Images at Librifly

Metal Keyplate for Church, second half 19th century, Gouache, plate: 3 3/4 x 4 9/16 in. (9.5 x 11.6 cm), Anonymous, British, 19th century

Glass bracelet, ca. 7th–15th century A.D., Islamic, Glass; drawn, tooled, and trailed, 1/4in. (0.6cm), Glass, Translucent pale blue green; trails in opaque yellow, red, and turquoise blue; spikes in opaque white., Circular band,

Jardinière with chickens, ca. 1880, French, Paris, Stoneware, Overall (confirmed): 19 7/16 × 29 3/4 × 9 in. (49.4 × 7 × 22.9 cm), Ceramics-Pottery

Young Lady in 1866, 1866, Oil on canvas, 72 7/8 x 50 5/8 in. (185.1 x 128.6 cm), Paintings, Édouard Manet (French, Paris 1832–1883 Paris), Manet’s model, Victorine Meurent, had recently posed as the brazen nudes in Olympia and Luncheon

Hexagonal dish (part of a set), second half 17th century, Hungarian, Brassó, Gilded silver, Overall: 10 1/2 x 9 5/16 in. (26.6 x 23.6 cm), Metalwork-Silver, These five dishes would appear most spectacular when seen in flickering candlelight

Banded agate intaglio set in a large gold ring, 3rd century B.C., Etruscan, Agate, banded, gold, Other: 1 3/16 x 15/16 in. (3 x 2.4 cm), Gems, Satyr and goat

Child's Head, 17th century, Red chalk on cream laid paper. Fragmentary framing outline in black ink along left, bottom and right edges; fragmentary framing outline in gray ink along left edge, 10-15/16 x 7-3/4 in. (27.8 x 19.7 cm), Drawings,

View of Heidelberg, ca. 1588–89, Pen and brown ink, brush and blue and brown washes, heightened with white; framing lines in pen and brown ink, 7 7/8 x 12 in. (20.0 x 30.5 cm), Drawings, Jan Brueghel the Elder (Netherlandish, Brussels

Elevation of a Monument, n.d., Pen and gray ink, brush and gray and brown wash, over graphite, 15 3/4 x 65 13/16 in. (40 x 167.2 cm), Attributed to Jean Jacques Huvé (French, Magnanville 1742–1808 Paris

Linen Mark on the Corner of a Sheet, Middle Kingdom, Dynasty 11, ca. 2060–2010 B.C., From Egypt, Upper Egypt, Thebes, Deir el-Bahri, Temple of Mentuhotep II, North Triangular Court, Pit 23 (dancing girl), 1922–23, Linen, ink,

Gold Appliqué in the Form of a Cross, ca. 600, Langobardic, Gold, Overall: 1 5/16 x 1 1/4in. (3.4 x 3.2cm), Metalwork-Gold, Once they were in Italy, the Langobards adopted the custom of sewing one or more crosses on the shrouds of the

[Union Private with Musket and Pistol], 1861–65, Tintype, Plate: 8.9 x 6.4 cm (3 1/2 x 2 1/2 in.), Photographs, Unknown (American), Almost all portraits of Civil War soldiers, Union and Confederate, show the sitters with one or more

Silver strigil (scraper), Hellenistic, early 3rd century B.C., Possibly South Italian or Etruscan, Silver, H. 10 3/4 in. (27.3 cm), Gold and Silver, Strigils were used to scrape accumulated oil, dirt, and sweat gently from the body. In Greek

Design Elevation for an Interior Door in the Loggia of Pope Julius [III.], 1710–27, Pen and brown ink, brush and gray wash, over ruling in graphite, 16-3/8 x 11-1/4 in. (41.6 x 28.5 cm), Drawings, Pietro Paolo Coccetti (Cocchetti) (Italian,

[Two Young Men, One Embracing the Other], 1870s–80s, Tintype, Image: 8.4 x 6 cm (3 5/16 x 2 3/8 in.), Photographs, Unknown (American

Ducks Resting in Sunshine, 1753, Oil on canvas, 25 1/2 x 31 3/4 in. (64.8 x 80.6 cm), Paintings, Jean-Baptiste Oudry (French, Paris 1686–1755 Beauvais), This picture and Dog Guarding Dead Game were exhibited in the Salon of 1753, the last

Bust of a Woman looking right, 17th century, Black chalk, 7-1/8 x 8-1/2 in. (18.1 x 21.6 cm), Drawings, Anonymous, Spanish, 17th century

Saint Martin Offering the Wine Cup to the Priest, 1430–35, Flemish, Linen plain weave underlaid with linen plain weave and embroidered silk and gilt-metal-strip-wrapped silk in single satin, split, and stem stitches, laid work, and couching,

Design for a Chimneypiece, late 18th–early 19th century, Pen and ink and wash, sheet: 10 1/4 x 12 1/8 in. (26 x 30.8 cm), John Yenn (British, London (?) 1750–1821 London

Pantheon, door elevation and details (recto) Pantheon, pilaster capital profile and projected elevation, column diagram, bronze door detail (verso), early to mid-16th century , Dark brown ink, black chalk, and incised lines, sheet: 16 5/8 x

Lamp, Roman, Cypriot, Terracotta, Overall: 1 1/4 in., 2.9 cm (3.2 x 2.9 cm), Terracottas

Tile, 1882–84, Made in Chelsea, Massachusetts, United States, American, Earthenware, 4 1/4 x 4 1/4 in. (10.8 x 10.8 cm), Ceramics, J. and J. G. Low Art Tile Works (1877–1907

Metal Keyplate for Church, second half 19th century, Gouache, sheet: 3 3/4 x 2 5/16 in. (9.6 x 5.8 cm), Anonymous, British, 19th century

Drawings and Prints, Books Prints Ornament & Architecture, Corona delle Nobili et Virtuose Donne: Libro IV, page 86 (recto), Publisher, Cesare Vecellio, Italian, Pieve di Cadore 1521–1601 Venice, Vecellio, Cesare, Italian, 1521, 1601

Designs for a clock (Illustrations for 'Saggi di naturali esperienze'), 1666, Pen and brown ink, brush and gray and brown wash, over black chalk, sheet: 10 13/16 x 7 in. (27.4 x 17.8 cm), Circle of Giuseppe Cocchini (Italian, ca. 1666),

Design for a Fountain: Bowl Supported by Two Sphynxes, 18th century, Pen and brown ink, brush and brown wash, over traces of graphite, on cream laid paper. Ruled diagonal lines in graphite or lead running across upper half of sheet, Overall: 8

Jar sealing impressed with name of Queen Neithhotep, Early Dynastic Period, Dynasty 1, ca. 3100 B.C., From Egypt, Northern Upper Egypt, Naqada, 'The Royal Tomb', Garstang excavations 1904, Clay (fired), H. 6.3 x W. 6 x D. 2.8 cm (2 1/2 x 2

Manassas, Virginia, 1861–65, Albumen silver print from glass negative, Photographs, Andrew Joseph Russell (American, 1830–1902

Opera Nova Universali intitulata Corona di racammi, page 29 (recto), [1530], Woodcut, Overall: 8 7/8 x 6 7/8 in. (22.5 x 17.5 cm), Published by Giovanni Andrea (called 'Guadagnino') Vavassore, Italian, active 16th century, Venice. From top to

Guelle (ou Gueulle, dit St Denis). 72 ans, né à Beauvais (Oise). Matelassier. Anarchiste. 7/3/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Mountainous Landscape with Town, late 16th–early 17th century, Pen and brown ink, brush and brown wash, touches of black chalk, sheet: 7 11/16 x 10 9/16 in. (19.5 x 26.9 cm), Drawings, Tobias Verhaecht (Netherlandish, Antwerp 1561–1631

Gold Disk Brooch, 7th century, Frankish, Copper alloy, gold, remnant of iron pin, Overall: 1 1/16 x 3/8 in. (2.7 x 0.9 cm), Metalwork-Copper alloy, The relief pattern of these brooches was created by working a thin sheet of metal from the

Thiebaut. Eugène. 35 (ou 36) ans, né à Château-Salin (Menthe & Moselle). Couvreur. Anarchiste. 3/3/94, 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon

The Three Graces, 1600–1631, Pen and black ink, brush and brown and gray wash, over red and black chalk, sheet: 11 7/8 x 7 1/2 in. (30.2 x 19.1 cm), Drawings, Attributed to Sebastian Schütz (German, Nuremberg (?) 1595–1631 Braunschweig

Armchair, designed ca. 1786, woven 1790–91; chair frame second half 19th century, French, Beauvais, Carved and gilded wood; wool, silk, Overall: 37 3/4 × 27 × 24 in. (95.9 × 68.6 × 61 cm), After a composition by Jean Jacques François

[Seated Middle-aged Woman Dressed in Finery], 1854–60, Daguerreotype, Image: 9 x 6.3 cm (3 9/16 x 2 1/2 in.), Photographs, William Hardy Kent (American, England 1819–1907 England

Mold for a Grape Cluster Pendant, New Kingdom, Amarna Period, Dynasty 18, ca. 1353–1336 B.C., From Egypt, Middle Egypt, Amarna (Akhetaten), Town manufactories, Petrie/Carter excavations, 1891–92, Pottery, l. 5.3 cm (2 1/16 in

Fables, 1802, Printed book with engraved headpiece illustrations, Overall: 20 1/4 x 15 in. (51.4 x 38.1 cm), Books, This two-volume edition of La Fontaine's Fables is one of several illustrated editions of the poet's work that Didot published.

Fatigue, Marching Order, 1866, Albumen silver print from glass negative, Image: 20.1 x 15 cm (7 15/16 x 5 7/8 in.), Photographs, Attributed to Oliver H. Willard (American, active 1850s–70s, died 1875), This hand-colored portrait provides a

Bonaventure Cemetery, Four Miles from Savannah, 1866, Albumen silver print from glass negative, Image: 34 x 26.4 cm (13 3/8 x 10 3/8 in.), Photographs, George N. Barnard (American, 1819–1902

Schön newes Modelbuch, 1608, Woodcut, Overall: 4 1/2 x 6 11/16 in. (11.5 x 17 cm), Published by Sigismundus Latomus, Frankfurt a.M. Illustrated and hand-colored title page, 94 pages of designs for lace and embroidery. Lotz cites two editions,

Roundel with Pastoral Scene, 1475–1500, British (?), Colorless glass, vitreous paint and silver stain, Overall Diam.: 8 1/2 in. (21.6 cm), Glass-Stained

Furniture Hardware, 1820–30, Possibly made in France; Possibly made in England, Gilt brass, 7 5/8 x 2 1/4 in. (19.4 x 5.7 cm), Metal

Marble head of a Ptolemaic queen, Hellenistic, ca. 270–250 B.C., Greek, Marble, H. 15 in. (38.1 cm), Stone Sculpture, Acquired in Egypt by George Baldwin, British Consul-General 1785–96. This monumental head gives an impression of

Wine decanter, ca. 1780, Hungarian, Nagyszeben, Silver, partly gilded, Overall: 13 11/16 x 4 1/8 in. (34.8 x 10.5 cm), Metalwork-Silver, This decanter was used to serve mulled wine. The sculpted snake holding an apple in its mouth and resting

'Sultan Sanjar and the Old Woman', Folio from a Khamsa (Quintet) of Nizami, early 16th century, Attributed to Iran, Shiraz, Ink, opaque watercolor, and gold on paper, Other (a): 7 1/16 x 6 1/16in. (18 x 15.4cm), Codices

Arcadian Landscape with Figures, 18th century, Pen and black and gray ink, brown wash, sheet: 6 5/16 x 7 13/16 in. (16.1 x 19.8 cm), Drawings, Johannes de Bosch (Dutch, Amsterdam 1713–1785 Amsterdam

Design for one Half of a Frame, 1700–1780, pen and black ink over graphite, with ruled and compass construction, Overall: 15 3/8 x 10 1/2 in. (39.1 x 26.6 cm), Drawings, Anonymous, Italian, Piedmontese, 18th century

Design of an Urn with Figural Ornament., 17th century, Pen and brown ink, brush and brown wash, sheet: 2 13/16 x 2 1/16 in. (7.2 x 5.3 cm), Drawings, Anonymous, Italian, 17th century

Braun. Frédéric, Charles. 28 ans. Fiché le 22/2/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914), Born into a distinguished family

Kahlil Gibran with Book, 1896, Platinum print, 16.0 x 11.8 cm. (6 5/16 x 4 5/8 in.), Photographs, F. Holland Day (American, Norwood, Massachusetts 1864–1933 Norwood, Massachusetts), Day grew up in a well-to-do Boston family with a strong

Bucrania skulls with antlers, Second Intermediate Period, Dynasty 14–17, ca. 1640–1550 B.C., From Egypt and Sudan, Nubia, Found in Egypt, Antler, bone, paint, w. of antlers 21.4 cm. (8 7/8 in

Details of Weapons, Tomb of Qenamun, New Kingdom, Dynasty 18, ca. 1427–1400 B.C., From Egypt, Upper Egypt, Thebes, Tempera on paper, facsimile: h. 52 cm (20 1/2 in); w. 41.5 cm (16 5/16 in), Norman de Garis Davies (1865–1941

Mirror fragment, Bronze, Height (.c w/ handle): 6 5/8 in. (16.8 cm), Bronzes

Terracotta olpe (jug), Archaic, ca. 550–525 B.C., Etruscan, Terracotta; black-figure, H. with handle 7 1/4 in. (18.5 cm), Vases, Heraldic lions flanking a stylized palmette design. The conventional subject on this jug is executed with expert

Drawings and Prints, Books Prints Ornament & Architecture, Schön newes Modelbuch (Page 28r), Publisher, Sigismundus Latomus, German, active 1599–ca. 1627, Frankfurt am Main, Latomus, Sigismundus, German, 1599, 1632, 1608

Buckle loop, 6th century, Made in Northern shore, Black Sea, Ostrogothic, Silver and garnets., Overall: 2 3/16 x 1 9/16 x 1/4in. (5.5 x 4 x 0.6cm), Metalwork-Silver

[Two Seated Young Men Holding Ivory-topped Walking Sticks], 1850s, Daguerreotype, Image: 9.2 x 6.8 cm (3 5/8 x 2 11/16 in.), Photographs, Unknown (American

Belt Mount, 6th century, Made in Herpes, Western France, Frankish, Copper alloy, cast, Overall: 1 11/16 x 3/4 x 1/2 in. (4.3 x 1.9 x 1.2 cm), Metalwork-Copper alloy

A Reconstruction of the Temple of Antonious and Faustina (above) and a View of the Ruins (below), before 1704, Pen and black ink, brush and grey wash, over red and black chalk. Area with the coins is squared with incised lines., 12 13/16 x 8 1/8

Terracotta lamp, Early Imperial, Augustan, ca. 20 B.C.–A.D. 25, Roman, Terracotta; mold-made, Overall: 1 1/8 x 3 11/16in. (2.9 x 9.4cm), Terracottas, On discus, Europa and the bull

Drawings and Prints, Album Print Ornament & Architecture, Targhe ed altri ornati di varie e capricciose invenzioni (Cartouches and other ornaments of various and capricious invention, page 53), Publisher, Artist, After, Carlo Losi, Jacob

Fragment, 3rd–4th century, Country of Origin Egypt, Wool, linen; plain weave, tapestry weave, H. 26 5/8 in. (67.6 cm), Textiles

Goblet, 1850–60, Probably made in Pittsburgh, Pennsylvania, United States, American, Pressed glass, diamond thumbprint, H. 6 1/4 in. (15.9 cm); Diam. 3 5/16 in. (8.4 cm), Glass, With the development of new formulas and techniques,

Case (Inrō) with Design of Cricket and Muskmelon Plants, Meiji period (1868–1912), late 19th century, Japan, Case: powdered gold (maki-e) on brown and black lacquer with stained-ivory inlay; Fastener (ojime): metal; Toggle (netsuke): ivory

Drawings and Prints, Books Prints Ornament & Architecture, Pretiosa Gemma delle virtuose donne, page 6 (recto), Author, Publisher, Binder, Isabella Catanea Parasole, Gargano, Hardy-Mennil, Italian, ca. 1565/70–ca. 1625, Venetia,

'Hitherto I Have Performed it Myself': Six Dead Secrets, Topsy-Turvy Tales, ca. 1923, Pen and ink and wash, Image: 13 3/4 × 9 1/2 in. (34.9 × 24.1 cm), Drawings, William Heath Robinson (British, London 1872–1944 Highgate, London

South Bank of the Chattahoochie, Georgia, 1860s, Albumen silver print from glass negative, Photographs, George N. Barnard (American, 1819–1902

Georgia O'Keeffe, 1925–27, Alabaster, H. 22-3/4 x W. 7-3/4 x D. 12-1/4 in. (57.8 x 19.7 x 31.1 cm); including 5-3/4 in. high base., Sculpture, Gaston Lachaise (American (born France) 1882–1935), This bust of O'Keeffe (1887–1986) is one of

Terracotta amphora with lid, Archaic, ca. 650–600 B.C., Etruscan, Terracotta; bucchero pesante, H.: 7 11/16 in. (19.5 cm), Vases, On each handle is a human profile head between wings

Bow Brooch, late 5th–early 6th century, Made in Germany, Alemannic, Silver-gilt, Length of each: 3 7/16 x 2 5/16 x 1/2 in. (8.7 x 5.9 x 1.2 cm), Metalwork-Silver, The bow brooch was a component of many Germanic women’s dress. In Frankish

Ce est ung tractat de la noble art de leguille ascavoir ouvraiges de spaigne... page 2 (verso), after 1527, Woodcut, Overall: 6 7/8 x 5 11/16 in. (17.5 x 14.5 cm), Printed by Willem Vosterman. From top to bottom, and left to right: Design

Design for a Standing Frame, 1841–84, Graphite, sheet: 9 1/16 x 7 3/16 in. (23 x 18.2 cm), Charles Hindley and Sons (British, London 1841–1917 London

Landscape, 1834–91, Watercolor over black chalk. Framing line in black chalk., 8 x 19 3/16 in. (20.3 x 48.8 cm), Drawings, Johan Barthold Jongkind (Dutch, Latrop 1819–1891 La-Côte-Saint-Andr

Design for a Frame, 1841–84, Graphite, sheet: 15 1/16 x 11 1/16 in. (38.3 x 28.1 cm), Charles Hindley and Sons (British, London 1841–1917 London

Drawings and Prints, Books Prints Ornament & Architecture, Schön newes Modelbuch (Page 88r), Publisher, Sigismundus Latomus, German, active 1599–ca. 1627, Frankfurt am Main, Latomus, Sigismundus, German, 1599, 1632, 1608

Fishing Boats on the Beach in Winter, mid to late 19th century, black chalk, watercolor, some white bodycolor. Framing line in black chalk., 12-13/16 x 16-1/16 in. (32.5 x 40.8 cm), Drawings, Anton Mauve (Dutch, Zaandam 1838–1888 Arnhem

Young Man Holding a Book, ca. 1480, Oil on wood, Overall, with arched top, 8 1/4 x 5 1/8 in. (21 x 13 cm); painted surface 8 1/8 x 5 in. (20.6 x 12.6 cm), Paintings, Master of the View of Sainte Gudule (Netherlandish, active ca. 1485), The

Kettle with Spirit Burner and Stand, 1800–1900, Pen and wash, 16 x 11-3/4 in, Drawings, Anonymous, Italian, 19th century

Design for 1/4 of a Ceiling, 1700–1780, Pen and gray ink, brush and gray wash, over black chalk. Framing lines in pen and gray ink., 17 3/8 x 11 13/16 in. (44.1 x 30 cm), Drawings, Anonymous, Italian, Piedmontese, 18th century

Equivalents, 1927, Gelatin silver print, 9.1 x 11.8 cm. (3 9/16 x 4 5/8 in.), Photographs, Alfred Stieglitz (American, Hoboken, New Jersey 1864–1946 New York), Beginning in 1922, and then from 1923 to 1934, Stieglitz pointed his lens

色絵花鳥文八角大壺　, Edo period (1615–1868), late 17th century, Japan, Porcelain with overglaze enamels (Arita ware, Kakiemon-related type), H. 12 1/4in. (31.1 cm); Diam. 7 1/2 in. (19.1 cm), Ceramics

Wandering Minstrels, Oil on canvas, 68 3/4 x 48 1/4 in. (174.6 x 122.6 cm), Paintings, Hubert Robert (French, Paris 1733–1808 Paris), Robert first went to Rome in 1754, eventually spending eleven years in Italy and befriending Fragonard,

Terracotta statuette of a horseman, Early Hellenistic, 3rd century B.C., Cypriot, Terracotta; mold-made, H. 7 3/16 in. (18.3 cm), Terracottas, Numerous equestrian figurines have been found on Cyprus; they represent a variety of figures,

Design for Ornament, possibly Flocked Wallpaper, 19th century, Watercolor, Anonymous, British, 19th century

Study for 'Raphael and the Fornarina'(?), ca. 1814(?), Graphite on white wove paper, 10 x 7 3/4 in. (25.4 x 19.7 cm), Drawings, Jean Auguste Dominique Ingres (French, Montauban 1780–1867 Paris), This beguiling drawing relates to 'Raphael and

African Woman, 1928–30, Lacquered wood, oxidized copper, 36 1/2 × 25 1/4 in. (92.7 × 64.1 cm), Furniture, Metal leaf and powder can be added to lacquer to create shiny or matte effects. In this case, Dunand embellished the dress, turban,

Drawings and Prints, Books Prints Ornament & Architecture, Gemma pretiosa della virtuose donne, page 8 (recto), Designer, Publisher, Isabella Catanea Parasole, Gugliemo Facciotti, Italian, ca. 1565/70–ca. 1625, Rome, Parasole, Isabella

Iron fire-tongs, Late Classical or Hellenistic, late 4th or early 3rd century B.C., Etruscan, Iron, Other: 21 5/8 in. (54.9 cm), Miscellaneous-Iron, Iron utensil used in the preparation of banqueting

Mars, from Planets, plate 3, 1530–70, Engraving, Sheet: 6 1/16 × 3 7/8 in. (15.4 × 9.8 cm), Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576), Formerly attributed to Georges Reverdy (French, active Lyon,

The Conquerors (Culebra Cut, Panama Canal), 1913, Oil on canvas, 60 x 50 in. (152.4 x 127 cm), Paintings, Jonas Lie (American, 1880–1940

Study of a Seated Peasant, n.d., Black and red chalk on beige paper. Framing lines in pen and brown ink, 10 1/2 x 7 11/16 in. (26.7 x 19.5 cm), Drawings, Cornelis Dusart (Dutch, Haarlem 1660–1704 Haarlem

Group on Porch, 1860s, Salted paper print from glass negative, Mount: 27.6 × 33.1 cm (10 7/8 × 13 1/16 in.), Photographs, Egbert Guy Fowx (American, born 1821

Gilt silver kylix, Classical period, late fifth century B.C., Greek, Silver-gilt, Width: 8 13/16 in. (22.4 cm), Gold and Silver, On the tondo is represented ‘dread-yelping’ Scylla, the Homeric sea monster who lived in a cave on a cliff

[Snow Crystal], 1890s–1920s, Gelatin silver print, Image: 3 in. × 3 3/16 in. (7.6 × 8.1 cm), Photographs, Wilson Alwyn Bentley (American, 1865–1931

Le Caracul (L'Astrakhan), 1860s, Albumen silver print from glass negative, Photographs, Pierre-Louis Pierson (French, 1822–1913

[La Comtesse at Table with Hand to Face], 1860s, Albumen silver print from glass negative, 8.9 x 12.1 cm (3 1/2 x 4 3/4 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Drawings and Prints, Book Prints Ornament & Architecture, Ein ney Furmbüchlein, Page 9, recto, Publisher, Johann Schönsperger the Younger, German, active 1510–30, Schönsperger, Johann the Younger, German, 1490, 1550, ca. 1525–29

Square-Headed Bow Brooch, 530–560, Frankish, Silver-gilt, niello inlay; iron spring/pin, Overall: 4 1/16 x 1 13/16 x 11/16 in. (10.3 x 4.6 x 1.8 cm), Metalwork-Silver

Saint Matthew (one of four), late 16th–early 17th century, Italian or Spanish, Silk and metal-wrapped thread on canvas, Diameter: 8 in. (20.3 cm), Textiles-Embroidered