Images at Librifly

Ring, ca. 1931, Glass, 7/8 × 1 1/4 in. (2.2 × 3.2 cm), Glass, While Lalique’s early turn-of-the-century incorporation of glass in jewelry was somewhat timid, he eventually created designs made entirely from the material. In so doing, he

Drawings and Prints, Book Prints Ornament & Architecture, Trionfo Di Virtu. Libro Novo..., page 27 (verso), Publisher, Matteo Pagano, Italian, 1515–1588, Venice, Pagano, Matteo, Italian, 1515, 1588, 1563

Landscape, 1745–1800, Pen and ink, Drawings, Style of James Adam (British, Edinburgh, Scotland 1732–1794 London

Covered Serving Dish, ca. 1860–66, Made in China, Chinese, for American market, Porcelain, H. 5 9/16 in. (14.1 cm), Ceramics

Drawings and Prints, Books Prints Ornament & Architecture, Ein new Modelbuch..., page 12 (verso), Publisher, Johann Schönsperger the Younger, German, active 1510–30, Schönsperger, Johann the Younger, German, 1490, 1550, October 22,

View in the Black Forest (Valley near St. Blasien), 1900, Pen and black ink, over a sketch in graphite, heightened with white gouache, sheet: 15 9/16 x 20 3/16 in. (39.6 x 51.3 cm), Drawings, Hans Thoma (German, Bernau im Schwarzwald

Belisarius Begging for Alms, mid-18th–early 19th century, Pen and brown ink over graphite underdrawing and white wash, 10 1/8 x 14 1/8 in. (25.7 x 35.9 cm), Drawings, Heinrich Friedrich Füger (German, Heilbronn 1751–1818 Vienna

Engaged Capital, late 12th century, French, Stone, Overall: 10 x 11 1/2 x 13 in. (25.4 x 29.2 x 33 cm), Sculpture-Architectural

Fort Darling. Masked Battery and Obstruction in James River, ca. 1865, Albumen silver print from glass negative, Photographs, William Frank Browne (American

Martyrdom of Saint Lawrence, early 17th century, Black chalk, pen and brown ink, brown wash, heightened with white; contours traced with stylus for transfer., sheet: 14 5/8 x 10 5/8 in. (37.2 x 27 cm), Drawings, Workshop of Peter Paul Rubens

Drawings and Prints, Books Prints Ornament & Architecture, Schön newes Modelbuch (Page 9r), Publisher, Sigismundus Latomus, German, active 1599–ca. 1627, Frankfurt am Main, Latomus, Sigismundus, German, 1599, 1632, 1608

Maple Street, London, ca. 1915–23, Oil on canvas, 30 1/4 × 20 1/8 in. (76.8 × 51.1 cm), Paintings, Walter Richard Sickert (British, Munich 1860–1942 Bathampton, Somerset), This desolate urban view is a rare night scene by Sickert. It

Bowls with Repeating Inscription, 'Blessing', late 9th–early 10th century, Found Iran, Nishapur, Earthenware; black slip with white slip decoration under transparent glaze, H. 2 1/2 in. (6.4 cm), Ceramics, In contrast to the many examples

Design for a Rectangular Table with Greek Ornament, 19th century, Graphite on grey ground, sheet: 3 7/8 x 6 1/4 in. (9.9 x 15.9 cm), Anonymous, British, 19th century

Tumbler, after 1886, Made in Wheeling, West Virginia, United States, American, Pressed colorless and cranberry glass, H. 3 13/16 in. (9.7 cm); Diam. 3 in. (7.6 cm), Glass, Probably Hobbs, Brockunier and Company (1863–1891

Earring with head of a bull, Ptolemaic Period, 2nd–1st century B.C., Probably from Egypt, gold, As Worn: H. 3.4 × W. 3.3 cm (1 5/16 × 1 5/16 in.), Hoops formed of wound wire with animal head terminals are the commonest type of Hellenistic

Co. E, 21st Michigan Infantry. Sherman's Volunteers, 1861–65, Albumen silver print from glass negative, 16.9 x 22.9 cm (6 5/8 x 9 in.), Photographs

Metal Doorplate for Church, second half 19th century, Gouache, plate: 6 11/16 x 2 1/16 in. (17 x 5.2 cm), Anonymous, British, 19th century

Platter and Rack, ca. 1860–66, Made in China, Chinese, for American market, Porcelain, 2 1/2 x 15 9/16 x 17 15/16 in. (6.4 x 39.5 x 45.6 cm), Ceramics

Snuff bottle with lion, Qing dynasty (1644–1911), Qianlong period (1736–95), China, Malachite with pink glass stopper, H. 2 in. (5.1 cm), Snuff Bottles

Amphoriskos, Cypro-Geometric III, ca. 850–750 B.C., Cypriot, Terracotta, H. 5 5/16 in. (13.5 cm), Vases, Wide-mouthed amphora with grooved body; red bucchero

Masked Woman, first half 20th century, brush and black ink, gouache, watercolor, traces of graphite framing lines, sheet: 16 15/16 x 8 11/16 in. (43.1 x 22 cm), Drawings, Sergey Sudeykin (Russian, Smolensk 1882–1946 Nyack

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 7 (recto), October 1, 1604, Etching and drawing, Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm), Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua.

Drawings and Prints, Books Prints Ornament & Architecture, Page from Eyn Newe kunstlich moetdelboech alle kunst (Page 9v), Publisher, Peter Quentel, German, active Cologne, 1518–46, Cologne, Quentel, Peter, German, 1500, 1550, 1532

Drawings and Prints, Books Prints Ornament & Architecture, Ein new getruckt model Büchli...Page 12, recto, Publisher, Johann Schönsperger the Younger, German, active 1510–30, Schönsperger, Johann the Younger, German, 1490, 1550,

Bird-Shaped Brooch, 500–600, Made in northern France or western Germany, Frankish, Gold, garnet, glass, pearl, Overall: 13/16 x 1 1/4 x 1/4 in. (2 x 3.2 x 0.7 cm), Metalwork-Gold, The dress of Frankish women generally consisted of a

Terracotta skyphos, Archaic, 6th century B.C., Etruscan, Etrusco-Corinthian, Terracotta, H. 2 1/2 × W. 5 1/4 × D. 3 1/4 in. (6.4 × 13.3 × 8.3 cm), Vases, Obverse and reverse, running figure between sphinxes

Snakecharmer, 1900–1908, Platinum print, Photographs, Frank Eugene (American, New York 1865–1936 Munich

Cat Statuette intended to contain a mummified cat, Ptolemaic Period, 332–30 B.C., From Egypt, Leaded bronze, h. (including tangs) 32 cm (12 5/8 in); w. 11.9 (4 11/16 in); d. 23.3 cm (9 3/16 in), The cat was the sacred animal of the goddess

Nude, ca. 1850, Salted paper print from paper negative, Image: 8 13/16 × 6 3/4 in. (22.4 × 17.2 cm), Photographs, Félix-Jacques-Antoine Moulin (French, 1800–after 1875

Design for a Centerpiece, 18th century, Pen and lavender wash, 4-1/2 x 7-1/4 in, Drawings, Anonymous, 18th century

Grave, 1936, Gelatin silver print, 19.4 x 24.2 cm (7 5/8 x 9 1/2 in. ), Photographs, Walker Evans (American, St. Louis, Missouri 1903–1975 New Haven, Connecticut

Fan Mount: The Spanish Piazza, 1896, Watercolor on silk, laid down on Japanese paper, Sheet: 5 7/8 × 19 5/8 in. (14.9 × 49.9 cm), Drawings, Charles Edward Conder (British, London 1868–1909 Virginia Water, Surrey

[St. Dominic's Orange Tree on the Aventine], 1880s, Albumen silver print from glass negative, Photographs, Unknown

Drawings and Prints, Book Prints Ornament & Architecture, Ein ney Furmbüchlein, Page 3, verso, Publisher, Johann Schönsperger the Younger, German, active 1510–30, Schönsperger, Johann the Younger, German, 1490, 1550, ca. 1525–29

Studies of a Sitting Woman; verso: Studies of Men, 1811–89, Graphite, sheet: 6 13/16 x 8 9/16 in. (17.3 x 21.7 cm), Drawings, Eduard Julius Friedrich Bendemann (German, Berlin 1811–1889 Düsseldorf

Marble statue of Herakles, Early Imperial, 1st century A.D., Roman, Marble, H. 11 in. (28 cm), Stone Sculpture, Said to be from Greece. This small statue, identified as Herakles by the lion skin tied around his shoulders, was probably set up

源氏物語図色紙　「藤袴」, Scene from “Purple Trousers” (“Fujibakama”), from The Tale of Genji (Genji monogatari), Momoyama period (1573–1615), Japan, Album leaf mounted as a hanging, Image: 10 1/8 × 8 3/8 in. (25.7 ×

Drawings and Prints, Books Prints Ornament & Architecture, Fiore D'Ogni Virtu Per le Nobili Et Honeste Matrone, page 27 (recto), Designer, Publisher, Isabella Catanea Parasole, Antonio Fachetti, Italian, ca. 1565/70–ca. 1625, Rome,

Study for 'The Bride at Her Toilet on the Day of Her Wedding', ca. 1838, Pen. brown ink, brush, brown wash, Sheet: 6 1/16 x 4 3/8 in. (15.4 x 11.1 cm), Drawings, Sir David Wilkie (British, Cults, Scotland 1785–1841 off Gibraltar

Drawings and Prints, Books Prints Ornament & Architecture, Studio delle virtuose Dame, page 22 (recto), Designer, Publisher, Isabella Catanea Parasole, Antonio Fachetti, Italian, ca. 1565/70–ca. 1625, Rome, Parasole, Isabella Catanea,

Holy Water Basin, ca. 1840, Made in Mexico, Mexican, Tin-glazed earthenware, Diam. 8 7/8 in. (22.5 cm), Ceramics

Ewer, 1889, Made in Cincinnati, Ohio, United States, American, Earthenware, H. 9 1/4 in. (23.5 cm); Diam. 7 1/2 in. (19.1 cm), Ceramics

Illustrations to the Metamorphoses of Ovid: Jupiter and Io (.1); Jupiter and Io, disguised as a white beifer (.2); Mercury Rescuing Io from Argus (.3), late 17th century, Black chalk, pen and brown ink, brown and gray wash, each sheet: 6 1/2 x

Honoune Keller, 1864–65, Albumen silver print from glass negative, Image: 19.4 × 12.5 cm (7 5/8 × 4 15/16 in.), Photographs, André-Adolphe-Eugène Disdéri (French, Paris 1819–1889 Paris

Carpet, early 19th century, Attributed to Azerbaijan, Shirvan, Wool (warp, weft and pile); symmetrically knotted pile, H. 155 3/4 in. (395.6 cm), Textiles-Rugs

Plate, 1750–75, Made in West Yorkshire, Leeds, England, British, Earthenware, Diam. 6 3/4 in. (17.1 cm), Ceramics, Creamware, so-called for its cream-colored body, is a refined earthenware with a lead-based glaze that was developed in

Sistrum, Roman Period, A.D. 1st–2nd century, From Egypt or Italy, Southern Europe, Bronze or copper alloy, h. 20.6 cm (8 1/8 in); w. 14 cm (5 1/2 in), Although the sound elements have disappeared, the wires are preserved on this functional

Limestone statue of an enthroned youth, Hellenistic, 3rd century B.C., Cypriot, Limestone, Overall: 15 1/8 x 7 3/4 x 4 3/4 in. (38.4 x 19.7 x 12.1 cm), Stone Sculpture, This seated figure holding a roll of manuscript across his knees and a

A Nun Frightened by a Ghost; Images of Spain Album, 65, ca. 1812–20, Brush and brown wash on laid paper, Sheet: 8-1/16 x 5-11/16 in. (20.5 x 14.5cm), Drawings, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux

From My Window at the Shelton, North, 1931, Gelatin silver print, 24.2 x 19.2 cm (9 1/2 x 7 9/16 in.), Photographs, Alfred Stieglitz (American, Hoboken, New Jersey 1864–1946 New York), Stieglitz recorded the construction of the skyscrapers

Cup Plate, 1825–60, Made in Sandwich, Massachusetts, United States, American, Lacy pressed glass, Glass

Landscape with a Farmhouse, 1757–1837, Pen and black ink and watercolor, sheet: 12 x 16 5/8 in. (30.5 x 42.2 cm), Drawings, Adrianus de Visser (Dutch, Rotterdam 1762–1837 Alkmaar

Terracotta bowl fragments with graffito inscription, ca. 3rd century B.C., Etruscan, Terracotta, 3 1/4 × 2 13/16 × 1/4 in. (8.2 × 7.1 × 0.7 cm), Vases, The inscription records the name of the owner: TARXNTES (of Tarchnte

Private James H. Stokes, Company H, 185th New York Volunteers, April–May 1865, Albumen silver print from glass negative, Image: 18.8 × 13 cm (7 3/8 × 5 1/8 in.), oval, Photographs, Reed Brockway Bontecou (American, 1824–1907

Female Figure in Antique Style Dress, Striding to the Right, 1700–1750, Pen and brown ink; silhouetted and redrawn by a later hand, 4 3/4 x 3 3/8 in. (12.1 x 8.6 cm) (irregular borders), Drawings, Anonymous, Italian, first half of the 18th

Landscape near Albano and Pallazole, 1812, Pen and gray ink and graphite, sheet: 11 3/8 x 16 7/16 in. (28.9 x 41.8 cm), Drawings, Joseph Rebell (Austrian, 1786–1828

Christ Driving the Money Changers from the Temple, 1530–70, Pen and brown ink, brush and brown wash, over traces of red and black chalk, touches of pen and red ink, 6 3/16 x 7 27/32 in. (15.7 x 19.9 cm), Drawings, Attributed to Frans Floris

Drawings and Prints, Book Prints Ornament & Architecture, Trionfo Di Virtu. Libro Novo..., page 17 (verso), Publisher, Matteo Pagano, Italian, 1515–1588, Venice, Pagano, Matteo, Italian, 1515, 1588, 1563

Bird-Shaped Brooch, 500–600, Frankish, Silver-gilt, garnets with patterned foil backings, Overall: 1 3/16 x 1/2 x 3/16 in. (3 x 1.2 x 0.5 cm), Metalwork-Silver

Mug, 1870–80, Made in Pittsburgh, Pennsylvania, United States, American, Pressed yellow glass, H. 3 1/2 in. (8.9 cm); Diam. 2 9/16 in. (6.5 cm), Glass, Probably Adams and Company

Design for Ottoman, 1835–1900, Ink, graphite, watercolor, Robert William Hume (British, London 1816–1904 Long Island City

Fredericksburg, Virginia, 1863, Albumen silver print from glass negative, Photographs, Andrew Joseph Russell (American, 1830–1902

Ruins in Charleston, South Carolina, 1860s, Albumen silver print from glass negative, Photographs, George N. Barnard (American, 1819–1902

Richmond, Virginia. Looking toward Manchester, ca. 1865, Albumen silver print from glass negative, Photographs, Alexander Gardner (American, Glasgow, Scotland 1821–1882 Washington, D.C

Nicolo intaglio: Two standing figures, Imperial, ca. 2nd–3rd century A.D., Roman, Nicolo, Other: 5/8 x 1/2 x 1/4 in. (1.6 x 1.3 x 0.6 cm), Gems, Gnostic gem with two standing figures

Drawing for Centerpiece and Salt Cellars, 18th century, Pen and lavender wash, 3-1/2 x 6-3/4 in, Drawings, Anonymous, Italian, 18th century

Tray in the Shape of a Flower, Qing dynasty (1644–1911), Qianlong period (1736–95), 18th century, China, Painted enamel and gilding on copper, H. 2 1/2 in. (6.4 cm); L. 3 3/4 in. (9.5 cm), Enamels

Study for a Tailpiece, 1774, Red chalk, 3 1/4 x 4 9/16 in. (8.3 x 11.6 cm), Drawings, Charles Dominique Joseph Eisen (French, Valenciennes 1720–1778 Brussels

Essempio di recammi, page 27 (verso), 1530, Woodcut, Overall: 7 13/16 x 6 3/16 x 3/8 in. (19.8 x 15.7 x 1 cm), Written by Giovanni Antonio Tagliente, Italian, Venice ca. 1465-1527 Venice, published by Giovanantonio e i fratelli da Sabbio

Head of Apollo, probably between 1662 and 1694, French, Paris, Warp: wool; Weft: wool and silk, H. 13 3/4 x W. 15 inches (34.9 x 38.1 cm), Textiles-Tapestries

Lamp, 1st century B.C.–1st century A.D., Roman, Terracotta, Overall: 1 x 3 5/8 in. (2.5 x 9.2 cm), Terracottas

River Scene with Towboat, 1653, Black chalk washed with India ink., 4 11/16 x 8 7/16 in. (11.9 x 21.4 cm), Drawings, Jan van Goyen (Dutch, Leiden 1596–1656 The Hague

Christ with the Cross, ca. 1605–15 (?), Pen and brown ink, brush and brown wash, circular sheet: 3 5/16 in. diameter, Drawings, Joachim Wtewael (Netherlandish, Utrecht 1566–1638 Utrecht

Side chair back and seat cover, 1738, British, Wool, silk on hemp canvas, a: H. 29 1/4 x W. 20 1/4 inches (74.3 x 51.4 cm), Textiles-Embroidered

Head of a Man and Figure Studies (recto); Minotaur with a Maiden (verso), 1820–44, Graphite, Overall: 12 3/16 x 9 5/8 in. (31 x 24.4 cm), Drawings, Theodor Richard Edward von Holst (British, London 1810–1844 London

Snuff Bottle with Old Man Riding a Donkey, Qing dynasty (1644–1911), early 19th century, China, Chalcedony with coral stopper, H. 2 3/4 in. (7 cm), Snuff Bottles

切株に鷹　肥前焼・平戸様式, Hawk on a Tree Stump, Edo period (1615–1868), ca. 1820, Japan, Porcelain with enamels (Hizen ware, Hirado type), H. 12 5/8 in. (32.1 cm); W. 8 3/8 in. (21.3 cm), Ceramics

Two Fighting Horsemen, 1693, Red chalk, sheet: 3 11/16 x 5 7/16 in. (9.4 x 13.8 cm), Drawings, Pandolfo Lorenzo Hopfer (German, Nuremberg (?) late 17th century

A Group of Figures, ca. 1850, Pen and brown ink over graphite, Overall: 3 1/16 x 3 7/8 in. (7.8 x 9.9 cm), Drawings, George Cruikshank (British, London 1792–1878 London

Chauman. Nicolas. 38 ans, né à Paris XVe. Puisatier. Anarchiste. 6/3/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914), Born into a

Design for a Frieze or Wall Decoration, 19th century, Pen and brown ink, Anonymous, British, 19th century

Holy Water Basin, ca. 1820, Made in Mexico, Mexican, Tin-glazed earthenware, H. 10 in. (25.4 cm), Ceramics

Design for memorial window, 1917, Made in New York, United States, American, Watercolor, gouache, pen, and black and light purplish-grey inks, graphite, 21 5/8 x 15 3/16 in. (55 x 38.6 cm), Drawings, Tiffany Studios (1902–32), The

Confessions of an Inquiring Spirit, No. 3 (recto); Study for a scene with ten imaginary creatures (verso), 1899, Pen and black ink, watercolor over graphite (recto); graphite (verso), sheet: 15 1/4 x 12 1/2 in. (38.7 x 31.8 cm), Drawings, Dion

Belt Buckle, ca. 600, Frankish, Iron with silver inlay and copper alloy rivets, Overall: 6 x 1 1/2 x 2 11/16 in. (15.3 x 3.8 x 6.8 cm), Metalwork-Iron, Belts were important features of early medieval dress. Not only did they serve the practical

Grand Piano, ca. 1790–95, Salzburg, Austria, Austrian (Salzburg), Various materials, 36 15/16 × 40 3/16 × 83 7/16 in. (93.8 × 102 × 212 cm), Chordophone-Zither-struck-piano, Attributed to Johann Schmidt (Austrian 1757–1804), This

Portrait of a Man, Seated in Front of a Writing Desk, 1795–1800, Watercolor over graphite with touches of gouache, sheet: 14 x 10 1/16 in. (35.6 x 25.6 cm), Drawings, Henry Edridge (British, Paddington, Middlesex 1769–1821 London), In

Carnelian intaglio: Sol in a quadriga (four-horse chariot), Imperial, 2nd century B.C.–2nd century A.D., Roman, Carnelian, H.: 1/2 x 1 1/16 in. (1.3 x 2.7 cm), Gems, Sol in a quadriga

Splendore delle virtuose giovani, page 7 (verso), 1564, Woodcut, Overall: 7 1/2 x 5 1/2 in. (19 x 14 cm), Designed by Iseppo Foresto, published by Jeronimo Calepino, Venice. From top to bottom, and left to right: Design composed of 3 vertical

Drawings and Prints, Books Prints Ornament & Architecture, Newes Modelbuch in Kupffer(Page 7r), Artist, Johann Sibmacher, German, active 1590–1611, Sibmacher, Johann, German, 1590, 1611, 1604, 1604

Drawings and Prints, Poster, Comedie Parisienne, La Loïe Fuller Dans Sa Création Nouvelle, Salomé, Printer, Artist, Imprimerie P. Lemenil, Georges de Feure, French, Paris 1868–1943 Paris, Imprimerie P. Lemenil, Feure, Georges de,

Drawings and Prints, Book Print, The King Cancelling his Servant's Debt, from the Parable of the Unmerciful Servant, bound in Thesaurus Sacrarum historiarum Veteris et Novi Testamenti, The Parable of the Unmerciful Servant, Publisher,

Drawings and Prints, Books Prints Ornament & Architecture, La Pratique de l'Aiguille, page 33 (recto), Author, Engraver, Dedicatee, Publisher, Title by, Dedicated to, Published by, Matthias Mignerak, Pierre Firens, Marie de Medici, Jean

Needle case and bobbin, 은제도금 (은에 금을 입힌) 침통 고려, Goryeo dynasty (918–1392), Korea, Partially gilt silver inlaid with niello, L. 2 7/8 in. (7.3 cm), Metalwork

Standing Male Nude Holding a Bow ('Poynter Apollo'), 1501–3, Pen and brown and black ink, 8 5/8 x 5 11/16 in. (21.9 x 14.5 cm), Drawings, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg), As his artistic career advanced and his

Design for a Box-Lid, 18th century, Pen and black and gray ink over graphite underdrawing, 2 5/8 x 3 3/8 in. (6.6 x 8.5 cm.), Drawings, Hubert François Gravelot (French, Paris 1699–1773 Paris

Bow Brooch, first half 6th century, Visigothic, Copper alloy, cast, 'tinned' surface; iron spring and pin, Overall: 6 x 2 5/16 x 1 in. (15.3 x 5.9 x 2.5 cm), Metalwork-Copper

Carpet Fragment, 13th–early 14th century, Attributed to Turkey, Wool (warp, weft and pile); symmetrically knotted pile, Mount: H. 12 in. (30.5 cm), Textiles-Rugs, This fragment, one of the oldest surviving examples of Turkish carpet

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 7 (verso), October 1, 1604, Etching and drawing, Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm), Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua.