Images at Librifly

Plate, 1816, Made in Berks County, Pennsylvania, United States, American, Earthenware; Redware, Diam. 9 1/2 in. (24.1 cm), Ceramics, Attributed to Solomon Grimm (1787–1847

Christ bearing the Cross, n.d., Woodcut, Sheet: 15 1/4 x 11 1/8 in. (38.7 x 28.2 cm), Prints, Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

[Young Woman with Green Bracelets], 1870s, Albumen silver print, Photographs, Unknown

Stage Set for La Fedra, 1800–1900, Watercolor, 9-5/8 x 7-1/2 in, Drawings, Anonymous, Italian, 19th century

Wooded Landscape with Ruins, 1780–1827, Pen, brush, gray ink, sheet: 7 5/8 x 11 5/8 in. (19.4 x 29.5 cm), Drawings, Attributed to Thomas Rowlandson (British, London 1757–1827 London

Drawings and Prints, Books Prints Ornament & Architecture, Convivio delle Belle Donne, page 20 (verso), Publisher, Designer, Woodcut border on title signed by, Nicolò Zoppino, Matteo da Treviso, Italian, Ferrara 1478/80–1544 Venice,

Drawings and Prints, Books Prints Ornament & Architecture, Schön newes Modelbuch (Page 4r), Publisher, Sigismundus Latomus, German, active 1599–ca. 1627, Frankfurt am Main, Latomus, Sigismundus, German, 1599, 1632, 1608

Henry Carey (1596–1661), Second Earl of Monmouth, 1649, Vellum on prepared card, Oval, 2 1/2 x 2 in. (64 x 52 mm), Miniatures, Samuel Cooper (British, London (?) 1608?–1672 London

Studies for the Figure of a Centaur and a Nymph, 1708–17, Black chalk, highlighted with white chalk, on blue-gray washed paper, 14-15/16 x 12-5/16 in. (38.0 x 31.2 cm), Drawings, Francesco Trevisani (Italian, Capodistria 1656–1746 Rome

Ceremonial Situla of the 'Great Praised' Penmin showing Nut as a tree-goddess, and Osiris, Isis, Nephthys, and Harsiese, Ptolemaic Period, 332–30 B.C., From Egypt, Bronze, H. 27 cm (10 5/8 in.); H. with handle 39.7 cm (15 5/8 in.); Diam

Two projects for stucco for an italian ceiling., 1700–1780, Pen and dark brown ink, brush and gray an red chalk wash over lead point or graphite, with ruled and compass construction. Scale at bottom of drawing in pen and brown ink over lead

Interior of a theatre, 1796–1864, Pen and ink, Sheet: 15 11/16 × 12 1/16 in. (39.9 × 30.7 cm), Drawings, Attributed to David Roberts (British, Stockbridge, Scotland 1796–1864 London

Derick Berck of Cologne, 1536, Oil on canvas, transferred from wood, 21 x 16 3/4 in. (53.3 x 42.5 cm), Paintings, Hans Holbein the Younger (German, Augsburg 1497/98–1543 London), This painting belongs to a group of portraits Hans Holbein

Drawings and Prints, Book Prints Ornament & Architecture, New Modelbüch allen Nägerin u. Sydenstickern (Page 16v), Designer, Publisher, Hans Hoffman, Jacob Frölich, German, active Strasbourg, 1556, Strassburg, Hoffman, Hans, Frölich,

Drawings and Prints, Books Prints Ornament & Architecture, Libbretto nouellamete composto per maestro Domenico da Sera...lauorare di ogni sorte di punti, page 14 (verso), Publisher, Domenico da Sera, French, active Italy, 16th century, Sera,

Coffee Spoon, ca. 1795, Made in Providence, Rhode Island, United States, American, Silver, Silver, David Vinton (1774–1833

Portrait of G.-L. Leclere, Comte de Buffon, n.d., Brush and brown wash with graphite underdrawing., 6 5/8 x 4 1/2in. (16.8 x 11.4cm), Drawings, Jean-Baptiste-François Bosio (French, Monaco 1764–1827 Paris

Drawings and Prints, Book Print, The King Summoning the Servant, from The Parable of the Unmerciful Servant, bound in Thesaurus Sacrarum historiarum Veteris et Novi Testamenti, The Parable of the Unmerciful Servant, Publisher, Engraver,

Design for an Armorial Escutcheon, 19th century, Graphite, 9 11/16 x 8 1/16 in. (24.6 x 20.5 cm), Anonymous, British, 19th century

[Encampment with shacks and laundry]. Brady album, p. 129, 1861–65, Albumen silver print from glass negative, Photographs

Pitcher, 1882, Made in Providence, Rhode Island, United States, American, Silver, 8 1/4 in., 33 Troy Ounces 6 dwt. (21 cm, 1036 Grams), Silver, Gorham Manufacturing Company (American, 1831–present), An outstanding example of American

Drawings and Prints, Album Print Ornament & Architecture, Page from Album of Ornament Prints from the Fund of Martin Engelbrecht, Publisher, Artist, Artist, Martin Engelbrecht, Jeremias Wachsmuth, Franz Xavier Habermann, Carl Pier, German,

Three Women in Conversation beside a Croquet Field (recto); Studies of a Ballet Dancer, a Woman's Profile, and a Seated Woman (verso), ca. 1865, Graphite, sheet: 6 7/8 x 10 in. (17.5 x 25.4 cm), Drawings, Louisa Starr Canziani (British,

Embroidered picture with hunting scene, first quarter 18th century, British, Silk and metal thread on canvas, H. 10 1/4 x W. 11 1/2 inches (26.0 x 29.2 cm), Textiles-Embroidered

Landscape, ca. 1904, Watercolor and crayon on paper, Sheet: 6 7/8 x 9 3/4 in. (17.5 x 24.8cm), Drawings, Henri-Edmond Cross (Henri-Edmond Delacroix) (French, Douai 1856–1910 Saint-Clair

8 of Horns, from The Cloisters Playing Cards, ca. 1475–80, Made in Burgundian territories, South Netherlandish, Paper (four layers of pasteboard) with pen and ink, opaque paint, glazes, and applied silver and gold, 5 3/16 × 2 3/4 in.

Study for frontispiece for 'Les Jeunes France' by Theophile Gautier, Graphite and ink on paper, sheet: 5 1/2 x 3 3/16 in. (14 x 8.1 cm), Drawings, Félicien Rops (Belgian, Namur 1833–1898 Essonnes

Drawings and Prints, Books Prints Ornament & Architecture, Ein new getruckt model Büchli...Page 5, verso, Publisher, Johann Schönsperger the Younger, German, active 1510–30, Schönsperger, Johann the Younger, German, 1490, 1550,

Seed Jar, 14th–16th century, United States, Arkansas, Caddoan, Ceramic, Height 8 in., Ceramics-Containers

Bronze left foot with traces of sandal straps, Imperial, 1st or 2nd century A.D, Roman, Bronze, Overall: 4 7/8 x 9 5/16 in. (12.4 x 23.7 cm), Bronzes, Left foot with sandal straps

Costume design for Polovtsian girl in 'Prince Igor', 1909, Pen and black ink, watercolor, gouache, and silver paint, sheet: 15 1/4 x 10 9/16 in. (38.7 x 26.8 cm), Drawings, Konstantin Korovin (Russian, Moscow 1861–1939 Paris

A Bridge on the Aar, at the Foot of the Grimsel, in the Canton of Berne, ca. 1775, Watercolor and pencil; framing lines in black ink, sheet: 12 x 7 15/16 in. (30.5 x 20.2 cm), Drawings, Caspar Wolf (Swiss, Muri 1735–1783 Heidelberg

The Water Mill, early to mid-17th century, Black chalk and gray wash., 4 3/4 x 8 5/16 in. (12.1 x 21.1 cm), Drawings, Jan van Goyen (Dutch, Leiden 1596–1656 The Hague

'Ottoman Army Entering a City', Folio from a Divan of Mahmud `Abd al-Baqi, last quarter 16th century, Attributed to Turkey, Ink, opaque watercolor, and gold on paper, Page: 10 1/4 x 6 5/16 in. (26 x 16 cm), Codices, This manuscript copy of

Drawings and Prints, Books Prints Ornament & Architecture, Libro quarto. De rechami per elquale se impara in diuersi modi lordine e il modo de recamare...Opera noua, page 18 (recto), Publisher, Alessandro Paganino, Italian, active Salò,

Entrée d'une caserne turque. C'est a cette porte que les pèlerins font les prières de la 1e Station. N'ayant pas la permission d'entrer dans la caserne, 1860 or later, Albumen silver print from paper negative, Image: 10 9/16 in. × 8 in. (26.8

The Adoration of the Holy Lamb, 1724–96, Pen and brown ink, gray wash, sheet: 6 5/8 x 7 11/16 in. (16.9 x 19.5 cm), Drawings, Franz Anton Maulbertsch (Austrian, Langenargen am Bodensee 1724–1796 Vienna

Cog Rattle, 15th or 16th century, France, French, Wood, Height (Of handle and cog): 10 3/4 in (27.3 cm), Idiophone-Scraped, It was formerly the custom for the bells of Catholic churches to be silent during Holy Week, having (according to an

La serenissima Dogaressa dal suo palazzo...Bucintoro from Habiti d'huomeni et donne Venetiane, ca. 1610, Engraving, Plate: 10 9/16 x 7 1/16 in. (26.8 x 17.9 cm), Prints

Design for a Pendant with St. George and the Dragon, 1889, Pen and black ink with grey wash, sheet: 5 x 7 11/16 in. (12.7 x 19.5 cm), Drawings, Otto Seitz (German, Munich 1846–1912 Munich

Two-Handled Cup, ca. 1690, Made in Boston, Massachusetts, United States, American, Silver, Width: 7 in. (17.8 cm), Silver, Jeremiah Dummer (American, 1645–1718), This small two-handled cup was made for the First Church of Christ

Drawings and Prints, Album Print Ornament & Architecture, Targhe ed altri ornati di varie e capricciose invenzioni (Cartouches and other ornaments of various and capricious invention, page 38), Artist, Publisher, Artist, After, Jacob Floris,

Suggestion for mosaic panel, Mrs. Edward Van Ingen, Church of the Redeemer, Patterson, New Jersey, ca1, Made in New York, United States, American, Watercolor, gouache, gold metallic ink, and graphite on artist board in original mat,

Drawings and Prints, Album Print Ornament & Architecture, Diverses Pieces de Serruriers, page 5 (recto), Artist, Artist, After, Hugues Brisville, Jean Berain, Gabriel Ladame, French, born ca. 1633, active Paris 1663, French,

'The Merchant Listens to the Workman Playing Cymbals', Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide), Codices

Grotesques Designs with Various Inscriptions (recto); Candelabra Grotesque and Two Putti Holding Flowers (verso), ca. 1545–60, Pen and dark gray-brown ink (recto). On off-white paper. Pen and brown ink over traces of black chalk underdrawing

Rood and screen, 1896, Pen and ink over graphite, sheet: 11 3/4 x 16 1/2 in. (29.8 x 41.9 cm), Ernest Geldart (British, London 1848–1929

Bronze shield boss with griffin and sphinx frieze, Archaic, ca. 650 B.C., Etruscan, Bronze, diameter 4 5/16in. (11cm), Bronzes, In repoussé, a procession of winged monsters

Cup and Saucer, ca. 1861, Probably made in France, American, Porcelain, H. 3 1/4 in. (8.3 cm); Diam. 4 1/16 in. (10.3 cm), Ceramics, Rudolph T. Lux (b. Germany, 1815–1868

Landscape with cattle and figures; sketch for the Rustic Courtship, 1755–97, Graphite, Sheet: 11 x 7 13/16 in. (28 x 19.9 cm), Drawings, Gainsborough Dupont (British, Sudbury, Suffolk 1754–1797 London

Drawings and Prints, Books Prints Ornament & Architecture, Schön Neues Modelbuch (Page 32 recto), Designer, Publisher, Johann Sibmacher, Balthasar Caymox, German, active 1590–1611, German, Bersse (?) 1561–1635 Nuremberg, Sibmacher,

Plan of Niche in a Columbarium with a Section, Elevation and Top View of a Funerary Urn, 1710–1927, Pen and brown ink, brush and gray wash, over traces of ruling in graphite, 17-11/16 x 13-1/4 in. (45 x 33.6 cm), Drawings, Pietro Paolo

Allegory, 18th century, Black chalk with charcoal with gray wash, Sheet: 4 1/16 × 7 5/16 in. (10.3 × 18.6 cm), Drawings, Anonymous, Italian, Venetian, 18th century

Snuff bottle, Qing dynasty (1644–1911), 18th–19th century, China, Rock crystal with pink tourmaline stopper, H. 3 in. (7.6 cm); W. 2 3/8 in. (6 cm); D. 3/4 in. (1.9 cm), Snuff Bottles

The Evacuation of Fort Sumter, April 1861, April 1861, Albumen silver print from glass negative, Image: 1 15/16 × 3 1/8 in. (5 × 7.9 cm), Photographs, Attributed to Alma A. Pelot (American, active Charleston, South Carolina,

Hagar and Ishmael in the Wilderness (recto); Two Portrait Studies of the Artist's Wife, and a Study of a Leg and Torso (verso), 1829–33, Graphite, pen and black ink, brush and black wash, with white gouache on paper (recto); graphite and

Holy Family in an Interior, 17th century, Red chalk, pen and brown ink, brush and brown wash, 6 x 6-3/8 in. (15.2 x 16.2 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

Study for a Title Page, early to mid-19th century, Pen and black ink over black chalk., 5 7/8 x 3 7/16 in. (15 x 8.7 cm), Drawings, Carl Alexander von Heideloff (German, Stuttgart 1789–1865 Haßfurt

Two Alternate Designs for an Altar, 1700–1780, Pen and dark brown ink, brush and gray wash, over lead point or graphite, with ruled and compass construction, 16 x 11 in. (40.7 x 27.9 cm), Drawings, Anonymous, Italian, Piedmontese, 18th

Teapot, 1770–1800, Made in China, Chinese, Porcelain, H. 6 in. (15.2 cm), Ceramics

Bermuda No. 2, The Schooner, 1917, Watercolor and graphite on paper, 10 x 13 7/8 in. (25.4 x 35.2 cm), Drawings, Charles Demuth (American, Lancaster, Pennsylvania 1883–1935 Lancaster, Pennsylvania), While in Bermuda, Demuth expanded upon

Peanuts and jujube dates, 清 玉髓早生貴子擺件, Qing dynasty (1644–1911), 18th century, China, Chalcedony, H. 1 1/8 in. (2.9 cm), Hardstone, In this charming carving, a master craftsman has cleverly adapted the sculptural design to

Horn (Oliphant) with Case, horn, 11th–12th century; case, 16th century, South Italian, Ivory, silver, leather, Horn (a); 23 1/16 x 4 15/16 x 4 in. (58.6 x 12.5 x 10.2 cm); case (b); 22 5/8 x 5 7/8 x 5 7/16 in. (57.5 x 15 x 13.8 cm),

Cartoon for embroidery of a panel of a chasuble, decorated with floral, bud and animal designs, ca. 1608, Pen and brown ink on thin paper, from a Vellum-bound Album of early XVIII century, sheet: 61 1/2 x 18 7/8 in. (156.2 x 47.9 cm),

Drawings and Prints, Books Prints Ornament & Architecture, Convivio delle Belle Donne, page 14 (verso), Publisher, Designer, Woodcut border on title signed by, Nicolò Zoppino, Matteo da Treviso, Italian, Ferrara 1478/80–1544 Venice,

Snuff Bottle, Qing dynasty (1644–1911), 19th century, China, Black amber with yellow amber stopper, H. 2 3/8 in. (6 cm); H. incl. stand 3 in. (7.6 cm); W. 1 3/4 in. (4.4 cm); D. 7/8 in. (2.2 cm), Snuff Bottles

Earrings and Nose Rings, 9th–10th century, Excavated in Iran, Nishapur, Gold, 9/16 in. (1.4 cm), Jewelry

Design for Glass and Silver Water Pitcher, with a Cover, 1820–65, sheet: 12 3/8 x 5 3/8 in. (31.4 x 13.7 cm), George Richards Elkington (British, Birmingham 1801–1865 Denbinghshire

[Itmad-Ud-Daulah's Tomb, Agra], 1860s–70s, Albumen silver print from glass negative, 21.3 x 28.0 cm (8 3/8 x 11 in.), Photographs, Unknown

[Young Man in a Striped Jacket, Sitting on the Lap of Another Man in Front of Painted Outdoor Backdrop], 1860s–80s, Tintype, Image: 9 x 6.2 cm (3 9/16 x 2 7/16 in.), Photographs, Unknown (American

Zephyr and Flora, Red chalk, over traces of graphite. Squared in black chalk., 6 7/16 x 5 11/16 in. (16.3 x 14.5 cm), Drawings, Antoine Coypel (French, Paris 1661–1722 Paris

A Shepherd under a Ruined Arch with the Farnese Hercules, 18th century, Black chalk, pen and gray ink, gray wash, 14 1/4 x 9 3/8 in. (36.2 x 23.8 cm), Drawings, Johannes Antiquus (Dutch, Groningen, 1702–1750

One Quarter of a Design for Corner of a Wall or a Ceiling, 1700–1780, Pen and black ink, brush and gray wash, over lead point or graphite, some ruled and compass construction, Sheet: 11 7/16 x 8 1/8 in. (29.1 x 20.7 cm), Drawings,

Saltcellar, ca. 1825, Made in Mexico, Mexican, Tin-glazed earthenware, H. 2 3/4 in. (7 cm), Ceramics

Drawings and Prints, Books Prints Ornament & Architecture, Schön newes Modelbuch (Page 99r), Publisher, Sigismundus Latomus, German, active 1599–ca. 1627, Frankfurt am Main, Latomus, Sigismundus, German, 1599, 1632, 1608

Apothecary Jar, ca. 1700, Made in Mexico, Mexican, Tin-glazed earthenware, H. 6 3/4 in. (17.1 cm), Ceramics

Mold for a Grape Cluster Pendant, New Kingdom, Amarna Period, Dynasty 18, ca. 1353–1336 B.C., From Egypt, Middle Egypt, Amarna (Akhetaten), Town manufactories, Petrie/Carter excavations, 1891–92, Pottery, l. 2.7 cm (1 1/16 in

Half-Figure of a Nude Man Facing Left, Head of a Satyr, n.d., Black chalk, heightened with white, 16 1/8 x 10 7/16 in. (40.9 x 26.5 cm), Drawings, Circle of Peter Paul Rubens (Flemish, Siegen 1577–1640 Antwerp

La Frayeur, 1861–64, Salted paper print with applied color, Image: 22 7/16 × 17 5/16 in. (57 × 44 cm), Pierre-Louis Pierson (French, 1822–1913), Aquilin Schad (Austrian, 1817–1866), In 1856 Virginia Verasis, Countess of Castiglione,

Derbyshire Landscape, 1815, Brush and gray wash and graphite, Overall: 8 1/8 x 16 3/4 in. (20.7 x 42.5 cm), Drawings, Attributed to John Constable (British, East Bergholt 1776–1837 Hampstead

Figurine of a Seated Woman, Late Naqada II, ca. 3450–3300 B.C., From Egypt; Possibly from Northern Upper Egypt, Naqada (Nubt, Ombos), Limestone, organic material, paint, malachite, D. 22.8 x H. 19.8 x W. 9.4 cm (9 x 7 13/16 x 3 11/16

Bow Brooch, first half 6th century, Made in Italy, Ostrogothic, Silver-gilt, garnet cabochons, Overall: 2 1/4 x 4 3/16 x 9/16 in. (5.7 x 10.7 x 1.4 cm), Metalwork-Silver

Design for a Frame, 1841–84, Graphite, sheet: 12 11/16 x 9 7/8 in. (32.2 x 25.1 cm), Charles Hindley and Sons (British, London 1841–1917 London

Breastplate, ca. 1500–10, German, Steel, leather, H. 18 1/2 in. (46.8 cm); W. 14 1/2 in. (36.7 cm); D. 6 1/4 in. (16 cm); Wt. 6 lb. 4 oz. (2832 g), Armor Parts-Breastplates, This simple but well-made breastplate for infantry use is

Archer's Ring, 17th–18th century, Indian, Jade, L. 1 3/4 in. (4.4 cm); W. 1 1/4 in. (3.2 cm); Wt. 0.8 oz. (22.7 g), Archery Equipment-Archer's Ring, Bows and arrows were used for hunting quit-footed game at close range or over long distances.

Design for a Mirror-fronted Cabinet Topped with a Mirror, 19th century, Ink and watercolor, sheet: 8 7/16 x 7 1/16 in. (21.4 x 18 cm), Anonymous, British, 19th century

River Scene with Boats before a densely Wooded Bank, 17th century, Black chalk and gray wash, pen and black ink. Framing line in pen & black ink., sheet: 4 1/8 x 8 7/16 in. (10.5 x 21.4 cm), Drawings, Attributed to Salomon van Ruysdael (Dutch,

Design for a Wall Decoration of a Conservatory or Grotto with Statues and Vases in Niches, 1800–1900, Pen, 6-1/8 x 8-1/4 in, Anonymous, Italian, 19th century

Syrup Jug, 1852–58, Made in Bennington, Vermont, United States, American, Parian porcelain, 7 1/2 x 4 1/2 x 3 3/4 in. (19.1 x 11.4 x 9.5 cm), Ceramics, United States Pottery Company (1852–58

Vase, Qing dynasty (1644–1911), Kangxi mark and period (1662–1722), China, Porcelain with peach bloom glaze (Jingdezhen ware), H. 5 3/4 in. (14.6 cm), Ceramics, This vase is one of four, each with a subtly different shape, included in a

Bronze handle with nereids supporting a youth, Late Classical, 4th century B.C., Etruscan, Bronze, H.: 6 7/8 in. (17.5 cm), Bronzes, Two hybrid sea creatures, part human and part snake, support a sleeping youth who forms one of the handles

Panoramic Mountainous Estuary Landscape, with Christ and the Woman of Canaan, mid-16th century, Pen and brown ink, 10-9/16 x 15-1/16 in. (26.8 x 38.3 cm), Drawings, Lucas Gassel (Flemish, Helmond ca. 1495/1500–ca. 1570 Brussels

Round Box Brooch, 1000–1100, Made in Gotland, Sweden, Viking, Copper alloy, cast, selectively applied silver foil (OA XRD) ..., Overall: 2 3/8 x 1 in. (6 x 2.5 cm), Metalwork-Copper, Women on the Scandinavian island of Gotland wore box

Landscape near Mödling, 1796, Brush and brown and grey ink, black chalk, sheet: 16 9/16 x 22 5/8 in. (42 x 57.5 cm), Drawings, Jakob Matthias Schmutzer (Austrian, Vienna 1733–1811 Vienna

Drawings and Prints, Album Print Ornament & Architecture, Page from Album of Ornament Prints from the Fund of Martin Engelbrecht, Publisher, Artist, Artist, Martin Engelbrecht, Jeremias Wachsmuth, Franz Xavier Habermann, Carl Pier, German,

Cup, 19th century, Made in East Cambridge, Massachusetts, United States, American, Blown glass, H. 2 1/2 in. (6.4 cm); Diam. 2 3/8 in. (6 cm), Glass, Probably New England Glass Company (American, East Cambridge, Massachusetts,

Box for seal paste, Qing dynasty (1644–1911), Kangxi mark and period (1662–1722), 1713–22, China, Porcelain with peach-bloom glaze (Jingdezhen ware), H. 1 3/8 in. (3.5 cm); Diam. 2 13/16 in. (7.1 cm), Ceramics

Covered Serving Dish, ca. 1860–66, Made in China, Chinese, for American market, Porcelain, H. 4 13/16 in. (12.2 cm), Ceramics

Satire on Art Criticism, 1644, Pen and brown ink corrected with white., 6 1/8 x 7 15/16 in. (15.5 x 20.1 cm), Drawings, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam), An atypical subject and approach to composition,

Standing Saint John the Baptist with The Lamb, ca. 1575–76, Red chalk, highlighted with white chalk, on ochre washed paper., sheet: 11 5/16 x 4 7/8 in. (28.7 x 12.4 cm), Drawings, Girolamo Macchietti (Italian, Florence (?) ca. 1535–1592