Images at Librifly

Les Singuliers et Nouveaux Portraicts... page 38 (recto), 1588, Woodcut, Overall: 8 1/16 x 6 5/16 in. (20.5 x 16 cm), Designed by Federic de Vinciolo, published by Jean Le Clerc, Paris, bound by Chambolle-Duru, French, 19th century. From top

Cut glass shade, ca. 1865–75, Made in Masachusetts, United States, American, Glass, cut, 9 7/8 × 10 in. (25.1 × 25.4 cm), Glass, Possibly New England Glass Company (American, East Cambridge, Massachusetts, 1818–1888), Possibly

1 of Tethers, from The Cloisters Playing Cards, ca. 1475–80, Made in Burgundian territories, South Netherlandish, Paper (four layers of pasteboard) with pen and ink, opaque paint, glazes, and applied silver and gold, 5 3/16 × 2 3/4 in.

Drawings and Prints, Books Prints Ornament & Architecture, New Künstlichs Modelbuch (Page 44 recto), Publisher, Bernhard Jobin, Swiss, Porrentruy (Jura) before 1545–1593/1597 Strasbourg, Jobin, Bernhard, Swiss, 1535, 1597, 1600, 1600

Congressional Presentation Sword and Scabbard of Major General John E. Wool (1784–1869), 1854–55, Baltimore, Maryland, American, probably Baltimore, Steel, gold, brass, diamonds, rubies, L. with scabbard 39 3/16 in. (99.6 cm); L.

Drawings and Prints, Album Prints Ornament & Architecture, Livre de Tables de Diverses Formes, Designer, Etcher, Publisher, Jean Bernard Toro, de Rochefort, Jacques-Nicolas Le Pas Dubuisson, French, Dijon 1672–1731 Toulon, French,

Mantiq al-tair (Language of the Birds), ca. 1600, Attributed to Iran, Isfahan, Opaque watercolor and gold on paper, H. 12 7/8 in. (32.7 cm), Codices, This lavishly illuminated double-page frontispiece contains the first twenty lines of

Drawings and Prints, Books Prints Ornament & Architecture, Schön newes Modelbuch (Page 39r), Publisher, Sigismundus Latomus, German, active 1599–ca. 1627, Frankfurt am Main, Latomus, Sigismundus, German, 1599, 1632, 1608

Footed beaker, late 16th century, Hungarian, Nagyszeben, Silver, partly gilded, Height: 9 13/16 in. (24.9 cm), Metalwork-Silver, The ornament on this tall beaker is known as the 'perspiration pattern.' The running drops of the pattern are

Standing Figure of Prudence and a Seated River God, 1696–1770, Pen and brown ink, brush with pale (yellow) and dark brown wash, over black chalk, 12-1/16 x 11-3/4 in. (30.6 x 29.8 cm), Drawings, Giovanni Battista Tiepolo (Italian, Venice

Drawings and Prints, Books Prints Ornament & Architecture, Splendore delle virtuose giovani, page 7 (recto), Designer, Publisher, Iseppo Foresto, Jeronimo Calepino, Italian, active Venice, 1557, Venice, Foresto, Iseppo, Calepino,

Statue of Queen Anne, St. Paul's, London, 1850s–1910s, Albumen silver prints, Mount: 8.8 x 17.8 cm (3 7/16 x 7 in.), Photographs, Unknown

Studies of a woman, her hands and arms and drapery, late 18th–19th century, Graphite, some red chalk, heightened with white chalk, sheet: ca. 8 11/16 x 11 5/8 in. (22.1 x 29.5 cm) (irregular edges), Drawings, Wolfgang Adam Töpffer (Swiss,

Drawings and Prints, Book Prints Ornament & Architecture, Trionfo Di Virtu. Libro Novo..., page 29 (verso), Publisher, Matteo Pagano, Italian, 1515–1588, Venice, Pagano, Matteo, Italian, 1515, 1588, 1563

Adoration of the Magi, 16th century, Pen and brown ink, gray wash, over traces of black chalk, 11 5/16 x 9 in. (28.7 x 22.8 cm), Drawings, Anonymous, Netherlandish, 16th century

Le pardessus dècoré, 1860s, Albumen silver print from glass negative, 9.8 x 13.3 cm. (3 7/8 x 5 1/4 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Study for an Engraving of 'Songs in the Opera of Flora', ca. 1737, Pen and black and grey ink and black chalk with slight traces of red chalk, 2 13/16 x 4 in. (7.2 x 10.1 cm.), Drawings, Hubert François Gravelot (French, Paris 1699–1773

Ring with scarab, Carnelian, gold, Other: 13/16 x 7/8 x 7/16 in. (2.1 x 2.3 x 1.1 cm), Gems

Design for the Base of a Candelabrum, 17th century, Pen and brown ink, brush and brown wash, over graphite underdrawing and ruled construction, sheet: 9 1/4 x 7 11/16 in. (23.5 x 19.6 cm), Drawings, Anonymous, Italian, 17th century

Etude de Palmiers, Bords du Nil, Kalabschi, 1853–54, Salted paper print from paper negative, 9 1/4 x 11 3/4, Photographs, John Beasley Greene (American, active France, 1832–1856

Jeune homme noble., first half 20th century, brush and black ink, gouache, sheet: 13 1/8 x 9 in. (33.3 x 22.8 cm), Drawings, Sergey Sudeykin (Russian, Smolensk 1882–1946 Nyack

The Artist's Garden at St. Clair, 1904–5, Watercolor, Sheet: 10 1/2 x 14 1/8 in. (26.6 x 35.8cm), Drawings, Henri-Edmond Cross (Henri-Edmond Delacroix) (French, Douai 1856–1910 Saint-Clair), The art of Henri-Edmond Cross belongs to the

Flask, 1840–50, Made in Louisville, Kentucky, United States, American, Free-blown molded aquamarine glass, H. 8 1/4 in. (21 cm), Glass, Possibly Kentucky Glass Works (ca. 1850–55

Demonio, Señor Remon, n.d., Pen and brown ink, brush and brown wash, over graphite underdrawing. Framing lines in pen and brown ink., 11 7/8 x 9 3/16 in. (30.2 x 23.4 cm), Drawings, Pierre Jean Boquet (French, Paris 1751–1817 Paris),

Carpet, 17th century, Attributed to Egypt, Wool (warp, weft and pile); asymmetrically knotted pile, Rug: L. 164 in. (416.6 cm), Textiles-Rugs

Study of Figures: an Old Man Holding a Hat and Facing Forwards, and a Young Man Holding a Torch and a Hat, seen from both the Front and Left Sides; Verso: Study of a Head, n.d., Black chalk, sheet: 7 5/16 x 10 11/16 in. (18.5 x 27.1 cm),

Narcissi, 1917, Watercolor, graphite, and dry pigment on paper, 10 7/8 x 7 3/4 in. (27.6 x 19.7 cm), Drawings, Charles Demuth (American, Lancaster, Pennsylvania 1883–1935 Lancaster, Pennsylvania), Demuth's home in Lancaster,

Karnak. Pylone de Ptolomee, 1880s, Albumen silver print from glass negative, Photographs, Unknown

Studies of a Seated Bearded Man, mid-19th century, Graphite, sheet: 8 3/4 x 11 1/4 in. (22.2 x 28.5 cm), Drawings, Eduard Julius Friedrich Bendemann (German, Berlin 1811–1889 Düsseldorf

Hexagonal box with inverted corners, early Ming dynasty (1368–1644), 14th–15th century, China, Carved black lacquer with red layers, Diam. 7 3/16 in.(18.3 cm); H. 4 3/8 in. (11 cm), Lacquer

Princesses Gather at a Fountain, ca. 1770, Made in India, Farrukhabad, Opaque watercolor and gold on paper, 9 x 13 5/8in. (22.9 x 34.6cm), Codices, Scenes of courtly pleasure, garden settings, and longlegged female figures dressed in

Houses with Red, 1917, Watercolor and graphite on paper, 10 x 14 in. (25.4 x 35.6 cm), Drawings, Charles Demuth (American, Lancaster, Pennsylvania 1883–1935 Lancaster, Pennsylvania

Design for a Ceiling for the Drawing Room at Milton Abbey, Dorset, 1770–74, Graphite, sheet: 16 1/2 x 12 7/8 in. (41.9 x 32.7 cm), Sir William Chambers (British (born Sweden), Göteborg 1723–1796 London

Drawings and Prints, Print Poster, Sunset Magazine: August, Artist, Henry Patrick Raleigh, American, Portland, Oregon 1880–1944 New York, Raleigh, Henry Patrick, American, 1880, 1944, 1903

元/明 佚名 竹鶴雙清圖 軸, Crane in a bamboo grove, Ming dynasty (1368–1644), 14th–early 15th century, China, Hanging scroll; ink and color on silk, Image: 65 5/16 x 39 11/16 in. (165.9 x 100.8 cm), Paintings, Unidentified Artist

Ruins of the R.R. Depot, Charleston, South Carolina, 1860s, Albumen silver print from glass negative, Photographs, George N. Barnard (American, 1819–1902

Landscape with House and Trees, 17th century, Red and black chalk on cream paper, 4-5/16 x 7-5/8 in. (12.5 x 19.4 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

La Fortune from Playing Cards (for Quartets) 'Costumes des Peuples Étrangers', 1700–1799, Etching and hand coloring (watercolor), 3 3/16 × 2 1/16 in. (8.1 × 5.3 cm), Prints, Anonymous, French, 18th century

The Last Communion of Saint Jerome, 1555–1619, Pen and brown ink, brush and brown wash, over traces of black chalk; squared in red chalk, sheet: 16 7/16 x 11 7/16 in. (41.7 x 29.1 cm), Drawings, Ludovico Carracci (Italian, Bologna

Esemplario di Lauori..., page 14 (recto), August 1, 1532, Woodcut, Overall: 8 7/16 x 6 5/16 in. (21.5 x 16 cm), Originally published by Giovanni Andrea Vavassore, Italian, active 16th century, Venice, designed by Florio Vavassore

Officers of U.S.S. Hunchback, 1861–65, Albumen silver print from glass negative, Photographs

A Hunter with a Dog, 1794–95, Ivory, Octagonal, 2 3/4 x 3 1/4 in. (70 x 83 mm), Miniatures, Mortier (French, active ca. 1790–1800

Drawings and Prints, Books Prints Ornament & Architecture, Libbretto nouellamete composto per maestro Domenico da Sera...lauorare di ogni sorte di punti, page 12 (verso), Publisher, Domenico da Sera, French, active Italy, 16th century, Sera,

Drawings and Prints, Album Print Ornament & Architecture, Page from Album of Ornament Prints from the Fund of Martin Engelbrecht, Artist, Publisher, Artist, Jeremias Wachsmuth, Martin Engelbrecht, Franz Xavier Habermann, Carl Pier, German,

Jeune equilibriste, first half 20th century, brush and brown ink, graphite, gouache, watercolor, traces of graphite framing lines, mounted on grey paper, sheet: 12 13/16 x 9 in. (32.5 x 22.8 cm), Drawings, Sergey Sudeykin (Russian,

Four Figures Conversing in a Landscape, 1616–68, Pen and brown ink on light tan paper, 7-5/16 x 11-7/16 in. (18.6 x 29.1 cm), Drawings, Antonio del Castillo y Saavedra (Spanish, Cordoba 1616–1668 Cordoba

The Madonna Penserosa, 1864, Albumen silver print from glass negative, Photographs, Julia Margaret Cameron (British (born India), Calcutta 1815–1879 Kalutara, Ceylon

Man in jacket with yellow braid trim, first half 20th century, brush and black ink, gouache, watercolor, traces of graphite framing lines, sheet: 16 x 8 7/16 in. (40.7 x 21.4 cm), Drawings, Sergey Sudeykin (Russian, Smolensk 1882–1946

Lithographic Plates, 1850, Paris, France, French, Lithographs, Lithographs: H. 10-1/2 in., W. 8-1/4 in., Works on Paper, Alexandre Désiré Collette (French, 1814–1876

Poems by Alfred Tennyson, 1857, Illustrations: mezzotint, wood engraving, 9 x 6 5/8 x 1 3/4 in. (22.9 x 16.8 x 4.4 cm), Books, In 1857 Edward Moxon brought out a new edition of Tennyson’s Poems illustrated by Dante Gabriel Rossetti and fellow

Tenor Oboe, ca. 1730, Roding, Bavaria, Germany, German (Bavarian), Stained pearwood, brass, Height: 32 3/16 in. (81.8 cm), Aerophone-Reed Vibrated-double reed, Johann Wolfgang Köningsperger (German (Bavarian), active Roding 1725–1752),

Drawings and Prints, Books Prints Ornament & Architecture, Pretiosa Gemma delle virtuose donne, page 34 (recto), Author, Publisher, Binder, Isabella Catanea Parasole, Gargano, Hardy-Mennil, Italian, ca. 1565/70–ca. 1625, Venetia,

Hatshepsut's Grandmother, Seniseneb, New Kingdom, Dynasty 18, ca. 1479–1458 B.C., Original from Egypt, Upper Egypt, Thebes, Deir el-Bahri, Tempera on paper, Facsimile: H. 35.5 cm (17 15/16 in.); W. 34 cm (13 3/8 in.), Howard Carter

An Oriental Astronomer in His Study, 18th century, Pen and brown-black and gray ink, gray wash, sheet: 8 1/8 x 6 5/16 in. (20.6 x 16 cm), Drawings, Martin Johann Schmidt (Austrian, Grafenwörth 1718–1801 Stein

George Washington, 1840–83, Made in France, French, Faience, 9 1/2 x 9 1/2 in. (24.1 x 24.1 cm), Ceramics, After Emile Dupont-Zipcy (1822–1885

Cup and Saucer, 1785–90, Made in China, Chinese, for American market, Porcelain, Diam. 5 1/2 in. (14 cm), Ceramics, This object belongs to a large dinner service bearing the Townley family coat-of-arms. The service, probably ordered by

Drawings and Prints, Books Prints Ornament & Architecture, Page from Ein new kunstlich Modelbuch...(Page 47r), Publisher, Peter Quentel, German, active Cologne, 1518–46, Cologne, Quentel, Peter, German, 1500, 1550, 1544

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 3v), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

Cup and Saucer, 1876–92, Made in Trenton, New Jersey, United States, American, Porcelain, Cup: H. 1 7/8 in. (4.8 cm); Diam. 4 1/8 in. (10.5 cm), Ceramics, Ott and Brewer (1871–1893

After the Battle, Pen and black ink, 2 5/16 x 4 5/16 in. (5.9 x 11 cm), Drawings, Rodolphe Bresdin (French, Montrelais 1822–1885 Sèvres

Large photograph of Lamp Shade Department, 1902, Made in New York, New York, United States, American, photograph, 11 × 14 in. (27.9 × 35.6 cm), Photographs, Tiffany Studios (1902–32), Tiffany Studios (1902-1932) became well-known for

Drawings and Prints, Books Prints Ornament & Architecture, New Modelbüch (Page 15v), Printer, Designer, Henning Gross the younger, Andreas Bretschneider, German, Dresden ca. 1578–ca. 1640 Leipzig, Gross, Henning the younger,

Drawings and Prints, Books Prints Ornament & Architecture, New Modelbüch (Page 40v), Designer, Printer, Andreas Bretschneider, Henning Gross the younger, German, Dresden ca. 1578–ca. 1640 Leipzig, Bretschneider, Andreas, Gross, Henning

Bottle, 1820–40, Possibly made in Zanesville, Ohio, United States, American, Blown pattern-molded glass, H. 8 3/8 in. (21.3 cm), Glass

Dish with Cherry Blossoms and Textile Curtains, 青磁染付銹地桜花幔幕文皿, Edo period (1615–1868), ca. 1670–90, Japan, Porcelain with celadon glaze, partial brown glaze, and underglaze blue decoration (Hizen ware, Nabeshima

Seated Man Holding a Jug, 17th century, Black chalk highlighted with white chalk on light brown paper, 12-7/16 x 8-7/16 in. (31.6 x 21.5 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

Drawings and Prints, Book Prints Ornament & Architecture, New Modelbüch allen Nägerin u. Sydenstickern (Page 4v), Designer, Publisher, Hans Hoffman, Jacob Frölich, German, active Strasbourg, 1556, Strassburg, Hoffman, Hans, Frölich,

Design for one Half of an Altar: Elevation and Ground Plan, 1700–1780, Pen and brown ink, brush with watercolor, over lead point or graphite, with ruled and compass construction. (recto). Scales, at bottom, in pen and brown ink over graphite

VIIIe Station. Jésus console les filles de Jérusalem. Ici encore une simple marque faite sur le fut d'une colonne encastrée dans le mur indique la station., 1860 or later, Albumen silver print from paper negative, Image: 10 13/16 × 8 7/16 in.

A Fair, 1653, Black chalk with gray wash, 6 3/4 x 11 3/4 in. (17.1 x 29.8 cm), Drawings, Jan van Goyen (Dutch, Leiden 1596–1656 The Hague

[Group of 7 Thoughtographs, or Psychic Photographs], 1894–98, Albumen and gelatin silver prints, Each approx. 4 x 3, Photographs, Charles Lacey

Carpet, 1814–30, French, Aubusson, 122 × 97 in. (309.9 × 246.4 cm), Textiles-Rugs

A Seated John the Baptist Preaching, 17th century, Pen and brown ink, over black chalk., sheet: 6 9/16 x 5 1/8 in. (16.7 x 13 cm), Drawings, Anonymous, Italian, 17th century

Madonna and Child Enthroned, late 16th–early 17th century, Pen and black ink and brush and gray wash over traces of black chalk, sheet: 11 1/2 x 7 1/2 in. (29.2 x 19 cm), Drawings, Hans Werl (German, Munich ca. 1570–1608 Munich

Limestone figure of a draped man, Cypro-Archaic II, late 6th century B.C., Cypriot, Limestone, Overall: 15 1/2 x 9 x 7 1/4 in. (39.4 x 22.9 x 18.4 cm), Stone Sculpture, The figure carries a sword, bow, quiver, and a flask or bag

Ce est ung tractat de la noble art de leguille ascavoir ouvraiges de spaigne... page 17 (recto), after 1527, Woodcut, Overall: 6 7/8 x 5 11/16 in. (17.5 x 14.5 cm), Printed by Willem Vosterman. From top to bottom, and left to right: Design

San Lorenzo, Library, Ricetto, upper window, elevation; niche, elevation, plan, and section (recto) San Lorenzo, Library, Ricetto, niche, details; upper window, details, elevation (verso), early to mid-16th century , Dark brown ink,

Habit de Mallettier Coffrettier, ca. 1690, Etching, plate: 10 5/8 x 7 1/2 in. (27 x 19 cm), Prints, Anonymous, French, 17th century, After Nicolas de Larmessin II (French, Paris ca5–1725 Paris

Lady Mary Cavendish-Bentinck (?-1843), 1816, Graphite, 8 5/8 x 6 3/4 in. (21.9 x 17.1 cm), Drawings, Jean Auguste Dominique Ingres (French, Montauban 1780–1867 Paris

The Last Judgment, ca. 1620, Pen and black ink over red chalk, 16 1/4 x 12 7/8 in. (41.3 x 32.7 cm), Drawings, Michael Herr (German, Metzingen bei Reutlingen 1591–1661 Nuremberg

Alicante. Philibert. 33 ans, né à Seire (Seine & Oise). Coupeur de talons. Anarchiste. 7/3/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Spanagel. Alfred, Vincent. 17 ans, né le 27/5/77 à Paris. Serrurier. Anarchiste. 7/7/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Sculptor Receives Visitors, 18th century, Pen and black ink, brush and gray wash; framing lines in pen and black ink., 3 7/8 x 5 9/16 in. (9.8 x 14.2 cm), Drawings, Nicolaas Aartman (Dutch, Amsterdam 1713–1793 Amsterdam

Bird-Shaped Brooch, 500–600, Made in Northern France, Frankish, Silver-gilt, garnets, foil backings for garnets; iron spring, Overall: 9/16 x 1 1/4 x 5/16 in. (1.4 x 3.1 x 0.8 cm), Metalwork-Silver, The dress of Frankish women generally

Writer's Box, Edo period (1615–1868), Japan, Crackled glaze; design modelled in relief (Kyoto ware, Kenzan style), H. 3 1/4 in. (8.3 cm); W. 7 1/4 in. (18.4 cm); L. 9 1/4 in. (23.5 cm), Ceramics, In the style of Ogata Kenzan (Japanese,

Half-Length Portrait Study of a Wigged Man, ca. 1740–60, Black and white chalks and graphite on blue laid paper, squared in graphite, sheet: 9 5/16 x 7 13/16 in. (23.6 x 19.9 cm), Drawings, Circle of Joseph van Aken (Flemish, Antwerp (?) ca.

Drawings and Prints, Books Prints Ornament & Architecture, Page from Ein new kunstlich Modelbuch...(Page 42v), Publisher, Peter Quentel, German, active Cologne, 1518–46, Cologne, Quentel, Peter, German, 1500, 1550, 1544

Engraved Lamp Stand with Cartouches and Medallions, 16th century, Attributed to Iran, Brass; cast, engraved, and inlaid with black compound, H. 10 1/4 in. (26.0 cm), Metal, This distinctive tall, cylindrical shape is characteristic of a

[Rue de Constantine], ca. 1865, Albumen silver print from glass negative, 27.3 x 36.8 cm (10 3/4 x 14 1/2 in.), Photographs, Charles Marville (French, Paris 1813–1879 Paris), Trained as a painter and an illustrator, Marville began

The Ascension of Christ, late 17th–early 18th century, Pen and brown ink, gray wash, sheet: 7 1/4 x 13 1/8 in. (18.4 x 33.3 cm), Drawings, Hans Georg Asam (German, Rott am Inn 1649–1711 Sulzbach

Les Chiens, 1860s, Waxed albumen silver print from glass negative with applied color, 8.3 x 5 cm (3 1/4 x 1 15/16 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Philip IV (1605–1665), King of Spain, probably 1624, Oil on canvas, 78 3/4 x 40 1/2 in. (200 x 102.9 cm), Paintings, Velázquez (Diego Rodríguez de Silva y Velázquez) (Spanish, Seville 1599–1660 Madrid), Velázquez was paid for this

Study for a frontispiece for 'Histoire de Miss Jenny', 18th century, Black chalk with graphite, 4 15/16 x 2 13/16 in. (12.6 x 7.1 cm.), Drawings, Hubert François Gravelot (French, Paris 1699–1773 Paris

Detail of Foliate Decorative Element, 1805–40, Pen and brown ink, brush and brown wash, sheet: 1 15/16 x 2 3/16 in. (5 x 5.5 cm), William Pitts (British, London 1790–1840 London

Ring Sealstone, probably 10th century, Attributed to Iran, probably Nishapur, Rock crystal; faceted, L. 7/16 in. (1.1 cm), Seals

Bowl (Tecomate), 12th–9th century B.C., Mexico, Mesoamerica, Olmec, Ceramic, Diam. 4 3/4 in. (12 cm), Ceramics-Containers, This bowl, reportedly from the site of Las Bocas, Puebla, Mexico, is in a full, round shape with a small opening

Bouchenez. Adolphe. 36 ans, 27/2/94. (En rouge barrant la fiche: 'Transféré à Mazas. À faire extraire'). , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon

No. 181. Marshall Ave. Bridge, Minneapolis & St. Paul, 1889, Cyanotype, Sheet: 14 1/2 × 17 3/16 in. (36.8 × 43.7 cm), Photographs, Henry P. Bosse (American, born Germany, 1844–1893

The Covered Bridge at Fribourg, 18th century, Brush and gray wash, heightened with white. Framing lines at lower edge in pen and brown ink., 8 1/16 x 10 1/2 in. (20.4 x 26.7 cm), Drawings, Claude Louis Châtelet (French, Paris 1753–1794

Drawings and Prints, Books Prints Ornament & Architecture, Page from Ein new kunstlich Modelbuch...(Page 7v), Publisher, Peter Quentel, German, active Cologne, 1518–46, Cologne, Quentel, Peter, German, 1500, 1550, 1544