Images at Librifly

Drawings and Prints, Books Prints Ornament & Architecture, New Künstlichs Modelbuch (Page 3 recto), Publisher, Bernhard Jobin, Swiss, Porrentruy (Jura) before 1545–1593/1597 Strasbourg, Jobin, Bernhard, Swiss, 1535, 1597, 1600, 1600

Footed Bowl, 12th–13th century, Attributed to Iran, Stonepaste; stain and overglaze painted, H. 2 1/4 in. (5.7 cm), Ceramics

Counter Plate of a Belt Buckle, 6th–7th century, Frankish, Iron, silver inlay, Overall: 4 1/2 x 2 1/4 x 9/16 in. (11.5 x 5.7 x 1.5 cm), Metalwork-Iron

Young Prince and Mentor Sitting in Landscape, ca. 1600, Attributed to India, Deccan, Ink, opaque watercolor, and gold on paper, Image 5 5/16 in x 7 9/16 in., Codices

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 22 (recto), October 1, 1604, Etching and drawing, Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm), Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua.

'Red-Headed Vulture', Folio from the Shah Jahan Album, recto and verso: early 19th century, Attributed to India, Ink, opaque watercolor, and gold on paper, H. 15 1/8 in. (38.4 cm), Codices

Drawings and Prints, Books Prints Ornament & Architecture, New Künstlichs Modelbuch (Page 19 recto), Publisher, Bernhard Jobin, Swiss, Porrentruy (Jura) before 1545–1593/1597 Strasbourg, Jobin, Bernhard, Swiss, 1535, 1597, 1600, 1600

Dish, ca. 1825, Made in Mexico, Mexican, Tin-glazed earthenware, Diam. 14 5/8 in. (37.1 cm), Ceramics

Metal Doorhandle, Cloisters, Hereford Cathedral, ca. 1880, Graphite on tracing paper, sheet: 6 1/8 x 6 5/16 in. (15.6 x 16 cm), Richardson Ellson & Co. (British

Triumph from Ein Handschuh (A Glove). Cyclus von zehn Compositionen radirt. Rad. Opus VI, Plate V. First edition, 1881, Etching, drypoint and aquatint on chine collé; first edition, Overall: 18 5/16 x 26 in. (46.5 x 66 cm), Prints, Max

Equal-Arm Brooch, 7th–8th century, Made in Northern France, Frankish, Copper alloy, Overall: 2 1/4 x 7/16 x 1/2 in. (5.7 x 1.1 x 1.3 cm), Metalwork-Copper alloy

Pennsylvania Light Artillery, Battery B, Petersburg, Virginia, 1864, Albumen silver print from glass negative, Photographs, Timothy H. O'Sullivan (American, born Ireland, 1840–1882), Civil War photographers were most effective at

Inner view of the Colosseum, late 18th–early 19th century, Pen and brown ink, graphite, watercolour, sheet: 14 15/16 x 22 15/16 in. (38 x 58.2 cm), Drawings, Franz Kaisermann (German, 1765–1833

Study for an Engraving of 'Songs in the Opera of Flora', ca. 1737, Pen and blue and brown ink with black chalk, 2 5/16 x 3 5/16 in. (5.9 x 8.4 cm.), Drawings, Hubert François Gravelot (French, Paris 1699–1773 Paris

'Belmead', James River, Virginia: Entrance façade and west-east section (recto); North-south section and upper floorplan (verso), 1845, Watercolor and ink, Sheet: 13 3/8 x 10 1/4 in. (34 x 26 cm), Drawings, Alexander Jackson Davis (American,

Half of a Circular Ceiling Design with Nymphs, 19th century, Ink and watercolor, Anonymous, British, 19th century

Portrait of a Young Lady Drawn in Left Profile, ca. 1778–79, Graphite, sheet: 11 7/16 x 7 1/16 in. (29 x 18 cm), Drawings, Henry Fuseli (Swiss, Zürich 1741–1825 London

Corona delle Nobile et Virtuose Donne, Libro Terzo, page 25 (recto), 1620, Woodcut, Overall: 5 1/2 x 7 11/16 in. (14 x 19.5 cm), Designed by Cesare Vecellio, Italian, Pieve di Cadore 1521-1601 Venice, Venice, published by Alessandro de'

Drawings and Prints, Books Prints Ornament & Architecture, New Künstlichs Modelbuch (Page 12 recto), Publisher, Bernhard Jobin, Swiss, Porrentruy (Jura) before 1545–1593/1597 Strasbourg, Jobin, Bernhard, Swiss, 1535, 1597, 1600, 1600

Bowl, 1710–30, Japanese, for European market, Hard-paste porcelain, Height: 1 3/4 in. (4.4 cm), Ceramics-Porcelain-Export

Naga Attendant Holding a Fly Whisk, Ikshvaku period, ca. 3rd century, India (Andhra Pradesh, Nagarjunakonda), Limestone, H. 36 1/4 in. (92.1 cm); W. 8 7/8 in. (22.5 cm); D. 3 3/8 in. (8.6 cm), Sculpture

Design for a Chimneypiece, 1740–1800, Pen, ink, wash, Sir William Chambers (British (born Sweden), Göteborg 1723–1796 London

Terracotta relief probably from a funnel vase, Early Hellenistic, late 3rd–early 2nd century B.C., Greek, South Italian, Apulian, Canosan, Terracotta, 8 9/16 x 12in. (21.8 x 30.5cm), Vases, This is one of four reliefs with two-figure

Shabti and Coffin of the King's Son Wahneferhotep, Middle Kingdom, Dynasty 12–13, ca. 1981–1640 B.C., From Egypt, Memphite Region, Lisht South, Pyramid Temple of Senwosret I, Causeway, Northern lane, 1913–14, Wood, paint, gold

Bowl, Northern Song dynasty (960–1127), first half of the 12th century, China, Stoneware with blue glaze (Jun ware), Diam. 4 1/8 in. (10.5 cm), Ceramics, Kilns producing Jun ware, which were based in north China, are listed among the kilns

Indo-Persian carpet with medallions, ca. 1680, Indo-Persian, Wool pile on cotton foundation., Length: 11.2 m., Textiles-Rugs

Foliate Amor Pouring a Drink for a Griffin, 17th century, Pen and brown ink, over graphite, 5 3/8 x 9 in. (13.6 x 22.8 cm), Drawings, Charles Errard le fils (French, Nantes ca6/09–1689 Rome

Council of the Gods, n.d., Pen and brown ink, brush and brown wash, traces of black chalk underdrawing, on off white antique laid paper, cut out with curved ends and laid down, sheet: 10 11/16 x 29 5/16 in. (27.1 x 74.5 cm), Drawings,

Pretiosa Gemma delle virtuose donne, page 22 (recto), 1600

清 琥珀山水人物擺件, Ornament with landscape and figures, Qing dynasty (1644–1911), China, Amber, H. 4 in. (10.2 cm); L. 7 3/4 in. (19.7 cm), Amber, This elaborate sculpture depicts a wooded landscape. Two travelers walk along a

A Vista through Trees: Fontainebleau, 1873, Oil on wood, 12 3/4 x 17 1/4 in. (32.4 x 43.8 cm), Paintings, Narcisse-Virgile Diaz de la Peña (French, Bordeaux 1808–1876 Menton

Stelophorous Statue of Bay, New Kingdom, Dynasty 19, ca. 1294–1250 B.C., From Egypt, Limestone, Overall: H. 28.1 cm (7 1/2 in); w. 15 cm (4 in); d. 15 cm (5 7/8 in), This statuette depicts a kneeling man holding a stela inscribed with a hymn

Drawings and Prints, Books Prints Ornament & Architecture, Libbretto nouellamete composto per maestro Domenico da Sera...lauorare di ogni sorte di punti, page 7 (recto), Publisher, Domenico da Sera, French, active Italy, 16th century, Sera,

Seaport, 1792, Pen and Ink, sheet: 10 13/16 x 16 1/2 in. (27.5 x 41.9 cm), Drawings, Thomas Rowlandson (British, London 1757–1827 London

Drawings and Prints, Books, Prints, Ornament & Architecture, La Vera Perfettione del Disegno di varie sorti di recami, page 3 (verso), Publisher, Illustrator, Woodcut of Lucrezia designed by, Giovanni Ostaus, Giuseppe Salviati (Giuseppe

Classical Sculpture of a Lion and Two Rosettes, 1776–79, Graphite, sheet: 12 11/16 x 9 1/8 in. (32.3 x 23.1 cm), Attributed to Thomas Hardwick (British, London 1752–1829 London

Crossbow Bolt for War or Hunting, probably late 15th or early 16th century, Central European; German or Austrian, Steel, wood (coniferous, probably pine), L. 17 3/8 in. (44.1 cm); W. head 23/32 in. (1.7 cm); Wt. 3.1 oz. (87 g), Archery

Biconical Bead with Scrolls, 11th century, Made in Egypt or Syria, Gold; filigree and granulation, 2 x 3/4 in. (5.1 x 1.9 cm), Jewelry, This bead and bead feature superb patterns of scrolling vines whose bifurcations elegantly extend the design

Honfleur, 1905, Gum bichromate print, 15.1 x 21.4 cm. (5 15/16 x 8 7/16 in.), Photographs, Robert Demachy (French, 1859–1936

Pietà, 17th century, Pen and brown ink, brush and brown wash, over traces of charcoal on light brown paper, 3-13/16 x 6-5/8 in. (9.7 x 16.8 cm), Drawings, Anonymous, Italian, Bolognese, 17th century

Design for an Ornamental Spandrel, 17th century, Pen and brown ink, brush and brown wash over black chalk on light tan paper, 12-11/16 x 10-11/16 in. (32.3 x 27.2 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

Conical cup, ca. 1640, Hungarian, Kolozsvár, Silver, partly gilded, Height: 7 7/8 in. (20 cm), Metalwork-Silver, The plaquette on this cup commemorates Holy Roman Emperor Rudolph II (1552–1612), the great Habsburg collector, who amassed

Box, 1891, Made in New York, New York, American, wood and silk, 8 5/8 x 13 3/4 x 13 3/4 in. (21.9 x 34.9 x 34.9 cm), Natural Substances

Le bournous (colorie), 1860s, Albumen silver print from glass negative, 10.8 x 13.0 cm. (4 1/4 x 5 1/8 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

Self-Portrait, n.d., Red chalk, over graphite, heightened with white, 9 13/16 x 7 3/8 in. (25 x 18.8 cm), Drawings, Jean Jacques de Boissieu (French, Lyons 1736–1810 Lyons

Flying Celestial Figure, Khotan Kingdom, 6th–7th century, China (Xinjiang Autonomous Region), Stucco with color, 6 1/4 x 4 in. (15.9 x 10.2 cm), Sculpture, These winged celestial beings show remarkable connections to the Western classical

Ninsei-style Serving Container (Mukōzuke), 仁清様式　向付, Meiji period (1868–1912), 1868–1912, Japan, Stoneware with overglaze enamels (Kyoto ware), H. 4 in. (10.2 cm); W. 2 3/4 in. (7 cm); D. 2 3/4 in. ( 7 cm), Ceramics

Sketch for Wall Decoration, ca. 1540–80, Pen and brown ink, washed with green, 9-5/8 x 7-3/8 in. (24.4 x 18.7 cm), Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580

Two Belgian soldiers, Graphite, 11-7/8 x 9-1/8 in. (30.2 x 23.2 cm), Drawings, Félicien Rops (Belgian, Namur 1833–1898 Essonnes

[Seated Elderly Woman Wearing Plaid Dress and Bonnet], 1854–60, Daguerreotype, Image: 9.2 x 6.4 cm (3 5/8 x 2 1/2 in.), Photographs, William Hardy Kent (American, England 1819–1907 England

Toothpick Holder, 1880–90, Made in England, Pressed purple marble glass, H. 3 3/16 in. (8.1 cm); Diam. 3 3/16 in. (8.1 cm), Glass

Page from Ein new kunstlich Modelbuch...(Page 10r), 1544

Emblematic Scene, 1607 or before (?), Pen and brush and brown ink, yellowish oil paint, on papel brown tinted paper, sheet: 7 3/16 x 5 7/8 in. (18.3 x 14.9 cm), Drawings, Otto van Veen (Netherlandish, Leiden 1556–1629 Brussels

The Rhinoceros, after ca. 1751, Etching, Sheet: 16 5/16 × 20 1/4 in. (41.4 × 51.5 cm), Prints, Alessandro Longhi (Italian, Venice 1733–1813 Venice), After Pietro Longhi (Pietro Falca) (Italian, Venice 1701–1785 Venice

Statuette of lion holding a Nubian captive, Late Middle Kingdom or Second Intermediate Period, Dynasty 12, late - Second Intermediate Period, ca. 1850–1550 B.C., From Egypt, Wood, H. 8 cm (3 1/8 in.); W. 2.1 cm (13/16 in.); D. 3.5 cm (1 3/8

Tweezers, 9th–10th century, Attributed to Iran, Nishapur. Excavated in Iran, Nishapur, Bronze; cast, L. 3 7/8 in. (9.8 cm), Metal, Tweezers were widely used in the ancient Near Eastern and Roman worlds and were commonly fashioned out of

Marble architectural fragment, Classical, ca. 421–409 B.C., Greek, Attic, Marble, width 5 13/16in. (14.8cm), Stone Sculpture, This exquisite fragment belongs to one of the decorative moldings of the Erechtheum, the building on the Athenian

Elevation 'della nuova Galleria', 1796–1873, Pen and ink, wash. On paper of O. & I. Honig, sheet: 15 3/4 x 19 1/2 in. (40 x 49.5 cm), Drawings, Giovanni Battista Silvestri (Italian, Florence, 1796–1873

Waste Bowl, ca. 1800, Made in Philadelphia, Pennsylvania, United States, American, Silver, Overall: H. 4 9/16 in. (11.6 cm); 15 oz. 19 dwt. (495.4 g), Silver, Joseph Lownes (1758–1820

[Ice Bridge and the American Falls, Niagara, New York], ca. 1883, Albumen silver print from glass negative, Image: 18.7 x 24.1 cm (7 3/8 x 9 1/2 in.), Photographs, Unknown (American

Terracotta mask of a bearded man, Cypro-Archaic II, ca. 600–480 B.C., Cypriot, Terracotta; handmade, H. 5 3/8 in. (13.7 cm), Terracottas, The mask is handmade. It has an elongated face with a long pointed beard, a large prominent nose,

Glass flask, Late Imperial, 4th century A.D., Roman, Glass; blown using a dip mold, tooled, and trailed, H.: 8 9/16 in. (21.8 cm), Glass, Colorless with blue green tinge; handles, trails, and knob base in deep translucent blue green.,

The Wilderness Battlefield, 1864, Albumen silver print from glass negative, Image: 12.8 × 8.7 cm (5 1/16 × 3 7/16 in.), Photographs, Unknown (American), Possibly by Alexander Gardner (American, Glasgow, Scotland 1821–1882 Washington,

Djîzeh (Nécropole de Memphis), Pyramide de Chéphren, 1851–52, printed 1853–54, Salted paper print from paper negative, 24.2 x 30.2 cm. (9 1/2 x 11 7/8 in.), Photographs, Félix Teynard (French, 1817–1892

Whale Oil Lamp, 1830–40, Pressed and free-blown lead glass, H. 5 3/8 in. (13.7 cm), Glass

The Legend of the Briar Rose - The Prince Enters the Briar Wood, After Sir Edward Burne-Jones (British, Birmingham 1833–1898 Fulham), 1892

Sauce Dish, 1870–90, Made in Tarentum, Pennsylvania, United States, American, Pressed purple marble glass, Diam. 4 1/2 in. (11.4 cm), Glass, Challinor, Taylor and Company (1866–1891

[Street with Lamp Post and Wine Shop], 1850s, Albumen silver print, Image: 6 7/8 × 7 13/16 in. (17.5 × 19.8 cm), Photographs, Unknown (British), In 1841 William Henry Fox Talbot patented the first negative-positive photographic process,

Drawings and Prints, Books Prints Ornament & Architecture, Spechio di pensieri delle belle et Virtudiose donne, page 9 (verso), Publisher, Matteo Pagano, Italian, 1515–1588, Venice, Pagano, Matteo, Italian, 1515, 1588, 1546

[Two Men Seated on a Bench, One with His Hand on the Leg of the Other], 1870s–80s, Tintype, Image: 8.9 x 5.7 cm (3 1/2 x 2 1/4 in.), Photographs, Unknown (American

Alexandre Charles Emmanuel de Crussol-Florensac (1743–1815), 1787, Oil on wood, 35 3/8 x 25 1/2 in. (89.9 x 64.8 cm), Paintings, Élisabeth Louise Vigée Le Brun (French, Paris 1755–1842 Paris), This portrait—one of Vigée Le Brun's

Zisly. Henri, Gabriel. 21 ans, né à Paris IVe. Employé de commerce. Anarchiste. 26/2/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

[Two Men in Boxing Stance, a Third Man Adjusting One Man's Form], 1860s–80s, Tintype, Image: 7.8 x 5.4 cm (3 1/16 x 2 1/8 in.), Photographs, J. C. Batchelder (American

Sugar Bowl, 1750–75, Made in West Yorkshire, Leeds, England, British, Earthenware, 2 7/8 x 6 5/8 x 3 7/8 in. (7.3 x 16.8 x 9.8 cm), Ceramics, Creamware, so-called for its cream-colored body, is a refined earthenware with a lead-based

The Terminal, 1893, printed 1913 or before, Photogravure, 25.5 x 33.5 cm (10 1/16 x 13 3/16 in.), Photographs, Alfred Stieglitz (American, Hoboken, New Jersey 1864–1946 New York), As proprietor of the Little Galleries of the

Plate, February 26th 1910, Made in Trenton, New Jersey, United States, American, Porcelain, gold ground, Body diameter: 12 in. (30.5 cm), Ceramics

A Haywagon In front of a Cottage Beside a Stream, first half 19th century, Ink and wash, sheet: 6 3/4 x 9 1/4 in. (17.1 x 23.5 cm), Drawings, Anonymous, British, 19th century

Tile Panel with Wavy-vine Design, 16th–17th century, Probably made in Syria, Damascus, Stonepaste; polychrome painted under transparent glaze, H. 22 in. (55.9 cm), Ceramics-Tiles, This panel represents one of the ceramic tile workshops

Gold Strap End (Unfinished), 700s, Avar, Gold, 15/16 × 2 3/16 × 5/16 in., 0 Troy Ounces (2.4 × 5.5 × 0.8 cm, 31g), Metalwork-Gold, The treasure contains an array of belt fittings, some elaborately decorated, some unfinished or

Dr. Paul Heyse, 1900–1914, Platinum print, Photographs, Frank Eugene (American, New York 1865–1936 Munich

Figure 21: Painful recollection and recollection or calling something to mind, 1854–56, printed 1862, Albumen silver print from glass negative, Image (Oval): 28.4 × 20.3 cm (11 3/16 × 8 in.), Photographs, Guillaume-Benjamin-Amand Duchenne

Ink well, Middle Kingdom, Dynasty 13–17, ca. 2030–1640 B.C., From Egypt, Upper Egypt, Thebes, Asasif, East of Pabasa, Radim, Burial 6A.X.B12, 1918–19, Wood, H. 4.5 × L 12.2 × D. 5.6 cm (1 3/4 × 4 13/16 × 2 3/16 in.), To make

An Itinerant, 1670–1702, Pen and brown ink on laid paper, sheet: 3 3/8 x 2 3/16 in. (8.5 x 5.6 cm), Drawings, Marcellus Laroon the Elder (French, The Hague 1653–1702 Surrey), Laroon came to London from The Hague in 1674 and established

Funerary jar with dragon, Southern Song dynasty (1127–1279), 12th–13th century, China, Porcelain with carved and appliquéd decoration under celadon glaze, H. with cover: 10 in. (25.4 cm), Ceramics, Several vessels like this one have been

Hand eines 4 jährigen Kindes, 1896, Photogravure, Image: 7 13/16 × 3 1/4 in. (19.9 × 8.2 cm), Photographs, Josef Maria Eder (Austrian, Krems an der Donau, 1855–1944 Kitzbühel) and, Eduard Valenta (Austrian, 1857–1937), Eder was the

Crepin's Master, n.d., Red and black chalk. Verso of sheet rubbed in black chalk for transfer., 4 15/16 x 3 1/8 in. (12.5 x 8 cm), Drawings, After Claude Gillot (French, Langres 1673–1722 Paris

Hobnail Finger Bowl, after 1886, Made in Wheeling, West Virginia, United States, American, Pressed cranberry glass, H. 2 3/4 in. (7 cm); Diam. 5 1/4 in. (13.3 cm), Glass, Probably Hobbs, Brockunier and Company (1863–1891

St. Matthew, 15th century, Pen and brown ink, 8 1/8 x 3 5/8 in. (20.6 x 9.2 cm), Drawings, Style of Martin Schongauer (German, Colmar ca. 1435/50–1491 Breisach

Drawings and Prints, Books Prints Ornament & Architecture, Ein new getruckt model Büchli...Page 8, recto, Publisher, Johann Schönsperger the Younger, German, active 1510–30, Schönsperger, Johann the Younger, German, 1490, 1550,

14th Street Theatre, ca. 1940, Gouache on paper, H. 17-1/3, W. 22 inches, Drawings, Perkins Harnly (American, 1901–1986

Design for a Chimneypiece, Incorporating a Portrait of George III, 1760–69, Pen and brown ink, gray wash and graphite, sheet: 9 x 4 15/16 in. (22.9 x 12.5 cm), Sir William Chambers (British (born Sweden), Göteborg 1723–1796 London

Italian Landscape with Trees (recto), 1815–21, Watercolor (recto), sheet: 8 11/16 x 12 3/8 in. (22 x 31.5 cm), Drawings, Friedrich Salathé (Swiss, Binningen 1793–1860 Paris

Marble head of a kouros (youth), Archaic, mid-6th century B.C., Greek, Attic, Marble, Island, H. 8 5/8 in. (21.9 cm), Stone Sculpture, The surface of the head has suffered from modern cleaning and recutting. Cleaning with an acidic abrasive

Tumbler, 1770–1830, Probably made in United States, American, Blown pattern-molded glass, H. 5 5/8 in. (14.3 cm), Glass

Gold earrings with pendant vase and ring, Classical, 4th century B.C., Etruscan, Gold, H.: 1 1/8 in. (2.9 cm), Gold and Silver, Amphora shaped pendant enclosed in a ring

Relief fragment from the tomb of Meketre, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Meketre (TT 280, ), 1920, Limestone, H. 3.1 (1 1/4 in.); W. 2.7 cm (1 11/16 in.); D. 0.8

Drawings and Prints, Books Prints Ornament & Architecture, La Pratique de l'Aiguille, page 53 (recto), Author, Engraver, Dedicatee, Publisher, Title by, Dedicated to, Published by, Matthias Mignerak, Pierre Firens, Marie de Medici, Jean

Oil bottle with peony decoration, 청자 상감 모란 무늬 기름병 고려, Goryeo dynasty (918–1392), second half of the 12th century, Korea, Stoneware with inlaid design under celadon glaze, H. 2 in. (5.1 cm); Diam. 3 3/4 in. (9.5 cm),

Les Singuliers et Nouveaux Portraicts... page 33 (recto), 1588, Woodcut, Overall: 8 1/16 x 6 5/16 in. (20.5 x 16 cm), Designed by Federic de Vinciolo, published by Jean Le Clerc, Paris, bound by Chambolle-Duru, French, 19th century. From top

Female Figure with Staff and Cornucopia, 17th century, Pen and brown ink, brush and gray wash, sheet: 5 1/16 x 1 5/8 in. (12.9 x 4.2 cm), Drawings, Anonymous, Italian, 17th century