Images at Librifly

Diogenes, ca. 1527, Engraving, Prints, Engraved by Giovanni Jacopo Caraglio (Italian, Parma or Verona ca. 1500/1505–1565 Krakow (?)), After Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503–1540 Casalmaggiore), In

Goblet, 1870–90, Made in Tarentum, Pennsylvania, United States, American, Pressed purple marble glass, H. 6 3/8 in. (16.2 cm), Glass, Challinor, Taylor and Company (1866–1891

Medal Louis XII, King of France (r. 1498–15155), and Anne of Brittany (1476–1514), ca. 1499, Made in Lyon, France, French, Copper alloy, Overall: Diam. 4 3/8 x 5/8 in. (11.1 x 1.6 cm), Metalwork-Copper alloy, The medal, of which an

Ancient and Hawk on an Oak Tree, Edo period (1615–1868), mid-17th century, Japan, Pair of fan-shaped paintings mounted on two-panel folding screen; ink on paper, 73 1/2 x 67 3/4 in. (186.7 x 172.1 cm), Screens, Soga Nichokuan (Japanese,

View of University Park looking towards New College, Oxford, after 1825, Watercolor over graphite, Overall: 8 1/2 x 15 1/8 in. (21.6 x 38.4 cm), Drawings, William Turner of Oxford (British, Black Bourton, Oxfordshire 1789–1862 Oxford),

Crystal Vessel with Ornamented Metal Lid, Foot, Handle and Mounts, second half 19th century, Graphite and watercolor, sheet: 6 7/8 x 4 1/8 in. (17.4 x 10.5 cm), Anonymous, British, 19th century

[Group of 37 Stereograph Views of the Garden of the Gods and Other Colorado Scenery, United States of America], 1850s–1910s, Albumen silver prints, Photographs, J. F. Jarvis (American), Strohmeyer & Wyman (American), Benneville Lloyd Singley

Christ Saving Eve, 1595–1654, Brush and gray and black ink, sheet: 14 1/4 x 10 13/16 in. (36.2 x 27.5 cm), Drawings, Hans Jakob Nüscheler the Elder (Swiss, Zurich 1583–1654 Zurich

Landscape with Fishermen, n.d., Black chalk, pen and brown ink, brush and gray and brown wash, sheet: 7 13/16 x 11 in. (19.8 x 28 cm), Drawings, Maerten de Cock (Flemish, Antwerp ca. 1578–ca. 1661 Rome

'Portrait of Zamana Beg, Mahabat Khan', Folio from the Shah Jahan Album, recto: ca. 1610; verso: ca. 1530–40, Attributed to India, Ink, opaque watercolor, and gold on paper, H. 15 1/4 in. (38.7 cm), Codices, Painting by Manohar (active

Six Border Designs, 1830–62, Pen and red ink over graphite, sheet: 14 9/16 x 9 1/8 in. (37 x 23.2 cm), Freeman Gage Delamotte (British, Sandhurst 1813/14–1862 London

Dish with Growing Saz and Floral Design, first half 17th century, Attributed to Turkey, Iznik, Stonepaste; polychrome painted under transparent glaze, H. 1 3/8 in. (3.5 cm), Ceramics

Eyn new kunstlichboich, page 24r, 1529

Earring, 6th–7th century, Langobardic or Byzantine (?), Gold, glass, and pearls., Overall: 1 3/4 x 9/16 x 1 1/8 in. (4.5 x 1.5 x 2.8 cm), Metalwork-Gold, Fashionable in Italy for at least a century before the arrival of the Langobards,

Statuette of Arsinoe II for her Posthumous Cult, Ptolemaic Period, ca. 150–100 B.C., From Egypt, Limestone, paint, gold leaf, H. 38.7 cm (15 1/4 in); W. 9.6 cm (3 3/4 in); D. 13.2 cm (5 3/16 in), The inscription on the back of this figure

Italian Lanscape, 1769, Gouache. Framing line in brush and black ink., 15 3/16 x 13 9/16 in. (38.6 x 34.4 cm), Drawings, Pieter de Groot (Dutch, born Leiden, 1742

Votive Plaque with Seated Bodhisattva, 7th century, Thailand, Gold sheet, 2 1/8 x 1 7/16 in. (5.4 x 3.6 cm), Sculpture

The Martyrdom of St. Andrew, Pen and brown ink, brown wash, heightened with white, over black chalk, 12 1/4 x 8 1/16 in. (31.1 x 20.4 cm), Drawings, Michel Corneille the Younger (French, Paris 1642–1708 Paris

Two Male Nudes, Seated and Standing, after photographs of models by Eugène Durieu, 1855, Graphite on laid paper, sheet: 9 1/16 x 10 5/8 in. (23 x 27 cm), Drawings, Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris), After

Choir Stalls, 16th century, Pen and brown wash, 10-7/8 x 21 in. (27.6 x 53.3 cm), Drawings, Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580

Drawings and Prints, Book Ornament & Architecture, Livre de Moresques, page 11 (recto), Publisher, Artist, Published by, Previously published by, Hiérosme de Gormont, Cornelis Bos, Francesco di Pellegrino, Netherlandish, Hertogenbosch

Drawing Showing Two Alternate Designs for a Cove Decoration, 17th century, Pen and brown ink, brush and brown wash, over black chalk on light tan paper, 8 x 13-3/8 in. (20.3 x 34 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th

Drawings and Prints, Books Prints Ornament & Architecture, Corona delle Nobili et Virtuose Donne: Libro IV, page 17 (recto), Publisher, Cesare Vecellio, Italian, Pieve di Cadore 1521–1601 Venice, Vecellio, Cesare, Italian, 1521, 1601

A Section of the Via Sacra, Rome (The Church of Saints Cosmas and Damian), ca. 1814–15, Oil on canvas, 12 3/8 x 17 1/8 in. (31.4 x 43.5 cm), Paintings, Christoffer Wilhelm Eckersberg (Danish, Blåkrog 1783–1853 Copenhagen), In Rome,

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 6r), Binder, Publisher, Riviere & Son(s), Hermann Gülfferich, London, 1542–1554, Frankfurt am Main, Riviere & Son(s),

Marble left hand holding a box, Late Hellenistic or Imperial, 1st century B.C.–2nd century A.D., Greek or Roman, Marble, Overall: 5 1/8 x 3 1/2 in. (13 x 8.9 cm), Stone Sculpture, Left hand holding a box

Camp of 34th Massachusetts Infantry near Fort Lyon, Virginia, 1861–65, Albumen silver print from glass negative, Photographs

Farmers Dancing, 1599, Pen and black ink, brush and reddish brown wash, sheet: 2 x 5 7/16 in. (5.1 x 13.8 cm), Drawings, Dietrich Theodor Meyer the Elder (Swiss, Eglisau 1572–1658 Zurich

Design for a Panel, 1748–92, Watercolor over pen and black ink, sheet: 11 1/8 x 4 9/16 in. (28.2 x 11.6 cm), Style of Robert Adam (British, Kirkcaldy, Scotland 1728–1792 London

Bowl, 1882, Made in Cincinnati, Ohio, United States, American, Earthenware, H. 3 15/16 in. (10 cm); Diam. 10 in. (25.4 cm), Ceramics, Albert R. Valentien (American, Cincinnati, Ohio 1862–1925 San Diego, California

New-York (From the Southwest), ca. 1852, Hand-colored lithograph, image: 8 7/8 x 14 9/16 in. (22.6 x 37.1 cm), Prints

Fragment of a Coat, early 14th century, Attributed to Egypt, Silk; double weave, H. 20 1/4 in. (51.4 cm), Textiles-Woven, The repeated Arabic inscription in thuluth script is translated as 'Glory to our master the Sultan al Malik al

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 15 (recto), October 1, 1604, Etching and drawing, Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm), Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua.

Bowl, 10th century, Attributed to Iran or Uzbekistan, Nishapur or Samarqand. Found Iran, Nishapur, Earthenware; white slip with polychrome decoration under a transparent glaze, H. 2 9/16 in. (6.5 cm), Ceramics

Essempio di recammi, page 26 (recto), 1530, Woodcut, Overall: 7 13/16 x 6 3/16 x 3/8 in. (19.8 x 15.7 x 1 cm), Written by Giovanni Antonio Tagliente, Italian, Venice ca. 1465-1527 Venice, published by Giovanantonio e i fratelli da Sabbio

Trinket Box, 1830–70, Probably made in Bennington, Vermont, United States, American, Parian porcelain, 3 5/8 x 6 x 3 7/8 in. (9.2 x 15.2 x 9.8 cm), Ceramics

Drawings and Prints, Album Print Ornament & Architecture, Page from Album of Ornament Prints from the Fund of Martin Engelbrecht, Artist, Artist, Publisher, Carl Pier, Franz Xavier Habermann, Jeremias Wachsmuth, Martin Engelbrecht, German,

Flask with Lotus Pond, Yuan dynasty (1271–1368), mid-14th century, China, Porcelain painted with cobalt blue under transparent glaze (Jingdezhen ware), H. 11 1/4 in. (28.6 cm); Diam. 3 1/4 in. (8.3 cm), Ceramics, Introduced with Buddhism in

Foilhummerum Bay, Valentia, Looking Seawards from the Point at Which the Cable Reaches the Shore of Ireland, 1865–66, Watercolor over graphite with touches of gouache, Sheet: 6 5/16 × 9 1/4 in. (16 × 23.5 cm), Drawings, Robert Charles

Title Page, 1727–1804, Pen and ink, wash, Drawings, Attributed to Giovanni Domenico Tiepolo (Italian, Venice 1727–1804 Venice

Elephant Figurine, Late Naqada I–Early Naqada II, ca. 3700–3450 B.C., From Egypt, Pottery (Nile clay), L. 9.8 x H. 5.5 x W. 4.7 cm (3 7/8 x 2 3/16 x 1 7/8 in

Design for a Greek Revival Entrance Screen, Elevation, early 19th century, Pen and ink and wash, sheet: 13 x 18 in. (33 x 45.7 cm), Anonymous, British, early 19th century

Drawings and Prints, Album Print Ornament & Architecture, Page from Album of Ornament Prints from the Fund of Martin Engelbrecht, Artist, Artist, Publisher, Jeremias Wachsmuth, Franz Xavier Habermann, Carl Pier, Martin Engelbrecht, German,

Study of a Tree, ca. 1606–7, Gray watercolor wash, a red chalk wash, charcoal dipped in oil, and graphite on off-white laid paper, 12-1/16 x 15-1/2 in. (30.6 x 39.4 cm), Drawings, Roelandt Savery (Flemish, Kortrijk 1576–1639 Utrecht),

Surcoat (Jinbaori), Edo period (1615–1868), 17th century, Japan, Body: China, for the European market, late 16th–17th century; silk velvet, cut and voided, 36 5/8 x 27 1/8 in. (93.0 x 68.9 cm), Costumes, Samurai jinbaori were frequently

A Princely Hunt, late 16th century, Attributed to Iran, Qazvin, Ink, gold, and watercolor on paper, Painting: H. 6 15/16 in. (17.6 cm), Codices, Following the death of Shah Tahmasp in 1576 royal art patronage declined and artists sought

Strap End, 7th century, Made in Niederbreisig, Germany, Frankish, Copper alloy, Overall: 2 x 9/16 x 3/16 in. (5.1 x 1.5 x 0.4 cm), Metalwork-Copper alloy

Drawings and Prints, Books Prints Ornament & Architecture, Giardineto novo di punti tagliati et gropposi per exercitio & ornamento delle donne (Venice 1554), page 22 (recto), Binder, Publisher, Lloyd, Wallis & Lloyd, Matteo Pagano, British,

Wall bracket, 1881–82, Made in New York, New York, United States, American, Brass, mother-of-pearl, glass shades, and semi-precious stones, 37 x 21 in. (94 x 53.3 cm), Architecture, George A. Schastey & Co. (1873–97), George A.

Battle Scene, 16th century, Pen and black ink, brown wash, highlighted with white squared in red chalk, 7-7/16 x 8-1/4 in. (18.9 x 21 cm), Drawings, Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580

Relief fragment, tomb of Meketre, Kheker, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Meketre (TT 280, ), 1920, Limestone, paint

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 7r), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

Design drawing, 1899–1904, Made in St. Petersburg, Russia, Russian, Graphite, watercolor, and gouache on wove paper, 10 1/8 × 7 3/4 in. (25.7 × 19.7 cm), Drawings, Peter Carl Fabergé (1846–1920), This design drawing and its

Marcus Curtius, 17th century, Pen and black ink, sheet: 5 1/4 x 3 11/16 in. (13.3 x 9.4 cm), Drawings, Samuel Stettler (Swiss (?), active 17th century

Private Samuel Shoop, Company F, 200th Pennsylvania Infantry, April–May 1865, Albumen silver print from glass negative, Image: 18.9 × 13.1 cm (7 7/16 × 5 3/16 in.), Photographs, Reed Brockway Bontecou (American, 1824–1907), The last

Design for two lancet windows, late 19th–early 20th century, Made in New York, United States, American, Watercolor, gouache, and graphite on paper mounted on board., Overall: 21 7/8 x 14 3/4 in. (55.6 x 37.5 cm), Drawings, Possibly

Scene of Celebration with Dancing and Music-Making (Jephtha and his Daughter?), ca. 1680–1720, Red chalk, reworked with pen and brown ink, brush with brown and red wash on light brown paper, 8-7/16 x 6-1/4 in. (21.5 x 15.9 cm), Drawings,

Design for Top Portion of a Gate, Full-Size, ca. 1880, Pen and ink, wash and watercolor, sheet: 9 7/16 x 9 in. (24 x 22.8 cm), Attributed to Richardson Ellson & Co. (British

Project for Interior Wall with Fireplace, 16th century, Pen and brown ink, brush and brown wash, over ruled lines in black chalk or graphite, sheet: 8 3/4 x 16 1/8 in. (22.3 x 41 cm), Drawings, Anonymous, Italian, 16th century

Les Secondes Oeuvres, et Subtiles Inventions De Lingerie du Seigneur Federic de Vinciolo Venitien, page 3 (verso), 1603, Woodcut, Overall: 9 7/16 x 6 1/2 in. (24 x 16.5 cm), Designed by Federic de Vinciolo Venitien, published by Jean Le Clerc,

Virgin of the Annunciation, ca. 1290–1300, Made in Altenberg-an-der-Lahn, Hesse, Germany, German, Pot-metal glass and vitreous paint, 29 3/8 in. × 14 in. (74.6 × 35.6 cm), Glass-Stained, This panel along with the Angel of the

Costume Study for a Boyar with High Boots and a Red Cap, 1929, Watercolor, gouache, gold paint, over graphite., sheet: 15 7/8 x 11 in. (40.3 x 28 cm), Drawings, Pavel Petrovic Froman (Russian, Moscow 1894–1940 Zagreb

[Red Fort, Delhi, India], 1860s–70s, Albumen silver print from glass negative, 20.7 x 27.6 cm (8 1/8 x 10 7/8 in.), Photographs, Unknown

Vase, 1830–70, Probably made in Bennington, Vermont, United States, American, Parian porcelain, 7 1/4 x 4 3/8 x 3 3/4 in. (18.4 x 11.1 x 9.5 cm), Ceramics

Spring Morning in the Tang Court, Edo period (1615–1868), 19th century, Japan, Handscroll; ink and color on paper, 10 3/16 in. × 18 ft. 15/16 in. (25.8 × 551 cm), Paintings, In the Style of Zhou Wenju (Chinese, active 940–975

Study for a Seated Prelate (Saint Gergory the Great), 1685–86, Black chalk, highlighted with white chalk, on blue-gray paper, 15-3/8 x 10-1/4 in. (39.1 x 26.0 cm), Drawings, Carlo Maratti (Italian, Camerano 1625–1713 Rome), The drawing

Fragment from the Tomb of John the Fearless and Margaret of Austria, ca. 1443–55, Made in Burgundy, France, French, Alabaster, Overall: 5 1/2 × 5 1/16 × 2 1/16 in. (14 × 12.8 × 5.2 cm), Sculpture-Architectural, Jean de la Huerta

Drawings and Prints, Books Prints Ornament & Architecture, Giardineto novo di punti tagliati et gropposi per exercitio & ornamento delle donne (Venice 1554), page 16 (recto), Binder, Publisher, Lloyd, Wallis & Lloyd, Matteo Pagano, British,

Openwork Brooch, second half 6th century, Frankish, Silver-gilt, garnet, Overall: 1 5/16 x 1 1/16 x 5/16 in. (3.3 x 2.7 x 0.8 cm), Metalwork-Silver

Bowl in the form of a turtle, Predynastic, Late Naqada l–Naqada II, ca. 3900–3500 B.C., From Egypt, Pottery, H: 6.8 cm (2 11/16 in.); W: 16.8 cm (6 5/8 in

Openwork Belt Fitting, 7th–8th century, Made in Northern France; Made in Alamania, Frankish, Copper alloy, 'tinned' surface, Overall: 2 7/8 x 1/16 in. (7.3 x 0.2 cm), Metalwork-Copper

Dredging a Canal, 17th century, Pen and black ink over black chalk, brush and gray wash. Framing line in pen & brown ink., sheet: 3 9/16 x 5 15/16 in. (9.1 x 15.1 cm), Drawings, Jacob van Ruisdael (Dutch, Haarlem 1628/29–1682 Amsterdam

Sauce Dish, 1870–90, Made in Tarentum, Pennsylvania, United States, American, Pressed purple marble glass, H. 2 3/8 in. (6 cm); Diam. 4 in. (10.2 cm), Glass, Challinor, Taylor and Company (1866–1891

Karnak (Thèbes), Vue Générale des Ruines Prise du Nord-Est, en V, 1851–52, printed 1853–54, Salted paper print from paper negative, 24.3 x 30.4 cm. (9 9/16 x 12 in.), Photographs, Félix Teynard (French, 1817–1892

Tile, ca. 1882–84, Made in Chelsea, Massachusetts, United States, American, Earthenware, 6 1/8 x 3 1/8 in. (15.6 x 7.9 cm), Ceramics, J. and J. G. Low Art Tile Works (1877–1907

[Young Man with Curled Hair], 1850s, Daguerreotype, Image: 6.8 x 5.5 cm (2 11/16 x 2 3/16 in.), Photographs, Unknown (American

Hourt. Jean. 34 (ou 35) ans, né à Reims (Marne). Menuisier. Anarchiste. 4/3/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914), Born

Obsidian blade, Early Cycladic II, ca. 2700–2200 B.C., Cycladic, Obsidian, 3/8 × 3 1/16 × 1/8 in. (1 × 7.7 × 0.3 cm), Miscellaneous-Stone, A small blade; the lower surface is straight, the upper surface rises to a flattened ridge at

Le Pompe: Opera Nova, page 16 (recto), 1557, Woodcut, Overall: 8 1/16 x 5 7/8 in. (20.5 x 15 cm), Published by Giovanni Battista & Marchio Sessa, Venice. From top to bottom, and left to right: Design is for bobbin lace and is composed of 2

Oscar Wilde, 1882, Albumen silver print from glass negative, Image: 12 in. × 7 1/4 in. (30.5 × 18.4 cm), Photographs, Napoleon Sarony (American (born Canada), Quebec 1821–1896 New York

Magical Stela (Cippus of Horus), Late Period, Dynasty 30, 360–343 B.C., From Egypt, Alexandria Region, Alexandria; Probably originally from Memphite Region, Heliopolis (Iunu; On), Temple of the Mnevis bulls, Meta-Greywacke, Overall H.

厳島吉野花見図屏風, Cherry Blossom Viewing at Itsukushima and Yoshino, Edo period (1615–1868), first half of the 17th century, Japan, Pair of six-panel folding screens; ink, color, and gold leaf on paper, Image (each): 60 1/2 in.

Drawings and Prints, Book Prints Ornament & Architecture, Trionfo Di Virtu. Libro Novo..., page 17 (recto), Publisher, Matteo Pagano, Italian, 1515–1588, Venice, Pagano, Matteo, Italian, 1515, 1588, 1563

Strand of Beads, 9th–12th century, Excavated in Iran, Nishapur, Carnelian, H. 5 3/4 in. (14.6 cm), Jewelry, These beads, found together but restrung in a modern setting, may have formed a strand of prayer beads, which in Islamic practice

Drawings and Prints, Books Prints Ornament & Architecture, Page from Ein new kunstlich Modelbuch...(Page 46r), Publisher, Peter Quentel, German, active Cologne, 1518–46, Cologne, Quentel, Peter, German, 1500, 1550, 1544

Design for a Frieze with Wreath and Festoons, 18th century, Pen and ink, sheet: 8 1/2 x 23 1/2 in. (21.6 x 59.7 cm), Anonymous, British, 18th century

Pendant in the form of a hand, first half 17th century, possibly Spanish, Rock crystal, with enameled gold mount set with emeralds, Height: 2 5/8 in. (6.7 cm), Metalwork-Gold and Platinum

Caracal and Pheasant, 1810–75, Watercolor on wove paper, Sheet: 8 9/16 x 11 5/8 in. (21.7 x 29.6cm), Drawings, Antoine-Louis Barye (French, Paris 1796–1875 Paris

A Boar Hunt, 17th century, Gouache on paper., Diameter: 7 3/16 in. (18.2 cm), Drawings, Anonymous, Flemish, 17th century

源氏物語図屏風, Fifty-four Scenes from The Tale of Genji (Genji monogatari), Edo period (1615–1868), late 17th century, Japan, Pair of six-panel folding screens; ink, color, gold, and gold leaf on paper, Each: 66 15/16 in. × 12 ft.

Drawings and Prints, Books Prints Ornament & Architecture, New Künstlichs Modelbuch (Page 23 recto), Publisher, Bernhard Jobin, Swiss, Porrentruy (Jura) before 1545–1593/1597 Strasbourg, Jobin, Bernhard, Swiss, 1535, 1597, 1600, 1600

Page from Ein new kunstlich Modelbuch...(Page 17v), 1544

Marble grave relief with a funerary banquet and departing warriors, Hellenistic, 2nd century B.C., Greek, Marble, H. 43 1/4 in. (109.9 cm), Stone Sculpture, Two brothers, sons of Apollonios, are represented in both reliefs, and their names

Gettysburg from the West, 1863, Albumen silver print from glass negative, Photographs, Timothy H. O'Sullivan (American, born Ireland, 1840–1882

Buckle, 6th–7th century, Byzantine, copper alloy, Overall: 1 15/16 x 1 5/16 x 1/2 in. (5 x 3.3 x 1.2 cm), Metalwork-Bronze

Terracotta beak-spouted jug, Middle Helladic III, ca. 1750–1700 B.C., Helladic, Terracotta, H. 7 5/16 in. (18.5 cm), Vases, Buff-ware jug with globular body, concave handle, high beaked spout and low foot. The shoulder is painted in dark

Design for a Couch, 1800–1900, Sheet: 7 1/2 × 12 1/2 in. (19.1 × 31.8 cm), Drawings, Anonymous, Italian, 19th century

Cup Plate, 1825–60, glass, Glass

Leveillé. Louis. 37 ans, né le 7/7/57 à Cliche (Seine). Forgeron. Anarchiste. 7/7/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914),

Figure 16: Expression of severity, 1854–56, printed 1862, Albumen silver print from glass negative, Image (Oval): 28.5 × 20.4 cm (11 1/4 × 8 1/16 in.), Photographs, Guillaume-Benjamin-Amand Duchenne de Boulogne (French, 1806–1875),