Images at Librifly

Clove boiler, Edo period (1615–1868), 18th century, Japan, Kiyomizu ware, H. 8 3/8 in. (21.2 cm), Ceramics

Reclining Figure, 17th century, Black and red chalk on cream paper, 8-5/8 x 8-1/16 in. (21.9 x 20.5 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

Colt Model 1862 Police Revolver, Serial No. 38549, ca. 1868, Hartford, Connecticut; New York, New York, American, Hartford, Connecticut and New York, Steel, gold, copper alloy (brass), L. of pistol 11 in. (27.9 cm); Cal. .36 in. (9.1 mm),

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 7v), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

Page of Calligraphy, 17th century, Made in Northern India, Ink, opaque watercolor, and gold on paper, 12 1/4 x 8 1/2 in. (31.1 x 21.6 cm), Codices, This leaf of fine nasta'liq calligraphy was conceived as an artistic endeavor, in which the

Drawings and Prints, Books Prints Ornament & Architecture, Libro quarto. De rechami per elquale se impara in diuersi modi lordine e il modo de recamare...Opera noua, page 3 (recto), Publisher, Alessandro Paganino, Italian, active Salò,

Tile, ca. 1882–84, Made in Chelsea, Massachusetts, United States, American, Earthenware, 6 1/8 x 3 1/8 in. (15.6 x 7.9 cm), Ceramics, J. and J. G. Low Art Tile Works (1877–1907

Bronze hydria (water jar) with lid, Hellenistic, 3rd century B.C., Greek, Bronze, 19 1/2in. (49.5cm), Bronzes

Marble portrait bust of an elderly man, Mid-Imperial, Trajanic, 2nd century A.D., Roman, Marble, Height: 25 3/8 in. (64.5 cm), Stone Sculpture, Once an impressive portrait of an old man thanks to the protruding chin and wide-open eyes, the

Drawings and Prints, Albums Prints Ornament & Architecture, Schon newes Modelbuch...Page 14(r), Designer, Sigismundus Latomus, German, active 1599–ca. 1627, Latomus, Sigismundus, German, 1599, 1632, 1617, 1617

Dagger, probably 3rd century, Made in Gaul, Late Roman, Iron, copper alloy, silver, Overall: 6 9/16 x 13/16 x 3/8 in. (16.7 x 2 x 1 cm), Metalwork-Iron

Pair of Tassets of Emperor Charles V of Austria (1500–1558), ca. 1530–40, Augsburg, German, Augsburg, Steel, gold, L. of each 8 3/4 in. (22.2 cm); W. of each 9 3/8 in. (23.8 cm); Wt. of right tasset 1 lb. 1 oz. (482 g); Wt. of left tasset

Italian Landscape with a Tomb, 1783, Brush and gray wash, over black chalk, 10 x 14-3/8 in. (25.4 x 36.5 cm), Drawings, Sir George Howland Beaumont (British, Great Dunow, Essex 1753–1827 Coleorton, Leicestershire

Design for a Vignette Accompanying a Publication on the Greek Alphabet, 1610–64, Pen and brown ink, 2-3/4 x 8-3/4 in. (7.0 x 22.2 cm), attributed to or after Stefano della Bella (Italian, Florence 1610–1664 Florence

Woman Drying Her Arm, late 1880s–early 1890s, Pastel and charcoal on light pink wove paper, discolored at the edges, 12 x 17 1/2in. (30.5 x 44.5cm), Drawings, Edgar Degas (French, Paris 1834–1917 Paris), This pastel is one of eighteen

[Snow Crystal], 1890s–1920s, Gelatin silver print, Image: 2 13/16 × 2 15/16 in. (7.2 × 7.5 cm), Photographs, Wilson Alwyn Bentley (American, 1865–1931

Statue of Osiris in a Garden., before 1704, Pen and black and brown ink, brush and grey wash, over traces of red chalk., 5 1/8 x 7 5/8 in. (13.0 x 19.4 cm), Drawings, Jan Goeree (Dutch, Middelburg 1670–1731 Amsterdam

Marble head of a goddess, Hellenistic, 2nd–1st century B.C., Greek, Marble, H. 18 11/16 in. (47.5 cm), Stone Sculpture, The idealized features and crown identify this striking portrait as the image of a goddess, perhaps Aphrodite or

Relief fragment from the tomb of Meketre, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Meketre (TT 280, ), Court, Radim, 1920, Limestone, paint

Bird Head, Date unknown, Papua New Guinea, Morobe province, Morobe province, Stone, pigment, H. 4 1/2 x W. 2 x D. 4 1/2 in. (11.4 x 5.1 x 11.4 cm), Stone-Sculpture, Unearthed in the Eastern Highlands of New Guinea, this ancient stone image

Corona delle Nobili et Virtuose Donne: Libro I-IV, page 28 (recto), 1601

Fragment of a Vase Depicting Arsinoe II, Ptolemaic Period, Ptolemaic Dynasty, 275–270 B.C.or a bit later, From Egypt, Alexandria region; Probably from Alexandria, Faience, H. 3.8 cm (1 1/2 in.); W. 2 cm (13/16 in.); D. 3 cm (1 3/16 in.),

Fragment of a faience statuette of a woman holding a vase on her head, Archaic, late 7th–6th century B.C., East Greek, Faience, H. (.a): 3 in. (7.6 cm), Miscellaneous-Faience, Holding vessel on head with both hands

Box, Qing dynasty (1644–1911), 18th century, China, Tortoise shell, H. 1 in. (2.5 cm); Diam. 2 13/16 in. (7.1 cm), Shell

Vertical panels, ca. 1716, German, Westphalia, Silk, metal thread, on linen, a: L. 39 1/2 x W. 9 3/8 inches (100.3 x 23.8 cm); b: L. 28 5/8 x W. 9 1/2 inches (72.7 x 24.1 cm), Textiles-Embroidered

Sauce Dish, ca. 1888, Made in Tarentum, Pennsylvania, United States, American, Pressed yellow glass, H. 2 5/8 in. (6.7 cm); Diam. 4 in. (10.2 cm), Glass, Richards and Hartley Flint Glass Co. (ca. 1870–1890

The Adoration of the Shepherds, 1374, Made in Siena, Italy, Italian, Tempera on poplar, gilding, Overall: 69 1/8 x 45 1/8 in. (175.6 x 114.6 cm), Paintings-Panels, Bartolo di Fredi (Italian, active by 1353–died 1410 Siena), Once the

Drawings and Prints, Album Print Ornament & Architecture, Targhe ed altri ornati di varie e capricciose invenzioni (Cartouches and other ornaments of various and capricious invention, page 16), Artist, Publisher, Artist, After, Georges

Drawings and Prints, Album Print Ornament & Architecture, Page from Album of Ornament Prints from the Fund of Martin Engelbrecht, Artist, Publisher, Artist, Carl Pier, Martin Engelbrecht, Franz Xavier Habermann, Jeremias Wachsmuth, German,

Icon with Christ Pantokrator, 11th–12th century, Byzantine, Ivory, Overall: 3 13/16 x 3 x 3/16 in. (9.7 x 7.6 x 0.4 cm), Ivories, The Byzantine image of Christ Pantokrator (Ruler of All) is a frontal, half-length portrait of a bearded Christ

清中期 玉羅漢山子, Seated luohan (arhat) in a grotto, Qing dynasty (1644–1911), 18th–19th century, China, Jade (nephrite), H. 12 1/2 in. (31.8 cm); W. 5 in. (12.7 cm), Jade

Bodhisattva with Radiate Halo and Mandorla, 6th century, Pakistan (ancient region of Gandhara) or India (Jammu & Kashmir), Phyllitic grey schist, H. 5 1/4 in. (13.3 cm), Sculpture, This bodhisattva, holding a lotus (padma), likely represents

Victoria Regia at Botanical Garden, Udaipur, 1860s–70s, Albumen silver print from glass negative, 20.2 x 27.4 cm (7 15/16 x 10 13/16 in.), Photographs, Unknown

Allegorical Figure of the City of Piacenza, for a Pendentive in the Chapel of Saint-Roch, Church of Saint-Sulpice, Paris (recto); Studies for the Same Figure (verso), 1821, Graphite, heightened with white, squared in graphite, on beige paper,

Hobnail Finger Bowl, after 1886, Made in Wheeling, West Virginia, United States, American, Pressed cranberry, opalescent and colorless glass, H. 2 3/4 in. (7 cm); Diam. 5 in. (12.7 cm), Glass, Probably Hobbs, Brockunier and Company

Facade (for Stage Setting), 16th century, Pen and brown ink, washed with red, 9-1/2 x 2-3/4 in. (24.1 x 7.0 cm), Drawings, Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580

Drawings and Prints, Books Prints Ornament & Architecture, Prima parte de' fiori, page 14 (recto), Author, Printer, Publisher, Giovanni Battista Ciotti, Nicolo Moretti, Francesco de' Franceschi, Italian, born Siena, ca. 1560, Italian,

Figure 60: Fright, 1854–56, printed 1862, Albumen silver print from glass negative, Image (Oval): 28.3 × 20.3 cm (11 1/8 × 8 in.), Photographs, Guillaume-Benjamin-Amand Duchenne de Boulogne (French, 1806–1875), Adrien Tournachon

Drawings and Prints, Books Prints Ornament & Architecture, Schön Neues Modelbuch (Page 8 recto), Designer, Publisher, Johann Sibmacher, Balthasar Caymox, German, active 1590–1611, German, Bersse (?) 1561–1635 Nuremberg, Sibmacher,

Harness Pendant, with Mounted Horseman, 6th century, Made in Iberian Peninsula, Visigothic, Copper alloy, Overall: 3 3/8 x 1/8 x 3/16 in. (8.5 x 0.3 x 0.5 cm), Metalwork-Bronze

Head of a Figure (Dogū), Final Jōmon period (ca. 1000–300 B.C.) or later, Japan, Earthenware with incised and cord-marked designs, H. 2 1/2 in. (6.4 cm); W. 2 3/4 in. (7 cm); D. 2 1/2 in. (6.4 cm), Ceramics

Flask, 1840–50, Made in Baltimore, Maryland, United States, American, Free-blown molded amber glass, H. 8 5/8 in. (21.9 cm), Glass, Baltimore Glass Works (1800–ca. 1890

Drawings and Prints, Books Prints Ornament & Architecture, Neu künstlich Modelbuch (page 32r), Publisher, Bernhard Jobin, Swiss, Porrentruy (Jura) before 1545–1593/1597 Strasbourg, Jobin, Bernhard, Swiss, 1535, 1597, 1598, 1598

Fragment of a Tunic, 4th century, Made in Egypt, Wool, linen; plain weave, tapestry weave, 16.5 in. high 13.50 in. wide (41.91 cm high 34.29 cm wide), Textiles

明晚期 黑漆嵌螺鈿人物圖捧盒, Box with Scenes of a Departure, Ming dynasty (1368–1644), late 16th–early 17th century, China, Black lacquer with mother-of-pearl inlay; pewter wire, H. 3 3/4 in. (9.5 cm); Diam. 9 1/8 in. (23.2

Project for the decoration of an Altar., 1700–1780, Pen and brown ink, brush and brown, blue and yellow wash, over lead point, with ruled construction, 14-7/8 x 10-1/4 in. (37.8 x 26 cm) : irregular., Drawings, Anonymous, Italian,

Joan of Arc Imprisoned in Rouen, 1819, Pen and brown ink, watercolor, and wash on two sheets of laid paper, mounted together on a sheet of laid paper, 18 7/8 x 26 7/8 in. (48 x 68.2 cm.), Drawings, Pierre Henri Revoil (French, Lyon

靈璧賞石, Rock in the form of a fantastic mountain, Qing dynasty (1644–1911), 18th century, China, Gray Lingbi limestone; wood stand, H. (with stand) 32 in. (81.3 cm); W. 21 in. (53.3 cm); D. 15 in. (38.1 cm), Sculpture

Terracotta trefoil oinochoe (jug), Archaic, ca. 550 B.C., Etruscan, Terracotta; bucchero pesante, H.: 14 1/8 in. (35.9 cm), Vases, Trefoil lip, with a frieze of three horses' heads and two lions' heads in relief

Cartouches Nouvellement Inventez par J.B. Toro, 1716

Dutch Landscape with Windmills, 17th century, Pen and brown ink, brush and brown, blue, and gray wash; framing lines in black ink, 7 3/4 x 12 3/16 in. (19.7 x 31 cm), Drawings, After Jan Brueghel the Elder (Netherlandish, Brussels

The Conductor, ca. 1920, Ink and graphite on paper, 11 x 8 1/2 in. (27.9 x 21.6 cm), Drawings, William Gropper (American, New York 1897–1977 Manhasset, New York

Ancient Maltese Costume, A Lady in a Faldetta, 19th century, Watercolor and gouache over graphite, sheet: 6 5/16 x 4 3/4 in. (16.1 x 12 cm), Vincenzo Feneck (British (?), active 19th century

The Bath, 1895 or before, Charcoal and pastel on heavy wove paper, 12 5/8 x 10 1/8 in. (32.1 x 25.7 cm), Drawings, Edgar Degas (French, Paris 1834–1917 Paris

Company C, 9th Indiana Infantry (Sherman's Veterans), 1861–65, Albumen silver print from glass negative, Photographs

Weeping Woman Kneeling, Seen from Behind, 17th century, Black chalk, heightened with white, on blue paper., 7 9/16 x 9 in. (19.2 x 22.8 cm), Drawings, Jacob Backer (Dutch, Harlingen 1608–1651 Amsterdam

Purple Iris, ca. 1920, Watercolor and graphite on paper, 14 x 10 in. (35.6 x 25.4 cm), Drawings, Charles Demuth (American, Lancaster, Pennsylvania 1883–1935 Lancaster, Pennsylvania

Lamp, ca. A.D. 40–100, Roman, Cypriot, Terracotta, Overall: 7/8 x 3 1/4 in. (2.2 x 8.3 cm), Terracottas

Snuff Bottle with Immortal and Crane, Qing dynasty (1644–1911), Daoguang period (1821–50), China, Porcelain with underglaze blue, coral stopper, H. 2 1/2 in. (6.4 cm), Snuff Bottles

Drawings and Prints, Books Prints Ornament & Architecture, La Pratique de l'Aiguille, page 70 (recto), Author, Engraver, Dedicatee, Publisher, Title by, Dedicated to, Published by, Matthias Mignerak, Pierre Firens, Marie de Medici, Jean

Deep Dish, 1450–1470, Made in probably Manises, Valencia, Spain, Spanish, Tin-glazed earthenware, Overall: 1 13/16 × 17 15/16 in. (4.6 × 45.5 cm), Ceramics

Bowl, 12th–13th century, Attributed to Iran, Stonepaste; overglaze painted (mina'i), H. 2 7/8 in. (7.3 cm), Ceramics

City Point, Virginia, 1861–65, Albumen silver print from glass negative, Photographs, Andrew Joseph Russell (American, 1830–1902

'The Execution of the Brahmins', Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide), Codices

Roobin. Joseph. 40 ans, né à Bourgneuf (Loire-Inférieure). Terrassier. Anarchiste. 2/3/94, 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Belt Buckle, about 600, Made in Northern France, Frankish, Copper alloy, 'tinned' surface, Overall: 2 3/8 x 3 3/4 x 11/16 in. (6 x 9.6 x 1.8 cm), Metalwork-Copper alloy, At the center of the circular plate of this buckle is a tiny face

Famous Themes for Painting Study Known as The Garden of Painting (Gaen), 狩野探幽筆　『画苑』, Edo period (1615–1868), 1670, Japan, One of a pair of handscrolls; ink on paper, 10 7/8 in. x 10 ft. 7 5/8 in. (27.6 x 324.2 cm),

309. Ochart. Alphonse. 37 ans, né le 24/1/56 à Asbruch (Nord). Fabricant de chaussures. Anarchiste. 22/1/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon

Diana and Endymion, 1745–97, Black and white chalk on blue paper, 10 1/2 x 13 3/8 in. (26.6 x 34 cm), Drawings, Januarius Zick (German, Munich before 1730–1797 Ehrenbreitstein

Relief panel, Neo-Assyrian, ca. 883–859 B.C., Mesopotamia, Nimrud (ancient Kalhu), Assyrian, Gypsum alabaster, 45 x 37 1/2 x 2 7/8 in. (114.3 x 95.3 x 7.3 cm), Stone-Reliefs-Inscribed, This panel from the Northwest Palace at Nimrud

Disk with Dragons, Yuan (1271–1368)–Ming (1368–1644) dynasty, 14th–15th century, China, Ivory, H. 10 1/8 in. (25.7 cm); Diam. 4 9/16 in. (11.6 cm), Ivories, This disc either may have been used as inlay to decorate another a piece of

Coiling the Cable in the Large Tanks at the Works of the Telegraph Construction and Maintenance Company of Greenwich, 1865, 1865, Watercolor over graphite with touches of gouache, Sheet: 7 3/16 × 10 1/2 in. (18.2 × 26.6 cm), Drawings, Robert

Figure 81: Lady Macbeth, moderate expression of cruelty, 1854–56, printed 1862, Albumen silver print from glass negative, Image: 28.4 × 22.7 cm (11 3/16 × 8 15/16 in.), Photographs, Guillaume-Benjamin-Amand Duchenne de Boulogne (French,

[Union Officer and Private, Standing at Attention, with Sword and Rifle with Fixed Bayonet], 1861–65, Tintype, Plate: 10.8 x 8.3 cm (4 1/4 x 3 1/4 in.), Photographs, Unknown (American

Limestone Bes, Cypro-Archaic II, late 6th–early 5th century B.C., Cypriot, Limestone, Overall: 5 1/2 x 3 1/4 x 2 3/4 in. (14 x 8.3 x 7 cm), Stone Sculpture, The figure preserves the body and upper part of the legs of a nude Bes. His body is

Drawings and Prints, Books Prints Ornament & Architecture, La Pratique de l'Aiguille, page 71 (recto), Author, Engraver, Dedicatee, Publisher, Title by, Dedicated to, Published by, Matthias Mignerak, Pierre Firens, Marie de Medici, Jean

Hab.t de la France from Playing Cards (for Quartets) 'Costumes des Peuples Étrangers', 1700–1799, Etching and hand coloring (watercolor), 3 3/16 × 2 1/16 in. (8.1 × 5.3 cm), Prints, Anonymous, French, 18th century

Les Secondes Oeuvres, et Subtiles Inventions De Lingerie du Seigneur Federic de Vinciolo Venitien, page 15 (recto), 1603, Woodcut, Overall: 9 7/16 x 6 1/2 in. (24 x 16.5 cm), Designed by Federic de Vinciolo Venitien, published by Jean Le

Ceiling Design, late 19th century, Ink and watercolor, Anonymous, British, 19th century

Interior Design with a Central Door with Brown Curtains Flanked by Benches, against an Aquamarine Wall, with an Overdoor Painting, late 19th century (?), Gouache, sheet: 10 x 12 in. (25.4 x 30.5 cm), Anonymous, British, 19th century

Gold Belt-Hole Guard, 700s, Avar, Gold, 13/16 × 1 × 1/4 in., 0 Troy Ounces (2.1 × 2.6 × 0.7 cm, 13g), Metalwork-Gold, The treasure contains an array of belt fittings, some elaborately decorated, some unfinished or defectively cast. Some

A Basket of Fruit, n.d., Pen and black ink and gray wash on paper., 8 x 6 1/4 in. (20.3 x 15.8 cm), Drawings, Jan van Huysum (Dutch, Amsterdam 1682–1749 Amsterdam

Scenes from the life of Mary Queen of Scots, 1820s, French, Cotton, Overall: 24 x 50 1/2 in. (61 x 128.3 cm), Textiles-Printed

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch aller Art Nehens vn Stickens (Page 7r), Publisher, Christian Egenolff, German, Hadamar 1502–1555 Frankfurt, Egenolff, Christian, German, 1502, 1555, 1535, 1535

Standing Nude, Facing Right, 1918, Charcoal on paper, 18 1/4 x 11 3/4 in. (46.4 x 29.8 cm), Drawings, Egon Schiele (Austrian, Tulln 1890–1918 Vienna

Pair of Wheellock Pistols, mid-17th century, Brescia, Italian, Brescia, Steel, wood (walnut), L. of : 22 11/16 in. (57.7 cm); Cal. of : in. (12.6 mm); Wt. of : 2 lb. 3 oz. (997 g); L. of : 22 13/16 in. (57.9 cm); Cal. of : in. (12.3 mm); Wt.

Philip the Good, Duke of Burgundy; costume design for Jeanne d'Arc by the Paris Opera, 1897, Pen and black ink, watercolor, gouache, sheet: 12 5/16 x 9 3/8 in. (31.2 x 23.8 cm), Drawings, Charles Bianchini (French, Lyons 1860–1905 Paris

Pair of Percussion Target Pistols Made for Display at the 1844 Exposition des Produits de l'Industrie in Paris, dated 1844, Paris, French, Paris, Steel, wood (ebony), L. of each pistol 16 5/8 in. (42.3 cm); L. of each barrel 11 in. (27.8 cm);

White House Landing, Pamunkey River, 1861–65, Albumen silver print from glass negative, 13.1 x 20.2 cm (5 3/16 x 7 15/16 in. ), Photographs, Timothy H. O'Sullivan (American, born Ireland, 1840–1882

Perspectival Drawing of a Cradle, 1500–1546, Pen and black ink, brush and grey, and a reddish brown chalk, sheet: 2 15/16 x 2 5/8 in. (7.4 x 6.6 cm), Drawings, Peter Flötner (German, Thurgau 1485–1546 Nuremberg

3 of Collars, from The Cloisters Playing Cards, ca. 1475–80, Made in Burgundian territories, South Netherlandish, Paper (four layers of pasteboard) with pen and ink, opaque paint, glazes, and applied silver and gold, 5 3/16 × 2 3/4 in.

'The Fox and the Battling Rams Observed by the Ascetic', Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide), Codices

Drawings and Prints, Books Prints Ornament & Architecture, Convivio delle Belle Donne, page 5 (recto), Publisher, Designer, Woodcut border on title signed by, Nicolo Zoppino, Matteo da Treviso, Italian, Ferrara 1478/80–1544 Venice,

Les Singuliers et Nouveaux Portraicts... page 18 (recto), 1588, Woodcut, Overall: 8 1/16 x 6 5/16 in. (20.5 x 16 cm), Designed by Federic de Vinciolo, published by Jean Le Clerc, Paris, bound by Chambolle-Duru, French, 19th century. From top

Ka'ba Tile, ca. 1720–30, Made in Turkey, Istanbul, Tekfur Sarayi (workshop), Stonepaste; polychrome painted under transparent glaze, H: 13.8 in. (35 cm), Ceramics-Tiles, Osman Ibn Mehmed (Turkish, active first half 18th century), This

Vessel in the shape of a bird with archaic designs, Qing dynasty (1644–1911), 18th–19th century, China, Rock crystal, H. 4 1/4 in. (10.8 cm); H. incl. base 5 5/8 in. (14.3 cm), Hardstone

Animas Canyon, Colorado, 1906, Chromolithograph, Image: 8.1 x 12.3 cm (3 3/16 x 4 13/16 in.), Prints, William Henry Jackson (American, 1843–1942), Around the turn of the twentieth century, printers developed sophisticated color processes

Plate, ca. 1890–1907, British (London), Ceramic, Diameter: 16 in. x Depth: 2 1/2 in. (40.6 x 6.4 cm), Ceramics-Pottery, Known for his 'Persian style' blue and turquoise ceramics inspired by Iznik pottery, De Morgan produced glazes with

Fort Laramie, Wyoming, ca. 1866, Albumen silver print from glass negative, Image: 12.8 × 17.8 cm (5 1/16 × 7 in.), oval, Photographs, Attributed to Ridgway Glover (American, 1831–1866

Drawings and Prints, Book Prints Ornament & Architecture, Trionfo Di Virtu. Libro Novo..., page 20 (verso), Publisher, Matteo Pagano, Italian, 1515–1588, Venice, Pagano, Matteo, Italian, 1515, 1588, 1563