Images at Librifly

Karnak (Thèbes), Palais - Salle Hypostyle - Colonnade Centrale - Décoration d'un Fut, 1851–52, printed 1853–54, Salted paper print from paper negative, 25.0 x 16.3 cm. (9 13/16 x 6 7/16 in.), Photographs, Félix Teynard (French,

Portrait of Emperor Shennong, 神農・夏冬山水図, Edo period (1615–1868), 1665, Japan, One from a set of three hanging scrolls; ink and color on silk, 41 1/2 x 18 3/16 in. (105.4 x 46.2 cm), Paintings, Kano Tan'yū (Japanese,

Disk Brooch, early 7th century, Frankish, Silver-gilt, garnets, iron support, Overall: 1 x 1/2 in. (2.6 x 1.3 cm), Metalwork-Silver

Meleager Presents to Atalanta the Head of the Calydonian Boar, n.d., Pen, brown ink, gray-brown wash, heightened with white, over traces of black chalk, 6 15/16 x 14 1/4 in. (17.7 x 36.2cm), Drawings, Guillaume Boichot (French,

Tie-Dye Tunic, mid-8th–mid-9th century, Peru, Wari, Camelid hair, H. 33 x W. 48 in. (83.8 x 121.9 cm), Textiles-Woven

Design for the Corner of a Cove, 1700–1780, Pen and brown ink, brush and gray wash, over ruled construction in lead point or graphite, some dotted framing outlines, Sheet: 5 7/16 x 7 1/2 in. (13.8 x 19 cm), Drawings, Anonymous, Italian,

Mill Children #440, South Carolina, 1908, Gelatin silver print, Image: 11.9 x 16.9 cm (4 11/16 x 6 5/8 in.), Photographs, Lewis Hine (American, 1874–1940), Trained as a sociologist at Columbia University, Hine gave up his teaching job in

Stucco relief panel, Early Imperial, 2nd half of 1st century A.D., Roman, Stucco, Overall: 9 1/2 x 14 3/8 x 2 1/4 in. (24.1 x 36.5 x 5.7 cm), Miscellaneous-Stucco, Draped in a heavy cloak and with an elaborate hairdo, the woman reclines with

Drawings and Prints, Books Prints Ornament & Architecture, Prima Parte de' Fiori, e Disegni di varie sorti di Ricami Moderni, page 6 (recto), Author, Publisher, Giovanni Battista Ciotti, Francesco de' Franceschi, Italian, born Siena, ca.

Baur. Pierre. 41 ans, né à St Leonard (Haute-Vienne). Cordonnier. Anarchiste. 1/3/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914),

Birth of St. John the Baptist, 17th century, Pen and brown ink, brush and brown wash over black chalk, sheet: 14 5/8 x 7 3/16 in. (37.2 x 18.3 cm), Drawings, Valentin Lefebvre (Flemish, Brussels 1642–1682 England

Mountain Valley, early 19th–mid 19th century, Watercolor over graphite, 8 1/4 x 11 1/4 in. (21 x 28.5 cm), Drawings, Thomas Ender (Austrian, Vienna 1793–1875 Vienna

Four-Armed Avalokiteshvara, the Bodhisattva of Infinite Compassion, 7th–8th century, Peninsular Thailand, Bronze, H. 9 7/8 in. (25.2cm), Sculpture, Avalokiteshvara, the Bodhisattva of Infinite Compassion, is identified by the seated image

The Q A loaded with the spoils of India and Britain, March 6, 1788, ca. 1788, Pen and ink, sheet: 9 1/4 x 13 3/8 in. (23.5 x 34 cm), Drawings, Attributed to Thomas Rowlandson (British, London 1757–1827 London

Plate, 1880–88, Made in Sandwich, Massachusetts, United States, American, Blown amber glass with applied threaded decoration, Diam. 6 5/16 in. (16 cm), Glass, Possibly Boston & Sandwich Glass Company (American, 1825–1888, Sandwich,

A Black Curassow, n.d., Watercolor and gouache over traces of black chalk, sheet: 6 x 7 11/16 in. (15.2 x 19.5 cm), Drawings, Johannes Bronckhorst (Dutch, 1648–1727

Carved Stucco Panel from Between Two Arches, 10th century, Excavated in Iran, Nishapur, Stucco; molded and carved, H. 31 1/2 in. (80 cm), Sculpture, This large fragment was found in the rubble of a structure excavated at Nishapur in the mound

Embroidered sampler, 1807, Made in Hatfield, Massachusetts, United States, American, Silk on linen, 18 x 15 3/4 in. (45.7 x 40 cm), Textiles, Embroidered by Julia Ann Fitch (born 1792), This exquisite Federal pictorial family record has

Limestone pediment fragment, Hellenistic, ca. 300 B.C., Greek, South Italian, Tarentine, Limestone, H. 5 1/2 in. (14 cm); length 13 1/4 in. (33.7 cm), Stone Sculpture, The relief comes from the pediment of a small funerary monument

Design for a Leonine Grotesque Head, 16th–17th century, Black chalk, over dotted traces of graphite or black chalk, sheet: 3 9/16 x 4 5/16 in. (9 x 11 cm), Drawings, Anonymous, Italian, 16th to 17th century

Carpet, probably 18th century, Attributed to Iran, Silk; asymmetrically knotted pile, L. 223 (566.4 cm), Textiles-Rugs

Head of Shiva, Chams kingdoms, ca. 10th century, Central Vietnam, Sandstone, H. 15 3/4 in. (40 cm); W. 8 5/8 in. (21.9 cm); D. 17 1/2 in. (44.5 cm), Sculpture, Sandstone architectural elements of this type are a regular feature of Hindu

Design for Frame with Trees and Trellises, 1755, Brush and black ink and grey wash over traces of black chalk. Incised for transfer., 18 1/8 x 13 3/16 in. (46.1 x 33.5 cm), Drawings, Johann Oktavian Salver (German (active Würzburg) 1732–1788

Quilt, central panel and outer border: 17th century; inner border: second half of 17th century, Chinese for European market and European, Centeral panel and outer border: silk, embroidered with silk and gilt-paper-wrapped thread; Inner border:

Plan of large room with three niches, 18th century, Pen and ink, sheet: 11 x 8 1/4 in. (27.9 x 21 cm), Anonymous, British, 18th century

Design for Curtains for Three Windows, 1841–84, Graphite and brown ink wash, sheet: 10 3/4 x 14 1/2 in. (27.3 x 36.8 cm), Charles Hindley and Sons (British, London 1841–1917 London

Dinar, dated A.H. 79/ A.D. 698–99, Made in Syria, Gold, Diam. 13/16 in. (2.1 cm), Coins, The first Muslim rulers relied on older Byzantine and Sasanian mints to keep a constant supply of coinage in the newly converted lands. Modifications to

Botanical Study, ca. 1772–82, Paper collage, sheet (irregular): 10 1/16 x 9 1/8 in. (25.5 x 23.2 cm), Cut Paper, Attributed to Mary Delany (British, Coulston, Wiltshire 1700–1788 London), The celebrated diarist and amateur artist Mary

Drawings and Prints, Books Prints Ornament & Architecture, Corona delle Nobili et Virtuose Donne: Libro IV, page 50 (recto), Publisher, Cesare Vecellio, Italian, Pieve di Cadore 1521–1601 Venice, Vecellio, Cesare, Italian, 1521, 1601

Plate with The Lover Tormented, dated 1522, Italian, Gubbio, Maiolica (tin-glazed earthenware), lustered, Overall: 1 3/16 × 10 5/8 in. (3 × 27 cm), Ceramics-Pottery, Probably workshop of Maestro Giorgio Andreoli (Italian (Gubbio), active

Landscape with Figures and Camp Site, n.d., Pen and brown ink, gray wash over faint traces of black chalk., 5 1/8 x 7 1/2 in. (13 x 19.1 cm), Drawings, Attributed to Josua de Grave (Dutch, Amsterdam 1643–1712 The Hague

Bull Run, 1861–62, Albumen silver print from glass negative, 16.1 x 20.7 cm (6 5/16 x 8 1/8 in. ), Photographs, Andrew Joseph Russell (American, 1830–1902), George N. Barnard (American, 1819–1902), Timothy H. O'Sullivan (American,

元 王蒙 素庵圖 軸, The Simple Retreat, Yuan dynasty (1271–1368), ca. 1370, China, Hanging scroll; ink and color on paper, Image: 53 3/4 x 17 5/8 in. (136.5 x 44.8 cm), Paintings, Wang Meng (Chinese, ca. 1308–1385), Wang Meng

Apollo and Thetis, early 18th century, Red, brown and gray wash over red chalk, sheet: 9 5/8 x 12 11/16 in. (24.5 x 32.2 cm), Drawings, Jacob de Wit (Dutch, Amsterdam 1695–1754 Amsterdam

Study for 'A Sunday on La Grande Jatte', 1884, Oil on canvas, 27 3/4 x 41 in. (70.5 x 104.1 cm), Paintings, Georges Seurat (French, Paris 1859–1891 Paris), This is Seurat’s final study for his monumental painting of Parisians at leisure on

Head of Shiva, ca. 6th century, Northern Pakistan (Brahmanical post-Gupta), Stone, probably chlorite, H. 4 3/4 in. (12 cm); W. 3 1/2 in. (8.9 cm); D. 3 3/8 in. (8.6 cm), Sculpture

Totem Pole Model, ca. 1890, Canada, British Columbia, Haida, Argillite, H. 16 1/4 x W. 3 1/4 in. (41.3 x 8.3 cm), Stone-Sculpture, Charles Edenshaw, Model totem poles began to be carved in the Pacific Northwest in the mid-1860s, when

Cordial Glass, 1865–70, Made in East Cambridge, Massachusetts, United States, American, Pressed glass, H. 3 1/4 in. (8.3 cm), Glass, New England Glass Company (American, East Cambridge, Massachusetts, 1818–1888

Shallow bowl with Ruggiero, ca. 1525, Italian, possibly Urbino, Maiolica (tin-glazed earthenware), Overall: 1 5/8 × 8 1/4 in. (4.1 × 21 cm), Ceramics-Pottery, These two footed bowls, or coppe, are part of one of the most striking series of

Sherry Glass, ca. 1885–87, Made in Wheeling, West Virginia, United States, American, Blown glass, H. 4 3/4 in. (12.1 cm), Glass, Probably Hobbs, Brockunier and Company (1863–1891

Pair of bronze amphora (jar) handles, Classical, 5th century B.C., Etruscan, Bronze, Overall: 8 1/16in. (20.5cm), Bronzes, These elegant handles were once attached to the sides of a large bronze amphora with two rivets at the rim and one on

Design for Wall Decoration with a Funeral Monument Decorated with Columns and Putti Holding Garlands., 1540–50, Pen and light brown ink, brush and brown wash, 10-1/2 x 10-3/8 in. (26.6 x 26.4 cm) irregular borders, Anonymous, Italian, 16th

Design for Panel Decoration, 1828–40, Watercolor, pen and black ink, sheet: 6 7/16 x 10 13/16 in. (16.4 x 27.5 cm), J. Hulme (British, active 1828–40

Various Studies, Graphite, pen and black ink, 4 9/16 x 7 5/16 in. (11.6 x 18.5 cm), Drawings, Rodolphe Bresdin (French, Montrelais 1822–1885 Sèvres

Lamp, Late Antique, 4th–5th century A.D., Roman, Cypriot, Terracotta, Overall: 1 1/4 x 3 1/8 in. (3.2 x 7.9 cm), Terracottas

Plan for Garden Pavilion, early to mid-18th century, Pen and black ink, gray wash, sheet: 8 7/8 x 6 1/8 in. (22.6 x 15.6 cm), After Robert Morris (British, Twickenham, Surrey ca. 1701–1754 London

White Ewer with Blue Streaks, 12th–13th century, Attributed to Iran, Kashan, Stonepaste; molded, carved and pierced, painted under transparent glaze, H. 8 1/4 in. (21 cm), Ceramics

Georgia O'Keeffe—Hand, 1918, Platinum print, 11.8 x 9.1 cm (4 5/8 x 3 9/16 in. ), Photographs, Alfred Stieglitz (American, Hoboken, New Jersey 1864–1946 New York

Design for a Fireplace, 19th century, Graphite, Anonymous, British, 19th century

Joseph and Potiphar's Wife, 1510–50, Pen and grey ink, brush and grey wash., Diameter 7 3/8 in (18.6 cm), Drawings, Georg Pencz (German, Wroclaw ca. 1500–1550 Leipzig

Village Street Scene with a Church, 1777, Brush and brown wash, over a sketch in graphite, sheet: 3 3/4 x 6 1/16 in. (9.6 x 15.4 cm), Drawings, Cornelis Ploos van Amstel (Dutch, 1726–1798

Gate of Villa Belvedere in Frascati, 1710–27, Pen and dark brown ink, brush and gray and pink wash, over ruling in graphite, 13-1/16 x 17-5/8 in. (33.2 x 44.7 cm), Drawings, Pietro Paolo Coccetti (Cocchetti) (Italian, documented Rome,

Mérigeau. Jacques. 35 ans, né à St-Léger-les-Melles (Deux Sèvres). Ébéniste. 19/12/93., 1893, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Design for an Elaborate Barrel-Vaulted Chapel., 1481–1536, Pen and brown ink, over graphite; ruler and compass constructed, sheet: 31 15/16 x 16 13/16 in. (81.1 x 42.7 cm), Drawings, Attributed to Baldassare Tommaso Peruzzi (Italian,

Crown Prince Ludwig III of Bavaria, 1912, Platinum print, Photographs, Frank Eugene (American, New York 1865–1936 Munich

Retté. Adolphe. 30 ans, né à Paris IXe. Homme de lettre. Cris séditieux. 21/1/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914),

[Pair of Stereograph Views of Early Automobiles], 1902–3, Albumen silver prints, Mount: 8.9 x 17.8 cm (3 1/2 x 7 in.), Photographs, C. H. Graves (American), Unknown

Design for Church Lights or Standards, ca. 1880, Pen and ink, wash and watercolor on tracing paper, sheet: 14 3/16 x 6 1/2 in. (36 x 16.5 cm), Attributed to Richardson Ellson & Co. (British

Taweret amulet, Ptolemaic Period, Dynasty 26 (?), 332–30 B.C., From Egypt, Faience, H. 5.3 cm (2 1/16 in

Tumbler, ca. 1885, Made in West Midlands, England, British, Blown satin peach and pink glass, H. 3 9/16 in. (9 cm), Glass

Drawings and Prints, Album Print Ornament & Architecture, Page from Album of Ornament Prints from the Fund of Martin Engelbrecht, Artist, Artist, Publisher, Jeremias Wachsmuth, Carl Pier, Franz Xavier Habermann, Martin Engelbrecht, German,

Autumn (one of a pair), 1742–45, French, Paris or Versailles, Marble, Overall (confirmed): 70 5/8 × 52 1/4 in., 3620 lb. (179.4 × 132.7 cm, 1642 kg), Sculpture, Jean-Baptiste Pigalle (French, 1714–1785), This vase, along with its

Tumbler, 1770–1820, Probably made in Bohemia, Czech Republic, Non-lead glass with engraved decoration, H. 8 1/4 in. (21 cm), Glass

Drawings and Prints, Album Print Ornament & Architecture, Page from Album of Ornament Prints from the Fund of Martin Engelbrecht, Artist, Artist, Publisher, Franz Xavier Habermann, Jeremias Wachsmuth, Carl Pier, Martin Engelbrecht, German,

Hercule de foire, first half 20th century, Color tempera with traces of graphite, laid on modern grey paper, laid on card, Overall: 12 15/16 x 8 15/16 in. (32.9 x 22.7 cm), Drawings, Sergey Sudeykin (Russian, Smolensk 1882–1946 Nyack

Splendore delle virtuose giovani, title page (verso), 1564, Woodcut, Overall: 7 1/2 x 5 1/2 in. (19 x 14 cm), Designed by Iseppo Foresto, published by Jeronimo Calepino, Venice. From top to bottom, and left to right: Design composed of 3

Bouquet of Small Chrysanthemums, 1862, Watercolor and gouache, 6 1/8 x 5 7/8 in. (15.5 x 14.9 cm), Drawings, Léon Bonvin (French, Paris 1834–1866 Meudon

The Adoration of the Magi, ca. 1542–46 (?), Etching, Prints, Andrea Schiavone (Andrea Meldola) (Italian, Zadar (Zara) ca. 1510?–1563 Venice), In Mariette Album, folio 16, bottom

'Fortissimo', 1925–26, Lacquered wood, eggshell, mother-of-pearl, gold, 98 x 35 x 1 1/2 in. (248.9 x 88.9 x 3.8 cm), Furniture, Created for the music room of Solomon R. Guggenheim’s residence in Port Washington, Long Island, these

The Chess Players, ca. 1845, Salted paper print from paper negative, Sheet: 9 5/8 × 7 11/16 in. (24.5 × 19.6 cm), Photographs, Likely by Antoine-François-Jean Claudet (French, active Great Britain, 1797–1867), Possibly by Nicolaas

The City Tonsor, July 1, 1771, Etching, plate: 6 x 4 3/16 in. (15.3 x 10.6 cm), Prints, After Edward Topham (British, York 1751–1820 Doncaster

Ashoka Tree Flower, Leaves, Pod, and Seed, first half 19th century, Made in India, probably Calcutta, Opaque watercolor on paper, Page: H. 23 1/4 in. (59.1 cm), Codices, At the bottom of the page, the painting is inscribed Jonesia asoca,

Baerisvuyl. Frédéric, Jean. 28 ans, né à Fribourg (Suisse). Ébéniste. Anarchiste. 8/1/93., 1893, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Design for Mirror or Box, 1740–70, Pen and brush, 7-7/8 x 12 in, Anonymous, Italian, Venetian, 18th century

Marble head of a goddess wearing a diadem, Imperial, 1st–2nd century A.D., Roman, Marble, H. 9 1/16 in. (23 cm), Stone Sculpture, Head of a woman wearing a diadem

Grotesque Head with Curly Beard, 16th–17th century, Black chalk, over graphite or black chalk, sheet: 6 7/8 x 5 7/8 in. (17.5 x 15 cm), Drawings, Anonymous, Italian, 16th to 17th century

Dutch Gap Canal, 1865, Albumen silver print from glass negative, 16.4 x 22.5 cm (6 7/16 x 8 7/8 in. ), Photographs, Egbert Guy Fowx (American, born 1821), Andrew Joseph Russell (American, 1830–1902

Drawings and Prints, Albums Prints Ornament & Architecture, Schon newes Modelbuch...Page 18(r), Designer, Sigismundus Latomus, German, active 1599–ca. 1627, Latomus, Sigismundus, German, 1599, 1632, 1617, 1617

Drawings and Prints, Books Prints Ornament & Architecture, Giardineto novo di punti tagliati et gropposi per exercitio & ornamento delle donne (Venice 1554), page 15 (verso), Binder, Publisher, Lloyd, Wallis & Lloyd, Matteo Pagano, British,

St. Nicholas and the Three Daughters of the Poor Gentleman, 16th century, Pen and brown ink, washed, 8 x 9-5/8 in. (20.3 x 24.4 cm), Drawings, Circle of Jan Swart van Groningen (Netherlandish, Groningen ca. 1490/1500–1553 or later Antwerp

Drawings and Prints, Books Prints Ornament & Architecture, Page from Ein new kunstlich Modelbuch...(Page 51v), Publisher, Peter Quentel, German, active Cologne, 1518–46, Cologne, Quentel, Peter, German, 1500, 1550, 1544

Designs for Two Chairs, 1841–84, Watercolor over graphite, sheet: 10 x 14 5/16 in. (25.4 x 36.3 cm), Charles Hindley and Sons (British, London 1841–1917 London

Dead Confederates, Fort Mahone, 1864, Albumen silver print from glass negative, 9.9 x 9.4 cm (3 7/8 x 3 11/16 in. ), Photographs, Thomas C. Roche (American, 1826–1895

Veduta del Tempio di Giove Tonante, 1740s–60s, Engraving, Image: 38 x 59.5 cm (14 15/16 x 23 7/16 in.), Prints, Giovanni Battista Piranesi (Italian, Mogliano Veneto 1720–1778 Rome

Theriez. Louis (ou Perriez). 35 ans, né le 29/8/58 à Paris. Ébéniste. Anarchiste. 16/3/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Garden of Eden; Creation of the Animals, 16th century, Pen and bistre, washed, highlighted with white gouache, on brown paper, squared, 7 3/4 x 9 3/4 in. (19.7 x 24.8 cm), Drawings, Anonymous, Netherlandish, 16th century

'Jahangir and His Vizier, I'timad al-Daula', Folio from the Shah Jahan Album, recto: ca. 1615; verso: ca. 1530–45, Attributed to India, Ink, opaque watercolor, and gold on paper, 15 3/8 x 10 3/16in. (39 x 25.9cm), Codices, Manohar (active

View from the Portico of the House to the Park at Stowe, Buckinghamshire, ca. 1739, Ink and wash, sheet: 14 11/16 x 21 1/16 in. (37.3 x 53.5 cm), Drawings, Jacques Rigaud (French, Marseilles 1681–1754 Paris

Dead Christ Supported by Angels, ca. 1710, Oil on canvas, 51 1/2 x 38 1/4 in. (130.8 x 97.2 cm), Paintings, Francesco Trevisani (Italian, Capodistria 1656–1746 Rome), Trevisani, of Venetian origins, spent most of his life in Rome, working

Interior with Peasants, 17th century, Pen and brown ink, brush and brown wash, over black chalk, sheet: 7 x 10 1/2 in. (17.8 x 26.7 cm), Drawings, Adriaen van Ostade (Dutch, Haarlem 1610–1685 Haarlem

Key, second half 19th century, Graphite on tracing paper, sheet: 4 7/8 x 2 1/4 in. (12.4 x 5.7 cm), Anonymous, British, 19th century

Trafalgar chintz, Attributed to John Bury (born 1764), 1806, British, Lancashire, Cotton, L. 82 x W. 37 1/2 inches (208.3 x 95.3 cm), Textiles-Printed, Attributed to John Bury (born 1764), This design commemorates the career of English naval

Fragment of a Hanging with Birds and Flowers, 5th–7th century, Attributed to Egypt, Linen, wool, 27 15/16 in. high 26 9/16 in. wide (71 cm high 67.5 cm wide), Textiles, This delicate linen is decorated with a trellis pattern of buds joined

Spartan Soldier, 1859, Albumen silver print from glass negative, Image: 35.3 x 43.5 cm (13 7/8 x 17 1/8 in.), Photographs, Charles Nègre (French, 1820–1880), Astonished on first seeing daguerreotypes (about 1844) and dreaming of the

Terracotta bell, Cypro-Archaic II, ca. 600–480 B.C., Cypriot, Terracotta; wheel-made, H. 2 11/16 in. (6.8 cm); diameter 3 in. (7.6 cm), Vases, During the Archaic period, bells were often part of horses' harness. Clay examples were probably

Bronze statuette of a youth, Archaic, late 6th century B.C., Etruscan, Bronze, H.: 8 3/16 in. (20.8 cm), Bronzes, This solid-cast bronze youth is based on Greek prototypes. It was probably a votive offering dedicated at an Etruscan sanctuary,

Maenad-head earrings, Ptolemaic Period, 1st century B.C., From Egypt, gold, a. As Worn: H. 2.5 × W. 2.9 cm (1 × 1 1/8 in.), Earrings with heads of maenads (Dionysus's female followers) are rare in Egypt but occur in the Levant and Cyprus. The

Earflare with Multifigure Scene, A.D. 1350–1470, Peru, North Coast, Chimú, Gold, Diam. 5 1/4 in. (13.5 cm), Metal-Ornaments, By the time the powerful Chimú kings had established their desert kingdom on Peru's north coast in the fourteenth

Design for a Gothic Wall and Door, 1840–1900, Brown ink, Anonymous, British, 19th century

The Artist's Wife (Périe, 1849–1887) Reading, 1883, Pastel and charcoal on wove paper, laid down on blue wove paper, laid down on stretched canvas, 19 7/8 x 24 1/8 in. (50.5 x 61.3 cm), Drawings, Albert Bartholomé (French, Thiverval