Images at Librifly

Murder of Edith Cavell, 1918, Lithograph, image: 19 x 24 3/4 in. (48.3 x 62.9 cm), Prints, George Bellows (American, Columbus, Ohio 1882–1925 New York

Circular Box with Geometric Design, Eastern Han dynasty (25–200), 25–200, China, Black lacquer with painted and incised decoration, H. 4 in. (10.2 cm); Diam. 3 5/8 in. (9.2 cm), Lacquer

Equestrian Statue of Constantine the Great, 1690–1740, Etching, 15 13/16 x 11 7/16 in. (40.1 x 29 cm), Prints, Francesco Faraone Aquila (Italian, Palermo 1676–1740 Rome), After Gian Lorenzo Bernini (Italian, Naples 1598–1680 Rome),

Torchère figure (one of a pair), 19th century, French, Plaster, carved and gilded wood, Overall (wt. confirmed): H. 67 in., Wt. 179lb. (170.2 cm, 819kg), Sculpture, Style of Augustin Pajou (French, Paris 1730–1809 Paris), The nymphs are

Drawings and Prints, Books Prints Ornament & Architecture, Ein new Modelbuch..., title page (recto), Publisher, Johann Schönsperger the Younger, German, active 1510–30, Schönsperger, Johann the Younger, German, 1490, 1550, October

Tumbler, after 1886, Made in Wheeling, West Virginia, United States, American, Pressed cranberry glass, H. 4 in. (10.2 cm), Glass, Probably Hobbs, Brockunier and Company (1863–1891

Drawings and Prints, Books Prints Ornament & Architecture, Corona delle Nobili et Virtuose Donne: Libro IV, page 54 (recto), Publisher, Cesare Vecellio, Italian, Pieve di Cadore 1521–1601 Venice, Vecellio, Cesare, Italian, 1521, 1601

Portrait of a Man with a Jeweled Turban, 1880s, India, Lithograph, Image: 19 3/4 × 14 3/4 in. (50.2 × 37.5 cm), Prints

Design for Square Pianoforte, Louis Quatorze Style, 1835–1900, Ink and watercolor, Robert William Hume (British, London 1816–1904 Long Island City

Drawings and Prints, Books Prints Ornament & Architecture, Eyn new kunstlichboich, page 15v, Publisher, Designer, Woodcut border designed by, Peter Quentel, Anton Woensam von Worms, German, active Cologne, 1518–46, German, active first

Arab Skirmish, 19th century, Black and white chalk on brown gray paper, 6 1/2 x 11 7/8 in. (16.5 x 30.2 cm), Drawings, Eugène Fromentin (French, La Rochelle 1820–1876 Saint-Maurice

King's head, New Kingdom, Amarna Period, Dynasty 18, ca. 1353–1336 B.C., From Egypt, Middle Egypt, Amarna (Akhetaten), Sculptors' workshops in the town, Petrie/Carter excavations, 1891–92, Gypsum plaster, 12 cm (4 3/4 in

Jérusalem. (Environs) Tombeau des Rois, 1860 or later, Albumen silver print from paper negative, Image: 10 13/16 × 8 3/8 in. (27.5 × 21.2 cm), Photographs, Louis de Clercq (French, 1837–1901

Lamp, 1st century B.C.–1st century A.D., Roman, Terracotta, Overall: 1 x 3 3/4 in. (2.5 x 9.5 cm), Terracottas

Study of two figures, one lunging at the other, ca. 1870, graphite, 7 x 4-1/2 in. (17.8 x 11.4 cm), Drawings, Félicien Rops (Belgian, Namur 1833–1898 Essonnes

Drawings and Prints, Album Prints Ornament & Architecture, Nouveau Livre de Vases, Designer, Etcher, Jean Bernard Toro, de Rochefort, French, Dijon 1672–1731 Toulon, French, active first half 18th century, Toro, Jean Bernard, de

Drawings and Prints, Books Prints Ornament & Architecture, Ornamento nobile...Fatta da Lucretia Romana (Libro V of the Corona), page 8 (recto), Publisher, Author, Alessandro de' Vecchi, Cesare Vecellio, Italian, active Venice, 1570–1629,

The Laundry, 1840s, Salted paper print, Image: 7 5/16 × 5 1/2 in. (18.6 × 14 cm), Photographs, Louis-Adolphe Humbert de Molard (French, Paris 1800–1874

Stand for a Qur'an Manuscript, dated A.H. 761/A.D. 1360, Made in Iran, Wood (teak); carved, painted, and inlaid, W. (when closed) 16 1/8 in. (41 cm), Wood, Zain(?) Hasan Sulaiman Isfahani, Three layers of superb carving combining vegetal

Drawings and Prints, Books, Prints, Ornament & Architecture, La Vera Perfettione del Disegno di varie sorti di recami, page 32 (recto), Publisher, Illustrator, Woodcut of Lucrezia designed by, Giovanni Ostaus, Giuseppe Salviati (Giuseppe

Page from a Scrapbook containing Drawings and Several Prints of Architecture, Interiors, Furniture and Other Objects, Workshop of Charles Percier (French, Paris 1764–1838 Paris), Workshop of Pierre François Léonard Fontaine (French, Pontoise

Panel, late 19th to early 20th century, Chinese, Red silk., Height: 264.4 cm., Textiles-Woven, Chinese , Qing Dynasty

Lamp, 1st century B.C.–1st century A.D., Roman, Cypriot, Terracotta, Overall: 1 x 3 5/8 in. (2.5 x 9.2 cm), Terracottas

Sheet of Playing Cards, 1575–1600, Woodcut, sheet: 12 3/8 x 7 15/16 in. (31.4 x 20.1 cm), Prints, Georg Schachomair (German, 16th century

Buzzard Roost, Georgia, 1860s, Albumen silver print from glass negative, Photographs, George N. Barnard (American, 1819–1902

Plate, 1806, Made in Pennsylvania, United States, American, Earthenware, slip decorated, Diam. 13 in. (33 cm), Ceramics

Designs for Decorations in the Throne Room, Royal Palace, Milan, 1808, Sepia and wash, 11-5/8 x 7-1/4 in, Drawings, Anonymous, Italian, 19th century

Cana. Eugène, Louis. 22 ans, né à Paris Vllle. Monteur en bronze. Anarchiste. 2/3/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Saucer, 1758–59, French, Vincennes, Soft-paste porcelain, Diameter: 5 9/16 in. (14.1 cm), Ceramics-Porcelain

View of a Harbor, Verre fixé, Diameter 3 1/8 in. (80 mm), Miniatures, French Painter (ca. 1750

[Fencer], 1906, Gelatin silver print, Image: 17.5 x 26.5 x 12.8 cm (6 7/8 x 10 7/16 in.), Photographs, Georges Demeny (French, 1850–1917), Demeny was the principal assistant to Etienne-Jules Marey (1831-1904), one of the nineteenth

Astronomical table clock, Movement probably by Jeremias Metzger (German, ca. 1525–ca. 1597), Signed by Caspar Behaim (Chasparus Bohemus) (Austrian, active 1568–84), 1568, German, Augsburg, Case and dials: gilded brass; Movement:

Sword Case with Design of Clematis Vine and Checks, Edo period (1615–1868), 17th century, Japan, Kōdaiji maki-e; gold maki-e and inlaid mother-of-pearl and silver foil on black lacquer, L. 42 3/4 in. (108.6 cm), Lacquer

Drawings and Prints, Books Prints Ornament & Architecture, Corona delle Nobili et Virtuose Donne: Libro IV, page 81 (recto), Publisher, Cesare Vecellio, Italian, Pieve di Cadore 1521–1601 Venice, Vecellio, Cesare, Italian, 1521, 1601

Saint Barbara, ca. 1510, German, Limewood, Overall: 24 1/8 x 8 13/16 x 5 3/16 in. (61.2 x 22.4 x 13.2 cm), Sculpture-Wood

Allegory of Religion: God the Father above, Faith, Hope, and Charity below, 1597–1646, Pen and brown ink, brush and brown and rose-brown wash, highlighted with white, on brownish paper, 16-15/16 x 11-3/8 in. (43.0 x 28.9 cm), Drawings,

December: And Old Man Seated by a Hearth with a Young Man Blowing on the Fire, late 16th–mid 17th century, Pen and brown ink and brown and gray wash over traces of black chalk. Framing line in pen and brown ink, Diameter 4 1/2 in. (11.4 cm),

U.S. Gunboat 'Commodore Perry' on Pamunkey River, 1861–65, Albumen silver print from glass negative, Photographs, Timothy H. O'Sullivan (American, born Ireland, 1840–1882

[Snow Crystal], 1890s–1920s, Gelatin silver print, Image: 2 15/16 in. × 3 in. (7.5 × 7.6 cm), Photographs, Wilson Alwyn Bentley (American, 1865–1931

Bugaku Scroll, Edo period (1615–1868), 17th century, Japan, Handscroll from set of two; ink, color, and gold on paper, 14 3/8 in. x 55 ft. 8 3/8 in. (36.5 x 1697.7 cm), Paintings, As early as the seventh or eighth century, when formal

Seated Nude in Shoes and Stockings, 1918, Charcoal on paper, 18 1/4 x 11 3/4 in. (46.4 x 29.8 cm), Drawings, Egon Schiele (Austrian, Tulln 1890–1918 Vienna

Design for Interior, 19th century, Pen and black ink, watercolor, with traces of graphite, image: 9 1/8 x 11 15/16 in. (23.2 x 30.3 cm), Drawings, Attributed to Anonymous, German, 19th century

Robillard. Guillaume, Joseph. 24 ans, né le 17/11/68 à Vaucresson. Fondeur en cuivre. Anarchiste. 2/7/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon

Male Figure Seated on a Column, 18th century, Red chalk on light tan paper, 10-1/16 x 6-3/4 in. (25.5 x 17.2 cm), Drawings, Anonymous, Italian, first half of the 18th century

Tardieu. Marius (ou Maurice). 26 ans, né le 15/7/68 à Piolène (Vaucluse). Ébéniste. Anarchiste. 2/7/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon

Bronze torch-holder, Classical, late 5th century B.C., Etruscan, Bronze, Other: 10 13/16 in. (27.5 cm), Bronzes, Numerous examples of such objects have been found in tombs of Etruscan warriors, and scholars have debated their function. Most

Drawings and Prints, Books Prints Ornament & Architecture, Schön newes Modelbuch (Page 8r), Publisher, Sigismundus Latomus, German, active 1599–ca. 1627, Frankfurt am Main, Latomus, Sigismundus, German, 1599, 1632, 1608

Panel with Grapevine Emerging from a Bed of Leaves, 6th–7th century, Said to be from Egypt, Bawit, Limestone; carved, H. 26 3/4 in. (68 cm), Sculpture, The monastic community of Bawit, founded in the 300s by Apa (Father) Apollo at a small

Le Caracul (L'Astrakhan), 1860s, Albumen silver print from glass negative, Photographs, Pierre-Louis Pierson (French, 1822–1913

Vase, 1760–65, Probably made in Bristol, Bristol, England, British, Opaque glass with enamel decoration, H. 7 3/4 in. (19.7 cm), Glass

Landscape with a Mounted Herdsman and Cows, a City in the Background, 17th century, Brush and brown and gray wash, over black chalk., 11 1/8 x 7 15/16 in. (28.2 x 20.2 cm), Drawings, Attributed to Jan Both (Dutch, Utrecht ca. 1618–1652

Drawings and Prints, Album Print Ornament & Architecture, Targhe ed altri ornati di varie e capricciose invenzioni (Cartouches and other ornaments of various and capricious invention, page 48), Artist, Publisher, Artist, After, Georges

Drawings and Prints, Books Prints Ornament & Architecture, Pretiosa Gemma delle virtuose donne, page 5 (recto), Author, Publisher, Binder, Isabella Catanea Parasole, Gargano, Hardy-Mennil, Italian, ca. 1565/70–ca. 1625, Venetia,

An Execution of Seven Boores Rebels in Lintz, June 16, 1636, 1839, Etching, sheet: 8 x 12 3/16 in. (20.3 x 31 cm), Prints, Anonymous, British, 19th century, after Wenceslaus Hollar (Bohemian, Prague 1607–1677 London

Fontana in Piazza Navona [Fontana del Moro]. From 'La Fontane di Roma nelle Piazze e Luoghi Publici (...)'., 1691 or after, Etching, Plate: 8 1/4 x 11 1/4 in. (21 x 28.6 cm), Giovanni Battista Falda (Italian, Valduggia 1643–1678 Rome), View

View of Lebanon, after an English Engraving and an Italianate motif of the Sabiner Mountains, 1837, Watercolor and gouache, over graphite. Framing line in pen and black ink., sheet: 10 9/16 x 15 3/8 in. (26.8 x 39 cm), Drawings, Ernst Welker

Snuff Bottle, Qing dynasty, 19th century, China, Porcelain, H. 3 5/16 in. (8.4 cm), Snuff Bottles

Essempio di recammi, page 21 (verso), 1530, Woodcut, Overall: 7 13/16 x 6 3/16 x 3/8 in. (19.8 x 15.7 x 1 cm), Written by Giovanni Antonio Tagliente, Italian, Venice ca. 1465-1527 Venice, published by Giovanantonio e i fratelli da Sabbio

Illustration of a Landscape with a Thorn Border, late 19th–early 20th century, Pen and black ink, brush and black ink wash over graphite with touches of white gouache, sheet: 14 7/8 x 11 11/16 in. (37.8 x 29.7 cm), Drawings, William Hyde

We're a Band of Brothers, ca. 1883, based on a design of ca. 1867, Graphite, ink, and gouache, sheet: 15 15/16 x 11 in. (40.5 x 27.9 cm), Christopher Dresser (British, Glasgow, Scotland 1834–1904 Mulhouse

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 29r), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

Travelling Boat being Rowed, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Meketre (TT 280), serdab, 1920, Wood, paint, gesso, linen twine and linen fabric, l. 128 cm (50

Les Singuliers et Nouveaux Portraicts... page 15 (recto), 1588, Woodcut, Overall: 8 1/16 x 6 5/16 in. (20.5 x 16 cm), Designed by Federic de Vinciolo, published by Jean Le Clerc, Paris, bound by Chambolle-Duru, French, 19th century. From top

[Older Man], 1850s, Daguerreotype, Image: 6.5 x 5.2 cm (2 9/16 x 2 1/16 in.), Photographs, Unknown (American

'Allusion to Sura 27:16', Folio from a Mantiq al-tair (Language of the Birds), A.H. 892/A.D. 1486, Attributed to present-day Afghanistan, Herat, Ink, opaque watercolor, and gold on paper, 15 1/2 x 8in. (39.4 x 20.3cm), Codices, This folio

View of a Waterfall (recto); Landscape Study (verso), 1820–70, Pen and black ink and ink wash over graphite, sheet: 4 7/8 x 3 in. (12.4 x 7.6 cm), Drawings, David Octavius Hill (British, Perth, Scotland 1802–1870 Edinburgh, Scotland

Three Bodhisattvas, Kizil kingdom, ca. 6th–7th century, China (Xinjiang Uyghur Autonomous Region), Pigments on mud plaster, 9 1/2 x 15 3/8 in. (24.1 x 39.1 cm), Paintings

Winter Landscape with a Hunter and his Dog, n.d., Pen and gray and brown ink, watercolor, over black chalk, sheet: 7 1/4 x 12 1/8 in. (18.4 x 30.8 cm), Drawings, Hendrick Avercamp (Dutch, Amsterdam 1585–1634 Kampen

Face of Senwosret III, Middle Kingdom, Dynasty 12, ca. 1878–1840 B.C., From Egypt, Red quartzite, H. 16.5 cm (6 1/2 in.); W. 12.6 cm (4 15/16 in.); D. 11.4 cm (4 1/2 in.), The face of Senwosret III is one of the most individual and

Life Study of Standing Male Nude in Three-Quarter Length, 17th century, Black chalk, small traces of white chalk (?) highlighting on light brown paper. Traces of black chalk framing outline, 5-11/16 x 4-5/16 in. (14.4 x 10.9 cm), Drawings,

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 11r), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

Portrait of a Woman (Mrs. von Kobestein?); verso: Sketches of two or three compositions, including a landscape, 1866, Pen and brush and brown-grey ink., sheet: 12 1/4 x 8 7/8 in. (31.1 x 22.6 cm), Drawings, Hans Thoma (German, Bernau im

[Snow Crystal], 1890s–1920s, Gelatin silver print, Image: 2 13/16 × 2 7/8 in. (7.1 × 7.3 cm), Photographs, Wilson Alwyn Bentley (American, 1865–1931

Fragment of a Vase Depicting Berenike II, Ptolemaic Period, Ptolemaic Dynasty, 246–221 B.C., From Egypt, Alexandria region; Probably from Alexandria, Faience, H. 15 cm (5 7/8 in.); W. 7 cm (2 3/4 in.); D. 3.7 cm (1 7/16 in.), Ptolemaic

Frame, 1853–58, Probably made in Bennington, Vermont, United States, American, Mottled brown earthenware, 6 5/8 x 7 1/2 in. (16.8 x 19.1 cm), Ceramics, Probably United States Pottery Company (1852–58

Design for a Ceiling, 17th century, Pen and brown ink, brush and brown wash, over red and black? chalk on blue-gray? Paper, 8-15/16 x 8-15/16 in. (22.7 x 22.7 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

Half a Design for Ornament, 18th century, Pen, brown ink and wash, 10-9/16 x 6-1/4 in, Drawings, Anonymous, Italian, 18th century

Terracotta statue of Eros holding an apple, Early Hellenistic, Late 4th century B.C., Greek, Cypriot, Terracotta; mold-made and hand-made, H. 5 15/16 in. (15.1 cm), Terracottas, The figurine is mold-made and hollow. The back is handmade and

Chevalier. Étienne. 36 ans, né à Gémosac (Charente-Inférieure). Forgeron. Anarchiste. 11/3/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

du Beaumenil, Forsyth, October 1862–February 11, 1863, Albumen silver print from glass negative, Image: 19.3 × 23.6 cm (7 5/8 × 9 5/16 in.), Photographs, André-Adolphe-Eugène Disdéri (French, Paris 1819–1889 Paris

Sugar Bowl, ca. 1800, Made in Philadelphia, Pennsylvania, United States, American, Silver, Overall: 10 7/8 x 4 7/16 in. (27.6 x 11.3 cm); 19 oz. 2 dwt. (593.4 g), Silver, Joseph Lownes (1758–1820

Elevation Design for Pavillion, 19th century, Pen and black ink, watercolor, traces of graphite, sheet: 8 7/16 x 9 11/16 in. (21.5 x 24.6 cm), Drawings, Attributed to Anonymous, German, 19th century

One of Twenty-Three Sheets of Drawings of Glassware (Mirrors, Chandeliers, Goblets, etc.), 1850–80, Tissue, with pencil, pen and ink, and watercolor, 14 x 19 in. (35.6 x 48.3 cm), Drawings, Compagnia di Venezia & Murano

Drawings and Prints, Books Prints Ornament & Architecture, Studio delle virtuose Dame, page 4 (recto), Designer, Publisher, Isabella Catanea Parasole, Antonio Fachetti, Italian, ca. 1565/70–ca. 1625, Rome, Parasole, Isabella Catanea,

Princely Hawking Party, ca. 1570, Made in Iran, Qazvin or Mashhad, Ink, opaque watercolor, and gold on paper, H. 18 5/8 in. (47.3 cm), Codices, Attributed to Mirza 'Ali (active ca. 1525–75

Inner Bay, Staten Island, New York, ca. 1872, Watercolor, image: 4 13/16 x 7 1/8 in. (12.2 x 18.1 cm), Drawings, Augustus Köllner (American, born Wurttenburg, Germany 1812

Drawing for scene from Vanity Fair: 'Street Scene' (recto); Sketch of Young Woman (verso), 1800–1819, Watercolor over graphite, sheet: 7 x 5 in. (17.8 x 12.7 cm), Drawings, James Barret (British, London, active 1785–1819 London

Bowl, 1770–1800, Made in China, Chinese, Porcelain, H. 4 1/2 in. (11.4 cm); Diam. 10 3/8 in. (26.4 cm), Ceramics

Khamsa (Quintet) of Nizami, 1509–10, Attributed to Iran, Shiraz, Leather; tooled and gilded; ink on paper, 11 1/2 x 7 in. (29.2 x 17.8 cm), Codices, Manuscripts from the Safavid capital, such as this copy of Nizami's Khamsa, are notable

The Jewish Woman of Algiers, 1862, French, Paris, Algerian onyx-marble, bronze, gilt bronze, enamel, and amethyst eyes; white marble socle, Overall on socle (confirmed): H. 35 1/2 x W. 25 1/4 x D. 13 3/4 in., 265lb. (90.2 x 64.1 x 34.9 cm,

Bronze portrait of a man, Early Imperial, Julio-Claudian, 1st half of 1st century A.D., Roman, Bronze, H. 12 3/8 in. (31.4 cm), Bronzes, The bronze head was discovered on August 11, 1904 near the Arch of Augustus at Susa, a town in northern

Snuff bottle with stopper, Qing dynasty (1644–1911), 18th–19th century, China, Rock crystal, H. 2 1/2 in. (6.4 cm); W. 2 in. (5.1 cm); D. 1 in. (2.5 cm), Snuff Bottles

The Wilderness Battlefield, 1864, Albumen silver print from glass negative, Image: 9 x 9.5 cm (3 9/16 x 3 3/4 in.), Photographs, Unknown (American), Possibly by Alexander Gardner (American, Glasgow, Scotland 1821–1882 Washington, D.C

Drawings and Prints, Books Prints Ornament & Archiecture, Fiori di Ricami Nuovamente Posti in Luce, page 14 (recto), Designer, Publisher, Matteo Florimi, Francesco de' Franceschi, Italian, active Siena, ca. 1581–died 1613, Italian,

Bronze statuette of Athena flying her owl, Classical, ca. 460 B.C., Greek, Bronze, H. 5 15/16 in. (15 cm), Bronzes, Owls of a type that can still be seen flitting about the Akropolis of Athens were associated with Athena, whose sanctuary was

Bronze dragon-type fibula (safety pin), Archaic, 7th–early 6th century B.C., Italic, Bronze, Other: 5 5/16 in. (13.5 cm), Bronzes, Dragon-type fibulae are a later variant of the serpentine type. With an elongated clasp and a bow embellished

[Family Group], 1863, Albumen silver print from glass negative, Image: 21.3 × 16.8 cm (8 3/8 × 6 5/8 in.), Photographs, Désiré Charnay (French, 1828–1915), Because of the lack of cooperation he received from the government, run by the

Design for a Covered Bowl with Stand, ca. 1770–1816 , Pen and black ink, brush and gray wash., 22.7 x 37.6 cm, Henri Auguste (French, Paris 1759–1816 Port-au-Prince

Plate, 1887, Made in Mid-Atlantic, United States, American, Porcelain, 9 1/2 in. (24.1 cm), Ceramics, Hannah Davis Monachesi (American, 1851–1911

南宋 吉州窯褐釉剪紙貼花碗, Tea bowl with decoration of six-petaled flowers, Southern Song dynasty (1127–1279), 12th–13th century, China, Stoneware with black and brown glazes and paper-cut designs (Jizhou ware), H. 2 5/8 in.