Images at Librifly

Landscape with Acquaduct near Smyrna, 19th century, Pencil. Squared., 6 5/16 x 9 1/4 in. (16 x 23.5 cm), Drawings, Franz von Hauslab the Younger (Austrian, Vienna 1798–1883

Sheet of Studies of Heads, ca. 1795, Red chalk, sheet: 9 x 14 1/8 in. (22.8 x 35.9 cm), Drawings, After William Hogarth (British, London 1697–1764 London

Beaker, ca. 1740, Hungarian, Brassó, Silver, partly gilded, Overall: 6 x 4 1/4 in. (15.3 x 10.8 cm), Metalwork-Silver, Incorporating medals or coins into the walls of drinking vessels has a captivating effect, and here they underline the

12 plates from 'A New Book of Ornaments with Twelve Leaves Consisting of Chimneys, Sconces, Tables, Spandle Panels, Spring Clock Cases, Stands, a Chandelier and Girandole, etc.', November 13, 1752, Illustrations: etching, 14 11/16 x 10

Shield (Dhàl), early 19th century, North Indian, Hide, gilt bronze, enamel, lacquer, jewels, textile (velvet), Diam. 18 in. (45.7 cm), Shields, Shields of this type were very popular across the Indian subcontinent. They were commonly made

Design for a Coat of Arms, 17th century, Pen and brown ink, Drawings, Anonymous, Italian, 17th century

Ortiz. Léon. 25 ans, né à Paris. Commis d'architecte. Anarchiste. Voyage ordinairement en bicyclette. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon

Beaker, late 18th century, Chinese, for European market, Hard-paste porcelain, Height: 3 in. (7.6 cm), Ceramics-Porcelain-Export

Essempio di recammi, page 26 (verso), 1530, Woodcut, Overall: 7 13/16 x 6 3/16 x 3/8 in. (19.8 x 15.7 x 1 cm), Written by Giovanni Antonio Tagliente, Italian, Venice ca. 1465-1527 Venice, published by Giovanantonio e i fratelli da Sabbio

Terracotta head of a male dwarf, Hellenistic, 2nd century B.C., Greek, Terracotta, H. 1 3/4 in. (4.4 cm), Terracottas, Head of a dwarf with pronounced features

Ewer, 1830–70, Probably made in Bennington, Vermont, United States, American, Parian porcelain, H. 12 in. (30.5 cm), Ceramics

Drawings and Prints, Books Prints Ornament & Architecture, New Künstlichs Modelbuch (Page 17 recto), Publisher, Bernhard Jobin, Swiss, Porrentruy (Jura) before 1545–1593/1597 Strasbourg, Jobin, Bernhard, Swiss, 1535, 1597, 1600, 1600

Sketch of a Classical Pedestal, 1776–79, Graphite, sheet: 10 7/16 x 9 5/16 in. (26.5 x 23.6 cm), Attributed to Thomas Hardwick (British, London 1752–1829 London

Silk Kashan Carpet, second half 16th century, Made in Iran, probably Kashan, Silk (warp, weft, and pile), metal wrapped thread; asymmetrically knotted pile, Mount Dimensions: L. 105 1/2 in. (268 cm), Textiles-Rugs, This carpet, possibly

Drawings and Prints, Books Prints Ornament & Architecture, Schön newes Modelbuch (Page 97r), Publisher, Sigismundus Latomus, German, active 1599–ca. 1627, Frankfurt am Main, Latomus, Sigismundus, German, 1599, 1632, 1608

Relief with two officials or sons of the Vizier Dagi, Middle Kingdom, Dynasty 11, ca. 2010–2000 B.C. or ca. 2000–1981 B.C., From Egypt, Upper Egypt, Thebes, Sheikh Abd el-Qurna, Tomb of Dagi (TT 103), 1911–12, Limestone, paint, L.

Primer, 18th century, Rajasthan, Indian, Rajasthan, Brass, L. 10 1/2 in. (26.7 cm); D. 1 in. (2.5 cm); Wt. 7.5 oz. (212.6 g), Firearms Accessories-Flasks & Primers, A priming flask is used to hold and pour fine gun powder into the priming pan

『古今和歌集』断簡, Three poems from the Collection of Poems Ancient and Modern (Kokin wakashū), Kamakura period (1185–1333), 13th century, Japan, Page from a book mounted as a hanging scroll; ink on paper, Image: 9 3/16 × 5 9/16

[A.S. Howard Building Under Construction], 1885, Tintype, Image: 12.7 x 17.9 cm (5 x 7 1/16 in.), Photographs, Unknown (American

'Bahram Gur Shows His Skill Hunting, while Fitna Watches', Folio from a Haft Paykar (Seven Portraits) of Nizami, mid-16th century, Attributed to Iran, Opaque watercolor, gold, and ink on paper, Image 6 3/8 in x 8 7/8 in., Codices,

Proserpine Changing Aesculapius into an Owl, 1548, Engraving, Prints, Enea Vico (Italian, Parma 1523–1567 Ferrara), After Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503–1540 Casalmaggiore), In Mariette Album, folio

Morning Glories, 俵屋宗理筆　朝顔図屏風, Edo period (1615–1868), 18th century, Japan, Two-panel folding screen; ink and color on paper, 19 15/16 x 65 3/16 in. (50.6 x 165.6 cm), Screens, Tawaraya Sōri (active late 18th century),

Crossbow (Halbe Rüstung) with Cranequin (Winder), crossbow, ca. 1560–80; cranequin, first half of the 16th century, possibly Bavaria, crossbow, possibly Bavarian; cranequin, probably southern German, Steel, wood (core: probably fruitwood,

Battle Ground of Resacca, Georgia No. 1, 1860s, Albumen silver print from glass negative, Photographs, George N. Barnard (American, 1819–1902

Design for the Elevation of a Palace Interior, 1700–1780, Pen and gray ink, brush and gray wash on dark tan paper. Ruled and compass construction in pen and gray ink, 18 x 13 7/8 in. (45.7 x 35.2 cm), Drawings, Anonymous, Italian,

Bird-Shaped Incence Burner, 12th–13th century, Attributed to Central Asia or Eastern Iran, Bronze; cast, pierced, and engraved, 9 13/16 x 3 9/16 x 7 3/8 in. (25 x 9 x 18.8 cm), Metal, Incense was widely used in the medieval Islamic world.

Pantheon, partial plan; details (recto) Pantheon, rectangular niche, perspective; vault, detail (verso), early to mid-16th century , Dark brown ink, black chalk, and incised lines, sheet: 16 15/16 x 12 5/8 in. (43 x 32 cm

Bowl with bosses and petals, Late Period–Ptolemaic Period, 4th century B.C., From Egypt, Lower Egypt, Silver, H. 4.4 cm x Diam. 17.6 cm, The heavy silver vessels are in created in a decorative style widespread in the Greek world, and can be

Design for a Facade (unfinished), late 16th century, Pen and brown ink, brush and gray wash, over black chalk, sheet: 5 7/8 x 9 1/4 in. (15 x 23.5 cm), Anonymous, Italian, late 16th century

Sookh-Vilas Palace Garden, 1880–90, Albumen silver print from glass negative, Image: 20.4 x 26.2 cm (8 1/16 x 10 5/16 in.), Photographs, Lala Deen Dayal (Indian, Sardhana 1844–1905

The Wilderness Battlefield, 1864, Albumen silver print from glass negative, Image: 4 15/16 × 3 5/16 in. (12.6 × 8.4 cm), Photographs, Unknown (American), Possibly by Alexander Gardner (American, Glasgow, Scotland 1821–1882 Washington,

Elevation of Solomon's Temple, one of six illustrated leaves from the Postilla Litteralis (Literal Commentary) of Nicholas of Lyra, ca. 1360–1380, French, Opaque watercolor, iron-gall ink and gold on vellum, 16 1/2 x 9 3/4 in. (41.9 x 24.8

Jeff. Davis House, Executive Mansion, C.S.A., Richmond, 1865, Albumen silver print from glass negative, Photographs, Alexander Gardner (American, Glasgow, Scotland 1821–1882 Washington, D.C

Decorated Ware Jar Depicting Ungulates and Boats with Human Figures, Predynastic, Late Naqada II, ca. 3500–3300 B.C., From Egypt, Pottery, paint, h. 30 x w. 31 cm (11 13/16 x 12 3/16 in.), The images on this vessel represent important

Terracotta relief probably from a funnel vase, Early Hellenistic, late 3rd–early 2nd century B.C., Greek, South Italian, Apulian, Canosan, Terracotta, 9 3/4 x 10 3/4in. (24.8 x 27.3cm), Vases, This is one of four reliefs with two-figure

月波の遊び・「四月中の申の 日山王日吉祭」; 「八月朔日松尾に相撲あり」, Festivities of the Twelve Months: “Sannō Hiyoshi Festivals Held on the Day of the Monkey in the Mid-Fourth Month”; Festivities of the Twelve

Ordnance Wharf, City Point, Virginia, 1865, Collodion glass negative, Image: 21.6 × 25.6 cm (8 1/2 × 10 1/16 in.), Negatives, Thomas C. Roche (American, 1826–1895), Like their military counterparts, Civil War field photographers had to

Design for a Panel with a Depiction of Boreas Abducting Oreithyia, 17th century, Pen and brown ink, brush with brown, red, blue and yellow wash, over black chalk on cream paper, 3-3/4 x 9-1/2 in. (9.5 x 24.1 cm), Drawings, Anonymous,

Les Secondes Oeuvres, et Subtiles Inventions De Lingerie du Seigneur Federic de Vinciolo Venitien, page 51 (recto), 1603, Woodcut, Overall: 9 7/16 x 6 1/2 in. (24 x 16.5 cm), Designed by Federic de Vinciolo Venitien, published by Jean Le

Bellona, ca. 1546–52, Etching, Prints, Andrea Schiavone (Andrea Meldola) (Italian, Zadar (Zara) ca. 1510?–1563 Venice), In Mariette Album, folio 41, bottom right

Fountain, 17th century, Pen and brown ink over traces of red and black chalk on light tan paper, 7 3/8 x 5 1/8 in. (18.8 x 13 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

梟鴉蒔絵印籠, Inrō with Owl and Crows in Tree, Edo period (1615–1868), 19th century, Japan, Black lacquer ground with gold and silver togidashi maki-e and e-nashiji, H. 3 3/4 in. (9.6 cm); W. 1 7/8 in. (4.8 cm); 1 1/8 in. (2.8 cm),

Chancellor Leonhard von Eck (1480–1550), 1527, Oil on spruce, 22 1/8 x 14 7/8 in. (56.2 x 37.8 cm), Paintings, Barthel Beham (German, Nuremberg ca. 1502–1540 Italy), Barthel Beham and his older brother Sebald were renowned as printmakers

Metal Candlestick with Classical Ornament, 19th century, Brown ink on tracing paper, sheet: 20 1/16 x 7 5/16 in. (51 x 18.5 cm), Anonymous, British, 19th century

Snuff Bottle with Buddhist Figures, Qing dynasty (1644–1911), 18th century, China, Ivory, H. 2 7/8 in. (7.3 cm), Snuff Bottles

Tripod Vessel, 4th–5th century, Mexico, Mesoamerica, Teotihuacan, Ceramic, red ochre, H. 9 5/8 x Diam. 9 5/8 in. (24.4 x 24.4 cm), Ceramics-Containers, Bowls with three sturdy feet and more or less straight sides are so identified with

Coin of Ptolemy IV from a Ptolemaic hoard, Ptolemaic Period, 222–205 B.C., From Egypt, Upper Egypt, Thebes, Asasif, Birabi, 1915–16, Bronze, Diam. 4.2 cm, A hoard of 162 Ptolemaic coins that contained issue of Ptolemy II, III, and

Gold ring with embossed satyr masks: on carnelian intaglio, bird, Late Archaic, early 5th century B.C., Etruscan, Gold, carnelian, Diam.: 1 1/16 in. (2.7 cm), Gold and Silver, Ring with satyr and bird intaglio from a tomb group allegedly

Pot, 1st–3rd century, Made in Kharga Oasis, Byzantine Egypt, Roman, Earthenware, slip decoration, glazed interior, Overall: 3 3/4 x 3 5/16 in. (9.5 x 8.4 cm), Ceramics

Fort Sedgwick in front of Petersburg, 1864, Albumen silver print from glass negative, 8.7 x 9.4 cm (3 7/16 x 3 11/16 in. ), Photographs, Timothy H. O'Sullivan (American, born Ireland, 1840–1882

The Ladder, April 1844, Salted paper print from paper negative, Sheet: 7 11/16 × 9 13/16 in. (19.6 × 24.9 cm), Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock

Panel, ca. 1500, Italian, Venice or Anatolian, Silk, wrapped metal thread, natural linen tabby lining, H. 33 1/2 x W. 20 inches (85.1 x 50.8 cm), Textiles-Velvets

Le petit Russe, 1860s, Albumen silver print from glass negative, Photographs, Pierre-Louis Pierson (French, 1822–1913

Leaf-Shaped Box, 17th–19th century, Top decoration: Newari; box: Tibet, Lhasa area, Gold, aquamarine, diamonds, emeralds, rubies, sapphire, pearl, lapis lazuli, and turquoise, 6 x 2 1/2 in. (15.2 x 6.3 cm), Metalwork, This box made

Fantastic Rocky Landscape with a Farmhouse and Three Foot Bridges, 1570–83, Pen and brown ink, touches of brown wash, over black chalk, 10 5/16 x 7 15/16 in. (26.2 x 20.2 cm), Drawings, Anonymous, Netherlandish, 16th century, After

伯牙鍾子期図, Bo Ya Plays the Qin as Zhong Ziqi Listens, Muromachi period (1392–1573), 1530s, Japan, Hanging scroll; ink and color on paper, Image: 65 1/16 × 34 1/4 in. (165.2 × 87 cm), Paintings, Circle of Kano Motonobu (Japan,

Relief fragment from the tomb of Meketre, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Meketre (TT 280, ), Court, Radim, 1920, Limestone, paint, H 9.5 cm ( 3 3/4 in.); W

Design for an Ewer, table and candelabra within an ornamental frame, 1660–1727, Pen and brown ink, brush and gray wash. Incised for transfer., 8 5/16 x 11 9/16 in. (21.1 x 29.3 cm), Drawings, Attributed to Abraham Drentwett the Elder

Drawings and Prints, Books Prints Ornament & Architecture, Ornamento nobile...Fatta da Lucretia Romana (Libro V of the Corona), page 9 (recto), Publisher, Author, Alessandro de' Vecchi, Cesare Vecellio, Italian, active Venice, 1570–1629,

Ointment Jar, New Kingdom, Dynasty 18, early, ca. 1550–1450 B.C., From Egypt, Upper Egypt, Thebes, Asasif, Courtyard CC 41, Pit 3, Burial B 4, Between head of coffin and wall, 1915–16, Serpentinite (green), H. 5.9 cm (2 5/16 in.),

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 37 (recto), October 1, 1604, Etching and drawing, Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm), Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua.

Bead ornaments, Late Imperial, 3rd century A.D., Roman, Gold, average: 7/16 × 1/2 × 1/16 in. (1.1 × 1.3 × 0.2 cm), Gold and Silver

Figurine of a man, Predynastic, early Naqada II, ca. 3650–3450 B.C., From Egypt, Ivory (elephant), h. 6.5 x w. 2.2 x d. 0.9 cm (2 9/16 x 7/8 x 3/8 in.), The earliest pieces of Egyptian sculpture represent men and women in formal poses.

清 瑪瑙俏色花插, Flower holder with floral design, Qing dynasty (1644–1911), 18th century, China, Carnelian and white agate, H. 5 in. (12.7 cm); W. 7 3/4 in. (19.7 cm); D. 4 in. (10.2 cm), Hardstone

Saint Christopher Carrying the Infant Christ, 1730s, Oil on canvas, 28 1/4 x 22 1/8 in. (71.8 x 56.2 cm), Paintings, Giovanni Battista Piazzetta (Italian, Venice 1682–1754 Venice), According to the Golden Legend, Saint Christopher was known

The Lamentation over the Dead Christ, ca. 1545–50, Etching, Prints, Andrea Schiavone (Andrea Meldola) (Italian, Zadar (Zara) ca. 1510?–1563 Venice), In Mariette Album, folio 22, bottom

Sermon of Saint Albertus Magnus, ca. 1430–95, Made in Nordlingen, Germany, German, Oil on wood, 49 1/2 x 27 5/8 in. (125.7 x 70.2 cm), Paintings-Panels, Friedrich Walther (German, ca. 1440–1494

Bedcover, 1725–50, British, Silk and metal-wrapped thread on linen, L. 79 x W. 67 1/2 inches (200.7 x 171.5 cm), Textiles-Embroidered, In addition to yellow-on-white Bengali embroideries made for export were Indian polychrome examples made

Amphoriskos (oil flask), Classical, ca. 340–320 B.C., Greek, South Italian, Apulian, Gnathian, Terracotta, 6 1/2 in. (16.5 cm), Vases, These two flasks, and , undoubtedly for oil, have been known since the early 1880's, when they were

Village Scene with Figures, 19th century, Watercolor over black chalk, framing line in gray watercolor, sheet: 9 13/16 x 15 3/8 in. (25 x 39 cm), Drawings, Jan van Ravenswaay (Dutch, Hilversum 1789–1869 Hilversum

Daishōgun, 大将軍像, Heian period (794–1185), 11th–12th century, Japan, Wood, H. 13 1/2 in. (34.3 cm), Sculpture, Daishōgun (Great General) was a popular guardian spirit stationed at vulnerable locations in the capital of Kyoto,

Saint Paul Seated, with his Conversion in the Background; Verso: Figure Sketch, late 16th–mid-17th century, Black chalk, brush and brown and gray wash, red chalk, heightened with white gouache; incised for transfer (?); framing line in pen

Sugar Urn, 1790–1800, Made in Annapolis, Maryland, United States, American, Silver, Overall: 9 1/4 in. (23.5 cm); 12 oz. 16 dwt. (397.8 g), Silver, Charles Faris (1764–1800

Benzaiten and Fifteen Attendants, 弁財天十五童子像, Kamakura period (1185–1333), 13th century, Japan, Hanging scroll; ink and color on paper, Overall: 53 1/2 x 19 3/8 in. (135.9 x 49.2 cm), Paintings

[Snow Crystal], 1890s–1920s, Gelatin silver print, Image: 2 3/4 in. × 3 in. (7 × 7.6 cm), Photographs, Wilson Alwyn Bentley (American, 1865–1931

Design for a Stole, late 19th–early 20th century, Watercolor, pen and black ink over graphite, sheet: 13 5/8 x 8 15/16 in. (34.6 x 22.7 cm), Ernest Geldart (British, London 1848–1929

Hobnail Finger Bowl, after 1886, Made in Wheeling, West Virginia, United States, American, Pressed cranberry and opalescent glass, H. 2 3/4 in. (7 cm); Diam. 5 in. (12.7 cm), Glass, Probably Hobbs, Brockunier and Company (1863–1891

Drawings and Prints, Books Prints Ornament & Architecture, Teatro delle Nobili et Virtuose Donne..., page 31 (recto), Author, Publisher, Isabella Catanea Parasole, Mauritio Bona, Italian, ca. 1565/70–ca. 1625, Rome, Parasole, Isabella

Design for a Mantlepiece, mid-18th–late 18th century, Pen and brown ink, brush and light brown wash over traces of black chalk., 8 7/8 x 6 11/16 in. (22.6 x 17 cm), Christian Gottlob Mietzsch (German, Dresden 1742–1799 Dresden), After Jean

Study of a standing woman with a sitting man; study of a resting artist, 1830–80, Graphite, sheet: 12 1/2 x 6 11/16 in. (31.7 x 17 cm), Drawings, François-Claudius Compte-Calix (French, Lyon 1813–1880 Chazay d'Azergues

Ruins of Stone Bridge - Bull Run, 1862, Albumen silver print from glass negative, Image: 18.8 × 23.1 cm (7 3/8 × 9 1/8 in.), Photographs, Mathew B. Brady (American, born Ireland, 1823?–1896 New York), In summer 1861 Mathew B. Brady began

Bowl, Incised Hands, 7th–9th century, Mexico, Mesoamerica, Veracruz, Veracruz, Ceramic, H. 4 1/2 x Diam. 7 1/4 in. (11.43 x 18.42 cm), Ceramics, The thin-walled bowl in medium to dark-brown clay has a flat bottom and elegantly curved

Drawings and Prints, Books Prints Ornament & Architecture, La Pratique de l'Aiguille, page 41 (recto), Author, Engraver, Dedicatee, Publisher, Title by, Dedicated to, Published by, Matthias Mignerak, Pierre Firens, Marie de Medici, Jean

Drawings and Prints, Books Prints Ornament & Architecture, Splendore delle virtuose giovani, page 9 (recto), Designer, Publisher, Iseppo Foresto, Jeronimo Calepino, Italian, active Venice, 1557, Venice, Foresto, Iseppo, Calepino,

Borreman. Léontine, Eugénie. 23 ans, née à Paris le 25/12/70. Papetière. Anarchiste. 13/3/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Gold Bracelet, ca. 650, Byzantine, Gold, 7 1/16 × 1 1/4 × 3/16 in. (17.9 × 3.1 × 0.5 cm), Metalwork-Gold, Large opus interrasile openings outline ivy leaves on this bracelet from the Pantalica Treasure, a hoard of fourteen pieces of

Terracotta collared jar with four lug handles, Early Cycladic I–II, ca. 2700 B.C., Cycladic, Terracotta, H. 5 1/8 in. (13 cm), Vases, Collared jar with a narrow foot and four lug handles

Plate, 1775, French, Sèvres, Soft-paste porcelain, Diameter: 9 5/8 in. (24.4 cm), Ceramics-Porcelain

Bottle, 1763–79, Made in Bohemia, Czech Republic, Non-lead glass with enamel decoration, H. 5 3/4 in. (14.6 cm), Glass

Pellet Crossbow, ca. 1550–1600, probably Italian or French, Steel, wood (walnut), staghorn, hemp, L. 40 3/16 in. (102.1 cm); W. 25 9/16 in. (64.9 cm); Wt. 7 lb. 8 oz. (3, 388 g), Archery Equipment-Crossbows

Snuff bottle with design of coins, Qing dynasty (1644–1911), Qianlong period (1736–95), China, Glass, H. 2 3/4 in. (7 cm); H. incl. stand 3 3/8 in. (8.6 cm); W. 1 1/4 in. (3.2 cm); D. 3/4 in. (1.9 cm), Snuff Bottles

Terracotta bowl, Late Classical–Hellenistic, 4th–3rd century B.C., Etruscan, Terracotta, H. 2 11/16 in. (6.8 cm); diameter 6 1/2 in. (16.5 cm), Vases, In the center, in relief, a woman's head

Pyramides de Gizèh, 1865–69, Albumen silver print from glass negative, Image: 31.1 x 41.8 cm (12 1/4 x 16 7/16 in.), Photographs, Gustave Le Gray (French, 1820–1884

Standing Soldier with a Spear, 17th century, Pen and light brown ink with brush and brown wash over black chalk underdrawing. Spear ruled in black chalk. Traces of outlining at edges of composition in black chalk. On off-white paper, 7-7/8 x 3-1/8

The Labro Falls, 1824–42, Watercolor, wash and brush and pen and ink, sheet: 21 1/4 x 29 3/4 in. (54 x 75.5 cm), Drawings, Thomas Fearnley (Norwegian, Frederikshald 1802–1842 Munich

Les Secondes Oeuvres, et Subtiles Inventions De Lingerie du Seigneur Federic de Vinciolo Venitien, page 46 (recto), 1603, Woodcut, Overall: 9 7/16 x 6 1/2 in. (24 x 16.5 cm), Designed by Federic de Vinciolo Venitien, published by Jean Le

Figure of Benjamin Franklin, 1835–45, Made in Staffordshire, England, British (American market), Earthenware, transfer-printed, H. 14 3/4 in. (37.5 cm), Ceramics

Design for a Ceiling, an Oblong with an Oval Center, 1743–96, Pen and wash, sheet: 13 3/8 x 21 5/8 in. (34 x 55 cm), Sir William Chambers (British (born Sweden), Göteborg 1723–1796 London

Head of an Angel in Full Face, ca. 1397, Tempera on wood (paint around head scraped away and vacant area gessoed), 6 1/4 x 4 3/4 in. (15.9 x 12.1 cm), Paintings, Taddeo di Bartolo (Italian, Siena ca. 1362–1422 Siena

Hab.t de la Pologne from Playing Cards (for Quartets) 'Costumes des Peuples Étrangers', 1700–1799, Etching and hand coloring (watercolor), 3 3/16 × 2 1/16 in. (8.1 × 5.3 cm), Prints, Anonymous, French, 18th century