Images at Librifly

Iron fire-grate, Archaic, ca. 550 B.C., Etruscan, Iron, H. 3 1/4 in (8.3 cm) width 11 3/4 in (29.9 cm) length 14 5/16 in. (36.4 cm), Miscellaneous-Iron, On four feet and with eight transverse rods; the rods end in plates of semicircular

Framed picture, mid-17th century, British, Wool, silk and metal thread on canvas, H. 13 1/2 x W. 17 inches (34.6 x 43.2 cm); Framed: H. 15 1/8 x 18 3/8 inches (38.4 x 46.7 cm), Textiles-Embroidered

The Raising of the Daughter of Jairus, 1873, Pen and brown and blue ink, watercolor, over a sketch in graphite, sheet: 9 5/16 x 14 in. (23.7 x 35.5 cm), Drawings, Eduard Julius Friedrich Bendemann (German, Berlin 1811–1889 Düsseldorf

[Playing Cards, Winter Quarters]. Brady album, p. 129, 1861–65, Albumen silver print from glass negative, Photographs

U.S. Monitor 'Saugus', 1861–65, Albumen silver print from glass negative, Photographs

Sugar Bowl, 1847–48, Probably made in Bennington, Vermont, United States, American, Parian porcelain, 6 1/4 x 5 5/8 x 5 5/8 in. (15.9 x 14.3 x 14.3 cm), Ceramics, Fenton's Works (1847–1848

Panoramic Landscapes, 18th century, Pen and brown ink, brush and brown, gray, blue and green washes, over black chalk, sheet: 9 7/8 x 16 in. (25.1 x 40.6 cm), Drawings, Anonymous, Dutch, 18th century, After Jan de Bisschop (Dutch,

Dagger with Zoomorphic Hilt, second half 16th century, Attributed to India, Deccan, Bijapur or Golconda, Hilt: copper; cast, chased, gilded, and inlaid with rubies., L. 15 5/8 in. (39.6 cm), Arms and Armor, Portraits of Sultan 'Ali 'Adil

Drawings and Prints, Books, Prints, Ornament & Architecture, La Vera Perfettione del Disegno di varie sorti di recami, page 12 (verso), Illustrator, Publisher, Woodcut of Lucrezia designed by, Giuseppe Salviati (Giuseppe Porta, called Il

La Guerre, Red chalk, 12 11/16 x 8 13/16 in. (32.2 x 22.4 cm), Drawings, Edme Bouchardon (French, Chaumont 1698–1762 Paris

Les Secondes Oeuvres, et Subtiles Inventions De Lingerie du Seigneur Federic de Vinciolo Venitien, page 2 (recto), 1603, Woodcut, Overall: 9 7/16 x 6 1/2 in. (24 x 16.5 cm), Designed by Federic de Vinciolo Venitien, published by Jean Le Clerc,

Drawings and Prints, Books, Prints, Ornament & Architecture, La Vera Perfettione del Disegno di varie sorti di recami, page 36 (verso), Publisher, Illustrator, Woodcut of Lucrezia designed by, Giovanni Ostaus, Giuseppe Salviati (Giuseppe

明嘉靖 剔紅雲龍捧聖紋漆盤, Tray with dragon and Chinese characters, Ming dynasty (1368–1644), Jiajing period (1522–66), 1522–1566, China, Carved red lacquer, H. 2 in. (5.1 cm); Diam. 14 1/2 in. (36.8 cm), Lacquer, This tray

Group Taking Tea at Lacock Abbey, August 17, 1843, Salted paper print from paper negative, Mount: 9 15/16 in. × 13 in. (25.3 × 33 cm), Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock

Costumes V, 1863–67, Albumen silver prints from glass negatives, Photographs, André-Adolphe-Eugène Disdéri (French, Paris 1819–1889 Paris

Vase, 1879, British, Lambeth, London, Stoneware, Overall (confirmed): 19 1/2 × 8 3/16 × 8 1/16 in. (49.5 × 20.8 × 20.5 cm), Ceramics-Pottery

Drawings and Prints, Books Prints Ornament & Architecture, Corona delle Nobili et Virtuose Donne: Libro IV, page 57 (recto), Publisher, Cesare Vecellio, Italian, Pieve di Cadore 1521–1601 Venice, Vecellio, Cesare, Italian, 1521, 1601

Three Figures (recto); Sketches of Kneeling Figures and Putti (verso), 1760–1806, Pen and brown ink, brush and brown wash, over black chalk on light brown paper (recto). Ruled framing outlines in pen and brown ink on left, top, and right

Terracotta column-krater (bowl for mixing wine and water), Classical, ca. 460 B.C., Greek, Attic, Terracotta; red-figure, H. 17 13/16 in. (45.2 cm), Vases, Obverse, warrior and quadriga (four-horse chariot) with driver, Reverse, Dionysos

The Intercession of Christ and the Virgin, before 1402, Made in Florence, Tuscany, Italy, Italian, Tempera on canvas, Overall: 94 1/4 x 60 1/4 x 1 in. (239.4 x 153 x 2.5 cm), Paintings-Canvas, Attributed to Lorenzo Monaco (Piero di Giovanni)

Tughra (Official Signature) of Sultan Süleiman the Magnificent (r. 1520–66), ca. 1555–60, Attributed to Turkey, Istanbul, Ink, opaque watercolor, and gold on paper, 20 1/2 x 23 1/2in. (52.1 x 59.7cm), Codices, A tughra is a stylized

An Angel in Adoration, 17th century, Pen and brown ink, brush and wash, 7 x 4 in. (17.8 x 10.2 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

清, 石濤(朱若極), 重陽山水圖, 軸, Landscape Painted on the Double Ninth Festival, Qing dynasty (1644–1911), dated 1705, China, Hanging scroll; ink and color on paper, Image: 28 3/16 x 16 5/8 in. (71.6 x 42.2 cm), Paintings,

Amerapoora: Corner of Mygabhoodee-tee Kyoung, September 1–October 21, 1855, Albumen silver print from waxed paper negative, Image: 27.3 x 34.4 cm (10 3/4 x 13 9/16 in.), Photographs, Linnaeus Tripe (British, Devonport (Plymouth Dock)

Swans and Fountain Appliqué, ca. 1810–30, Possibly made in France; Possibly made in England, Cast brass, mercury, gold, 9 3/4 x 2 1/8 in. (24.8 x 5.4 cm), Metal

Punch Glass, ca. 1883–88, Made in East Cambridge, Massachusetts, United States, American, Blown glass, H. 3 3/4 in. (9.5 cm); Diam. 2 15/16 in. (7.5 cm), Glass, Probably New England Glass Company (American, East Cambridge, Massachusetts,

Standing Four-Armed Vishnu, Gupta period, 5th century, India (Uttar Pradesh), Terracotta, H. 10 1/4 in. (26 cm); W. 4 in. (10.2 cm); D. 1 3/4 in. (4.4 cm), Sculpture

Three Warriors after Raphael, n.d., Pen and brown ink, brown wash, over black and red chalks, light brown and gray oil paint., 14 5/8 x 9 13/16 in. (37.2 x 24.9 cm), Drawings, Anonymous, Italian, 16th century, Retouched by Peter Paul

Design for a Scene in de Laujon's 'L'Amoureux de quinze ans, ou la Double-Fête...', 18th century, Pen and black and gray ink, brush and black and gray wash, 5 1/4 x 3 5/16 in. (13.4 x 8.4 cm.), Drawings, Hubert François Gravelot (French,

Bearded Man in Oriental Costume, ca. 1780, Pen and brown ink, watercolor over graphite, sheet: 11 3/4 x 8 1/2 in. (29.8 x 21.6 cm), Drawings, Ozias Humphrey (British, Honiton, Devon 1742–1810 London

Standing Padmapani Lokeshvara, ca. second half of the 9th–first half of the 10th century, Indonesia, Bronze, H. 12 1/4 in. (31.1 cm); W. 4 1/4 in. (10.8 cm); D. 2 7/8 in. (7.3 cm), Sculpture, This statue is purported to have been found in

Hamilton's Floating Battery Moored at the End of Sullivan's Island the Night Before They Opened Fire upon Fort Sumter, April 1861, Albumen silver print from glass negative, Image: 1 15/16 × 3 1/8 in. (5 × 7.9 cm), Photographs, Attributed to

Floral Design, n.d., Green, yellow, red, purple, brown, and white gouache, 10 9/16 x 7 7/8in. (26.9 x 20cm), Drawings, Antoine Berjon (French, Lyon 1754–1843 Lyon

The Infant Punchinello in Bed with His Parents, late 18th–early 19th century, Pen and brown ink, two shades of brown wash, over black chalk, 13 13/16 x 18 3/8 in. (35.1 x 46.7 cm), Drawings, Giovanni Domenico Tiepolo (Italian, Venice

Belt Buckle with an Eagle, 500–700, Made in Crimea, Ukraine, Ostrogothic, Silver, 1 3/4 x 3 1/8 x 3/8 in. (4.5 x 8.0 x 1.0 cm), Metalwork-Silver

The Temptation of Saint Anthony, 17th century, Brush with brown and red watercolor over black chalk, touched with gouache on brown paper, 8-15/16 x 13-1/2 in. (22.7 x 34.3 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

Bust of a royal figure with downward-hanging snake, Late Period–Ptolemaic Period, 400–200 B.C., From Egypt, Limestone, H. 13.4 cm (5 1/4 in.); W. 10.7 cm (4 3/16 in.); D. 5.9 cm (2 5/16 in.), Small Late Period and Ptolemaic reliefs or

Rebel Works in Front of Atlanta, Georgia No. 1, 1860s, Albumen silver print from glass negative, Photographs, George N. Barnard (American, 1819–1902

Earring, 6th–7th century, Made in Italy, Langobardic or Byzantine, Gold, Overall: 1 5/8 x 5/8 x 7/8 in. (4.1 x 1.6 x 2.2 cm), Metalwork-Gold, Fashionable in Italy for at least a century before the arrival of the Langobards, earrings of the

Pierre. Joseph, Adrien. 42 ans, né à Rouen (Seine-Inférieure). Canneleur de chaises. Anarchiste. 12/3/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon

A Reconstruction of the Aerarium (above) and a View of the Ruins (below), before 1704, Red chalk, pen and black and brown ink, brush and grey wash., 13 1/4 x 8 5/16 in. (33.7 x 21.1 cm), Drawings, Jan Goeree (Dutch, Middelburg 1670–1731

Russian peasant wig, n.d., Graphite, watercolor, and wash, sheet: 10 7/8 x 7 in. (27.6 x 17.8 cm), Drawings, Constantin Alexandrovitch Westchiloff (Russian, St. Petersburg 1877–1945 New York State

Dado Panel, 10th century, Excavated in Iran, Nishapur, Stucco; carved, with some cast plaster elements, H. 68 5/8 in. (174.3 cm), Stucco, The inscription on the upper left side of this stucco panel reads, 'In the name of God, the Merciful,

Galau. Charles. 18 ans, né à Nogent s/Marne (Seine). Charron. Cris séditieux. Anarchiste. 21/2/91. , 1891, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Elevation of an Entrance to a Riding School, 18th century, Pen and red ink, brush and red wash, over graphite underdrawing and incised guidelines on pale blue laid paper, sheet: 15 3/8 x 19 5/16 in. (39.1 x 49 cm), Drawings, Anonymous,

Ein new Modelbuch..., title page (verso), October 22, 1524, Woodcut, 7 5/16 x 5 3/8 in. (18.5 x 13.6 cm), Published by Hans Schӧnsperger, Zwickau. Author's signature and colophon printed in black on the upper half of the page. The text is in

Tunic, 7th–9th century, Peru, Wari, Camelid hair, H. 36 1/8 x W.44 3/8 in. (91.8 x 112.7 cm), Textiles-Woven

The Annunciation, ca. 1480–1500, Tempera and gold on wood, Overall 16 1/4 x 14 5/8 in. (41.3 x 37.1 cm); painted surface 16 x 14 1/8 in. (40.6 x 36 cm), Paintings, Alesso di Benozzo (Italian, Florence, 1473–1528

Opera Nova Universali intitulata Corona di racammi, page 31 (recto), [1530], Woodcut, Overall: 8 7/8 x 6 7/8 in. (22.5 x 17.5 cm), Published by Giovanni Andrea (called 'Guadagnino') Vavassore, Italian, active 16th century, Venice. Grid with

A New Book of Chinese Designs, 1754, Illustrations: etching, engraving, 12 x 9 13/16 x 1 3/16 in. (30.5 x 25 x 3 cm

Dish with Two Birds and Peonies, Ming dynasty (1368–1644), Yongle period (1403–24), early 15th century, China, Carved red lacquer, H. 1/8 in. (0.3 cm); Diam. 12 3/4 in. (32.4 cm), Lacquer, The design of two birds among flowers was popular

Folded Cloth Amulet, New Kingdom, Dynasty 18, ca. 1479–1425 B.C., From Egypt, Upper Egypt, Thebes, Wadi Gabbanat el-Qurud, Wadi D, Tomb of the 3 Foreign Wives of Thutmose III, Sheet gold, H. 12.7 (5 in); w. 10.2 cm (4 in

Opera di M. Bartolomeo Scappi, cuoco secreto di Papa Pio V, 1570, Printed book with engraved plates, Overall: 8 1/8 x 6 5/16 x 2 3/16 in. (20.7 x 16 x 5.5 cm), Books

Carpet, 18th century, Attributed to Caucasus, Wool (warp, weft, pile); symmetrically knotted pile, Textile: L. 180 in. (457.2 cm), Textiles-Rugs

Belt Buckle, late 6th century, Frankish, Copper alloy - tinned(?) surface, inlay lost, Overall: 4 3/8 x 1 9/16 x 9/16 in. (11.1 x 4 x 1.4 cm), Metalwork-Copper alloy

Smallsword Presented by the City of Paris to Commandant Ildefonse Favé (1812–1894), dated 1856, French, Steel, gold, L. 36 in. (91.5 cm); L. of blade 30 1/8 in. (76.6 cm); W. 3 1/4 in. (8.3 cm); Wt. 1 lb. 0.6 oz. (470.6 g), Swords, This

[Hypnotism], ca. 1845, Daguerreotype, Image: 13.3 x 18.4 cm (5 1/4 x 7 1/4 in.), Photographs, John Adams Whipple (American, 1822–1891), During the early years of the daguerreotype hypnosis was extensively practiced by reputable physicians in

Flight to Egypt, Pen and black ink on card with embossed border, 3 9/16 x 5 3/8 in. (9 x 13.7 cm), Drawings, Rodolphe Bresdin (French, Montrelais 1822–1885 Sèvres

Design for a Cartouche-Shaped Gold Box, 18th century, Pen and brown ink, brush and yellow wash, and red chalk over graphite, 3 7/8 x 3 1/16 in. (9.8 x 7.8 cm.), Drawings, Hubert François Gravelot (French, Paris 1699–1773 Paris

Disk Brooch, 600–700, Frankish, Gold, blue and green glass, garnet, mother-of-pearl; silver back, Overall: 1 5/8 x 1/2 in. (4.1 x 1.2 cm), Metalwork-Gold

Entombment, 16th–17th century, Engraving, Prints, Anonymous, Italian, 16th to 17th century, After Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503–1540 Casalmaggiore), In Mariette Album, folio 5, bottom

New Modelbüch allen Nägerin u. Sydenstickern (Page 25r), 1556

Falcon statue serving as a sarcophagus for a sacred animal, Late Period–Ptolemaic Period, 664–30 B.C., From Egypt, Cupreous metal, animal remains, L. 23.2 cm (9 1/8 in.); W. 3.3 cm (1 5/16 in.); H. 18.1 cm (7 1/8 in.), This bronze falcon

Drawings and Prints, Books, Prints, Ornament & Architecture, La Vera Perfettione del Disegno di varie sorti di recami, page 38 (verso), Publisher, Illustrator, Woodcut of Lucrezia designed by, Giovanni Ostaus, Giuseppe Salviati (Giuseppe

Bow Brooch, 500–550, Frankish, Silver-gilt, niello, garnet, glass, Overall: 4 3/16 x 15 7/16 x 1/2 in. (10.7 x 39.2 x 1.2 cm), Metalwork-Silver

[Four Pipe Fitters with Tools], late 1850s–70s, Tintype, Image: 7 x 5.5 cm (2 3/4 x 2 3/16 in.), Photographs, Unknown (American

Birth and Baptismal Certificate, 1822, Made in Lebanon County, Pennsylvania, United States, American, Ink and watercolor on paper, 12 3/8 x 15 5/8 in. (31.4 x 39.7 cm), Drawings

Three portraits possibly representing Camillo Graffico, Ercole Pedemonte and Antonio Carone, ca. 1620–30, Etching, plate: 3 9/16 x 7 in. (9 x 17.8 cm), Prints, Ottavio Leoni (Il Padovano) (Italian, Rome 1578–1630 Rome

Dish (one of a pair), Anthony Ficketts (British, active 1635–85), 1664/65, British, London, Silver gilt, Overall (confirmed): 2 7/8 x 18 in., 78 oz. 9 dwt. (7.3 x 45.7 cm, 2.4395kg), Metalwork-Silver, Anthony Ficketts (British, active

Battle Field of New Hope Church, Georgia No. 2, 1860s, Albumen silver print from glass negative, Photographs, George N. Barnard (American, 1819–1902

Bow harp, Middle Kingdom, Dynasty 12, ca. 2030–1640 B.C., From Egypt, Upper Egypt, Thebes, Asasif, 1918–19, Wood, paint, L. 81.4 cm (32 1/16 in); W. 26.4 cm (10 3/8 in.), The harp, called benet in ancient Egyptian, was one of the

Standing Crowned and Jeweled Buddha, Pagan period, 12th–13th century, Burma, Wood with traces of red lacquer, gesso and gold leaf, H. 77 3/4 in. (197.5 cm); W. 19 1/4 in. (48.9 cm); D. 10 1/4 in. (26 cm), Sculpture

Les Chiens, 1860s, Albumen silver print from glass negative, 11.7 x 8.9 cm (4 5/8 x 3 1/2 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Belt Ornament (?), middle of 6th century, Made in Niederbreisig, Germany, Frankish, Copper alloy, Overall: 1 7/8 x 1 x 1/2 in. (4.7 x 2.5 x 1.2 cm), Metalwork-Copper alloy

Punch Bowl, 1800–1810, Probably made in Merseyside, Liverpool, England, British, Earthenware, transfer-printed, H. 6 1/4 in. (15.9 cm); Diam. 14 in. (35.6 cm), Ceramics

Section from a Qur'an Manuscript, ca. 1300, Attributed to Morocco or Southern Spain, Ink, gold, and opaque watercolor on parchment, 7 15/16 x 7 9/16 in. (20.2 x 19.2 cm), Codices, As the second volume of a seven-part Qur'an manuscript, this

Sampler, 2nd century B.C., Peru, Nasca, Cotton, camelid hair, H. 28 3/8 x W. 41 5/8 in. (72.1 x 105.7 cm), Textiles-Woven

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 13v), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

'The Discredited Ascetic Being Paraded Through the Town on a Donkey', Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide),

Partial female head, Late Period–Ptolemaic Period, 400–200 B.C., From Egypt; Possibly from Memphite Region, Memphis (Mit Rahina), Limestone, H. 20.6 cm (8 1/8 in.); W. 16.7 cm (6 9/16 in.); D. 13.9 cm (5 1/2 in.), Small Late Period and

Amulet: Harpokrates, Late Period, Dynasty 26–29, 664–332 B.C., From Egypt, Faience, H. 5.8 cm (2 5/16 in

No. 207. Wabash Rail Road Bridge at Keokuk, Iowa, 1885, Cyanotype, Sheet: 14 1/2 × 17 3/16 in. (36.8 × 43.7 cm), Photographs, Henry P. Bosse (American, born Germany, 1844–1893

Light Artillery, Sergeant Major, 1866, Albumen silver print from glass negative, Image: 20.3 x 15.2 cm (8 x 6 in.), Photographs, Attributed to Oliver H. Willard (American, active 1850s–70s, died 1875), This hand-colored portrait provides a

Lamp, Roman, Cypriot, Terracotta, Overall: 1 1/8 x 2 3/4 in. (2.9 x 7 cm), Terracottas

Recumbent Dog, Song dynasty (960–1279), 960–1279, China, Jade, L. 3 9/16 in. (9 cm); W. 1 15/16 in. (5 cm), Jade

Terracotta lamp with gladiators, Imperial, ca. 175–250, Roman, Cypriot, Terracotta; mold-made, Overall: 1 5/8 x 3 7/8 in. (4.1 x 9.8 cm), Terracottas, On discus, bare-headed gladiator with shield and curved sword standing to right, facing

Studies of Horses, Graphite and traces of brown ink on laid paper, 10-3/8 x 7-7/8 in. (26.4 x 20.0 cm), Drawings, Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris

Marble portrait bust of a man, Early Imperial, Flavian, ca. A.D. 69–79, Roman, Marble, Overall: 13 x 9 1/2 x 8 1/2 in. (33 x 24.1 x 21.6 cm), Stone Sculpture, The forehead of the easy-going subject is articulated to a high degree; the

Abandoned Farm in the Dustbowl, Coldwater District, near Dalhart, Texas, June, 1938, printed ca. 1972, Gelatin silver print, Photographs, Dorothea Lange (American, 1895–1965

'He Made for the Door': The Chocolate Ghost, Topsy-Turvy Tales, ca. 1923, Pen and ink and wash, Image: 13 3/4 × 7 3/4 in. (34.9 × 19.7 cm), Drawings, William Heath Robinson (British, London 1872–1944 Highgate, London

Model Sailing Boat Transporting a Mummy, Middle Kingdom, Dynasty 12, ca. 1900–1885 B.C., From Egypt, Memphite Region, Lisht South, Mastaba B (Djehuty), South Area, between mastaba and south enclosure wall, 1930–31, Wood, paint, L.

A Woman Standing next to a Chair, n.d., Black chalk, sheet: 11 1/8 x 8 1/8 in. (28.3 x 20.6 cm), Drawings, Nicolaas Muys (Dutch, Rotterdam 1740–1808 Rotterdam

One of Twenty-Three Sheets of Drawings of Glassware (Mirrors, Chandeliers, Goblets, etc.), 1850–80, Tissue, with pencil, pen and ink, and watercolor, 14 x 19 in. (35.6 x 48.3 cm), Drawings, Compagnia di Venezia & Murano

Drachm of Bahram IV, Sasanian, ca. A.D. 388–99, Iran, Sasanian, Silver, 0.06 in. (0.15 cm), Metalwork-Coins-Inscribed, The coin’s obverse features the bust of the Sasanian king Bahram IV, who wears a crown with a diadem and one pair of

Lamp, 1st century B.C.–1st century A.D., Roman, Terracotta, Overall: 7/8 x 3 5/8 in. (2.2 x 9.2 cm), Terracottas

Fragment, Qing dynasty (1644–1911), 19th century, China, Enamel, H. 1 1/2 in. (3.8 cm); W. 1 1/4 in. (3.2 cm), Enamels

Skyphos, Late Classical, ca. 325–300 B.C., Greek, South Italian, Apulian, Terracotta; red-figure, 7 1/2in. (19.1cm), Vases, On both sides, a female head between palmettes

Design of a Candlestick with Winged Figures at Base Surrounding Scenic Medallion, 1501–47, Pen and brown ink, brown and gray wash, Drawings, Perino del Vaga (Pietro Buonaccorsi) (Italian, Florence 1501–1547 Rome), Although he received

Design for a Title Page, 1780–1800, Pen and ink and wash, sheet: 7 5/8 x 4 7/8 in. (19.4 x 12.4 cm), Anonymous, British, 18th century

Madonna and Child Enthroned, ca. 1335–39, Tempera on wood, transferred to canvas and laid down on wood, gold ground, 10 1/8 x 3 3/4 in. (25.7 x 9.5 cm), Paintings, Workshop of Bernardo Daddi (Italian, Florence (?) ca. 1290–1348 Florence