Images at Librifly

Design for a Tabernacle with the Annunciation, 17th century, Pen and grey ink, brush and gray wash, sheet: 14 11/16 x 8 11/16 in. (37.3 x 22 cm), Anonymous, German, 17th century

Gold Stud, possibly for a Horse Harness, ca. 600, Langobardic, Gold, diam. 3/4 x 3/8 in. ( 1.9 x 1.0cm), Metalwork-Gold, This group of objects was found in the grave of a Langobardic horseman, who was buried in his warrior dress, with

[Young Woman Wearing Lace Gloves Holding a Daguerreotype Case], 1860s, Daguerreotype, Image: 6.8 x 5.5 cm (2 11/16 x 2 3/16 in.), Photographs, Unknown (American

Studies of the Pavilion at Fonthill, Wiltshire and Plans of the Ground and First Floors (recto); Studies for the Pavilion in Tudor-Gothic Style (verso), after 1824, Graphite, pen and ink and wash, sheet approx.: 19 3/4 x 25 1/2 in. (50.2 x 64.8

Sketch of Foliate Decoration, 1805–40, Pen and brown ink, brush and brown wash, sheet: 2 1/16 x 6 9/16 in. (5.2 x 16.7 cm), William Pitts (British, London 1790–1840 London

'The Cuckold Carpenter Under the Bed of his Wife and her Lover', Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Opaque watercolor and ink on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide), Codices

Buckle Shank, 7th century, Visigothic, Copper alloy, 3 1/2 x 1 1/2 x 3/8 in. (8.9 x 3.8 x 0.9 cm), Miscellaneous-Buckles & Ornament

Project for a Public Building on a Square, 16th century, Pen and brown ink, gray wash, 13-1/4 x 8-1/4 in. (33.7 x 21 cm), Drawings, Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580

[Two Boys Beside a Well], 1880s, Albumen silver print from glass negative, Photographs, Unknown

Head of a Young Girl, 18th century, Red chalk, heightened with white, on beige paper, 8 1/2 x 7 in. (21.6 x 17.8 cm), Drawings, Jacques Dumont, called le Romain (French, Paris 1701–1781 Paris

An Angel, 1529–92, Pen and brown ink, over traces of black chalk, on beige paper, 16-3/4 x 10-1/8 in. (42.6 x 25.7 cm), Drawings, Bartolomeo Passarotti (Passerotti) (Italian, Bologna 1529–1592 Bologna

Design for Cast-iron Grate with Green Metal Surround, ca. 1814, Pen and ink, brush and wash, sheet: 7 1/16 x 7 3/16 in. (18 x 18.3 cm), Benjamin Dean Wyatt (British, London 1775–1850 Camden Town

Colonnette from a Reliquary Shrine, ca. 1175–1200, Made in Cologne, Germany, German, Champlevé enamel, copper alloy, gilt, Overall: 6 3/4 x 1 1/2 x 1 1/2 in. (17.1 x 3.8 x 3.8 cm), Enamels-Champlev

青面金剛夜叉図大津絵, Ōtsu-e of Shōmen Kongōyasha (Vajrayaksha), Muromachi (1392–1573) or Momoyama period (1573–1615), probably late 16th–early 17th century, Japan, Hanging scroll; ink, color, and gold on paper, Image: 28

Drawings and Prints, Album Drawing, Porcelain Designs, Artist, Anonymous, French, 19th century, Anonymous, French, 19th century, French, 1800, 1900, ca. 1825–50

Le Pompe: Opera Nova, page 7 (verso), 1557, Woodcut, Overall: 8 1/16 x 5 7/8 in. (20.5 x 15 cm), Published by Giovanni Battista & Marchio Sessa, Venice. From top to bottom, and left to right: Design composed of 7 horizontal registers. Each

A Reconstruction of the Colosseum in Cross-Section, before 1704, Pen and black and brown ink, brush and brown wash, over traces of red chalk. Incised., 8 5/16 x 8 1/10 in. (21.1 x 20.6 cm), Drawings, Jan Goeree (Dutch, Middelburg 1670–1731

Fort Gaines, Officers of the 55th New York Volunteers, 1861–65, Albumen silver print from glass negative, Photographs

Ring of Belt Buckle, 500–700, Ostrogothic, Silver with garnets, gilt., 2 3/8 x 1 5/8 x 3/8 in. (6 x 4.1 x 1 cm), Metalwork-Silver

Disk Brooch, 6th century, Frankish, Silver, garnets with patterned foil backings, central inlay, Overall: 7/8 x 7/16 in. (2.2 x 1.1 cm), Metalwork-Silver

Woman Seated, Seen from Back, 19th century, Black chalk on paper, 9 5/8 x 6 7/8 in. (24.4 x 17.5 cm), Drawings, Paul Gavarni [Chevalier] (French, Paris 1804–1866 Paris

Camp of 44th New York Infantry, 1861–65, Albumen silver print from glass negative, Photographs

Nicolo Paganini (1784–1840), between 1818–31, Counterproof strengthened with graphite and white chalk on tracing paper, 9 7/16 x 7 5/16 in. (24 x 18.5 cm), Drawings, Jean Auguste Dominique Ingres (French, Montauban 1780–1867 Paris),

Waistcoat, early 18th century, British, linen, silk, metallic thread

Horologiographia, post priorem aeditionem per Sebast. Munsterum, 1533, Woodcuts, Overall: 8 7/16 x 6 3/16 x 1 7/16 in. (21.4 x 15.7 x 3.7 cm), Books, Hans Holbein the Younger (German, Augsburg 1497/98–1543 London

Study for the Decoration of a Vault, 1754–1815, Brush with gray wash and gouache, highlighted with white and traces of light yellow, partly over traces of black chalk, on blue-green prepared paper, now faded, 9 15/16 x 16 in. (25.3 x 40.7

Titlepage of Neu künstlich Modelbuch (page 1r), 1598

Drawings and Prints, Books Prints Ornament & Architecture, Newes Modelbuch in Kupffer(Page 52r), Artist, Johann Sibmacher, German, active 1590–1611, Sibmacher, Johann, German, 1590, 1611, 1604, 1604

Landscape with a Bridge (recto); Thatched Cottage (verso), 19th century, Pen and ink (recto); graphite (verso), sheet: 5 3/8 x 7 1/8 in. (13.7 x 18.1 cm), Drawings, Anonymous, British, 19th century

Cup Plate, 1825–60, Possibly made in Philadelphia, Pennsylvania, United States, American, Lacy pressed glass, Glass

Drawings and Prints, Album Print Ornament & Architecture, Page from Album of Ornament Prints from the Fund of Martin Engelbrecht, Artist, Publisher, Artist, Jeremias Wachsmuth, Martin Engelbrecht, Franz Xavier Habermann, Carl Pier, German,

Relief of a goose, Late Period–Ptolemaic Period, 400–30 B.C., From Egypt, Limestone, H. 12.3 x W. 12.2 x Th. 2 cm (4 13/16 x 4 13/16 x 13/16 in.), Small Late Period and Ptolemaic reliefs or sculptures that depict a subject in a partial or

Union Sergent John Emery, 1861–65, Tintype, Plate: 8.9 x 6.4 cm (3 1/2 x 2 1/2 in.), Photographs, Unknown (American), The only details presently known about this handsome, young Union sergeant wearing a striped bowtie and an imported English

Dish (one of a pair), Anthony Ficketts (British, active 1635–85), 1664/65, British, London, Silver gilt, Overall (confirmed): 2 1/2 x 18 x 18 in., 7 oz. 17 dwt. (6.4 x 45.7 x 45.7 cm, 244.3g), Metalwork-Silver, Anthony Ficketts (British,

Head of a woman, Ptolemaic Period, Ptolemaic Dynasty, 300–250 B.C., From Egypt, Pottery, H. 4 cm (1 9/16 in.); W. 2.6 cm (1 in.); D. 3.5 cm (1 3/8 in.), In the early Ptolemaic Period, delicate Hellenistic-style female figures were imported

Fragment of a Cover with Geometric and Interlace Decoration, 5th century, Attributed to Egypt, Wool, linen; plain weave, tapestry weave, Textile: L. 25 9/16 in. (64.9 cm), Textiles, This fragment was perhaps part of a cover originally

Moors on Horseback, 1838–74, Brush and watercolor on off-white paper, 2 x 6 in. (5.1 x 15.2 cm), Drawings, Mariano Fortuny Marsal (Spanish, Reus 1838–1874 Rome

Canopic jar of Tetinakht: Qebesenuef, New Kingdom, Dynasty 18, early, ca. 1550–1525 B.C., From Egypt, Upper Egypt, Thebes, Asasif, Birabi, Tomb CC 9, Carnarvon/Carter excavations, 1907–11, Pottery, Marl A4, H. 30 cm (11 13/16 in);

Toesca. Calixte. 28 ans, Tour de Breuil (Alpes-Mar.). Étudiant en médecine. Association de malfaiteurs. 27/2/94, 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse

Design for a Book Illustration: Two Women in a Pawn Shop, 19th century, Pen and black ink, brush and brown wash. Laid paper., 3 5/8 x 2 11/16 in. (9.2 x 6.8 cm), Drawings, Anonymous, German, 19th century

Artemisia in Mourning, 1794, German, Stuttgart, Marble, Overall (confirmed): H. 19 3/4 x W. 11 13/16 x D. 1 15/16 in. (50.2 x 30 x 5 cm), Sculpture, Philipp Jakob Scheffauer (German, 1756–1808

Grape Harvest at the Gulf of Naples, 1770–1825, Brush and brown ink, over a graphite sketch. Framing line in pen and black ink, sheet: 6 x 8 7/16 in. (15.3 x 21.4 cm), Drawings, Christoph Heinrich Kniep (German, Hildesheim 1755–1825

Reliquary Bust of Saint Catherine of Alexandria, ca. 1465, Made in Strasbourg, Upper Rhineland, Germany, German, Walnut with paint and gilding; limewood base, Overall: 18 5/8 x 17 5/8 x 10 1/8 in. (47.3 x 44.8 x 25.7 cm), Sculpture-Wood,

Flour bags, one of a pair, last quarter 19th century, Country of Origin Western Iran, Wool and cotton; sumak brocaded, asymmetrically knotted wool pile, wool tapestry weave, H. 40 1/2 in. (102.9 cm), Textiles-Woven-Brocade

Drawings and Prints, Books Prints Ornament & Architecture, Newes Modelbuch in Kupffer(Page 42r), Artist, Johann Sibmacher, German, active 1590–1611, Sibmacher, Johann, German, 1590, 1611, 1604, 1604

Design for the Cove of a Ceiling, 1700–1780, Pen and gray ink, brush and gray wash, over lead point, with ruled and compass construction. Framing outlines in lead point, 9 5/8 x 9 9/16 in. (24.4 x 24.3 cm), Drawings, Anonymous, Italian,

Lamp, Roman, Terracotta, Overall: 1 3/8 x 3 1/8 in. (3.5 x 7.9 cm), Terracottas

Coptic Textile Fragment with Image of a Goddess, late 3rd–4th century, Attributed to Egypt, Linen, wool; plain weave, weft-loop pile, Textile: H. 22 1/16 in. (56 cm), Textiles, The use of gold in the depiction of the female head on this

Palazzo Nerone, 16th century, Pen and brown ink, pale red wash. Framing lines in pen and brown ink, 8-11/16 x 13-1/8 in. (22.0 x 33.4 cm), Drawings, Anonymous, Netherlandish, 16th century

Drawings and Prints, Books Prints Ornament & Architecture, Lucidario di Recami, page 7 (verso), Publisher, Designer, Jeronimo Calepino, Iseppo Foresto, Italian, active Venice, 1557, 1564, Calepino, Foresto, Iseppo, Italian, 1500,

Two Mushrooms, Qing dynasty (1644–1911), 18th century, China, Jade (nephrite), L. 2 in. (5.1 cm), Jade

Design for Three Wrought Iron Window Guards, second half 19th century, Graphite, sheet: 8 5/16 x 10 1/16 in. (21.1 x 25.5 cm), Anonymous, British, 19th century

Egg Cup, 1860–70, Made in East Cambridge, Massachusetts, United States, American, Pressed glass, H. 4 in. (10.2 cm); Diam. 2 5/8 in. (6.7 cm), Glass, New England Glass Company (American, East Cambridge, Massachusetts, 1818–1888

Haesig. Léon. 18 ans, né à St-Denis. Chaudronnier. Disposition du Préfet de Police. 14/4/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

William Roper (1493/94–1578), 1535–36, Vellum laid on card, Diameter 1 3/4 in. (45 mm), Miniatures, Hans Holbein the Younger (German, Augsburg 1497/98–1543 London

Portrait of Pieter Frederick van Os, 1855, Graphite. Framing line in pencil., sheet: 10 1/2 x 8 1/2in. (26.7 x 21.6cm), Drawings, Anton Mauve (Dutch, Zaandam 1838–1888 Arnhem

Presentation of the Infant Jesus in the Temple, 1663–1716, Pen and brown ink, brush and brown wash, highlighted with white, over black chalk, on beige paper, 15 x 9-3/4 in. (38.1 x 24.8 cm), Drawings, Pietro Antonio de' Pietri (Italian,

Pottery Mold, 12th century, Attributed to Iran, Nishapur. Excavated in Iran, Nishapur, Earthenware; modeled and incised, H. 2 15/16 in., Ceramics, Unglazed pottery for daily use formed the highest percentage of the Nishapur ceramics finds.

Studies of Children, 17th century, Red chalk on light tan paper, 5-1/16 x 4 in. (12.9 x 10.1 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

Les Singuliers et Nouveaux Portraicts... page 45 (recto), 1588, Woodcut, Overall: 8 1/16 x 6 5/16 in. (20.5 x 16 cm), Designed by Federic de Vinciolo, published by Jean Le Clerc, Paris, bound by Chambolle-Duru, French, 19th century. From top

The Hours, ca. 1800, Pen and bistre, Sheet: 7 3/4 x 6 in. (19.7 x 15.2 cm), Drawings, Samuel Shelley (British, London 1756–1808 London

Mr. Henry as Jack Straw, 1848, Handcolored etching, sheet: 9 15/16 x 7 3/8 in. (25.3 x 18.8 cm), Prints, Anonymous, British, 19th century

Medallion of George Washington, 1776–96, Made in England, British, Earthenware, H. 5 in. (12.7 cm), Ceramics

寒山拾得蒔絵印籠, Inrō with Rinpa Style Kanzan and Jittoku, Edo period (1615–1868), first half of the 19th century, Japan, Three cases; lacquered wood with mother-of-pearl and pewter inlay on gold lacquer ground; Pouch: printed cotton

Satyrs and Nymphs, ca. 1599, Pen and black ink, brush and black washes, red chalk, heightened with white bodycolor, black chalk underdrawing, Sheet: 9 1/4 x 12 5/8 in. (23.5 x 32 cm), Drawings, Joseph Heintz the Elder (Swiss, Basel

A Bishop in Ecstasy, 17th century, Pen and brown ink, brush and brown wash, over black chalk? on light tan paper. Framing outlines in pen and brown ink, 6-5/8 x 9-5/8 in. (16.9 x 24.5 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th

Rowallan Castle, 19th–20th century, Graphite, Sheet: 14 in. × 8 1/8 in. (35.6 × 20.6 cm), Drawings, Sir David Young Cameron (British, Glasgow, Scotland 1865–1945 Perth, Scotland

[Stereograph, Two Children Standing Between Furniture in a Studio Parlor Setting], ca. 1855, Daguerreotype, Image: 6.8 x 5.7 cm (2 11/16 x 2 1/4 in.), each, Photographs, Antoine-François-Jean Claudet (French, active Great Britain,

Design for a Bath in the Form of an Elongated Polygonal Temple, Plan and Two Elevations, mid-18th century, Pen and wash, sheet: 6 1/2 x 7 1/2 in. (16.5 x 19.1 cm), Attributed to John Vardy (British, Durham baptised 1718–1765 London

Box For Crossbow Bolts (Bolzenkasten), Probably Made for William IV, Duke of Bavaria (r. 1508–50), dated 1539, Munich, German, Munich, Wood (lid and front panel: fruitwood, possibly pear; bottom: walnut; inlay: possibly sycamore; later

Portrait of a Man in a Red Cap, 1532–35, Oil and gold on parchment, laid down on linden, Overall, with engaged frame, diameter 5 in. (12.7 cm); painted surface diameter 3 3/4 in. (9.5 cm), Paintings, Hans Holbein the Younger (German,

Bronze votive tablet, Imperial, ca. 2nd century A.D., Roman, Bronze, H.: 1 3/4 x 5 1/16 in. (4.4 x 12.9 cm), Bronzes, The tablet is in the form of a small tabula ansata, often used as the frame for dedicatory or funerary inscriptions. Here it

Figure of Monk Preaching to a Group of Figures, 17th century, Pen and light brown ink with brush and brown-gray wash, over black chalk underdrawing. On off-white paper, 5-7/8 x 7 in. (14.9 x 17.8 cm), Drawings, Anonymous, Spanish, School of

El-Kab (Éléthya), Vue Générale de l'Hémi-Spéos, 1851–52, printed 1853–54, Salted paper print from paper negative, 23.9 x 30.5 cm. (9 7/16 x 12 in.), Photographs, Félix Teynard (French, 1817–1892

Afternoon dress, 1876–78, American, silk, The popularity of black in the second half of the nineteenth century was stimulated by the introduction of chemical dyes of that color in the 1860s. While tasteful and timeless, black remained

Lot and His Daughters (recto); Rocky Landscape with a Castle and Bridge (verso), ca. 1616, Pen and black ink, gray wash, white heightening on yellow prepared paper (recto); pen and black ink (verso), sheet: 6 3/4 x 7 9/16 in. (17.1 x 19.2 cm),

Klein. Louis. 25 ans, né le 8/8/67 à Colmar (Alsace). Employé de commerce. Anarchiste. 11/3/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Don Quixote and Sancho Panza, 19th century, Black chalk and gray wash on wove paper, Sheet: 7 7/8 x 11 3/4 in. (20 x 29.8cm), Drawings, Honoré Daumier (French, Marseilles 1808–1879 Valmondois

Illustration for 'Maria Morevna' [Tsarevich Ivan meets Tsarevna Maria], ca. 1925, Gouache, metallic inks, and black ink, heightened with white, over graphite., Image: 10 7/8 x 8 3/16 in. (27.6 x 20.8 cm), Drawings, Boris Zvorykin (Russian,

A Study for a Frontispiece: The Trinity and Saints surrounding the Sacred Hearts of Christ and the Virgin Mary, a Coastal Landscape Below, 1743–79, Black chalk, pen and gray ink, brush and gray wash, highlighted with lead white (partly

Tenor (Alto) Ophicleide in E-flat, ca. 1830–50, Lyon, France, French, Brass, Overall: 16.7 x 92.3cm (6 9/16 x 36 5/16in.), Aerophone-Lip Vibrated-horn, Couturier (French, Lyons active 1812–after 1900 Lyons

Willems. Charles, Louis. 52 ans, né à Houndchocte (Nord). Tailleur d'habits. Anarchiste. 18/3/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Offerings to the Goddess Palden Lhamo, late 16th century, Tibet, Distemper on cloth, 67 x 44 1/8 in. (170.2 x 112 cm), Paintings, Palden Lhamo is the principal protectress of Tibet and the only female of the Eight Guardians of the dharma. This

Les Singuliers et Nouveaux Portraicts... page 52 (recto), 1588, Woodcut, Overall: 8 1/16 x 6 5/16 in. (20.5 x 16 cm), Designed by Federic de Vinciolo, published by Jean Le Clerc, Paris, bound by Chambolle-Duru, French, 19th century. From top

Design for a Frame, 1743–1800, Pen and brown ink, brush and gray wash over graphite, sheet: 11 1/2 x 4 1/2 in. (29.2 x 11.4 cm), Office of Sir William Chambers (British (born Sweden), Göteborg 1723–1796 London

Raising of Lazarus, 18th century (?), Black chalk, Oval 11 3/4 x 9 3/8 in. (29.8 x 23.8 cm), Drawings, Anonymous, German, 18th century

Opera Nova Universali intitulata Corona di racammi, page 34 (verso), [1530], Woodcut, Overall: 8 7/8 x 6 7/8 in. (22.5 x 17.5 cm), Published by Giovanni Andrea (called 'Guadagnino') Vavassore, Italian, active 16th century, Venice. From top to

Tableau de Paris, ou Explication de Differentes Figures, gravées a l'eau-forte, pour servir aux différentes Editions du Tableau de Paris..., 1787, Books

Terracotta Little Master cup, Archaic, ca. 550–525 B.C., Greek, Attic, Terracotta; black-figure, H. 3 1/16 in. (7.8 cm), Vases, Little Master cups represent a refined and delicate miniature style of vase painting common in Athens in the

Naval Blockade, 1865, Albumen silver print from glass negative, Image: 7 in. × 9 5/8 in. (17.8 × 24.4 cm), Photographs, Alexander Gardner (American, Glasgow, Scotland 1821–1882 Washington, D.C

Catafalque for funeral in Pisa, ca. 1740–60, pencil, pen and ink washes, Overall: 11 1/4 x 8 1/8 in. (28.6 x 20.6 cm), Drawings, Anonymous, Italian, first half of the 18th century

Drawings and Prints, Books Prints Ornament & Architecture, Eyn new kunstlichboich, page 3v, Designer, Publisher, Woodcut border designed by, Anton Woensam von Worms, Peter Quentel, German, active first half 16th century, died 1538,

Jasper intaglio: Head of Medusa, Imperial, ca. 2nd–3rd century A.D., Roman, Jasper, red, Other: 7/16 x 3/8 x 1/8 in. (1.1 x 0.9 x 0.2 cm), Gems, Head of Medusa

Neptune and other Marine Deities Paying Homage to Louis XIV, n.d., Pen and brown ink, gray ink and gray wash, heightened with a little white, over red chalk, 6 1/4 x 7 15/16 in. (15.8 x 20.1 cm), Drawings, Michel Corneille the Younger

Flask, 1840–60, Made in Louisville, Kentucky, United States, American, Free-blown molded aquamarine glass, H. 6 3/4 in. (17.1 cm), Glass, Possibly Kentucky Glass Works (ca. 1850–55

Drawings and Prints, Books Prints Ornament & Architecture, Page from Ein new kunstlich Modelbuch...(Page 29r), Publisher, Peter Quentel, German, active Cologne, 1518–46, Cologne, Quentel, Peter, German, 1500, 1550, 1544

Pelgrom. Elise (femme Schouppe). Deux photographies, dont une légendée: Reprod. faite 22/2/93., 1893, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Drawings and Prints, Books Prints Ornament & Architecture, Ein new getruckt model Büchli...Page 9, recto, Publisher, Johann Schönsperger the Younger, German, active 1510–30, Schönsperger, Johann the Younger, German, 1490, 1550,

Drawings and Prints, Books Prints Ornament & Architecture, Ein new Modelbuch..., page 3 (recto), Publisher, Johann Schönsperger the Younger, German, active 1510–30, Schönsperger, Johann the Younger, German, 1490, 1550, October 22,

Jousting Sallet Made for Louis II (1506–1526), King of Hungary and Bohemia, ca. 1525, Augsburg, German, Augsburg, Steel, copper alloy, gold, H. 10 in. (25.4 cm); W. 15 in. (38.1 cm); D. 10 in. (25.4 cm); Wt. 9 lb. (4082 g), Helmets, The