Images at Librifly

Female Figure Bottle, 4th–6th century, Peru, Nasca, Ceramic, H. 5 1/2 x Diam. 3 1/2 in. (14 x 8.9 cm), Ceramics-Containers

Bronze navicella-type fibula (safety pin), Geometric, 8th century B.C., Etruscan, Bronze, Base: 3 3/4 in. (9.5 cm), Bronzes, Navicella-type fibulae have arched bows with open undersides; incised decoration on the bow

Drawings and Prints, Books Prints Ornament & Architecture, New Künstlichs Modelbuch (Page 46 recto), Publisher, Bernhard Jobin, Swiss, Porrentruy (Jura) before 1545–1593/1597 Strasbourg, Jobin, Bernhard, Swiss, 1535, 1597, 1600, 1600

[Cathderal of Barcelona], 1880s–90s, Albumen silver print from glass negative, Photographs, Unknown

Cross-sections, which show the different aspects of the buildings shown in the plan of Pompeii [the preceding plate], from Antiquités de Pompeïa, tome premier, Antiquités de la Grande Grèce... (Antiquities of Pompeii, volume one,

Putto, 17th century, Red chalk on cream paper, 5-7/8 x 5 in. (14.9 x 12.7 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

Composition from the Tragedies of Aeschylus, plate 17 (recto); Goddess Statue from the Suppliants, plate 7 (verso), 19th century, Graphite, Sheet: 10 3/8 × 15 11/16 in. (26.3 × 39.8 cm), Drawings, After John Flaxman (British, York

Study for a Birth Announcement, 19th century, Watercolor, black chalk, pencil framing line., 8 7/8 x 6 3/8 in. (22.6 x 16.2 cm), Drawings, Anonymous, German, 19th century

Relief fragment from the tomb of Meketre, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Meketre (TT 280, ), 1920, Limestone, paint, H 12.1cm (4 3/4 in.); W 19 cm (7 1/2in.); D

Catalogue de Tableaux. . .de Feu M. Le Bas, 1783, Overall: 7 15/16 x 5 1/8 x 15/16 in. (20.2 x 13 x 2.4 cm), Books

Drawings and Prints, Books Prints Ornament & Architecture, Page from Ein new kunstlich Modelbuch...(Page 6v), Publisher, Peter Quentel, German, active Cologne, 1518–46, Cologne, Quentel, Peter, German, 1500, 1550, 1544

Madame Guillaume Guillon Lethière, née Marie-Joseph-Honorée Vanzenne, and her son Lucien Lethière, 1808, Graphite, 9 1/2 x 7 3/8 in. (24.1 x 18.7 cm), Drawings, Jean Auguste Dominique Ingres (French, Montauban 1780–1867 Paris), As a

Essempio di recammi, page 20 (recto), 1530, Woodcut, Overall: 7 13/16 x 6 3/16 x 3/8 in. (19.8 x 15.7 x 1 cm), Written by Giovanni Antonio Tagliente, Italian, Venice ca. 1465-1527 Venice, published by Giovanantonio e i fratelli da Sabbio

Salaman u Absal of Maulana Nur al-Din 'Abd-Rahman Jami, A.H. 993/ A.D. 1585, Country of Origin Iran, Mashhad, Ink, opaque watercolor, and gold on paper; Binding: pasteboard; painted and lacquered, 9 1/4 x 6 7/8 in. (23.5 x 17.5 cm), Codices

Fan Palm, Singapore, 1860s–70s, Albumen silver print from glass negative, 27.4 x 20.1 cm (10 13/16 x 7 15/16 in.), Photographs, Unknown

Female Figure with Cherubs, 18th century, 8-7/16 x 8-1/2 in (21.3 x 22.8 cm), Drawings, Anonymous, Italian, 18th century

Drawings and Prints, Albums Prints Ornament & Architecture, Schon newes Modelbuch...Page 9(r), Designer, Sigismundus Latomus, German, active 1599–ca. 1627, Latomus, Sigismundus, German, 1599, 1632, 1617, 1617

Drawings and Prints, Album Print Ornament & Architecture, Targhe ed altri ornati di varie e capricciose invenzioni (Cartouches and other ornaments of various and capricious invention, page 2), Artist, Publisher, After, Jacob Floris, Georges

Finger Ring, late 6th–early 7th century, Made in Niederbreisig, Germany, Frankish, Copper alloy, cast, 'tinned' surface, Overall: 7/8 x 1/4 in. (2.2 x 0.7 cm), Metalwork-Copper

Drawings and Prints, Albums Prints Ornament & Architecture, Schon newes Modelbuch...Page 2(r), Designer, Sigismundus Latomus, German, active 1599–ca. 1627, Latomus, Sigismundus, German, 1599, 1632, 1617, 1617

Percheron. Auguste. 56 ans, né à Poitier (Nièvre). Écrivain public. Anarchiste. 21/3/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Coin, dated A.H. 166/A.D. 782, From Iran, Nishapur. Mint Iran, al-Muhammadiyya, Silver, Diam. 7/8 in. (2.3 cm), Coins, Minted during the era of the Abbasid caliphate, this silver dirham names the reigning caliph, al-Mahdi, and the prophet

Allegorical Portrait of a Commander and His Wife, 17th century, Pen and brown ink, brush and gray wash, sheet: 5 1/16 x 7 5/8 in. (12.8 x 19.4 cm), Drawings, Pieter Jansz. (Dutch, Amsterdam ca. 1602–1672 Amsterdam

Dejoux. Jules. 46 ans, né le 16/6/48 à La Châtre (Indre). Maçon. Délit de presse. 2/7/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

A Ship Wrecked on a Shore on a Stormy Night, with Survivors Salvaging Their Goods, mid-17th–early 18th century, Point of the brush and gray and black wash, black chalk, sheet: 10 1/16 x 13 7/16 in. (25.5 x 34.2 cm), Drawings, Ludolf

Madonna and Child with Saints, 17th century, Red chalk on light blue paper faded to gray-brown, 8-5/16 x 9-13/16 in. (21.1 x 24.9 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

Male Saint with Staff, Half-Figure, 1640, Brush and gray wash, over black chalk underdrawing on off-white paper, 6-1/16 x 4-1/2 in. (15.4 x 11.4 cm), Drawings, Attributed to Francisco Herrera, the Younger ('El Mozo') (Spanish, Seville

Terracotta phiale (libation bowl), Hellenistic, ca. 250–200 B.C., Etruscan, Terracotta; Volsinian Silvered Ware, H. 1 15/16 in. (4.9 cm); diameter 9 1/4 in. (23.5 cm), Vases, Phiale of yellow clay with ornaments in relief: satyr head in

[Two Men Seated, One in the Other's Lap, with Their Hands in Suggestive Positions], 1880s, Tintype, Image: 8 x 5.2 cm (3 1/8 x 2 1/16 in.), Photographs, Unknown (American

Ascoli Cope, early 20th century (original dated 13th century), Italian, Watercolor on paper, 24 1/2 × 49 in. (62.2 × 124.5 cm), Reproductions-Textiles

Box with Boys Playing in Garden, Ming dynasty (1368–1644), Wanli mark and period (1573–1620), late 16th–early 17th century, China, Porcelain painted with cobalt blue under transparent glaze (Jingdezhen ware), H. 4 in. (10.2 cm); Diam. 8

Saulnier. Alphonse, Joseph. 31 ans, né à Paris XXe. Tourneur sur bois. Anarchiste. 14/3/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Drawings and Prints, Books Prints Ornament & Architecture, Schön newes Modelbuch (Page 82r), Publisher, Sigismundus Latomus, German, active 1599–ca. 1627, Frankfurt am Main, Latomus, Sigismundus, German, 1599, 1632, 1608

Presentation in the Temple, n.d., Pen, brush and brown ink on pale tan paper; reverse, black chalk and brown ink., Sheet: 8 7/16 x 5 9/16 in. (21.4 x 14.2 cm), Drawings, Peter Paul Rubens (Flemish, Siegen 1577–1640 Antwerp), The first

Perrier (dit Theriez). Louis. 35 ans, né le 25/8/58 à Paris Vllle. Ébéniste. Anarchiste. 16/3/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Design for Curtains, 1841–84, Graphite with touches of white gouache, sheet: 14 7/16 x 10 3/8 in. (36.7 x 26.3 cm), Charles Hindley and Sons (British, London 1841–1917 London

Ein ney Furmbüchlein, Page 11, recto, ca. 1525–29

Plaque with dragon, pheasant, quail, and other birds amidst bamboo and plum blossom, Qing dynasty (1644–1911), late 19th century, China, Ivory with pigment, H. 6 1/8 in. (15.6 cm); W. 21 1/4 in. (54 cm); D. 7/8 in. (2.2cm), Ivories,

Bronze bow-shaped fibula (safety pin) with bone cylinder, Geometric, 8th century B.C., Italic, Bronze, bone, Other: 3 7/16 in. (8.7 cm), Bronzes, A wide bone cylinder is fixed to the clasp . On the exposed bronze portion of the clasp are

Snuff bottle with demon queller Zhong Kui, Qing dynasty (1644–1911), Daoguang period (1821–50), China, Overlay glass with coral stopper, H. 2 7/8 in. (7.3 cm), Snuff Bottles

Drawings and Prints, Books Prints Ornament & Architecture, Corona delle Nobili et Virtuose Donne: Libro IV, page 65 (recto), Publisher, Cesare Vecellio, Italian, Pieve di Cadore 1521–1601 Venice, Vecellio, Cesare, Italian, 1521, 1601

Medallion with Two Peacocks, Ming dynasty (1368–1644), 16th century, China, Silk and metallic-thread tapestry (kesi), Overall: 14 x 14 in. (35.6 x 35.6 cm), Textiles-Tapestries, This medallion was a rank badge for a civil official of the

Lamp, Roman, Cypriot, Terracotta, Overall: 1 1/2 x 3 1/4 in. (3.8 x 8.3 cm), Terracottas

308. Novi. Ernest, Théodore. 32 ans, né à Nice (Alpes-Maritimes). Architecte. Anarchiste. 27/2/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

St. Peter and St. John Healing the Cripples at the Gate of the Temple, ca. 1524–27, Etching and engraving, Prints, Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503–1540 Casalmaggiore), In Mariette Album, folio 48

Joseph and Potiphar's Wife, 1510–65, Pen and black ink., Overall: 4 5/8 x 3 in. (11.8 x 7.6 cm), Drawings, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

Design for a Balustrade with Female Figures and Urns, 16th–17th century, Pen and brown ink, brush with brown wash and pink watercolor; over traces of graphite underdrawing and ruled construction., sheet: 7 x 12 13/16 in. (17.8 x 32.5 cm),

宋/元 铜锦纹如意雲耳方壺, Vase, Yuan dynasty (1271–1368), 13th–14th century, China, Bronze, H. 7 5/8 in. (19.4 cm); W. 2 3/4 in. (7 cm); D. 2 1/8 in. (5.4 cm), Metalwork

Soldiers Besieging a Castle, ca. 1530, Pen and brown ink; framing lines in brown ink, 4 7/8 x 7 5/8 in. (12.4 x 19.3 cm), Drawings, Anonymous, Swiss, 16th Century

Esemplario di Lauori..., page 5 (verso), August 1, 1532, Woodcut, Overall: 8 7/16 x 6 5/16 in. (21.5 x 16 cm), Originally published by Giovanni Andrea Vavassore, Italian, active 16th century, Venice, designed by Florio Vavassore (Giovanni's

Bronze tripod, Archaic, ca. 525–500 B.C., Etruscan, Bronze, H. as restored 26 in. (66.1 cm), Bronzes, The city of Vulci was famous in antiquity for its production of luxury bronzes. One popular type of item was the tripod, an elaborate

Ornamental Design with Acanthus Leaves (recto), Capital (verso), 18th century, Ink and gray wash, 10 x 14-13/16 in, Drawings, Anonymous, Italian, 18th century

Haematite intaglio: Youth on inscribed stele, Imperial, 2nd century A.D., Roman, Haematite, Other: 3/4 x 9/16 x 1/8 in. (1.9 x 1.4 x 0.3 cm), Gems, Nude youth standing on an inscribed stele

Counter Plate of a Belt Buckle, 7th century, Made in Burgundy, Frankish or Burgundian, Iron, silver inlay; iron rivets, Overall: 5 1/2 x 2 5/8 x 1/2 in. (14 x 6.7 x 1.3 cm), Metalwork-Iron

Covered Dish, Two Egg Cups, and Two Salt Cellars, 19th century, Pen and wash, 8-1/2 x 17 in, Drawings, Anonymous, Italian, 19th century

Ecce Homo, ca. 1674–85, Spanish, probably Málaga, Partial-gilt polychrome wood, sculpture only, confirmed: 24 3/4 × 17 3/4 × 18 3/8 in. (62.9 × 45.1 × 46.7 cm), Sculpture, Pedro de Mena (Spanish, Granada 1628–1688 Málaga), Carved

Letter, 18th century, French, 9 x 7 1/2 in. (22.9 x 19 cm), Textiles-Woven

Two Market Women, 1789, Blue chalk, black chalk, and watercolor, sheet: 11 x 8 7/16 in. (28 x 21.4 cm), Drawings, Jacobus Perkois (Dutch, Middelburg 1756–1804 Middelburg

Bird-Shaped Brooch, second half 6th century, Frankish, Gold sheet with filigree and granulation and inlays of garnet and glass, Overall: 3/4 x 1 1/2 x 3/8 in. (1.9 x 3.8 x 0.9 cm), Metalwork-Gold, The dress of Frankish women generally consisted

Design for a Chimneypiece, 1740–1800, Pen, ink, wash, Sir William Chambers (British (born Sweden), Göteborg 1723–1796 London

Carved Pedestal Supporting a Vase, 19th century, Ink on tracing paper, Anonymous, British, 19th century

Chateau de Vouzan, 1888, Watercolor, Sheet: 9 1/2 x 6 3/8 in. (24.1 x 16.2cm), Drawings, Henry Victor Burgy (French, died 1901

'Monnaie du pape' Coffer, 1914, French, Glass, silver leaf, amaranth, brass, 5 1/2 in. × 13 in. × 7 1/4 in. (14 × 33 × 18.4 cm), Glass, This coffer is something of a visual pun: the molded-glass panels are symbolically decorated with

[Plasterer with Hawk and Trowel], 1860s–70s, Tintype, Image: 6.5 x 5.2 cm (2 9/16 x 2 1/16 in.), Photographs, Unknown (American

Lamp, 1st century B.C.–1st century A.D., Roman, Terracotta, Overall: 1 x 4 in. (2.5 x 10.2 cm), Terracottas

View of St. Peter's, Rome, 1843, Graphite, sheet: 9 11/16 x 14 1/2 in. (24.6 x 36.8 cm), Drawings, Edward Lear (British, London 1812–1888 San Remo

Seneca Lake, 1935, Watercolor, gouache, and ink on paper, 5 1/8 x 7 in. (13 x 17.8 cm), Drawings, Arthur Dove (American, Canandaigua, New York 1880–1946 Huntington, New York

Design for a Floral Pattern, ca. 1883, based on earlier design, Graphite, ink, and gouache, sheet: 15 15/16 x 11 in. (40.5 x 27.9 cm), Christopher Dresser (British, Glasgow, Scotland 1834–1904 Mulhouse

Measurements for a Breakfast Parlour and Drawing Room, ca. 1786, Pen and brown ink, sheet: 7 3/4 x 14 3/4 in. (19.7 x 37.5 cm), James Oldham (British, active late 18th century

Ibex-head earrings, Ptolemaic Period, 2nd–1st century B.C., From Egypt, Gold; carnelian, a. As Worn: H. 1.8 × W. 2.1 cm (11/16 × 13/16 in.), Hoops formed of wound wire with animal head terminals are the commonest type of Hellenistic

Tile, ca. 1882–84, Made in Chelsea, Massachusetts, United States, American, Earthenware, 4 1/4 x 4 1/4 in. (10.8 x 10.8 cm), Ceramics, J. and J. G. Low Art Tile Works (1877–1907

'The Parent Bird Blinds the Prince in Revenge for the Death of her Young One', Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide),

Longcase clock with calendar, Clockmaker: Thomas Tompion (British, 1639–1713), ca. 1700, British, London, Case: walnut; oak veneered with walnut; and string inlays of holly and stained holly; Dial: partly gilded and partly silvered brass;

Carnelian intaglio: Standing Anubis, Imperial, ca. 2nd–3rd century A.D., Roman, Carnelian, Other: 7/16 x 3/8 x 1/16 in. (1.2 x 0.9 x 0.2 cm), Gems

Drawings and Prints, Album Print Ornament & Architecture, Page from Album of Ornament Prints from the Fund of Martin Engelbrecht, Artist, Artist, Publisher, Franz Xavier Habermann, Carl Pier, Jeremias Wachsmuth, Martin Engelbrecht, German,

Cartoon Fragment for Adolescent Angel Leaning on a Tablet or Closed Book, ca. 1690–95, Brush with brown wash and gouache, over traces of granular charcoal underdrawing, on six glued sheets of paper; lined with canvas, 23 3/8 x 34 5/8in. (59.4

Figure of a Beggar, ca. 1754–55, British, Chelsea, Soft-paste porcelain, Overall (wt. confirmed): 7 9/16 × 3 × 2 5/8 in., 1 lb. (19.2 × 7.6 × 6.7 cm, 0.5 kg), Ceramics-Porcelain

Poirier. Jacques, Étienne. 30 ans, né à Gien (Loiret). Garçon de marchand de vins. Anarchiste. 30/4/92. , 1892, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon

Unfinished Statuette, Middle Kingdom, Dynasty 12, ca. 1980–1975 B. C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Meketre (TT 280, ), Buried in top of ramp, 1920, Limestone, ink, H. 17.8 cm (7 in.); W. 6 cm (2 3/8 in.);

Ornamento delle belle & virtuose donne, page 21 (verso), 1554, Woodcut, Overall: 7 1/2 x 5 7/8 in. (19 x 15 cm), Published by Matteo Pagano, Italian, 1515-1588, Venice, bound by Lloyd, Wallis & Lloyd, British, active London after 1821.

Sauce Dish, 1850–60, Probably made in Pittsburgh, Pennsylvania, United States, American, Pressed glass, diamond thumbprint, Diam. 4 3/8 in. (11.1 cm), Glass, With the development of new formulas and techniques, glass-pressing technology

Plate, 1815–30, Made in Paris, France, French, Porcelain, H. 1 1/16 in. (2.7 cm); Diam. 7 1/2 in. (19.1 cm), Ceramics

Madonna and Child Adored by Two Saints, 16th century, Pen and brown ink, brush and blue wash, over black chalk, 12-1/8 x 9-11/16 in. (30.8 x 24.6 cm), Drawings, Anonymous, Italian, 16th century (Italian, active Central Italy, ca.

Les Singuliers et Nouveaux Portraicts... page 28 (recto), 1588, Woodcut, Overall: 8 1/16 x 6 5/16 in. (20.5 x 16 cm), Designed by Federic de Vinciolo, published by Jean Le Clerc, Paris, bound by Chambolle-Duru, French, 19th century. From top

Revenge Upon a Constable, from Images of Spain Album (F), 86, 1812–20, Brush and brown wash on laid paper, 8-1/16 x 5-11/16 in. (20.5 x 14.4 cm), Drawings, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828 Bordeaux

Opera Nova Universali intitulata Corona di racammi, page 24 (recto), [1530], Woodcut, Overall: 8 7/8 x 6 7/8 in. (22.5 x 17.5 cm), Published by Giovanni Andrea (called 'Guadagnino') Vavassore, Italian, active 16th century, Venice. From top to

Two Forces, 1881, Graphite, Sheet: 11 x 7 1/2 in. (27.9 x 19.1 cm), Drawings, Sir John Tenniel (British, London 1820–1914 London

Old Man in Profile, 1620–69, Pen and brown ink, brush and brown wash. Framing line in pen & brown ink., sheet: 6 5/16 x 4 5/8 in. (16 x 11.7 cm), Drawings, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam

[Frost], ca. 1910, Gelatin silver print, Image: 3 in. × 3 11/16 in. (7.6 × 9.4 cm), Photographs, Wilson Alwyn Bentley (American, 1865–1931

Catalogue of the F.M. Co., Art Pottery, Barbotine Vases, Baskets, Jardineres, 1881–82, Illustrations: wood engraving, 7 13/16 x 5 3/8 in. (19.9 x 13.7 cm), Books

Design for the Upper Part of an Entablature, 18th century, Pen and ink, sheet: 6 1/2 x 17 in. (16.5 x 43.2 cm), Anonymous, British, 18th century

Drawings and Prints, Books Prints Ornament & Archiecture, Fiori di Ricami Nuovamente Posti in Luce, page 10 (recto), Designer, Publisher, Matteo Florimi, Francesco de' Franceschi, Italian, active Siena, ca. 1581–died 1613, Italian,

Case (Inrō) with Design of Bean Vine, Edo period (1615–1868), 18th century, Japan, Case: powdered gold (maki-e) on lacquer with ceramic, lead, and mother-of-pearl inlays; ceramic seal on base; Fastener (ojime): alloy of silver and copper

Drawings and Prints, Books Prints Ornament & Architecture, Page from Eyn Newe kunstlich moetdelboech alle kunst (Page 5r), Publisher, Peter Quentel, German, active Cologne, 1518–46, Cologne, Quentel, Peter, German, 1500, 1550, 1532

Adoration of the Magi, 17th century, Pen and brown ink and brown wash. Traces of framing line in black chalk., 2 15/16 x 4 11/16 in. (7.4 x 11.9 cm), Drawings, Anonymous, Dutch, 17th century

Bust of a Young Woman, 1500–1545, Charcoal, 10 7/16 x 6 9/16 in. (26.5 x 16.6 cm), Drawings, Attributed to Hans Baldung (called Hans Baldung Grien) (German, Schwäbisch Gmünd (?) 1484/85–1545 Strasbourg (Strassburg

Canonization of Five Cardinals in Saint Peter's Basilica, Rome, 1690, Etching, Plate: 16 15/16 x 27 3/16 in. (43 x 69.1 cm), Prints, Inside view of the Saint Peter's Basilica showing the spectacle and the ephemaral decorations erected for the

Platter, 1785–90, Made in China, Chinese, for American market, Porcelain, 9 1/4 x 12 1/2 in. (23.5 x 31.8 cm), Ceramics, This object belongs to a large dinner service bearing the Townley family coat-of-arms. The service, probably ordered

Design for a Cartouche or Frame with Four Groups of Military Ornament: Flames and Thunderbolts on bottom; Swags of Bombs at Sides; Sword, Baton, and Laurel Top., 18th century, Pen and black ink, brush and gray-brown wash, over graphite or lead,

[Group of 3 Stereograph Views of Connecticut, United States of America], 1850s–1910s, Albumen silver prints, Mounts approximately: 8.5 x 17.6 cm (3 3/8 x 6 15/16 in.), Photographs, Unknown (American