Images at Librifly

Fort Brady, James River, 1864, Albumen silver print from glass negative, Photographs, Andrew Joseph Russell (American, 1830–1902

Corona delle Nobili et Virtuose Donne: Libro I-IV, page 20 (recto), 1601

Drawings and Prints, Albums Prints Ornament & Architecture, Schon newes Modelbuch...Page 15(r), Designer, Sigismundus Latomus, German, active 1599–ca. 1627, Latomus, Sigismundus, German, 1599, 1632, 1617, 1617

Madonna and Child with Saints and Angels, 17th century, Red chalk on cream paper. Fragmentary framing outline in black ink along left, bottom and right edges; fragmentary framing outline in gray ink along left edge, 5-1/4 x 8-1/2 in. (13.35 x

Perron. Jules. 31 ans, né le 9/8/62 à Saint-Denis (Seine). Journalier. Anarchiste. 75/3/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Design for a Carriage with a Variant for the Decoration, 17th–18th century, Pen and wash, sheet: 8 1/4 x 10 1/4 in. (21 x 26 cm), Anonymous, Italian, 17th or 18th century

Decorative Mount, ca. 1375–1400, German, Walrus ivory (or whale tooth), 2 3/8 × 2 5/8 × 1 3/4 in. (6 × 6.6 × 4.5 cm), Ivories-Walrus, This enigmatic object is carved in high relief. Neither its original function nor the narrative are

Pier Table in the Neo-Classical Taste, 1815–25, Made in New York, New York, United States, American, Rosewood veneer, gilded gesso and vert antique, gilded brass, die-stamped brass borders, marble, looking glass plate, 36 9/16 × 42 ×

Quart Decanter, 1850–70, Made in Pittsburgh, Pennsylvania, United States, American, Pressed glass, H. 10 1/4 in. (26 cm), Glass, Bakewell, Pears and Company (1836–1882

A Drunken Man Standing, 1822, Black chalk, sheet: 18 9/16 x 12 15/16 in. (47.1 x 32.9 cm), Drawings, Aleksandr Orlovsky (Russian, Warsaw 1777–1832 St. Petersburg

[Locomotive on the Baltimore and Ohio Railroad, Near Oakland, Maryland], ca. 1860, Salted paper print from glass negative, Image: 16.2 x 16 cm (6 3/8 x 6 5/16 in.), Photographs, Unknown (American

Vase, ca. 1760, Probably made in England, British, Opaque glass with enamel decoration, H. 6 5/8 in. (16.8 cm), Glass

Mustard pot, ca. 1765, Hungarian, Pest, Silver, Overall: 6 7/8 x 2 1/4 in. (17.5 x 5.7 cm), Metalwork-Silver, Sugar was a rare commodity in the eighteenth century and often surrounded by ceremony. The sugar caster, with its pierced domed lid,

[La Comtesse in Ermine Cape], 1860s, Albumen silver print from glass negative, 9.2 x 14.9 cm (3 5/8 x 5 7/8 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Drawings and Prints, Books Prints Ornament & Architecture, La Pratique de l'Aiguille, page 34 (recto), Author, Engraver, Dedicatee, Publisher, Title by, Dedicated to, Published by, Matthias Mignerak, Pierre Firens, Marie de Medici, Jean

Allegory of Art, 1595, Pen and black ink, brush and coloured washes, heightened with white, over red chalk, sheet: 8 1/16 x 6 in. (20.5 x 15.2 cm), Drawings, Joachim Lüchteke (German, active 1595

Tea chest, Qing dynasty (1644–1911), late 18th century, China, Black lacquer with gold painting, H. 8 1/8 in. (20.6 cm); W.12 in (30.5 cm); L.18 3/8 in. (46.7 cm), Lacquer

Man Reading the Stars, 1909, Pen and ink, charcoal, 9 3/4 x 13 in. (24.8 x 33 cm), Drawings, Ernst Barlach (German, Wedel 1870–1938 Rostock

Gelhausen. Jean. 55 ans, né à Grevennemache (Luxembourg). Cordonnier. Infraction à la loi du 18/12/93. , 1893, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon

Two Fragments of an Inscriptional Frieze, 12th–13th century, Attributed to Iran, Nishapur. Excavated in Iran, Nishapur, Stonepaste; carved decoration under opaque monochrome glaze, H. 11 in. (27.9 cm), Ceramics-Tiles, This fragment, which

Deherme. Marie, Adolphe. 26 ans, né à Paris XVIIe. Publiciste. Anarchiste. 9/3/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914),

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 6 (recto), October 1, 1604, Etching and drawing, Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm), Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua.

Studies of Imaginary Woodland Creatures and Other Figures, mid-19th century, Pen and brown ink, sheet: 8 3/8 x 14 3/16 in. (21.3 x 36 cm), Drawings, Moritz von Schwind (Austrian, Vienna 1804–1871 Munich

Tea Bowl with Hare’s-Fur Decoration, Northern Song (960–1127) to Southern Song (1127–1279) dynasty, 11th–12th century, China, Stoneware with copper-oxide glaze (Jian ware), H. 2 1/2 in. (6.4 cm); Diam. 4 5/8 in. (11.7 cm), Ceramics,

Drawings and Prints, Books, Prints, Ornament & Architecture, La Vera Perfettione del Disegno di varie sorti di recami, page 5 (recto), Publisher, Illustrator, Woodcut of Lucrezia designed by, Giovanni Ostaus, Giuseppe Salviati (Giuseppe

Male Saint Standing on a Pedestal with Arms Extended (recto); Standing or Kneeling Male Saint (verso), 17th century, Pen and dark brown ink over black chalk underdrawing (recto). Black chalk drawing in the same hand (verso). On off-white paper,

Snuff Bottle in the Shape of a Gourd, Qing dynasty (1644–1911), late 18th–early 19th century, China, Rock crystal with coral stopper, H. 2 7/8 in. (7.3 cm); W. 1 5/8 in. (4.1 cm); D. 1 1/4 in. (3.2 cm), Snuff Bottles

Hand eines 8 jährigen Mädchens, 1896, Photogravure, Image: 6 7/8 × 3 5/16 in. (17.4 × 8.4 cm), Photographs, Josef Maria Eder (Austrian, Krems an der Donau, 1855–1944 Kitzbühel) and, Eduard Valenta (Austrian, 1857–1937), Eder was

The Pont Neuf, 1849–50, Oil on canvas, 21 1/2 x 32 1/8 in. (54.6 x 81.6 cm), Paintings, Johan Barthold Jongkind (Dutch, Latrop 1819–1891 La-Côte-Saint-André), This view is based on drawings that Jongkind made along the Seine in 1849,

Shield King: A Man Astride a Snail, 1712 or later, Pen and black ink, sheet: 3 9/16 x 2 5/16 in. (9 x 5.9 cm), Drawings, Johannes Brandenberg (Swiss, Zug 1661–1729 Zug

Fontana nella Piazza della Trinita de Monti (...). From 'La Fontane di Roma nelle Piazze e Luoghi Publici (...)'., 1691 or after, Etching, Plate: 8 3/8 x 11 3/8 in. (21.3 x 28.9 cm), Giovanni Battista Falda (Italian, Valduggia 1643–1678 Rome),

Chavanne. Gaston. 26 ans, né à Paris VIe. Graveur. Anarchiste. 28/2/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914), Born into a

The Muse Erato Writing Verses Inspired by Love, ca. 1797, Pen and black ink, brush and gray wash, heightened with white gouache over black chalk underdrawing; squared in black chalk, 18 1/8 x 13 1/16 in. (46 x 33.2 cm.), Drawings, Charles

The Lamentation Over the Dead Christ, ca. 1545–50 (?), Etching, Prints, Andrea Schiavone (Andrea Meldola) (Italian, Zadar (Zara) ca. 1510?–1563 Venice), In Mariette Album, folio 23 bottom

Child's Head, Red chalk on paper, 13 x 10 5/8 in. (33.0 x 27.0 cm), Drawings, After Jean-Baptiste Greuze (French, Tournus 1725–1805 Paris), Anonymous, 19th century

Vase, ca. 1760, Probably made in Bristol, Bristol, England, British, Opaque glass with enamel decoration, H. 5 1/2 in. (14 cm), Glass

Study of a Bearded Man Wearing the Helmet of Guidobaldo II della Rovere, Duke of Urbino, 1536–40, Charcoal or black chalk, highlighted with white chalk, on blue paper (faded to blue-gray), 10 3/16 x 8 7/16in. (25.8 x 21.5cm), Drawings,

Raboin. Paul, Pierre, Augustin. 32 ans, né à Ouzoir-sur-Loire (Loiret). Journalier. Anarchiste. 23/4/92. , 1892, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon

[Snow Crystal], 1890s–1920s, Gelatin silver print, Image: 2 15/16 × 3 1/8 in. (7.4 × 7.9 cm), Photographs, Wilson Alwyn Bentley (American, 1865–1931

[Young Man Seated in Front of Painted Outdoor Backdrop], 1850s, Daguerreotype, Image: 6.7 x 5.6 cm (2 5/8 x 2 3/16 in.), Photographs, Unknown (American

Bronze statuette of a nude youth, Classical, ca. 480–470 B.C., Etruscan, Bronze, H.: 6 13/16 in. (17.3 cm), Bronzes, The stance, nudity, and hairstyle of this fine bronze remind one of large-scale kouroi, the famous commemorative statues

Le dos, 1860s, Albumen silver print from glass negative, 8.3 x 10.2 cm. (3 1/4 x 4 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Ornamento delle belle & virtuose donne, page 19 (verso), 1554, Woodcut, Overall: 7 1/2 x 5 7/8 in. (19 x 15 cm), Published by Matteo Pagano, Italian, 1515-1588, Venice, bound by Lloyd, Wallis & Lloyd, British, active London after 1821.

Stationery Box with Decoration of Grapes and Squirrels, Momoyama period (1573–1615) or Edo period (1615–1868), 17th century, Japan (Ryūkyū Islands), Black lacquer inlaid with mother-of-pearl and painted with gold, H. 4 5/8 in. (11.7 cm);

Landscape with a Tree in front of a Villa, 1801–77, Graphite, 4 9/16 x 6 13/16 in. (11.6 x 17.3 cm), Drawings, Eduard Gaertner (German, Berlin 1801–1877 Zechlin

Achilles Removing Patroclus' Body From the Battle, ca. 1547, Etching, sheet: 14 5/16 x 23 1/4 in. (36.3 x 59.1 cm), Prints, Léon Davent (French, active 1540–56), After Giulio Romano (Italian, Rome 1499?–1546 Mantua

Perfume Bottle, 1840–50, Possibly made in France; Possibly made in United States, American or French, Free-blown molded aquamarine glass, H. 5 1/4 in. (13.3 cm), Glass

Lamp, Roman, Terracotta, Overall: 1 1/4 x 2 7/8 in. (3.2 x 7.3 cm), Terracottas

'Hare', Folio from the Mantiq al-wahsh (Speech of the Wild Animal) of Ka'b al-Ahbar, 11th–12th century, Found Egypt, probably Fustat, Opaque watercolor on paper, H. 6-3/16 ' (15.72 cm)., Codices, This page from a zoological manuscript

Le Pompe: Opera Nova, page 4 (verso), 1557, Woodcut, Overall: 8 1/16 x 5 7/8 in. (20.5 x 15 cm), Published by Giovanni Battista & Marchio Sessa, Venice. From top to bottom, and left to right: Design composed of 3 vertical columns. Left column

Bronze pendant in the form of a paired couple, Geometric, 8th century B.C., Villanovan, Bronze, H.: 1 5/8 in. (4.2 cm), Bronzes, Solid-cast bronze figure of a nude couple. They may represent a human couple or perhaps a divine pair such as

Statuette of an adorant from a group with a god, Ptolemaic Period, 332–30 B.C., From Egypt, Cupreous metal, H. 3.8 × W. 1.4 × D. 1.6cm (1 1/2 × 9/16 × 5/8 in.), Small statuettes of worshipers could accompany divine statuettes

Christ and the Daughter of the Centurion, 16th century, Pen and brown ink, brush and brown wash, over traces of black chalk, 7 3/8 x 7 7/8in. (18.7 x 20cm), Drawings, After Perino del Vaga (Pietro Buonaccorsi) (Italian, Florence 1501–1547

[Wagon in a landscape with army encampment in the distance]. Brady album, p. 125, 1861–65, Albumen silver print from glass negative, Photographs

Button, ca. 1775, Irish, enamel, metal

Drawings and Prints, Books Prints Ornament & Architecture, Corona delle Nobili et Virtuose Donne: Libro IV, page 68 (recto), Publisher, Cesare Vecellio, Italian, Pieve di Cadore 1521–1601 Venice, Vecellio, Cesare, Italian, 1521, 1601

Amulet: Djed Column, Late Period, Dynasty 26–29, 664–332 B.C., From Egypt, Faience, H. 12 cm (4 3/4 in

Herman. Caroline. 33 ans, née à Paris Vllle. Couturière. Disposition du Préfet (Anarchie). 21/3/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon

Dower Chest, 1700–1800, Made in Berks County, Pennsylvania, United States, American, Yellow pine, 25 x 52 x 23 1/2 in. (63.5 x 132.1 x 59.7 cm), Furniture

Design for the Decoration of a Wall with Grotteschi in the Antique-Style, 1545, Pen and brown ink, brush and brown wash, over traces of black chalk or lead point, ruling and compass work; glued onto secondary paper support, 9 3/8 x 5 1/2in.

Sugar Bowl, 1790–1800, Made in New York, New York, United States, American, Silver, Overall: H. 9 13/16 in. (24.9 cm); 12 oz. 5 dwt. (380.8 g), Silver, Daniel Van Voorhis (1751–1824

Conductor: study from life, second half 19th century, Graphite, Overall: 8 7/8 x 6 1/16 in. (22.5 x 15.4 cm), Drawings, George Du Maurier (British, Paris 1834–1896 London

One Half of a Design for an Arch, With a Figural Sketch Pasted at lower right, 1700–1780, Pen and brown ink, brush and green wash, over lead point or graphite (recto). Red chalk (verso). The sheet that is pasted at lower right represent one

Arcadian Scene with Bacchus, n.d., Black and red chalk, sheet: 14 15/16 x 9 3/4 in. (38 x 24.7 cm), Drawings, Gerard de Lairesse (Dutch, Liège 1641–1711 Amsterdam

Mortar and pestle made for Abu Bakr 'Ali Malikzad al-Tabrizi, late 12th–early 13th century, Attributed to Iran, Brass; cast, chased, engraved, and inlaid with silver and black compound, Mortar, Metal, Two of the medallions on this mortar

Earring, 6th–7th century, Made in Italy, Langobardic or Byzantine (?), Gold, 1 13/16 x 11/16 x 7/8 in. (4.6 x 1.7 x 2.2 cm), Metalwork-Gold, Fashionable in Italy for at least a century before the arrival of the Langobards, earrings of the

Drawings and Prints, Books Prints Ornament & Architecture, Page from Ein new kunstlich Modelbuch...(Page 25v), Publisher, Peter Quentel, German, active Cologne, 1518–46, Cologne, Quentel, Peter, German, 1500, 1550, 1544

Snuff Bottle Depicting the Immortal Liu Hai, Qing dynasty (1644–1911), Qianlong period (1736–95), late 18th–early 19th century, China, Porcelain with overglaze enamel colors, coral stopper, H. 3 1/16 in. (7.8 cm), Snuff Bottles

[Wounded Soldiers on Cots, possibly at Harewood Hospital], 1865, Albumen silver print from glass negative, Image: 9.4 x 5.7 cm (3 11/16 x 2 1/4 in.), Photographs, Reed Brockway Bontecou (American, 1824–1907

Tiraz Fragment, 11th century, Attributed to Egypt, Silk; tapestry weave, Textile: H. 12 3/4 in. (32.4 cm), Textiles-Woven, Flax, from which linen fibers were made, was the main cash crop of Egypt during the Fatimid period, and the trade of

Fragment, 7th–9th century, Attributed to Egypt, Linen, wool; tapestry weave, embroidered, H. 3 1/4 in. (8.3 cm), Textiles

The Evacuation of Fort Sumter, April 1861, April 1861, Albumen silver print from glass negative, Image: 1 15/16 × 3 1/8 in. (5 × 7.9 cm), Photographs

[Union Army Officer], 1861–65, Albumen silver print from glass negative with applied color, Image: 19.4 x 14.3 cm (7 5/8 x 5 5/8 in.), Photographs, Unknown (American

Drawings and Prints, Book Prints Ornament & Architecture, Trionfo Di Virtu. Libro Novo..., page 5 (recto), Publisher, Matteo Pagano, Italian, 1515–1588, Venice, Pagano, Matteo, Italian, 1515, 1588, 1563

ex 'Kurtz' Violin, ca. 1560, Cremona, Italy, Italian (Cremona), Spruce, maple, ebony, paint, gilding, Height: 22 5/8 in. (57.4 cm), Chordophone-Lute-plucked, Andrea Amati (Italian, Cremona ca. 1505–1578 Cremona), Amati, earliest of

Les Singuliers et Nouveaux Portraicts... page 22 (recto), 1588, Woodcut, Overall: 8 1/16 x 6 5/16 in. (20.5 x 16 cm), Designed by Federic de Vinciolo, published by Jean Le Clerc, Paris, bound by Chambolle-Duru, French, 19th century. From top

Terracotta cinerary urn, Hellenistic, 2nd century B.C., Etruscan, Terracotta, Height: 17 1/4 in. (43.8 cm), Terracottas, The container depicts a fantastic head with bovine ears and wearing a Phrygian cap with wings. This soft, cloth cap was

Triumph of Mordecai, early to mid-17th century, Pen and black ink, brush and brown wash., 5 1/16 x 5 7/16 in. (12.8 x 13.8 cm), Drawings, Attributed to Hans Ulrich Fisch vom Stein I (Swiss, Aarau 1583–1647 Aarau

Study for a Ceiling Decoration, 1600–1699, Pen and brown ink, brush and brown wash, over charcoal? underdrawing and leadpoint? ruled lines, on cream paper, 11-13/16 x 10-7/16 in. (30 x 26.5 cm), Drawings, Anonymous, Italian,

Drawings and Prints, Books Prints Ornament & Architecture, Corona delle Nobili et Virtuose Donne: Libro IV, page 90 (recto), Publisher, Cesare Vecellio, Italian, Pieve di Cadore 1521–1601 Venice, Vecellio, Cesare, Italian, 1521, 1601

Thomas Rowlandson, aged 70, 1824, Pen and ink and brush and wash, sheet: 9 3/8 x 7 1/8 in. (23.8 x 18.1 cm), Drawings, John Thomas 'Antiquity' Smith (British, London 1766–1833 London

Design for a Cabinet, 1830–90, Ink, watercolor and gouache, Anonymous, British, 19th century

Desseins a Plusieurs Usages Inventés par M. B. Toro, 1718 or after

Dutch Gap Canal, 1865, Albumen silver print from glass negative, Photographs, Andrew Joseph Russell (American, 1830–1902), Egbert Guy Fowx (American, born 1821

Syout, Caravansérail en Ruines, 1851–52, printed 1853–54, Salted paper print from paper negative, 24.7 x 30.3 cm. (9 3/4 x 11 15/16 in.), Photographs, Félix Teynard (French, 1817–1892

Fall of Phaeton, 17th century, Brush and brown wash over black chalk on light tan paper. Oval format. Oval framing outline in brown ink, 11-1/2 x 8-9/16 in. (29.1 x 21.8 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

Buckland Grange, Proposed Alterations, South Elevation, early 19th century, Watercolor, sheet: 8 1/2 x 12 1/4 in. (21.6 x 31.1 cm), Anonymous, British, 19th century

Serving Spoon, 1725–50, Possibly made in Providence, Rhode Island, United States; Possibly made in Newport, Rhode Island, United States, American, Silver, Overall: 12 x 11 13/16 in. (30.5 x 30 cm); 3 oz. 17 dwt. (119 g), Silver

10 of Tethers, from The Cloisters Playing Cards, ca. 1475–80, Made in Burgundian territories, South Netherlandish, Paper (four layers of pasteboard) with pen and ink, opaque paint, glazes, and applied silver and gold, 5 3/16 × 2 3/4 in.

Drawings and Prints, Books, Prints, Ornament & Architecture, La Vera Perfettione del Disegno di varie sorti di recami, page 32 (verso), Publisher, Illustrator, Woodcut of Lucrezia designed by, Giovanni Ostaus, Giuseppe Salviati (Giuseppe

Confederate Prisoners at Belle Plain, 1863, Albumen silver print from glass negative, Photographs, Timothy H. O'Sullivan (American, born Ireland, 1840–1882

Sherman and His Generals, 1860s, Albumen silver print from glass negative, Photographs, George N. Barnard (American, 1819–1902

Pygmalion, 1662, Brush and gray and black wash, heightened with white., Overall: 16 x 11 9/16 in. (40.7 x 29.4 cm), Drawings, Joachim von Sandrart (German, Frankfurt 1606–1688 Nuremberg

Figure study, pen and black ink, 10-5/16 x 7-1/2 in. (26.2 x 19.1 cm), Drawings, Félicien Rops (Belgian, Namur 1833–1898 Essonnes

Sanitary Commission Headquarters, Richmond, Virginia, 1865, Albumen silver print from glass negative, Photographs, Alexander Gardner (American, Glasgow, Scotland 1821–1882 Washington, D.C

River Landscape in Wales, ca. 1850, Watercolor with touches of gouache over black chalk on rough paper pasted onto board, 18-7/8 x 28-5/8 in. (47.9 x 72.7 cm), Drawings, David Cox (British, Birmingham 1783–1859 Harborne, West Midlands

Early Landscape, 1914, Watercolor and graphite on paper, 9 1/2 x 12 1/4 in. (24.1 x 31.1 cm), Drawings, Charles Demuth (American, Lancaster, Pennsylvania 1883–1935 Lancaster, Pennsylvania), On the back of the original mount, Stieglitz

Platter, 1785–90, Made in China, Chinese, for American market, Porcelain, 7 5/8 x 10 7/8 in. (19.4 x 27.6 cm), Ceramics, This object belongs to a large dinner service bearing the Townley family coat-of-arms. The service, probably ordered

Stirrup-Spout Bottle, 12th–5th century B.C., Peru, Chicama Valley, Cupisnique, Ceramic, H. 9 1/8 x Diam. 6 3/8 in. (23.2 x 16.2 cm), Ceramics-Containers, Stirrup-spout bottles (the name refers to the spout shape, which resembles a riding

Drawings and Prints, Books Prints Ornament & Architecture, La Pratique de l'Aiguille, page 58 (recto), Author, Engraver, Dedicatee, Publisher, Title by, Dedicated to, Published by, Matthias Mignerak, Pierre Firens, Marie de Medici, Jean