Overall: 1 3/4 x 5 3/8 in. (4.4 x 13.7 cm), Terracottas

Tumbler, 1850–60, Probably made in Pittsburgh, Pennsylvania, United States, American, Pressed glass, H. 3 7/8 in. (9.8 cm); Diam. 3 1/2 in. (8.9 cm), Glass, With the development of new formulas and techniques, glass-pressing technology

Design for a Carriage., 1650–1700, Black chalk or leadpoint, 13 1/4 x 29 1/2 in. (33.7 x 75 cm), on two glued sheets of paper., Drawings, Anonymous, Italian, 17th or 18th century

Terracotta askos (flask with spout and handle over top), Classical, ca. 340–320 B.C., Greek, South Italian, Apulian, Gnathian, Terracotta, Height: 4 1/4 in. (10.8 cm), Vases, These two flasks, undoubtedly for oil, have been known since

Drawings and Prints, Books Prints Ornament & Architecture, Page from Ein new kunstlich Modelbuch...(Page 38v), Publisher, Peter Quentel, German, active Cologne, 1518–46, Cologne, Quentel, Peter, German, 1500, 1550, 1544

Limestone footstool, Classical, 1st half of the 5th century B.C., Cypriot, Limestone, Overall: 8 x 23 1/4 x 9 in. (20.3 x 59.1 x 22.9 cm), Stone Sculpture, The front is decorated with the relief of a lion attacking a bull—a motif with a long

中國 清 黑漆嵌螺鈿博古圖碟, Dish with Antiquities, Qing dynasty (1644–1911), mid-17th–early 18th century, China, Black lacquer with mother-of-pearl inlay, W. 3 3/4 in. (9.5 cm); L. 4 3/4 in. (12.1 cm), Lacquer, The phrase

Angel Leading Saint Peter out of Prison (?), 17th century, Pen and dark brown ink with brush and gray-brown wash over black chalk underdrawing. Lines at top and bottom or sheet in black chalk. On off-white paper, 4-5/16 x 4 in. (10.9 x 10.1 cm),

Dish with IHS monogram, armillary sphere, and Portuguese royal arms, ca. 1520–40, Chinese, for Portuguese market, Hard-paste porcelain with underglaze cobalt blue decoration (Jingdezhen ware), Overall: 3 3/4 × 20 3/4 in. (9.5 × 52.7 cm),

Side chair, 1755–75, Made in Newport, Rhode Island, United States, American, Mahogany, maple, H. 38 in. (96.5 cm), Furniture, The distinctive designs of the crest-rail shell, pierced splat, and claw-and-ball feet on this chair indicate

百年無事人, For a hundred years [I have been] a person with no attachments, Edo period (1615–1868), late 18th century, Japan, Hanging scroll; ink on paper, Image: 46 1/2 × 10 7/8 in. (118.1 × 27.6 cm), Paintings, Jiun Sonja

Esemplario di lavori, page 14 (verso), August 1529, Woodcut (pages inlaid, modern vellum binding), 9 5/16 x 7 1/4 x 15/16 in. (23.7 x 18.4 x 2.4 cm), Published by Nicolo Zoppino, Italian, active 16th century, Venice. From top to bottom, and

Lamp, 2nd century A.D., Roman, Terracotta, Length 8.4 cm. H. 3.3 cm., Terracottas

Gathering Manna, 1497–99, German, Pot-metal glass, vitreous paint, and silver stain, Overall: 19 3/4 x 20 7/8 in. (50.2 x 53 cm), Glass-Stained, Workshop of Friedrich Brunner (German), Based on a design by Jan Pollack (Polish (?), active

A Castle (on the Rhine?), early 17th–mid 17th century, Black chalk, gray wash, sheet: 3 3/4 x 6 1/8 in. (9.6 x 15.6 cm), Drawings, Jan van Goyen (Dutch, Leiden 1596–1656 The Hague

Masini (dit Mazzini). Angelo, Henri. 25 ans, né le 4/9/69 à Milan (Italie). Ébéniste. Anarchiste. 1/9/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon

Design for a Box-Lid, 18th century, Pen and black ink and black chalk underdrawing, 4 5/8 x 3 1/16 in. (11.7 x 7.8 cm.), Drawings, Hubert François Gravelot (French, Paris 1699–1773 Paris

Serving Tray with Angled Corners, Muromachi period (1392–1573), 15th–16th century, Japan, Red lacquer (Negoro ware), H. 1 3/8 in. (3.5 cm); W. 14 7/16 in. (36.7 cm), Lacquer, Probably used to hold a simple meal of rice, soup, and

Scroll of Mudras, 白描印相図巻, Heian period (794–1185), 11th–12th century, Japan, Handscroll; ink on paper, 11 3/16 x 97 1/2 in. (28.4 x 247.6 cm), Paintings, This handscroll depicts hand gestures known as mudras in Sanskrit, the

The Two Lovers, ca. 1524–30, Etching and engraving, Prints, Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503–1540 Casalmaggiore), In Mariette Album, folio 38, top left

Drawings and Prints, Books Prints Ornament & Architecture, Teatro delle Nobili et Virtuose Donne..., page 11 (recto), Author, Publisher, Isabella Catanea Parasole, Mauritio Bona, Italian, ca. 1565/70–ca. 1625, Rome, Parasole, Isabella

Lot and his Daughters, 17th century, Black chalk, traces of white chalk highlighting, on brown paper, sheet: 6 1/4 x 8 13/16 in. (15.8 x 22.4 cm), Drawings, Anonymous, Italian, 17th century

Garden Elevation of the Villa Madama, Rome, 1710–27, Pen and brown ink, brush and brown wash, over ruling in graphite, 11-7/16 x 16-3/16 in. (29 x 41.1 cm), Drawings, Pietro Paolo Coccetti (Cocchetti) (Italian, documented Rome,

Top of a Signet Ring, 7th century, Made in France, Frankish, Silver-gilt, beaded wire border; no spring/pin extant, Overall: 9/16 x 3/16 in. (1.4 x 0.4 cm), Metalwork-Silver

Vase, 1830–70, Probably made in Bennington, Vermont, United States, American, Parian porcelain, 10 1/2 x 4 5/8 in. (26.7 x 11.7 cm), Ceramics

Study of a Blasted Tree Trunk and Branches, 1600–1653, Black chalk, brown wash, heightened with yellowish white chalk. Framing line in pen and black ink, sheet: 11 1/8 x 8 3/8 in. (28.3 x 21.3 cm), Drawings, Simon de Vlieger (Dutch,

Les Secondes Oeuvres, et Subtiles Inventions De Lingerie du Seigneur Federic de Vinciolo Venitien, page 33 (recto), 1603, Woodcut, Overall: 9 7/16 x 6 1/2 in. (24 x 16.5 cm), Designed by Federic de Vinciolo Venitien, published by Jean Le

The Sacrifice of Iphigenia, 1789, Oil on canvas, 26 7/8 × 18 in. (68.3 × 45.7 cm), Paintings, Gaetano Gandolfi (Italian, San Matteo della Decima 1734–1802 Bologna), This oil sketch for a ceiling in a room of Palazzo Gnudi Scagliarini in

Standing Male Nude, 17th century, Pen and light brown ink with brush and gray wash over traces of black chalk underdrawing. On off-white paper, 6-7/8 x 4-5/16 in. (17.5 x 11.0 cm), Drawings, Anonymous, Spanish, School of Seville, 17th

Altar Frame, 16th century, Pen and brown ink, washed, 12-1/4 x 8-1/8 in. (31.1 x 20.6 cm), Drawings, Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580

Vase with Handles, ca. 1900, Stoneware, 11 1/2 × 14 1/2 in. (29.2 × 36.8 cm), Ceramics-Pottery

芦雁図, Reeds and Geese, Nanbokuchō period (1336–92), dated 11th month, 1343, Japan, One of a pair of hanging scrolls; ink on silk, Image: 43 1/2 x 17 3/8 in. (110.5 x 44.1 cm), Paintings, Tesshū Tokusai (Japanese, died 1366), This

Design for Wall with Wooden Trim, 1841–84, Pen and brown ink, watercolor, sheet: 10 9/16 x 10 5/8 in. (26.9 x 27 cm), Charles Hindley and Sons (British, London 1841–1917 London

Prima Parte de' Fiori, e Disegni di varie sorti di Ricami Moderni, page 2 (recto), 1591

King Sigurd the Crusader (Good Words for 1862, opp. p. 248), 1862, Wood engraving, Sheet: 9 5/16 × 6 5/16 in. (23.7 × 16 cm), Prints, After Sir Edward Burne-Jones (British, Birmingham 1833–1898 Fulham), King Sigurd the Crusader is one of

Female Nude, n.d., Red chalk, 10 3/16 x 8 1/4 in. (25.8 x 20.9 cm), Drawings, Charles-Albert Despiau (French, Mont-de-Marsan 1874–1946 Paris

Architectural Drawing, 16th century, Pen and brown ink, washed, 10 x 6-7/8 in. (25.4 x 17.5 cm), Drawings, Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580

Boudet, 1866, Albumen silver print from glass negative, Image: 18.4 × 24.8 cm (7 1/4 × 9 3/4 in.), Photographs, André-Adolphe-Eugène Disdéri (French, Paris 1819–1889 Paris

[Man with Bamboo Pole], 1870s, Albumen silver print, Photographs, Unknown

Drawings and Prints, Books Prints Ornament & Architecture, La Pratique de l'Aiguille, page 6 (recto), Author, Engraver, Dedicatee, Publisher, Title by, Dedicated to, Published by, Matthias Mignerak, Pierre Firens, Marie de Medici, Jean

Brooch, ca. 1905, Made in New York, New York, United States, American, Gold, turquoise, diamonds and pearls, 3 x 1 1/2 in. (7.6 x 3.8 cm), Jewelry, Attributed to F. Walter Lawrence (American, Baltimore, Maryland 1864–1929 Summit, New

The Golden Age, Oil on wood, 6 3/8 x 9 in. (16.2 x 22.9 cm), Paintings, Jean-Baptiste Joseph Pater (French, Valenciennes 1695–1736 Paris), In the eighteenth century, attention was given to the joys of unspoiled childhood, a golden age. Here

Clash of the Cavalry, n.d., Etching, sheet: 6 5/8 x 8 3/8 in. (16.9 x 21.2 cm), Prints, Hubert Robert (French, Paris 1733–1808 Paris

Julie Hudson, 1914, Oil on Masonite, 30 x 25 in. (76.2 x 63.5 cm), Paintings, George Bellows (American, Columbus, Ohio 1882–1925 New York

[Presidential Campaign Medal with Portraits of Abraham Lincoln and Andrew Johnson], 1864, Tintype, Image: 1.6 cm (5/8 in.), diameter, Photographs, After Thomas Le Mere (American, active 1860s), The Lincoln tintype in this campaign medal is a

Woodland Scene with Mountain Stream, 1790s, Pen and brown sepia, brush and brown washed sepia, over graphite. Framing line in brown ink., sheet: 8 7/16 x 7 1/2 in. (21.4 x 19 cm), Drawings, Johann Georg von Dillis (German, Grüngiebing

Drawings and Prints, Book Prints Ornament & Architecture, New Modelbüch allen Nägerin u. Sydenstickern (Page 17v), Designer, Publisher, Hans Hoffman, Jacob Frölich, German, active Strasbourg, 1556, Strassburg, Hoffman, Hans, Frölich,

Landscape, 18th century, Red chalk, 5-1/4 x 10-1/2 in. (13.3 x 26.7 cm), Drawings, Anonymous, Italian, first half of the 18th century

Water basin, 1800–1810, Made in China, Chinese, Porcelain, H. 4 3/4 in. (12.1 cm); Diam. 11 3/8 in. (28.9 cm), Ceramics

Disk brooch, late 4th–early 5th century, Made in Gaul, Late Roman, Silver-gilt, niello, Overall: 13/16 x 1/16 in. (2 x 0.1 cm), Metalwork-Silver

Relief fragments from tomb of Meketre, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Meketre (TT 280, ), Court, Radim, 1920, Limestone, paint

[View of Part of the Grand Palais and the Cathedral of the Annunciation at the Kremlin], 1860s, Albumen silver print from glass negative, Image: 12 3/16 × 15 15/16 in. (31 × 40.5 cm), Photographs, Unknown (Russian

Design for large fireplace white tiles produced in Wedgwood's factory, 19th century, Pen and black ink over graphite, mount: 11 7/16 x 8 1/8 in. (29 x 20.7 cm), After John Flaxman (British, York 1755–1826 London

Winter Landscape with Skaters and Horse-Drawn Sledges on the Ice, a Village Below, n.d., Point of the brush and gray and black in and wash, sheet: 9 13/16 x 14 15/16 in. (25 x 38 cm), Drawings, Andries Vermeulen (Dutch, Dordrecht 1793–1814

Kieffer. Nicolas. 35 ans, né le 8/4/59 à Haltuiller (Meurthe). Menuisier. Anarchiste. 2/7/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Coin with Sign of Libra, dated A.H. 1034/ A.D. 1625, Attributed to India, Agra, Gold, Diam. 7/8 in. (2.2 cm), Coins, This coin bears a Libra symbol, but it was not created for talismanic purposes. This sign instead corresponds to the month in

Dr. Joseph Parrish and an Idiot, ca. 1858, Albumen silver print from glass negative, Image: 7 5/16 × 4 3/4 in. (18.6 × 12 cm); (a), Photographs, Frederick Gutekunst (American, born Germany, 1832–1917

Bottle with Decoration of Pine Tree, Edo period (1615–1868), ca. mid-17th century, Japan, Stoneware with iron-painted design and copper-green glaze over brushed white slip (Takeo Karatsu ware), H. 13 in. (33 cm); Diam. 7 1/2 in. (19.1 cm),

Design for a Girandole Mirror, an Oval Resting on an Oblong Base, Terminated by Two Superimposed Circular Frond-motifs, Topped with a Lion's Head from Which Hang Floral Swags and Pendants, ca. 1775, Pen and watercolor, sheet: 18 1/2 x 15 in.

Covered Jar, 1840–60, Made in Mexico, Mexican, Tin-glazed earthenware, H. 11 1/4 in. (28.6 cm), Ceramics

Africa from The Four Continents, 16th century, Engraving, Sheet: 8 11/16 x 10 7/8 in. (22 x 27.7 cm), Prints, Julius Goltzius (Netherlandish, died ca. 1595), After Maerten de Vos (Netherlandish, Antwerp 1532–1603 Antwerp

Dish, 14th–ca. mid-16th century, Thailand (Si Satchanalai), Earthenware with cream white glaze and iron-brown underglaze decoration, Diam. 11 1/2 in. (29.2 cm), Ceramics

Webermeister zu Heilbronn, 1771 and 1793 (editions), Made in Germany, German, Paper, leather, 8 1/8 x 10 1/2 x 1 in. (20.6 x 26.7 x 2.5 cm), Natural Substances

Relief fragment from the tomb of Meketre, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Meketre (TT 280, ), 1920, Limestone, H. 4.6 (1 13/16 in.); W. 3.5 cm (1 3/8 in.); D. 0.8

Plate, 1778, Probably made in Merseyside, Liverpool, England, British, Earthenware, transfer-printed, Diam. 9 3/4 in. (24.8 cm), Ceramics

Sconce, 1881–82, Made in New York, New York, United States, American, Brass, mother-of-pearl, glass shades, and semi-precious stones, 15 x 10 in. (38.1 x 25.4 cm), Metal, Possibly George A. Schastey & Co. (1873–97), George A.

Leaves, 19th century, Watercolor, Sheet: 11 13/16 × 9 7/16 in. (30 × 24 cm), Drawings, Anonymous, British, 19th century

Railway-Loop of Darjeeling Road, 1860s–70s, Albumen silver print from glass negative, 20.1 x 29.1 cm (7 15/16 x 11 7/16 in.), Photographs, Unknown

Vulcan Forging the Darts of Cupid, 1552–56, Red chalk, highlighted with white gouache, on brownish paper, 13-7/16 x 17-3/16 in. (34.1 x 43.7 cm), Drawings, Francesco Primaticcio (Italian, Bologna 1504/5–1570 Paris

St. Vincent Ferrer Preaching, 1665, Pen and brown ink, brush and brown wash, on buff paper (somewhat darkened), sheet: 5 5/8 x 4 1/2 in. (14.3 x 11.5 cm), Drawings, Attributed to Alonso Cano (Spanish, Granada 1601–1667 Granada

Man in broad brimmed hat (sketchbook page), 1775–1815, Graphite, sheet: 4 1/2 x 3 1/4 in. (11.4 x 8.3 cm), Drawings, Attributed to Thomas Stothard (British, London 1755–1834 London

Page from Ein new kunstlich Modelbuch...(Page 16r), 1544

Parisis. Charles. 20 ans, né à Aubervilliers (Seine). Tailleur d'habits. Outrages anarchistes. 10/7/93. , 1893, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon

Lamp, Roman, Cypriot, Terracotta, Overall: 1 1/4 x 3 in. (3.2 x 7.6 cm), Terracottas

Amulet emphasizing a pair of horns, Naqada II, ca. 3650–3300 B.C., From Egypt, Greywacke, H. 4.8 x W. 2.2 x Th. 0.4 cm (1 7/8 x 7/8 x 3/16 in.), The object's small size and abstract representation of a pair of cattle horns, suggests its

La Pratique de l'Aiguille, page 14 (recto), Title by Pierre Firens (French, born Paris 1641), 1605

Limestone pediment from a funerary stele (shaft), Hellenistic, 3rd–2nd century B.C., Cypriot, Limestone, Overall: 13 1/2 × 48 in. (34.3 × 121.9 cm), Cesnola Inscriptions, In the center two women stand tearing their hair in mourning. They

Floral Design, n.d., Purple, blue, green, white, and black chalk, 11 3/16 x 9 13/16in. (28.4 x 24.9cm), Drawings, Antoine Berjon (French, Lyon 1754–1843 Lyon

Writing Box with Design of Chinese-Style Flower Arrangement (Inside: Design of Geese), Meiji period (1868–1912), 19th century, Japan, Gold maki-e on black lacquer, L. 8 3/4 in. (22.2 cm); W. 9 in. (22.9 cm); H. 2 in. (5.1 cm), Lacquer, Style

Lamp, Roman, Cypriot, Terracotta, Overall: 1 3/8 x 3 1/8 in. (3.5 x 7.9 cm), Terracottas

Design for a Tudor Paneled Hall and Staircase, second half 19th century, Graphite, ink and wash, Anonymous, British, 19th century

Field Where General Reynolds Fell, Gettysburg, 1863, Albumen silver print from glass negative, 17.8 x 22.7 cm (7 x 8 15/16 in.), Photographs, Timothy H. O'Sullivan (American, born Ireland, 1840–1882), This photograph of the aftermath of

Holy Family with Saints, ca. 1549–53, Etching, Prints, Andrea Schiavone (Andrea Meldola) (Italian, Zadar (Zara) ca. 1510?–1563 Venice), In Mariette Album, folio 29

Candlestick, 1840–60, Probably made in New England, United States, American, Pressed glass, H. 5 1/8 in. (13 cm), Glass

Study for a frontispiece for 'Histoire de Miss Jenny', 18th century, Black chalk, 5 3/16 x 3 in. (13.1 x 7.6 cm.), Drawings, Hubert François Gravelot (French, Paris 1699–1773 Paris

Design for a Book Illustration: a Man Approaching a Woman Playing a Harp, 19th century, Pen and brown ink, brush and brown wash., 3 5/8 x 2 11/16 in. (9.2 x 6.8 cm), Drawings, Anonymous, German, 19th century

Winged deity, Hittite Empire, ca. 14th–13th century B.C., Anatolia, Hittite, Bronze, gold, 1.61 x 0.71 in. (4.09 x 1.8 cm), Metalwork-Sculpture, This sculpture is a rare representation of a winged god in the Hittite pantheon. Less than two

Virgin of the Immaculate Conception Standing on Clouds, 17th century, Pen and dark brown ink, over black chalk underdrawing. On off-white paper, 5-1/2 x 4-3/16 in. (14.0 x 10.7 cm), Drawings, Anonymous, Spanish, School of Seville, 17th

Drawings and Prints, Books Prints Ornament & Architecture, Schön Neues Modelbuch (Page 5 recto), Designer, Publisher, Johann Sibmacher, Balthasar Caymox, German, active 1590–1611, German, Bersse (?) 1561–1635 Nuremberg, Sibmacher,

Mother Watching Over Two Young Children Playing (recto); Baby in a Bassinet (verso), 1835–1903, Pen and black and brown ink with brush and gray wash over traces of graphite., 7 3/16 x 4 13/16 in. (18.3 x 12.2 cm), Drawings, Lorenz Frølich

The Sea Monster (Das Meerwunder), ca. 1498, Engraving, sheet: 9 3/4 x 7 7/16 in. (24.8 x 18.9 cm) trimmed on plate line, Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Cushion cover, first quarter 17th century, British, Silk and metal thread on canvas, H. 7 1/2 x W. 11 1/2 inches (19.1 x 29.2 cm), Textiles-Embroidered

La fouriure, 1860s, Albumen silver print from glass negative, 15.9 x 9.5 cm. (6 1/4 x 3 3/4 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Goody Two Shoes' Picture Book, 1874–76, Illustrations: wood engraving, printed in colors, 10 11/16 x 9 7/16 x 1/2in. (27.1 x 24 x 1.3cm), Books

Baben. Hyppolyte, Antoine. 49 ans, né à St Sermain (Aveyron). Serrurier. Anarchiste. 9/3/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Chattanooga from the North, 1860s, Albumen silver print from glass negative, Photographs, George N. Barnard (American, 1819–1902