Images at Librifly

Petticoat panel with chinoiserie motifs, ca. 1700, British, silk thread on linen foundation fabric, 35 1/2 × 52 3/4 in. (90.2 × 134 cm), Textiles-Embroidered, By the late seventeenth century the appeal of Far Eastern goods had reached most

Fragment, 11th century, Attributed to Egypt, Fustat, Linen and silk, Textile: L. 9 3/4 in. (24.8 cm), Textiles-Woven, This linen tiraz textile is enlivened with vibrantly colored red, blue, and yellow animals and medallions. Unlike most

Lamp, 1st century B.C.–1st century A.D., Roman, Terracotta; mold-made, Length 10 cm. H. 2.9 cm., Terracottas

Design for a Clock, mid-19th century, Pen and brown and grey ink, brush and brown wash, with graphite underdrawing, 9 5/16 x 8 1/16in. (23.6 x 20.4cm), Drawings, Henri-Charles-Antoine Baron (French, Besançon 1816–1885 Geneva

Saint James the Greater, 1489–93, Made in Burgos, Castile-León, Spain, Spanish, Alabaster with paint and gilding, 18 1/16 × 6 7/8 × 4 15/16 in. (45.9 × 17.4 × 12.5 cm), Sculpture-Stone, Gil de Siloe (Spanish, active 1475–1505), In

Nymphs Adorning the Statue of a Goddess (recto); River God with Three Nymphs (verso), 18th century, Pen and brown ink, brush and brown wash, on beige-gray laid paper, 8-15/16 x 11-3/16 in. (22.7 x 28.4 cm), Drawings, Anonymous, Italian,

Paradise, 1519–94, Pen and brown ink, washed, 15-1/2 x 37 in. (39.4 x 94.0 cm), Drawings, After Jacopo Tintoretto (Jacopo Robusti) (Italian, Venice 1519–1594 Venice

Elizabeth Bakewell James and her Son, Frank B. James, ca. 1846, Daguerreotype, Image: 11.9 x 8.9 cm (4 11/16 x 3 1/2 in.), Photographs, Attributed to John Plumbe Jr. (American, born Wales, 1809–1857

Margaret More (1505–1544), Wife of William Roper, 1535–36, Vellum laid on playing card, Diameter 1 3/4 in. (45 mm), Miniatures, Hans Holbein the Younger (German, Augsburg 1497/98–1543 London

L'Enfant blanc, 1860s, Albumen silver print from glass negative, 8.6 x 12.1 cm. (3 3/8 x 4 3/4 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Album Page with Two Christian Subjects, late 16th century, Country of Origin India, Opaque watercolor, ink, and gold on paper, Page:, Codices

[Two Men and a Boy with Outside Calipers, Backsaw, Square, and Frame Saw], 1860s, Tintype, Image: 6.6 x 5.4 cm (2 5/8 x 2 1/8 in.), Photographs, Unknown (American

Deity Figure (Zemí), ca0, Dominican Republic (?), Caribbean, Taíno, Wood (Guaiacum sp.), shell, H. 27 x W. 8 5/8 x D. 9 1/8 in. (68.5 x 21.9 x 23.2cm), Wood-Sculpture, The Taino peoples of the Greater Antilles—the islands of Cuba,

Les Secondes Oeuvres, et Subtiles Inventions De Lingerie du Seigneur Federic de Vinciolo Venitien, page 54 (recto), 1603, Woodcut, Overall: 9 7/16 x 6 1/2 in. (24 x 16.5 cm), Designed by Federic de Vinciolo Venitien, published by Jean Le

Drawings and Prints, Books Prints Ornament & Architecture, New Modelbüch (Page 44r), Designer, Printer, Andreas Bretschneider, Henning Gross the younger, German, Dresden ca. 1578–ca. 1640 Leipzig, Bretschneider, Andreas, Gross, Henning

Illustrated Biography of Prince Shōtoku, Kamakura period (1185–1333), 14th century, Japan, One from a set of 2 hanging scrolls; ink, color, and gold on silk, Image: 67 5/8 x 33 1/4 in. (171.8 x 84.5 cm), Paintings, Prince Shōtoku

Drawings and Prints, Books Prints Ornament & Architecture, Newes Modelbuch in Kupffer (Page, 5r), Artist, Johann Sibmacher, German, active 1590–1611, Sibmacher, Johann, German, 1590, 1611, 1604

'A Reproof', 1845–91, Pen, brush, and brown ink with touches of white gouache, Sheet: 5 5/16 × 7 3/16 in. (13.5 × 18.3 cm), Drawings, Charles Samuel Keene (British, Hornsey, Middlesex 1823–1891 London

Woman in a harlequin costume holding a mask, first half 20th century, brush and black ink, gouache, watercolor, sheet: 17 1/16 x 10 7/8 in. (43.3 x 27.6 cm), Drawings, Sergey Sudeykin (Russian, Smolensk 1882–1946 Nyack

Drawings and Prints, Books Prints Ornament & Architecture, Schön newes Modelbuch (Page 45r), Publisher, Sigismundus Latomus, German, active 1599–ca. 1627, Frankfurt am Main, Latomus, Sigismundus, German, 1599, 1632, 1608

Design for the Elevation and Plan of a Reredos, ca. 1570, Anonymous, Italian, North or Central Italy, 16th century

Pair of gold earrings with a disk and Eros, Hellenistic, ca. 300 B.C., Greek, Gold, H. 3 3/4 in. (9.5 cm), Gold and Silver, Earrings with Erotes

Charles Delahaye, 1852–53, Salted paper print from paper negative, Image: 21.6 x 15.9 cm (8 1/2 x 6 1/4 in.), Photographs, Charles Marville (French, Paris 1813–1879 Paris), In the 1850s Marville made a series of portraits of Charles

Terracotta volute-lamp with a centaur, Imperial, 1st century A.D., Roman, Terracotta; mold-made, L.2 7/8 in. (7.3 cm.), Terracottas, Centaur on top carrying an amphora on his back; with low body and short nozzle

Sculptural Ornament, 18th century, Pen and ink, brush and gray and blue wash, 11-7/16 x 7-5/8 in (29.1 x 19.4 cm), Drawings, Anonymous, Italian, 18th century

Mourning Woman, ca. 1480, South Netherlandish, Walnut, polychromy and gilding, Overall: 19 1/8 x 6 9/16 x 4 3/16 in. (48.5 x 16.6 x 10.7 cm), Sculpture-Wood

Negroes (Gwine to de Field), Hopkinson's Plantation, Edisto Island, South Carolina, 1862, Albumen silver print from glass negative, Image: 15.2 × 20.4 cm (6 × 8 1/16 in.), Photographs, Henry P. Moore (American, 1833–1911), In late fall

Sheet of Studies for 'The Horse Fair', 1840–99, Black chalk and graphite, Sheet: 7 1/4 x 16 3/16 in. (18.4 x 41.1cm), Drawings, Marie-Rosalie Bonheur (French, Bordeaux 1822–1899 Melun

明晚期 黑漆嵌螺鈿庭園人物紋菱形盤, Lozenge-Shaped Dish with Garden Scene, Ming dynasty (1368–1644), late 16th–17th century, China, Black lacquer with mother-of-pearl inlay and gold and silver foil, H. 1 1/8 in. (2.9 cm); W.

Jérusalem. Intérieur de l'Église Ste Anne., 1860 or later, Albumen silver print from paper negative, Image: 10 7/8 × 8 1/16 in. (27.7 × 20.5 cm), Photographs, Louis de Clercq (French, 1837–1901

Upwards of Five Hundred Photographic Portraits of the Most Celebrated Personages of the Age, ca. 1864, Albumen silver print from glass negative, Image: 8.9 x 5.7 cm (3 1/2 x 2 1/4 in.), Photographs, Ashford Brothers & Co. (British

Kenzan-style Dish with Bamboo Leaves, 乾山様式　色絵竹文皿, Edo period (1615–1868), 17th–18th century, Japan, Buff stoneware decorated with white and iron-brown slip and underglaze cobalt blue; gold lacquer repair, H. 1 3/8 in.

Partial View of the Colosseum; verso: Sketch of the Temple of Minerva Medicea, late 18th–early 19th century, Brush and grey ink, over black chalk; verso: graphite, blue wash, sheet: 10 1/4 x 14 1/2 in. (26 x 36.9 cm), Drawings, Johann

Le Pompe: Opera Nova, page 8 (recto), 1557, Woodcut, Overall: 8 1/16 x 5 7/8 in. (20.5 x 15 cm), Published by Giovanni Battista & Marchio Sessa, Venice. From top to bottom, and left to right: Design is for bobbin lace and is composed of 2

Drawings and Prints, Books Prints Ornament & Architecture, Corona delle Nobili et Virtuose Donne: Libro IV, page 85 (recto), Publisher, Cesare Vecellio, Italian, Pieve di Cadore 1521–1601 Venice, Vecellio, Cesare, Italian, 1521, 1601

Belt Hook, Qing dynasty (1644–1911), 18th century, China, Jade (nephrite), L. 4 1/2 in. (11.5 cm); W. 1 3/8 in. (3.5 cm); D. 1 in. (2.5 cm), Jade

The Immaculate Conception, ca. 1539–43, Etching, Prints, Andrea Schiavone (Andrea Meldola) (Italian, Zadar (Zara) ca. 1510?–1563 Venice), In Mariette Album, folio 24, bottom right

Design for a Navette, Pen and brown ink, over traces of graphite, 4 9/16 x 2 1/16 in. (11.6 x 5.2 cm), Drawings, Hubert François Gravelot (French, Paris 1699–1773 Paris

Terracotta lamp, Early Byzantine, late 5th–6th century A.D., Roman, Terracotta, Overall: 1 x 3 3/4 in. (2.5 x 9.5 cm), Terracottas

Spoon, 16th–17th century, possibly Hungarian, Silver, Length: 7 7/8 in. (20 cm), Metalwork-Silver, The cast finial of this spoon depicts Saint Andrew, recognizable by his attribute, a cross in the shape of an X. This motif suggests that the

The Falcon's Bath, ca. 1400–1415, South Netherlandish, Wool warp, wool wefts, Overall: 120 x 116 3/4in. (304.8 x 296.6cm), Textiles-Tapestries

Dish with Bands of Geometricized Patterns, Edo period (1615–1868), 18th century, Japan, Porcelain painted in underglaze blue with comb pattern around the foot, (Nabeshima ware), H. 2 in. (5.1 cm); Diam. 8 1/4 in. (21 cm), Ceramics, This

River View in Italy, mid-17th–mid-18th century, Pen and brown ink, brush and brown wash, heightened with white over traces of black chalk, sheet: 10 3/8 x 15 3/4 in. (26.4 x 40 cm), Drawings, Gaspar Adriaensz. van Wittel (Dutch, Amersfoort

[Nude Man Squatting on Chair], 1850s–1860s, Ambrotype, Image: 5 x 3.8 cm (1 15/16 x 1 1/2 in.), Photographs, Unknown (American

Dish (one of a pair) (part of a set), Lewis Mettayer (British, active 1700, died 1740), 1714/15, British, London, Silver gilt, Overall (confirmed): 1 5/16 × 13 1/2 × 7 3/4 in., 23 oz. 2 dwt. (3.3 × 34.3 × 19.7 cm, 718.486g),

Lamp, late 2nd to 3rd century A.D., Roman, Terracotta, mold-made, Overall: 1 3/8 x 3 1/8 in. (3.5 x 7.9 cm), Terracottas

Design for a Standing Frame, 1841–84, Graphite, brush and brown ink wash, sheet: 10 7/8 x 9 9/16 in. (27.7 x 24.3 cm), Charles Hindley and Sons (British, London 1841–1917 London

Drawings and Prints, Books Prints Ornament & Architecture, Lucidario di Recami, page 9 (verso), Publisher, Designer, Jeronimo Calepino, Iseppo Foresto, Italian, active Venice, 1557, 1564, Calepino, Foresto, Iseppo, Italian, 1500,

Drawings and Prints, Books Prints Ornament & Architecture, Schön newes Modelbuch (Page 78r), Publisher, Sigismundus Latomus, German, active 1599–ca. 1627, Frankfurt am Main, Latomus, Sigismundus, German, 1599, 1632, 1608

[Three Women at Tea], 1860s, Albumen silver print, Photographs, Unknown

Panel, Ming dynasty (1368–1644), 16th–early 17th century, China, Silk satin damask, Overall: 25 1/4 x 23in. (64.1 x 58.4cm), Textiles-Woven, Satin damask was a popular fabric during the Ming period. the stylized lotus scroll pattern is

Drawings and Prints, Books Prints Ornament & Architecture, Ein new getruckt model Büchli...Page 17, verso, Publisher, Johann Schönsperger the Younger, German, active 1510–30, Schönsperger, Johann the Younger, German, 1490, 1550,

The Invisible, late 19th–mid-20th century, Pen and ink, pencil and charcoal on paper, 11 x 13 1/4 in. (27.9 x 33.7 cm), Drawings, Ernst Barlach (German, Wedel 1870–1938 Rostock

Six studies for Corréard and Savigny in the 'Raft of the Medusa', before 1818, Black chalk; some stumping., 10 1/16 x 15 9/16 in. (25.6 x 39.6 cm), Drawings, Théodore Gericault (French, Rouen 1791–1824 Paris

Interior of the Church of St. Jacques, Louvain, 1807–54, Pen and black ink with brush, and watercolor, highlighted with white gouache on heavy yellow paper, 14-3/16 x 10-9/16 in. (36.0 x 26.8 cm), Drawings, Genaro (Jenaro) Pérez Villaamil

Vase, ca. 1824, Made in France, French, Porcelain, H. 14 7/8 in. (37.8 cm), Ceramics

[Black Soldier in Camp], ca. 1863, Albumen silver print from glass negative, Image: 6 in. × 8 7/16 in. (15.2 × 21.4 cm), Photographs, Possibly by Alexander Gardner (American, Glasgow, Scotland 1821–1882 Washington, D.C

Jérusalem. Hospice autrichien et ancienne Église St Jean, 1860 or later, Albumen silver print from paper negative, Image: 10 7/8 × 8 7/16 in. (27.7 × 21.4 cm), Photographs, Louis de Clercq (French, 1837–1901

Dish, 1430–1460, Made in probably Manises, Valencia, Spain, Spanish, Tin-glazed earthenware, Overall: 3 1/16 × 18 in. (7.8 × 45.7 cm), Ceramics

Stirrup, ca. 14th–16th century, Tibetan or Mongolian, Iron, copper alloy (brass), 4 1/4 x 5 1/8 in. (10.8 x 13 cm), Equestrian Equipment-Stirrups, This stirrup is exceptional for the quality and lively nature of the dragonheads at the top of

Candlestick, 1880–90, Made in England, Pressed purple marble glass, Glass

Looking Glass, 1800–1820, Made in New York, New York, United States, American, Gilt gesso, pine, wire, eglomise tablet, 51 x 25 in. (129.5 x 63.5 cm), Furniture

Turquoise Figurine in the Form of a Camel Carrying s Palanquin and Two Riders, 12th–early 13th century, Attributed to probably Iran or Iraq, Stonepaste; molded in sections, glazed in turquoise, H. 7 11/16 in. (19.5 cm), Ceramics,

Limestone head of beardless male votary, Late Republic, mid–1st century B.C., Cypriot, Limestone, 11 7/16 x 9 7/16 x 6 1/4 in. (29.11 x 23.9 x 15.9 cm), Stone Sculpture, This expressive face, already marked by age, is one of the finest

William Langenheim, ca. 1849–51, Salted Paper Print From Paper Negative with Applied Color, Image: 16.5 x 12.1 cm (6 1/2 x 4 3/4 in.), Photographs, William Langenheim (American, born Germany, Schöningen 1807–1874

Marble portrait bust of Antoninus Pius, Mid-Imperial, 2nd century A.D., Roman, Marble, Height: 33 1/4 in. (84.5 cm), Stone Sculpture, In its present condition, the head exhibits seemingly modern features, owing to a heavy surface cleaning

Study for an Engraving of 'Songs in the Opera of Flora', ca. 1737, Pen and blue ink with black chalk, 2 13/16 x 3 15/16 in. (7.2 x 10 cm.), Drawings, Hubert François Gravelot (French, Paris 1699–1773 Paris

Equestrian Group, 18th century, Pen and brown ink over red chalk underdrawing, sheet: 9 1/2 x 7 3/16 in. (24.1 x 18.2 cm), Drawings, Michel François Dandré-Bardon (French, Aix-en-Provence 1700–1783 Paris), Retouched by Charles Nicolas

Illustration for 'Till Eulenspiegel', 1916, Watercolor, pen and ink, gouache on paper, Image: 14 x 10 in. (35.6 x 25.4 cm), Drawings, Arthur Rackham (British, London 1867–1939 Limpsfield, Surrey

Pellet Crossbow, ca. 1600–1650, German, Steel, wood (probably maple), gold, iron alloy, L. 28 5/8 in. (72.6 cm); W. 17 5/8 in. (44.7 cm); Wt. 6 lb. 8 oz. (2, 944 g), Archery Equipment-Crossbows

Ein new getruckt model Büchli...Page 2, recto, 1529

Embroidered Medallion, 15th–16th century, Made in Greece, Byzantine, Silk and metal thread embroidery on a foundation of linen plain weave, Diameter: 3 3/8 in. (8.6 cm), Textiles-Embroidered, This medallion showing the Evangelist symbol John

Alonzo H. Sterrett, Late Adjutant, Fortieth U.S. Infantry, July 27, 1865, Albumen silver print from glass negative, Image: 8.9 x 5.5 cm (3 1/2 x 2 3/16 in.), Photographs, Alonzo Sterrett was twenty in 1861, when he enlisted in the

Bust of Pseudo-Seneca, 1600–1626, Pen and brown ink over black chalk heightened with white, with brush and gray ink, 10 7/16 x 6 15/16 in. (26.5 x 17.7 cm), Drawings, Peter Paul Rubens (Flemish, Siegen 1577–1640 Antwerp) , and Assistant

Design for an Altar with the Annunciation in the Central Panel, 18th century, Pen and brown ink, brush and brown wash, over lead point or graphite. Framing outlines in brush and brown wash, sheet: 7 5/16 x 6 5/16 in. (18.5 x 16 cm), Drawings,

Neu künstlich Modelbuch (page 10r), 1598

Two One Half Variant Designs for a Catafalque, 1700–1780, Pen and brown ink, brush and brown wash, over lead point or graphite, with ruled construction, sheet: 12 1/2 x 7 13/16 in. (31.8 x 19.9 cm), Drawings, Anonymous, Italian,

Morning, 1905, Platinum print, 24.1 x 19.1 cm. (9 1/2 x 7 1/2 in.), Photographs, Clarence H. White (American, 1871–1925), Morning perfectly embodies the tenets of Pictorialism: expressive, rather than narrative or documentary, content;

Pint flask, ca. 1828–40, Made in Keene, New Hampshire, United States, American, Free-blown molded green glass, H. 6 5/8 in. (16.8 cm), Glass, Keene Marlboro Street Glassworks (1815–41

The Wedding Night of Tobias and Sarah, 1640–49, Pen brown ink, brush and brown wash, sheet: 6 7/8 x 9 3/8 in. (17.5 x 23.8 cm), Drawings, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam

Landscape With Figures Crossing a Bridge, 17th century, Pen and brown ink over black chalk on cream paper. Ruled framing outline in black chalk? along left, right and bottom edge, 5-1/2 x 10-15/16 in. (13.9 x 27.8 cm), Drawings, Anonymous,

Ornamental Border with a Putto, Scroll, Mask, and Floral Garland., 17th century, Pen and brown ink, over leadpoint or black chalk, 11 5/8 x 3 7/16 in. (29.6 x 8.7 cm), Drawings, Anonymous, Italian, 17th century

Drawing after an Antique Vase., 18th century, Brush and brown wash or watercolor, sheet: 8 1/16 x 4 5/16 in. (20.5 x 11 cm), Drawings, Anonymous, Italian, 18th century

Design for a Gondola Decorated for a Festive Occassion, ca. 1750–1780 , Brown pen and ink, watercolor, Sheet: 16 13/16 × 30 7/16 in. (42.7 × 77.3 cm), Anonymous, Italian, 18th century, Design for a gondola, decorated for a festive

Drawings and Prints, Books Prints Ornament & Architecture, Prima parte de' fiori, page 3 (recto), Author, Printer, Publisher, Giovanni Battista Ciotti, Nicolo Moretti, Francesco de' Franceschi, Italian, born Siena, ca. 1560, Italian,

Drawings and Prints, Books Prints Ornament & Architecture, Schön Neues Modelbuch (Page 18 recto), Designer, Publisher, Johann Sibmacher, Balthasar Caymox, German, active 1590–1611, German, Bersse (?) 1561–1635 Nuremberg, Sibmacher,

Drawings and Prints, Books Prints Ornament & Architecture, Newes Modelbuch in Kupffer(Page 45r), Artist, Johann Sibmacher, German, active 1590–1611, Sibmacher, Johann, German, 1590, 1611, 1604, 1604

清中期 碧玉牡丹紋插屏, Table Screen with Tree Peonies, Qing dynasty (1644–1911), 18th century, China, Jade (nephrite); rosewood stand, Diam. 11 9/16 in. (29.4 cm); Th. 5/8 in. (1.6 cm), Jade

Design for the Fireworks Display in Paris for the Birth of the Dauphin in 1781, 1781, Pen and black ink, with gray, brown, and colored wash and gouache, 14 7/8 x 23 3/4 in. (37.8 x 60.3 cm), Attributed to (circle of) Louis Gustave Taraval

Opera Nova Universali intitulata Corona di racammi, page 32 (recto), [1530], Woodcut, Overall: 8 7/8 x 6 7/8 in. (22.5 x 17.5 cm), Published by Giovanni Andrea (called 'Guadagnino') Vavassore, Italian, active 16th century, Venice. From top to

Wine bottle with lotuses and admonition, Yuan dynasty (1271–1368), 13th–14th century, China, Stoneware with cut-glaze decoration (Cizhou ware), H. 12 5/8 in. (32.1 cm); Diam. 9 in. (22.9 cm); Diam. of rim 1 3/8 in. (3.5 cm); Diam. of base 4

Drawings and Prints, Album Print Ornament & Architecture, Page from Album of Ornament Prints from the Fund of Martin Engelbrecht, Artist, Artist, Publisher, Carl Pier, Franz Xavier Habermann, Jeremias Wachsmuth, Martin Engelbrecht, German,

Gilt silver kylix, Classical period, late 5th century B.C., Greek, Silver-gilt, Diameter: 5 1/8 in. (13 cm), Gold and Silver, The hero Bellerophon rides Pegasos, the winged horse, as he battles the Chimaera, a mythical creature with the

Terracotta kylix: band-cup (drinking cup), Archaic, ca. 550 B.C., Greek, Attic, Terracotta; black-figure, H. 6 7/16 in. (16.4 cm), Vases, Obverse, return of Hephaistos, Reverse, Dionysos, the god of wine, and Ariadne among satyrs and

Relief fragment from the tomb of Meketre, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Meketre (TT 280, ), 1920, Limestone, H. 3.6 (1 7/16 in.); W. 1.7 cm (11/16 in.); D. 0.6

Bowl, ca. 1890–95, Made in Trenton, New Jersey, United States; Made in Cincinnati, Ohio, United States, American, Porcelain, overglaze enamel decoration and raised gold paste decoration, H. 3 5/8 in. (9.2 cm); Diam. 6 1/4 in. (15.9 cm),

Lamp, 2nd century A.D., Roman, Terracotta, Overall: 1 x 3 1/2 in. (2.5 x 8.9 cm), Terracottas

Street in Fredericksburg, 1863, Albumen silver print from glass negative, Photographs, Andrew Joseph Russell (American, 1830–1902

Bruneau. Amédé, Jean Baptiste. 46 ans, né à Châteauroux (Indre). Cordonnier. Anarchiste. 2/3/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

The Expulsion from the Garden, 17th century, Pen and brown ink over black chalk on light tan paper (recto); inept sketches in red chalk and in pen and brown ink (verso), 13-1/2 x 9-7/16 in. (34.3 x 23.9 cm), Drawings, Anonymous, Italian,