Images at Librifly

Quelques familiers de Louis Robert, ca. 1860, Albumen silver print from glass negative, Image: 17.1 × 14.3 cm (6 3/4 × 5 5/8 in.), Photographs, Olympe Aguado de las Marismas (French, Paris 1827–1894 Compiegne

Drawings and Prints, Book Ornament & Architecture, Livre de Moresques, page 16 (recto), Publisher, Artist, Published by, Previously published by, Hiérosme de Gormont, Cornelis Bos, Francesco di Pellegrino, Netherlandish, Hertogenbosch

Design for a Chimneypiece, 1740–96, Pen and brown ink, brush and gray wash, sheet: 7 7/8 x 8 1/16 in. (20 x 20.4 cm), Sir William Chambers (British (born Sweden), Göteborg 1723–1796 London

Intaglio with head of Serapis, Ptolemaic Period, 332–30 B.C., From Egypt, Carnelian, Diam. 1 cm, Serapis was a combined form of Osiris and Apis who existed apparently he became the god of the Ptolemaic Dynasty with Ptolemy I. With the

[Two Stovepipe Makers, One with a Hammer and Tin Snips, the Other Sitting on Stovepipe Assembly with Tin Snips and Mallet], 1880s, Tintype, Image: 8.7 x 6.1 cm (3 7/16 x 2 3/8 in.), Photographs, Unknown (American

Landscape with Figures, 17th century, Pen and brown ink on light brown paper, 7-3/4 x 11-1/4 in. (19.7 x 28.55 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

Comb decorated with an ostrich, Predynastic, Late Naqada l–Naqada II, ca. 3900–3500 B.C., From Egypt, Bone, h. 9.6 x w. 2.1 x th. 0.5 cm (3 3/4 x 13/16 x 3/16 in

Drawings and Prints, Album Print Ornament & Architecture, Page from Album of Ornament Prints from the Fund of Martin Engelbrecht, Artist, Publisher, Artist, Carl Pier, Franz Xavier Habermann, Martin Engelbrecht, Jeremias Wachsmuth, German,

Study of a Roman Woman, 1841, Graphite and white gouache, sheet: 10 13/16 x 8 1/8 in. (27.5 x 20.6 cm), Drawings, Konstantin Johannes Franz Cretius (German, Brieg 1814–1901 Berlin

A Hunter Returning to a Castle (From Incidents in a Stag Hunt), ca. 1495–1515, South Netherlandish, Wool warp, wool wefts, 95 in. × 58 1/2 in. (241.3 × 148.6 cm), Textiles-Tapestries

Drawings and Prints, Books Prints Ornament & Architecture, Eyn new kunstlichboich, page 17v, Publisher, Designer, Woodcut border designed by, Peter Quentel, Anton Woensam von Worms, German, active Cologne, 1518–46, German, active first

Design for a Title Page, late 16th century, Pen and brown ink, brush with brown and gray wash, 10 3/8 x 7 5/16 in. (26.4 x 18.6 cm), Drawings, Anonymous, Italian, late 16th century

桐唐草蒔絵阿古陀香炉, Melon-Shaped Incense Burner with Paulownia and Foliage Scroll, Momoyama period (1573–1615), early 17th century, Japan, Lacquered wood with gold hiramaki-e, e-nashiji on black ground, H. 3 1/2 in. (8.9 cm);

Pair of gold spirals, Archaic, 7th–6th century B.C., Etruscan, Gold, Other: 1 3/8in. (3.5cm), Gold and Silver, Filigree; three wide bands connected by narrow strips; heart shaped terminals are at either end of the bands

Creampot, 1772–76, Made in New York, New York, United States, American, Silver, 5 5/8 x 4 3/4 x 2 7/8 in. (14.3 x 12.1 x 7.3 cm); 5 oz. 9 dwt. (169.7 g), Silver, Myer Myers (1723–1795

An Apostle Holding a Book, n.d., Pen and brown ink, 12 1/8 x 7 15/16 in. (30.8 x 20.2 cm), Drawings, Francisco de Herrera, the Elder (Spanish, Seville ca. 1590–1654 Madrid

Futuh al-Haramayn (Description of the Holy Cities), 16th century, Country of Origin present-day Uzbekistan, probably Bukhara, Ink, opaque watercolor, gold on paper, 9 7/16 x 6 1/2 in. (24 x 16.5 cm), Codices, The Futuh al-Haramayn explains

Architectural Capriccio, 18th century, Ink and gray wash, 11-11/16 x 9-1/4 in, Anonymous, Italian, 18th century

明 佚名 北斗中斗本命星君衆圖 軸, Star Deities of the Northern and Central Dippers, Ming dynasty (1368–1644), Jingtai period (1450–56), dated 1454, China, Hanging scroll; ink and color on silk, Image: 54 11/16 x 30 9/16 in.

Pitcher, 1800–1830, Made in United States, American, Free-blown lead glass, 3 5/8 x 4 1/2 in. (9.2 x 11.4 cm), Glass

Drawings and Prints, Books Prints Ornament & Architecture, Convivio delle Belle Donne, page 15 (verso), Publisher, Designer, Woodcut border on title signed by, Nicolò Zoppino, Matteo da Treviso, Italian, Ferrara 1478/80–1544 Venice,

Brush Washer, Qing dynasty (1644–1911), Kangxi mark and period (1662–1722), China, Porcelain with peachbloom glaze (Jingdezhen ware), H. 1 1/4 in. (3.2 cm); Diam: 4 1/2 in. (11.4 cm), Ceramics, Derived from copper, lush pinkish-red glazes

Design for large fireplace white tiles produced in Wedgwood's factory, 19th century, Pen and black ink over graphite, mount: 11 7/16 x 8 1/4 in. (29 x 21 cm), After John Flaxman (British, York 1755–1826 London

The Flagellation, late 15th century, Point of the brush and brown and light gray ink, brown and grayish brown wash, over traces of black chalk, heightened with white (partly oxidized), 14 3/4 x 9 1/4 in. (37.5 x 23.5 cm), Drawings, Lombardy

Floral Design, n.d., Green, white, purple, brown, blue, and black chalk, 10 9/16 x 8 1/4in. (26.9 x 21cm), Drawings, Antoine Berjon (French, Lyon 1754–1843 Lyon

청자 상감 구름 학 무늬 모자합 고려, 靑磁象嵌雲鶴文母子盒 高麗, Box from set of five decorated with cranes and clouds, Goryeo dynasty (918–1392), 13th–14th century, Korea, Stoneware with inlaid design under celadon

Case (Inrō) with Lion and Peonies, Edo period (1615–1868), 17th century, Japan, Lacquer, 3 1/16 x 2 1/8 x 1 in. (7.8 x 5.4 x 2.5 cm), Inr

Design for a Room in the Etruscan or Pompeian style (Elevation), 1833, Pen and black ink, watercolor with touches of gold ink, sheet: 9 1/2 x 12 3/8 in. (24.1 x 31.4 cm), C. G. Hawkhurst (British, active 1830s

Design for a Frontispiece, ca. 1793, Brush and brown ink, watercolor over graphite, sheet: 8 3/4 x 10 1/2 in. (22.2 x 26.7 cm), Drawings, Josiah Boydell (British, Hawarden, Flintshire 1752–1817 Middlesex

Vulcan, 17th century, Pen and brown ink, brush and brown wash over red chalk, highlighted with lead white on cream paper, 8-15/16 x 6-3/8 in. (22.75 x 16.2 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

Standing Male Figure with Hands Raised, 17th century, Pen and dark brown ink. On ivory paper, 5-15/16 x 3-7/16 in. (15.1 x 8.7 cm), Drawings, Anonymous, Spanish, School of Seville, 17th century

Design for a Frame, 1755, Brush and black ink and gray wash over graphite., 18 7/16 x 13 1/4 in. (46.8 x 33.7 cm), Drawings, Johann Oktavian Salver (German (active Würzburg) 1732–1788

Whorl-Shaped Brooch, 550–650, Frankish, Copper alloy, gilding, niello, garnet, Overall: 1 5/16 x 5/16 in. (3.3 x 0.8 cm), Metalwork-Copper, Garnets, worked in the cloisonné technique, featured prominently in the luxury jewelry of the

Tea-Bowl Stand with Phoenixes, Ming dynasty (1368–1644), Yongle period (1403–24), 1403–1424, China, Carved red lacquer, H. 3 in. (7.6 cm); Diam. 6 1/2 in. (16.5 cm); Diam. of rim 3 3/4 in. (9.5 cm); Diam. of foot 3 1/4 in. (8.3 cm),

Ornamental Plaque of a Knight on Horseback, ca. 1300, Western European, possibly British, Copper alloy, gold, H. 5 3/4 in. (14.6 cm); W. 6 7/8 in. (17.5 cm); D. 1 1/4 in. (3.2 cm); Wt. 6 oz. (170.1 g), Miscellaneous-Buckles & Ornament, The

Coconut tankard, early 17th century, Hungarian, Nagyszeben, Coconut shell, gilded silver, Overall: 7 1/4 x 3 7/16 in. (18.4 x 8.8 cm), Metalwork-Silver, Vessels such as this one embody the late Renaissance taste for uniting exotic natural

St. Paul's Cathedral, London, 1850s–1910s, Albumen silver prints, Mount: 8.6 x 17.4 cm (3 3/8 x 6 7/8 in.), Photographs, E. Ryder (British

Amphoriskos with molded design of Harpokrates and eagles, Ptolemaic Period–Roman Period, Ptolemaic Dynasty, 300 B.C.–A.D. 50, From Egypt, Pottery, H. 15 cm (5 7/8 in.); Diam. 7.8 cm (3 1/16 in.), Light ground relief vessels of this nature

Design for an Empire Daybed, 1800–1820, Pen and ink with brown, red, yellow and green wash, Overall: 12 3/8 × 19 3/8 in. (31.4 × 49.2 cm), Anonymous, 19th century, This design for a daybed was made early in the 19th century.

Drawings and Prints, Book Prints Ornament & Architecture, Trionfo Di Virtu. Libro Novo..., page 18 (recto), Publisher, Matteo Pagano, Italian, 1515–1588, Venice, Pagano, Matteo, Italian, 1515, 1588, 1563

金山西湖図屏風, Jinshan Island and West Lake, Edo period (1615–1868), 1630, Japan, Pair of six-panel folding screens; ink, color, and gold on paper, Image: 60 1/16 in. × 11 ft. 9 in. (152.5 × 358.2 cm), Screens, Kano Sanraku

Jar, ca. 1840, Made in Mexico, Mexican, Tin-glazed earthenware, H. 11 1/4 in. (28.6 cm), Ceramics

Design for a Standing Frame, 1841–84, Pen and black ink, ink wash, sheet: 9 15/16 x 6 in. (25.2 x 15.3 cm), Charles Hindley and Sons (British, London 1841–1917 London

Der Hundefreund (The Dog's Friend), mid-19th century, Lead pencil, shadows on the figure seem to be reinforced with black ink; spots of pigment at upper corners and at lower margin, 8 1/8 x 10 5/8 in. (20.7 x 27.0 cm), Drawings, Moritz von

Pennelier. Casimir. Arthur. 36 ans, né à Billeuse (Somme). Clerc d'huissier. Anarchiste. 16/3/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Muscovite Rider, Pen and black ink, 4 5/8 x 3 9/16 in. (11.8 x 9.1 cm), Drawings, Rodolphe Bresdin (French, Montrelais 1822–1885 Sèvres

Angel Appearing to Three Marys at the Tomb, late 19th–early 20th century, Made in New York, United States, American, Watercolor, gouache, graphite, and black ink on artist board, Overall: 21 15/16 x 14 5/8 in. (55.7 x 37.1 cm), Drawings,

Lamp, 2nd century A.D., Roman, Terracotta, Length 7.5 cm. H. 2.2 cm., Terracottas

The Crucifixion and St. Christopher, ca. 1480, Pear wood block, carved on two sides, Overall: 20 7/8 x 14 3/8 x 1in. (53 x 36.5 x 2.5cm), Blocks, Anonymous, German, Augsburg, 15th century

The Wilderness Battlefield, 1864, Albumen silver print from glass negative, Image: 4 1/8 × 3 11/16 in. (10.4 × 9.3 cm), Photographs, Unknown (American), Possibly by Alexander Gardner (American, Glasgow, Scotland 1821–1882 Washington,

Design for an Arch Surmounted by a Cartouche with a Ducal Crown, 1700–1780, Pen and brown ink, brush with gray and brown wash, over lead point. Scale, upper the design, in pen and brown ink, 6-9/16 x 9-7/8 in. (16.6 x 25.1 cm), Drawings,

清 孔雀石筆洗, Brush washer, Qing dynasty (1644–1911), 18th–19th century, China, Malachite, W. 3 1/4 in. (8.3 cm); L. 4 5/8 in. (11.7 cm), Hardstone

Arhat, 청자 철화 나한상 고려, Goryeo dynasty (918–1392), 13th–14th century, Korea, Stoneware with iron-brown decoration under celadon glaze, H. 7 in. (17.8 cm); W. 3 3/8 in. (8.6 cm); D. 2 3/4 in. (7 cm), Ceramics, The Sanskrit

Door Post with Grapevine Emerging from a Chalice, 6th–7th century, Found/excavated Egypt, Saqqara, Limestone; carved, H. 25 9/16 in. (65 cm), Sculpture, In the 500s Apa (Father) Jeremias founded a Coptic monastery at Saqqara, the ancient

[Seated Young Man with Arm Resting on Table], 1840s, Daguerreotype, Image: 6.5 x 5.3 cm (2 9/16 x 2 1/16 in.), Photographs, Unknown (American

Disk Brooch, 7th century, Frankish, Gold, silver core, nails, paste cabochon, gold wire, copper alloy pin, Overall: 3/4 x 7/16 in. (1.9 x 1.1 cm), Metalwork-Gold

Terracotta globular cup, Archaic, ca. 520–510 B.C., Etruscan, Terracotta; black-figure, Pontic ware, H.: 3 3/4 in. (9.5 cm), Vases, Male and female figures flanked by heraldic lions. The subject of this vase is unusual: a male figure

Death wearing a brown robe, first half 20th century, brush and black ink, gouache, watercolor, traces of graphite framing lines., sheet: 16 3/8 x 5 15/16 in. (41.6 x 15.1 cm), Drawings, Sergey Sudeykin (Russian, Smolensk 1882–1946 Nyack

Le Caracul (L'Astrakhan), 1860s, Albumen silver print from glass negative, Photographs, Pierre-Louis Pierson (French, 1822–1913

Agony in the Garden, 17th century, Pen and dark brown ink, over black chalk underdrawing, brush with light gray-brown wash over both. Outlines of composition in black chalk at borders of sheet. On off-white paper, 7-3/4 x 6-3/4 in. (19.7 x 17.1

Margerand. Claude. 32 ans, né le 24/3/61 à Beaujeu (Rhône). Cordonnier. Anarchiste. 3/7/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Box with a Dragon in Clouds, Qing dynasty (1644–1911), Qianlong period (1736–95), 1736–1795, China, Carved red lacquer, H. 1 3/4 in. (4.4 cm); Diam. 5 1/8 in. (13 cm), Lacquer, A mark on the base describes this box as a

Pitcher, 1830–70, Probably made in Bennington, Vermont, United States, American, Parian porcelain, 3 1/4 x 3 1/4 x 2 1/2 in. (8.3 x 8.3 x 6.4 cm), Ceramics

Ratte, 1896, Photogravure, Image: 5 7/16 × 9 3/4 in. (13.8 × 24.8 cm), Photographs, Josef Maria Eder (Austrian, Krems an der Donau, 1855–1944 Kitzbühel) and, Eduard Valenta (Austrian, 1857–1937), Eder was the director of an institute

Soup Tureen, ca. 1937, Silver and gold, 9 7/8 x 10 7/8 in. (25.1 x 27.6 cm), Metalwork-Silver, As his career progressed, Puiforcat became increasingly fascinated by the mathematical principles of geometry and proportion. By the 1930s he had

Poisson. Georges. 38 ans, né à Boulogne (Seine). Chaudronnier. Anarchiste. 6/3/94, 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914),

Portrait of Count Vittorio Alfieri, n.d., Brush and brown wash over graphite underdrawing., 6 9/16 x 4 1/2in. (16.6 x 11.4cm), Drawings, Jean-Baptiste-François Bosio (French, Monaco 1764–1827 Paris

Approach to Montevideo, Uruguay, 1832, Watercolor over graphite, sheet: 7 13/16 x 11 11/16 in. (19.8 x 29.7 cm), Drawings, Conrad Martens (British, London 1801–1878 Sydney), Martens made this drawing at Montevideo, where he accepted a

Bird and Plum Blossoms, Edo period (1615–1868), 18th–19th century, Japan, Hanging scroll; ink on paper, 49 1/2 x 11 9/16 in. (125.7 x 29.3 cm), Paintings, Unpō (Japanese, 1765–1848

S-Shaped Brooch, first half 6th century, Frankish, Silver-gilt, Overall: 1 x 9/16 x 1/4 in. (2.6 x 1.5 x 0.7 cm), Metalwork-Silver

Four Alternate Designs for a Vault., 1700–1780, Pen and brown ink, brush with gray wash and watercolor, over lead point or graphite, with ruled and compass construction. Traces of red chalk. Framing outlines in pen and brown ink, Sheet: 11

Sea Battle, 17th century (?), Pen and brown ink, framing line in pen & brown ink., 3 3/16 x 9 1/16 in. (8.1 x 23 cm), Drawings, Anonymous, Dutch, 17th century

Poem on the Theme of a Monk’s Life, 墨蹟, Nanbokuchō period (1336–92), 14th century, Japan, Hanging scroll; ink on paper, Image: 16 x 23 3/8 in. (40.6 x 59.4 cm), Calligraphy, Sesson Yūbai (Japanese, 1290–1346), Sesson Yūbai,

Drawings and Prints, Books Prints Ornament & Architecture, Ein new getruckt model Büchli...Page 3, recto, Publisher, Johann Schönsperger the Younger, German, active 1510–30, Schönsperger, Johann the Younger, German, 1490, 1550,

Coverlet (Colcha), 17th century, Indian, Bengal, Satgaon, Cotton, silk, L. 126 x W. 107 inches (320 x 271.8 cm), Textiles-Embroidered

Bottle, 15th–17th century, United States, Arkansas, Caddoan, Ceramic, H. 9 1/4 x Diam. 6 1/2 in. (23.5 x 16.5 cm), Ceramics-Containers

Drawings and Prints, Books Prints Ornament & Architecture, Newes Modelbuch in Kupffer(Page 13r), Artist, Johann Sibmacher, German, active 1590–1611, Sibmacher, Johann, German, 1590, 1611, 1604, 1604

Vase with flowers, ca. 1890–95, French, Paris or Sèvres, Stoneware, confirmed: 17 1/4 × 7 7/8 × 7 7/8 in., 11.5 lb. (43.8 × 20 × 20 cm, 5.2 kg), Ceramics-Pottery, The Dammouse brothers specialized in stylized floral motifs in the

The Flight into Egypt, 17th century, Pen and dark brown ink, brush and gray wash, over black chalk underdrawing. Outline of arch-shaped composition in the same pen and brown ink. On off-white paper, 6-11/16 x 4 in. (17.0 x 10.2 cm), Drawings,

Plate, 1880–88, Made in Sandwich, Massachusetts, United States, American, Blown amber glass with applied threaded decoration, Diam. 6 5/16 in. (16 cm), Glass, Possibly Boston & Sandwich Glass Company (American, 1825–1888, Sandwich,

Vase, 1880–90, Made in England, Pressed purple marble glass, H. 4 1/2 in. (11.4 cm), Glass

Design for a Wall Decoration with the Sacrifice of Abraham and the Flight into Egypt, 1582–1647, Pen and brown ink, brush and brown wash, over traces of red chalk, highlighted with white gouache, on blue paper; architectural moldings above

Bacchus and Ariadne, ca. 1740, Pen and brown ink, brown wash, over black chalk., 12 5/16 x 9 9/16 in. (31.2 x 24.3 cm), Drawings, Giovanni Battista Tiepolo (Italian, Venice 1696–1770 Madrid), Giambattista Tiepolo was arguably the greatest

Sheet with Various Studies of Candelabra Grotesques, Foliage and a Cartouche, 1500–1700, Pen and brown ink, brush and gray wash, over leadpoint; several small unrelated studies in leadpoint, 8-7/16 x 12-1/2 in. (21.4 x 31.8 cm), Anonymous,

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 30r), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

Drawings and Prints, Book Prints Ornament & Architecture, Ein ney Furmbüchlein, Page 4, verso, Publisher, Johann Schönsperger the Younger, German, active 1510–30, Schönsperger, Johann the Younger, German, 1490, 1550, ca. 1525–29

Miniature longcase clock with calendar, Clockmaker: Daniel Quare (British, 1647/49–1724), Clockmaker: Stephen Horseman (British, died 1740), ca. 1720–25, British, London, Case: walnut and oak veneered with walnut and figured walnut; Dial:

Kohl Flask, probably 10th–12th century, Made in Iran or Central Asia, Serpentine; carved, incised, H. 2 1/2 in. (6.4 cm), Stone, This charming object was designed to hold kohl, a black cosmetic powder applied around the eyes. In the past,

Snuff Bottle with Orchids, Qing dynasty (1644–1911), late 18th–early 19th century, China, Rock crystal with jadeite stopper, H. 3 1/4 in. (8.3 cm); W. 1 1/2 in. (3.8 cm); D. 7/8 in. (2.2 cm), Snuff Bottles

Candlestick, ca. 1825, Made in New York, New York, United States, American, Silver, Overall: 10 15/16 in. (27.8 cm); 27 oz. 12 dwt. (844.3 g), Silver, William Thomson (1777–1833

[Grenadier Guards Drummer], ca. 1856, Salted paper print from glass negative, Image: 23.1 x 17.4 cm (9 1/8 x 6 7/8 in.), Photographs, Joseph Cundall (British, Norwich, Norfolk 1818–1895 Wallington, Surrey), This image of a young drummer is

Corporal Hiram Warner, Company C, Second United States Sharp Shooters, 1861–62, Tintype, Plate: 8.9 x 6.4 cm (3 1/2 x 2 1/2 in.), Photographs, Unknown (American), One day along a small creek in Sharpsburg, Maryland, the Army of Northern

Paddle Doll, Middle Kingdom, Dynasty 11, late-12, ca. 2030–1802 B.C., From Egypt, Upper Egypt, Thebes, Asasif, Tomb, pit, 1929–30, Wood, mud, linen string, paint, Body: H. 22.8 cm (9 in.); W. 7 cm (2 3/4 in.); Th. 0.9 cm (3/8

Frieze, 16th century, Pen and brown ink, 6-3/4 x 10 in. (17.1 x 25.4 cm), Drawings, Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580

The Coronation of the Virgin, and Saints, 1394, Tempera on wood, gold ground, Overall, with shaped top and engaged frame, 78 3/8 x 76 in. (199.1 x 193 cm), Paintings, Giovanni di Tano Fei (Italian, Florentine, active 1384–1405

Terracotta lekythos (oil flask), Classical, ca. 440 B.C., Greek, Attic, Terracotta; white-ground, H.: 12 x 3 9/16 in. (30.5 x 9 cm), Vases, Woman and youth. The pigment of the youth's himation (cloak) is lost. The scene may be one of greeting

Relief fragment from the tomb of Meketre, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Meketre (TT 280, ), Court, Radim, 1920, Limestone, H. 2.8cm (1 1/8 in.); W3.7cm (1 7/16

Design for a Pedentive Decoration, 18th century, Pen and brown ink, over lead point, 10 7/16 x 16 7/16 in. (26.5 x 41.8 cm), Drawings, Anonymous, Italian, Piedmontese, 18th century

The Penitent Magdalene, n.d., Pen and brown ink, sheet: 4 1/2 x 6 5/16 in. (11.5 x 16 cm), Drawings, Adriaen van der Werff (Dutch, Kralinger-Ambacht 1659–1722 Rotterdam

Brunel. Alexandre. 50 ans, né le 25/12/43 à Renaix (Belgique). Menuisier. Anarchiste. 3/7/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,