Images at Librifly

明早期 黑漆嵌螺鈿人物花鳥紋撞盒, Tiered Box with Figural Scenes, Flowers, and Birds, Ming (1368–1644) dynasty, first half of the 15th century, China, Black lacquer with mother-of-pearl inlay, H. 6 1/2 in. (16.5 cm); W. 8 1/8

Terracotta lamp: on discus, eagle holding branch in beak, 1st century B.C.–1st century A.D., Roman, Terracotta, Overall: 7/8 x 3 1/2 in. (2.2 x 8.9 cm), Terracottas

Design for a Painted Ceiling, Pen and gray ink, brush and gray, rose, peach, and green wash, 6 7/8 x 5 3/4 in. (17.5 x 14.6 cm.), Drawings, Claude Audran III (French, Lyons 1658–1734 Paris

Les Secondes Oeuvres, et Subtiles Inventions De Lingerie du Seigneur Federic de Vinciolo Venitien, page 23 (recto), 1603, Woodcut, Overall: 9 7/16 x 6 1/2 in. (24 x 16.5 cm), Designed by Federic de Vinciolo Venitien, published by Jean Le

Chess Piece, Rook, 7th–8th century, Attributed to Western Islamic Lands, Ivory, H. 2 5/16 in. (5.8 cm), Gaming pieces

Beaufort. Gilbert. 32 ans, né à Paris Xle. Ébéniste. Anarchiste. 5/3/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914), Born into

Relief fragment from the tomb of Meketre, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Meketre (TT 280, ), 1920, Limestone, paint, H 16.8 cm ( 6 5/8 in.); W 21.8 cm ( 8

Design for a border with Cymbals and Tambourines, 1809–65, Pen and black ink over traces of pencil., 7 x 6 1/2 in. (17.8 x 16.5 cm), Drawings, Carl Alexander von Heideloff (German, Stuttgart 1789–1865 Haßfurt

Drawings and Prints, Books Prints Ornament & Architecture, Schön newes Modelbuch (Page 37r), Publisher, Sigismundus Latomus, German, active 1599–ca. 1627, Frankfurt am Main, Latomus, Sigismundus, German, 1599, 1632, 1608

[Couple on a Settee], 1860s, Albumen silver print, Photographs, Unknown

Two Bowls with Figures and a Footed Plate with Birds, 10th century, Excavated in Iran, Nishapur, Earthenware; polychrome decoration under transparent glaze (buff ware), H. 3 5/8 in. (9.2 cm), Ceramics, Common among the buff ware bowls that

Beads from a Necklace, 6th–7th century, Made in Niederbreisig, Western Germany, Frankish, Glass, amber, shell, Overall: length of string 27 3/16 x 7/16 in. (69 x 1.1 cm), Glass-Beads

Hobnail Finger Bowl, after 1886, Made in Wheeling, West Virginia, United States, American, Pressed cranberry and opalescent glass, H. 2 3/4 in. (7 cm); Diam. 5 in. (12.7 cm), Glass, Probably Hobbs, Brockunier and Company (1863–1891

Drawings and Prints, Album Print Ornament & Architecture, Page from Album of Ornament Prints from the Fund of Martin Engelbrecht, Artist, Publisher, Artist, Carl Pier, Jeremias Wachsmuth, Martin Engelbrecht, Franz Xavier Habermann, German,

Interior of Halle aux Blés, Paris [The Corn Exchange], n.d., Pen, brown ink, gray wash over graphite, 7 3/8 x 5 in. (18.7 x 12.7 cm), Drawings, Jean Démosthène Dugourc (French, Versailles 1749–1825 Paris

Drawings and Prints, Books Prints Ornament & Architecture, Schön newes Modelbuch (Page 17r), Publisher, Sigismundus Latomus, German, active 1599–ca. 1627, Frankfurt am Main, Latomus, Sigismundus, German, 1599, 1632, 1608

Houses on the Tiber, 1838–1910, Graphite, Sheet: 4 3/16 x 6 1/2 in. (10.6 x 16.5 cm), Drawings, Sir Francis Seymour Haden (British, London 1818–1910 Bramdean, Hampshire

Design for a Mirror, mid-18th–early 19th century, James Wyatt (British, Weeford, Stafforshire 1746–1813 near Marlborough, Wiltshire

Dish, ca. 1860–66, Made in China, Chinese, for American market, Porcelain, H. 2 1/2 in. (6.4 cm); Diam. 10 1/16 in. (25.6 cm), Ceramics

A Reconstruction of the Thermae of Diocletian (above) and a View of the Ruins (below), before 1704, Red chalk, brush and grey wash, pen and brown ink, over traces of black chalk., 12 15/16 x 8 7/32 in. (32.9 x 20.9 cm), Drawings, Jan Goeree

Key from Norfolk Church, ca. 1880, Graphite on tracing paper, sheet: 4 7/16 x 1 3/4 in. (11.2 x 4.5 cm), Richardson Ellson & Co. (British

Mathon. Louis Marius. 30 ans, né à St Andiolle (Ardèche). Ferblantier. Anarchiste. 26/2/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

The Madonna and Child Attended by Saints, ca. 1543, Engraving, Prints, Giulio Bonasone (Italian, active Rome and Bologna, 1531–after 1576), After Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503–1540 Casalmaggiore),

Drawings and Prints, Books, Prints, Ornament & Architecture, La Vera Perfettione del Disegno di varie sorti di recami, page 22 (verso), Illustrator, Publisher, Woodcut of Lucrezia designed by, Giuseppe Salviati (Giuseppe Porta, called Il

Saltcellar, 1780–1825, Possibly made in England; Possibly made in United States, American, Blown pattern-molded lead glass, H. 1 1/2 in. (3.8 cm); Diam. 2 1/2 in. (6.4 cm), Glass

Woman dressed as a milkmaid holding a pail, first half 20th century, brush and black ink, watercolor, gouache, traces of graphite framing lines, sheet: 16 x 6 13/16 in. (40.6 x 17.3 cm), Drawings, Sergey Sudeykin (Russian, Smolensk

Landscape, 17th century, Pen and brown ink on paper, sheet: 9 15/16 x 14 in. (25.3 x 35.6 cm), Drawings, Anonymous, Flemish, 17th century (?), Anonymous, French, 17th century, Style of G. Focus (French, 17th-century

Terracotta inscribed alabastron (perfume vase), Archaic, ca. 600 B.C., Etruscan, Etrusco-Corinthian, Terracotta, H. 5 5/16 in. (13.5 cm), Vases, Frieze: sphinx, lions, and birds. Decorated with a large striding sphinx accompanied by smaller

Portico, 16th century, Pen and brown ink, washed, 14-3/8 x 10 in. (36.5 x 25.4 cm), Drawings, Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580

The Street - Design for a Poster, 1900–1901, printed 1903, Photogravure, 17.7 x 13.3 cm. (7 x 5 1/4 in.), Photographs, Alfred Stieglitz (American, Hoboken, New Jersey 1864–1946 New York

Terracotta bull's mask, Cypro-Archaic II, ca. 600–480 B.C., Cypriot, Terracotta; hand-made, H. 4 1/8 in. (10.5 cm), Terracottas, As the surrounding objects indicate, bulls' masks figured prominently in the rituals of ancient Cyprus. An

Traveling set in leather case, mid-18th century, Hungarian, Silver, partly gilded, steel, tooled leather, Length (Knife [a]): 9 7/8 in. (25.1 cm), Metalwork-Silver, It is amazing that eight implements could be compressed into this leather

Design drawing, ca. 1883, based on earlier design, Graphite, ink, and gouache, sheet: 15 15/16 x 11 in. (40.5 x 27.9 cm), Christopher Dresser (British, Glasgow, Scotland 1834–1904 Mulhouse

The Denial of St. Peter, 1620–38, Pen and black and brown ink and brown wash on cream laid paper, sheet: 5 x 6 3/8 in. (12.7 x 16.2 cm), Drawings, Rudolf Meyer (Swiss, Zurich 1605–1638 Zurich

Plate, ca. 1825, Made in Mexico, Mexican, Earthenware, Diam. 8 5/8 in. (21.9 cm), Ceramics

The Crater, Petersburg, 1864, Albumen silver print from glass negative, Photographs, Timothy H. O'Sullivan (American, born Ireland, 1840–1882

Flask, 1840–60, Made in Philadelphia, Pennsylvania, United States, American, Free-blown molded aquamarine glass, H. 8 1/4 in. (21 cm), Glass, Dyottville Glass Works (1833–1923

Offering Table of Tjaenhesret, priest of Thoth, son of Iaa, Ptolemaic Period, 332–30 B.C., From Egypt; Probably from Middle Egypt, Hermopolis (Ashmunein; Khemenu), Limestone, H. 39.5 cm (15 9/16 in.); W. 35.3 cm (13 7/8 in.); D. 5.8 cm (2

The Diva at Home, 1900s, Platinum print, Photographs, Frank Eugene (American, New York 1865–1936 Munich

Drawings and Prints, Books Prints Ornament & Architecture, Page from Eyn Newe kunstlich moetdelboech alle kunst (Page 6r), Publisher, Peter Quentel, German, active Cologne, 1518–46, Cologne, Quentel, Peter, German, 1500, 1550, 1532

Portrait of a Clergyman or a Jurist (?), late 17th–early 18th century, Red chalk. Framing line in pen and brush and black ink., sheet: 9 7/8 x 6 5/8 in. (25.1 x 16.8 cm), Drawings, Johann Daniel Preissler (German, Nuremberg 1666–1737

Ornament Containing Kneeling Boy and Turkey, ca. 1780–1820, Graphite with pen and black ink, sheet: 7 3/4 x 13 5/16 in. (19.7 x 33.8 cm), Drawings, Anonymous, German, 19th century

Essempio di recammi, page 22 (verso), 1530, Woodcut, Overall: 7 13/16 x 6 3/16 x 3/8 in. (19.8 x 15.7 x 1 cm), Written by Giovanni Antonio Tagliente, Italian, Venice ca. 1465-1527 Venice, published by Giovanantonio e i fratelli da Sabbio

Panel, 15th century, French, Oak, Overall: 76 x 25 3/4 x 2 1/8 in., 41lb. (193 x 65.4 x 5.4 cm, 18.6kg), Woodwork-Furniture

A View of the Palace from the Lawn in the Royal Garden at Kew, third quarter 18th century, British, Silk, wool on canvas, H. 11 3/4 x W. 17 1/2 inches (29.8 x 44.5 cm); Framed: H. 14 1/8 x W. 20 1/16 x D. 1 1 4 inches (36.8 x 50.8 cm x 3.2 cm),

Drawings and Prints, Album Print Ornament & Architecture, Targhe ed altri ornati di varie e capricciose invenzioni (Cartouches and other ornaments of various and capricious invention, page 1), Publisher, Artist, After, Carlo Losi, Georges

Design for coffered cupola interior and monuments (recto); details of wall decoration (verso), early 19th century, Graphite, sheet: 15 x 18 1/2 in. (38.1 x 47 cm), Drawings, Anonymous, 19th century

Study for the Funeral of Pallas, ca. 1716–17, Red and black chalk heightened with white chalk on blue paper, Sheet: 12 3/8 x 15 1/2 in. (31.5 x 39.4 cm), Drawings, Antoine Coypel (French, Paris 1661–1722 Paris

Beaker vase, 1874, British, Lambeth, London, Stoneware, Overall (confirmed): 18 7/16 × 6 3/4 in. (46.8 × 17.1 cm), Ceramics-Pottery

Cuneiform tablet: Old Babylonian balag to the mother goddess Aruru, Old Babylonian, ca. 19th–16th century B.C., Mesopotamia, Babylonian, Clay, 3 7/8 x 1 7/8 x 1 1/8 in. (10 x 4.9 x 2.7 cm), Clay-Tablets-Inscribed, Liturgical compositions

Interior of Fort Sedgwick, before Petersburg, 1861–65, Albumen silver print from glass negative, Photographs, Timothy H. O'Sullivan (American, born Ireland, 1840–1882

Study for a Stained Glass Window, late 16th–early 17th century, Pen and black ink and gray wash; framing lines in brown ink, Overall: 7 5/16 x 5 13/16 in. (18.5 x 14.8 cm), Christoph Murer (Swiss, Zurich 1558–1614 Winterthur), The drawing

The Terminal, 1893, printed 1911, Photogravure, 12.1 x 16.0 cm (4 3/4 x 6 5/16 in.), Photographs, Alfred Stieglitz (American, Hoboken, New Jersey 1864–1946 New York), As proprietor of the Little Galleries of the Photo-Secession and

[Encampment alongside a stand of trees]. Brady album, p. 123, 1861–65, Albumen silver print from glass negative, Photographs

Saint Luke (one of four), late 16th–early 17th century, Italian or Spanish, Silk and metal thread on canvas, Diameter: 8 in. (20.3 cm), Textiles-Embroidered

[Group of 17 Early Stereograph Views of British Churches], 1850s–1910s, Albumen silver prints, Mounts approximately: 8.5 x 16.9 cm (3 3/8 x 6 5/8 in.) to 8.7 x 17.7 cm (3 7/16 x 6 15/16 in.), Photographs, E. W. Wyatt (British), Mrs. Charles

[Woman in White Laced-bodice Dress in Studio of Thomas Eakins], 1880s, Platinum print , 23.3 x 14.9 cm (9 3/16 x 5 7/8 in.), Photographs, Thomas Eakins (American, Philadelphia, Pennsylvania 1844–1916 Philadelphia, Pennsylvania

Rampin. Pierre. 3/7/94, 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914), Born into a distinguished family of scientists and statisticians,

Sheet of Studies, 17th century, Black chalk, 13 x 6-7/8 in. (33.0 x 17.5 cm), Drawings, Anonymous, Italian, 17th century

Standing Male Figure with Hand Raised, 17th century, Pen and dark brown ink. On ivory paper, 6-5/8 x 4-1/2 in. (16.8 x 11.4 cm), Drawings, Anonymous, Spanish, School of Seville, 17th century

Mathurin Régnier, ca. 1846, Watercolor and gouache over traces of graphite on wove paper, 12-1/8 x 8-13/16 in. (30.8 x 22.4 cm), Drawings, Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris

Die Schachspieler - Les joueurs d'échecs - The Chess Players, 1831, Etchings, Overall: 11 x 14 5/16 x 1/16 in. (28 x 36.3 x 0.2 cm), Books, Moritz Retzsch (German, Dresden 1779–1857 Hoflössnitz bei Dresden

Les Singuliers et Nouveaux Portraicts... page 47 (recto), 1588, Woodcut, Overall: 8 1/16 x 6 5/16 in. (20.5 x 16 cm), Designed by Federic de Vinciolo, published by Jean Le Clerc, Paris, bound by Chambolle-Duru, French, 19th century. From top

Headdress Ornament, 1st–7th century, Colombia, Calima (Yotoco), Gold, H. 8 5/8 in. (21.9 cm), Metal-Ornaments, Five lateral rays project out from either side of this gold Calima headdress ornament, surrounding central crescent-shaped

Vauxhall Illustrated: Scrapbook of miscellaneous British 18th and 19th century prints, including Vauxhall Gardens, 1883, Illustrations: hand colored engraving, etching., 17 1/2 x 13 x 1 9/16 in. (44.5 x 33 x 4 cm

Relief fragments from tomb of Meketre, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Meketre (TT 280, ), Court, Radim, 1920, Limestone, paint

Sweetmeat Compote, 1850–70, Made in Pittsburgh, Pennsylvania, United States, American, Pressed glass, H. 6 3/8 in. (16.2 cm); Diam. 6 5/16 in. (16 cm), Glass, Bakewell, Pears and Company (1836–1882

Plate, Loop, and Tongue of Belt Buckle, 450–550, Ostrogothic, Gilded silver with garnets, 3 1/16 x 6 7/16 x 1 3/16 in. (7.7 x 16.4 x 3.0 cm), Metalwork-Silver, The Ostrogoths who settled in Italy buried their dead in formal dress. Thus,

Léontine Walter, 1863, Albumen silver print from glass negative, Image: 7 1/2 × 9 1/4 in. (19 × 23.5 cm), Photographs, André-Adolphe-Eugène Disdéri (French, Paris 1819–1889 Paris

An Allegory of the Triumph over Heresy, with St. Domenic to the Fore, 1650–60, Pen and gray ink and watercolor, heightened with white, over black chalk, 11 1/2 x 7 11/16 in. (29.2 x 19.6 cm), Drawings, Abraham van Diepenbeeck (Flemish, 's

Sarcophagus, 16th century, Pen and brown ink, 8 x 5-1/2 in. (20.3 x 14.0 cm), Drawings, Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580

[Two Men Playing Chess], June 1907, Autochrome, 9 x 12 cm (3.5 x 4.7 in.), Transparencies, Alfred Stieglitz (American, Hoboken, New Jersey 1864–1946 New York), In summer 1907, immediately after being introduced to the Autochrome process by

Equal-Arm Brooch, 7th–8th century, Made in Northern France, Frankish, Copper alloy, Overall: 1 7/8 x 1/4 x 3/8 in. (4.7 x 0.7 x 0.9 cm), Metalwork-Copper alloy

[Young Girl Standing on Short Platform], 1840s–1850s, Daguerreotype, Image: 7 x 5.8 cm (2 3/4 x 2 5/16 in.), Photographs, Unknown (American

Design for an Altar with a Statue of the Virgin and Child., ca. 1831, Pen and brown ink, watercolor, over graphite with some ruled and compass construction, sheet: 14 1/16 x 6 13/16 in. (35.8 x 17.3 cm), Drawings, Anonymous, Italian, 19th

Drawings and Prints, Album Print Ornament & Architecture, Diverses Pieces de Serruriers, page 11 (recto), Artist, Artist, After, Hugues Brisville, Jean Berain, Gabriel Ladame, French, born ca. 1633, active Paris 1663, French,

Virginie, 1860s, Salted paper print from glass negative with applied color, 8.7 x 13.6 cm (3 7/16 x 5 3/8 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Illustration for Reinecke Fuchs: Tomcat Hinz being hit instead of Reinecke, 1805–74, Graphite, pen and gray ink, with brush and gray wash, 6 1/16 x 7 3/16 in. (15.4 x 18.2 cm), Drawings, Wilhelm von Kaulbach (German, Arolsen 1804–1874

A Lion and a Tiger, Fighting, 1798–1863, Graphite on wove paper, 12-5/16 x 9-1/2 in. (31.3 x 24.1 cm), Drawings, Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris

Crocodile on a shrine-shaped base, Ptolemaic Period, 332–30 B.C., From Egypt, Cupreous metal, H. 4.5 × W. 2.3 × D. 5.4 cm (1 3/4 × 7/8 × 2 1/8 in.), A crocodile on a shrine represents the god Sobek. Sobek was an important god throughout

清 翡翠童子洗象, Elephant and two boys, Qing dynasty (1644–1911), 19th century, China, Kosmochlor jadeitite, H. 5 1/4 in. (13.3 cm); W. 4 1/4 in. (10.8 cm), Jade

Drawings and Prints, Books Prints Ornament & Architecture, Eyn new kunstlichboich, page 13v, Publisher, Designer, Woodcut border designed by, Peter Quentel, Anton Woensam von Worms, German, active Cologne, 1518–46, German, active first

Seated Buddha (With Inscription on Base), 9th century, Indonesia (Java), Bronze, H. 3 3/4 in. (9.5 cm), Sculpture

Indo-Persian carpet with repeat pattern of vine scrolls and palmettes, second half of the 17th century, Indo-Persian, Wool pile on cotton foundation., Length: 5.4 m., Textiles-Rugs

Moonlight, ca. 1860, Watercolor on blue laid paper, Sheet: 6 5/16 x 11 9/16 in. (16 x 29.4cm), Drawings, Charles-François Daubigny (French, Paris 1817–1878 Paris

Flume House, Santa Cruz Mountains, 1860s, Albumen silver prints, Mount: 8.6 x 17.5 cm (3 3/8 x 6 7/8 in.), Photographs, Unknown (American

Roundel with Delilah Cutting the Hair of Samson, ca. 1520–25, North Netherlandish, Colorless glass, vitreous paint and silver stain, Overall: 9 5/16 in. (23.7 cm), Glass-Stained

Length, 18th century, Dutch, Silk, Overall: 51 1/2 x 17 in. (130.8 x 43.2 cm), Textiles-Woven

Winter Quarters, Fort Brady, ca. 1865, Albumen silver print from glass negative, Photographs

Ornamento delle belle & virtuose donne, page 18 (recto), 1554, Woodcut, Overall: 7 1/2 x 5 7/8 in. (19 x 15 cm), Published by Matteo Pagano, Italian, 1515-1588, Venice, bound by Lloyd, Wallis & Lloyd, British, active London after 1821.

Drawings and Prints, Books Prints Ornament & Architecture, Schön newes Modelbuch (Page 2r), Publisher, Sigismundus Latomus, German, active 1599–ca. 1627, Frankfurt am Main, Latomus, Sigismundus, German, 1599, 1632, 1608

Drawings and Prints, Books Prints Ornament & Architecture, Newes Modelbuch in Kupffer (Page 4r), Artist, Johann Sibmacher, German, active 1590–1611, Sibmacher, Johann, German, 1590, 1611, 1604, 1604

Design for a Crest with Drapery and Two Putti, 1700–1780, Pen and brown ink, brush and gray wash, over lead point or graphite, 11 7/16 x 8 3/8 in. (29.1 x 21.3 cm), Drawings, Anonymous, Italian, Piedmontese, 18th century

Lantern for a Lamp, 9th–10th century, Attributed to Iran, Nishapur. Excavated in Iran, Nishapur, Earthenware; carved decoration, unglazed, H. 9 5/8 in. (24.5 cm), Ceramics, This unglazed lantern has a small opening that allowed the

Bronze sanguisuga-type fibula (safety pin), Archaic, 7th century B.C., Etruscan, Bronze, Other: 4 9/16 in. (11.6 cm), Bronzes, Sanguisuga ('leech') fibulae have arched bows with closed undersides

View over Hallingdal, 1844, Oil on canvas, 9 1/2 x 14 3/8 in. (24.1 x 36.5 cm), Paintings, Johan Christian Dahl (Norwegian, Bergen 1788–1857 Dresden

Execution of the Five Kings of the Amorites, 1533–74, Oil on paper, 10 3/16 x 7 1/2 in. (25.9 x 19.1 cm), Drawings, Joachim Beuckelaer (Netherlandish, Antwerp 1533–1575 Antwerp

Design for window, late 19th–early 20th century, Made in New York, United States, American, Watercolor and graphite on artist board in original light grey window mat, Overall: 29 x 21 9/16 in. (73.7 x 54.7 cm), Drawings, Possibly Tiffany

唐 彩繪陶樂女俑, Female Musician, Tang dynasty (618–907), late 7th century, China, Earthenware with pigment, H. 5 3/4 in. (14.6 cm); W. 3 1/2 in. (8.9 cm); D. 3 1/8 in. (7.9 cm), Tomb Pottery, Ensembles featuring female musicians

Designs for Two Gothic Style Chairs, 19th century, Graphite and watercolor, sheet: 10 1/8 x 12 3/4 in. (25.7 x 32.4 cm), Anonymous, British, 19th century