Images at Librifly

Terracotta calyx-krater (bowl for mixing wine and water), Classical, ca. 450–440 B.C., Greek, Attic, Terracotta; red-figure, H. 15 5/8 in. (39.7 cm), Vases, Above, obverse and reverse, Herakles, Theseus, and Perithoos in Hades, Below,

Drawings and Prints, Books Prints Ornament & Architecture, New Modelbüch (Page 5r), Printer, Designer, Henning Gross the younger, Andreas Bretschneider, German, Dresden ca. 1578–ca. 1640 Leipzig, Gross, Henning the younger,

De Mulieribus claris, 1473, Woodcut, Overall: 12 3/16 x 8 3/8 x 13/16 in. (31 x 21.2 x 2 cm), Books, Boccaccio-Master

The Harper Establishment, or How the Story Books are Made. Harper's Story Books, 1855, Illustrations: commercial reproductive process, 6 11/16 x 5 3/8 x 1/2 in. (17 x 13.7 x 1.3 cm), Books

Designs for Couch, Chair, and Stool, 1800–1900, Sheet: 12 5/8 × 9 5/8 in. (32.1 × 24.4 cm), Drawings, Anonymous, Italian, 19th century

Linen mark, Wah, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Wah, 1920, Linen

[Snow Crystal], 1890s–1920s, Gelatin silver print, Image: 2 15/16 × 2 3/4 in. (7.4 × 7 cm), Photographs, Wilson Alwyn Bentley (American, 1865–1931

Plate, ca. 1885, Made in West Midlands, England, British, Blown satin green with white opaque glass, Diam. 5 in. (12.7 cm), Glass

Bottle, Monkey, 1st century B.C.–A.D. 1st century, Peru, Ica Valley, Nasca, Ceramic, slip, Overall: 6 1/2 in. (16.51 cm), Ceramics-Containers

Frontispiece for the Thesaurus Antiquitatum Romanarum, before 1704, Pen and black and brown ink, brush and brown and grey wash, over red chalk., 13 1/4 x 16 5/8 in. (33.7 x 42.2 cm), Drawings, Jan Goeree (Dutch, Middelburg 1670–1731

Cranequin (Crossbow Winder), dated 1727, probably Nuremberg, German, probably Nuremberg, Steel, horn (bovine), copper alloy, gold, hemp, leather, L. 14 3/4 in. (37.5 cm); W. 4 1/2 in. (11.5 cm); Wt. 6 lb. 8 oz. (2, 942 g), Archery

Assumption of the Virgin (Recto); Figure Sketches (Verso), 16th century, Pen and brown ink (recto); black chalk or graphite (verso), sheet: 8 5/8 x 6 3/4 in. (21.9 x 17.1 cm), Drawings, Anonymous, Italian, 16th century

Italian Landscape, perhaps the Monte Mario, Rome, 1659, Pen and brown ink, brown and gray wash, sheet: 11 9/16 x 15 11/16 in. (29.3 x 39.9 cm), Drawings, Jacob van der Ulft (Dutch, Gorkum 1627–1689 Noordwijk

Flora (recto); Mountainous Landscape with Buildings (verso), 16th century, Pen and brown ink, 7-1/16 x 5-1/4 in. (17.9 x 13.3 cm), Drawings, Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580

Jagdhorn in G, ca. 1710–20, Nürnberg, Germany, German, Brass, Height (perpendicular to bell): 18 7/8 in. (47.9 cm), Aerophone-Lip Vibrated-horn, Jacob Schmidt (German, Nürnberg 1642–1720), Jacob Schmid (1642–1720) was the founder of

[Miniature Wedding Album of General Tom Thumb and Lavinia Warren], ca. 1863, Albumen silver prints, brass, Overall: 1 1/16 × 13/16 × 3/8 in. (2.7 × 2 × 1 cm

[Two Young Men Outdoors, One Seated, the Other on the Arm of the Chair], 1880s, Tintype, Image: 9.1 x 6 cm (3 9/16 x 2 3/8 in.), Photographs, Unknown (American

Glass mosaic box (pyxis) fragment, Early Imperial, late 1st century B.C.–early 1st century A.D., Roman, Glass; cast, Other: 1 1/16 x 1 in. (2.6 x 2.6 cm), Glass, Translucent streaky purple, turquoise blue, partially mixed with opaque

The Nativity, 1665–70, Pen and brown ink, brush and brown wash, over traces of leadpoint or soft black chalk, 10-3/4 x 9 in. (27.3 x 22.9 cm), Drawings, Bartolomé Estebán Murillo (Spanish, Seville 1617–1682 Seville

'Preparation For a Noon-Day Meal, ' Folio from a Divan (Collected Works) of Mir 'Ali Shir Nava'i, 1580, Attributed to Iran, Ink, opaque watercolor, and gold on paper, Image 57/8 in x 10 1/4 in., Codices

Study for a Book Illustration, 1773, Red chalk with graphite underdrawing, 3 1/4 x 4 1/2in. (8.3 x 11.5cm), Drawings, Charles Dominique Joseph Eisen (French, Valenciennes 1720–1778 Brussels

The Tailor, 1814, Pen and ink, with watercolor, sheet: 11 5/8 x 9 1/2 in. (29.5 x 24.1 cm), Drawings, After Thomas Rowlandson (British, London 1757–1827 London

Plate, 18th century, Dutch, Delft, Tin-glazed earthenware, Diameter: 9 in. (22.9 cm), Ceramics-Pottery

[The Large Tree at La Verrerie, Romesnil], ca. 1852, Salted paper print from paper negative, Image: 10 3/8 × 12 1/2 in. (26.3 × 31.8 cm), Photographs, Louis-Rémy Robert (French, 1810–1882), While painters might sketch the trunk of an old

Drawings and Prints, Books Prints Ornament & Architecture, Corona delle Nobili et Virtuose Donne: Libro IV, page 108 (recto), Publisher, Cesare Vecellio, Italian, Pieve di Cadore 1521–1601 Venice, Vecellio, Cesare, Italian, 1521, 1601

Spittoon or Incense Burner, late 16th–early 17th century, Attributed to India, Deccan, Bijapur or Golconda, Brass; cast in sections, joined, engraved, H. 9 in. (22.9 cm), Metal, Such baluster-shaped vessels are seen in paintings from the

Design for Gothic Sideboard, 1841–84, Graphite, sheet: 15 1/8 x 11 1/8 in. (38.4 x 28.2 cm), Charles Hindley and Sons (British, London 1841–1917 London

Drawings and Prints, Books Prints Ornament & Archiecture, Fiori di Ricami Nuovamente Posti in Luce, page 6 (recto), Designer, Publisher, Matteo Florimi, Francesco de' Franceschi, Italian, active Siena, ca. 1581–died 1613, Italian,

Boats Becalmed, mid-17th–early 18th century, Brush and gray wash, graphite, sheet: 8 x 12 7/8 in. (20.3 x 32.7 cm), Drawings, Willem van de Velde II (Dutch, Leiden 1633–1707 London

Drawings and Prints, Books, Prints, Ornament & Architecture, La Vera Perfettione del Disegno di varie sorti di recami, page 24 (verso), Illustrator, Publisher, Woodcut of Lucrezia designed by, Giuseppe Salviati (Giuseppe Porta, called Il

Fort Price, 1861–65, Albumen silver print from glass negative, Photographs, Timothy H. O'Sullivan (American, born Ireland, 1840–1882

Perspective elevation, Poles Hall, near Andover, Hampshire, 1870, Pen and black ink, subject: 10 7/16 x 13 11/16 in. (26.5 x 34.8 cm), T. W. Dawson (British, active ca. 1870

Design for a Painted Ceiling, 1800–1900, Watercolor, Drawings, Anonymous, Italian, 19th century

Wall panel with garden urns, late 18th century, Chinese, for European market, Silk taffeta, painted and printed, 78 x 43 in. (198.1 x 109.2cm), Textiles-Painted, Along with painted wallpaper, the Chinese produced painted silk wall hangings

Flagon (one of a pair), 1597–98, British, London, Silver gilt, Overall (confirmed): 12 3/8 x 6 1/2 x 4 3/4 in., 36 oz. (31.4 x 16.5 x 12.1 cm, 1.12kg), Metalwork-Silver, The decoration on these ewers, which shows dolphins frolicking in

Panel of lace-patterned silk, 1720s, French, Lampas, silk and metal thread, L. 58 3/4 (with fringe) x W. 62 inches (149.2 x 157.5 cm), Textiles-Woven, This distinctive type of silk, made in the weaving centers of France, England, and the

Drawings and Prints, Print, The Best of Friends Must Part (Punch, September 28, 1878), Subject, Artist, After, Sir Frederick Temple Hamilton-Temple-Blackwood, 1st Earl of Dufferin, Sir John Tenniel, British (born Italy), Florence

Terracotta cup with lid, Archaic, ca. 650 B.C., Etruscan, Terracotta; bucchero, H.: 4 7/16 in. (11.3 cm), Vases, Two flat handles on which are two sphinxes facing

[Group of 30 Stereograph Views of Colorado and Arizona, United States of America], 1850s–1910s, Albumen silver prints, Mounts approximately: 8.8 x 17.3 cm (3 7/16 x 6 13/16 in.) to 10 x 17.8 cm (3 15/16 x 7 in.), Photographs, Benneville Lloyd

Sèriè à la Ristori, 1860s, Albumen silver print from glass negative, Photographs, Pierre-Louis Pierson (French, 1822–1913

Bertout. Marie, Ismérie. 41 ans, née à Reims. Marchande de vins. Pas de motif. 26/2/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Cup Plate, 1825–60, Made in Pennsylvania, United States, American, Lacy pressed glass, Glass, Fort Pitt Glass Works

Design for the Corner of a Painted Ceiling seen in Perspective, 1700–1780, Pen and brown ink, brush and brown wash, over lead point or graphite, Sheet: 6 x 9 5/16 in. (15.2 x 23.6 cm), Drawings, Anonymous, Italian, Piedmontese, 18th

Design for a Part of a Painted Vaulted Ceiling with a Coat of Arms in Form of a Cross, 1700–1780, Pen and brown ink, brush with gray, brown and red chalk wash, over graphite or lead point, with compass and ruled construction. Stylus-incised

Fragment of Strapwork Design (tracing?), 16th century, Pen and brown ink, brush and gray-brown ink, over black chalk underdrawing, sheet: 2 15/16 x 4 1/2 in. (7.4 x 11.4 cm), Anonymous, Italian, 16th century

'The Monkey Escapes to the Safety of the Fig Tree', Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide), Codices

One Half of a Design for a Chapel, 18th century, Pen and brown ink, brush and gray wash, over lead point or graphite. Partial dotted framing outlines, Sheet: 8-1/8 x 5-3/8 in. (20.6 x 13.7 cm), Drawings, Anonymous, Italian, Piedmontese,

Neptune in his Chariot, late 16th–mid 17th century, Pen and brown ink, brown wash, over traces of black chalk, Diameter 7-15/16 in. (20.2 cm), Drawings, Attributed to Pieter de Jode I (Netherlandish, Antwerp 1570–Antwerp 1634

Drawings and Prints, Books Prints Ornament & Architecture, Convivio delle Belle Donne, page 2 (verso), Publisher, Designer, Woodcut border on title signed by, Nicolò Zoppino, Matteo da Treviso, Italian, Ferrara 1478/80–1544 Venice,

Ointment Jar, New Kingdom, Dynasty 18, early, ca. 1550–1458 B.C., From Egypt, Upper Egypt, Thebes, Asasif, Courtyard CC 41, Pit 3, Burial B 4, Between head of coffin and wall, 1915–16, Travertine (Egyptian alabaster), H. 13.6 cm (5

Beresford, 1867, Albumen silver print from glass negative, Image: 18.4 × 24.8 cm (7 1/4 × 9 3/4 in.), Photographs, André-Adolphe-Eugène Disdéri (French, Paris 1819–1889 Paris

Triumfa España en las Americas (The Triumph of Spain in the Americas), 18th century, Spanish, Cotton, block printed, L. 15 3/4 x 29 5/8 inches, Textiles-Printed, In this Spanish printed cotton, 'America' is a Native American female supported

Collage picture with scenes from the Story of Abraham, last quarter 18th century, Austrian, Paper, silk and isinglass, H. 12 3/4 x W. 16 inches (32.4 x 40.6 cm); Framed: H. 16 x W. 19 1/2 inches (40.6 x 49.5 cm), Textiles-Embroidered

Dress Fragments, 4th century, Made in Kharga Oasis, Byzantine Egypt, Coptic, Linen, wool, 14 1/4 × 23 3/4 in. (36.2 × 60.3 cm), Textiles-Costumes-Secular

Flemish Grotesque Creatures and a Candelabra Grotesque (recto); Candelabra Grotesques with Mask (verso), ca. 1545–60, Pen and dark brown ink (recto). On off-white paper. Pen and dark brown ink; composition within ruled framing lines at left

Portrait of Abram Jacob Messir, 1841, Colored chalks and watercolor with white gouache on gray paper, sheet: 17 x 11 1/4 in. (43.2 x 28.5 cm), Drawings, Sir David Wilkie (British, Cults, Scotland 1785–1841 off Gibraltar), Wilkie, who

Drawings and Prints, Books Prints Ornament & Architecture, Prima parte de' fiori, page 8 (recto), Author, Printer, Publisher, Giovanni Battista Ciotti, Nicolo Moretti, Francesco de' Franceschi, Italian, born Siena, ca. 1560, Italian,

[Bookcase at Lacock Abbey], 1839, Photogenic drawing from paper negative, Image: 14 × 19.9 cm (5 1/2 × 7 13/16 in.), irregularly trimmed, Photographs, William Henry Fox Talbot (British, Dorset 1800–1877 Lacock

Spoon, ca. 1705–15, Made in Newport, Rhode Island, United States, American, Silver, 7 5/8 x 1 3/4 in. (19.4 x 4.4 cm), Silver, Samuel Vernon (1683–1737

Beaker, 1760–65, Probably made in Bristol, Bristol, England, British, Opaque glass with enamel decoration, 6 3/4 × 4 × 4 in. (17.1 × 10.2 × 10.2 cm), Glass

Drawings and Prints, Books, Prints, Ornament & Architecture, La Vera Perfettione del Disegno di varie sorti di recami, page 4 (recto), Publisher, Illustrator, Woodcut of Lucrezia designed by, Giovanni Ostaus, Giuseppe Salviati (Giuseppe

Small Crossbow (Balestrino), probably 17th or 18th century, with later modifications, Probably Italian, Steel, L. 11 1/2 in. (28.6 cm); W. 8 5/8 in. (21.8 cm); Wt. 1 lb. 8 oz. (692 g), Archery Equipment-Crossbows

Fort Sedgwick in front of Petersburg, 1864, Albumen silver print from glass negative, 8.6 x 9.9 cm (3 3/8 x 3 7/8 in. ), Photographs, Timothy H. O'Sullivan (American, born Ireland, 1840–1882

Opera Nova Universali intitulata Corona di racammi, page 10 (recto), [1530], Woodcut, Overall: 8 7/8 x 6 7/8 in. (22.5 x 17.5 cm), Published by Giovanni Andrea (called 'Guadagnino') Vavassore, Italian, active 16th century, Venice. From top to

Terracotta neck-amphora (jar), Archaic, late 6th century B.C., Etruscan, Terracotta; black-figure, H.: 15 7/8 in. (40.3 cm), Vases, Obverse and reverse, warriors in combat

Funerary Mask, 9th–11th century, Peru, Lambayeque (Sicán), Gold, cinnabar, H. 16 1/8 x W. 28 3/4 x D. 4 7/8 in. (41 x 73 x 12.4 cm), Metal-Sculpture, This large mask depicting a face with large upturned eyes, prominent nose, thin mouth,

Sèriè à la Ristori, 1860s, Albumen silver print from glass negative, Photographs, Pierre-Louis Pierson (French, 1822–1913

Hero and Dragon, third quarter 16th century, Attributed to Iran, Qazvin, Ink, watercolor, and gold on paper, H. 8 11/16 in. (22 cm), Codices, In a rocky landscape a hunter on horseback plunges his sword through the neck of a dragon that has

Susannah and the Elders, 19th century, Pen and bistre, washed and touched with white, 9 7/8 x 8 3/8 in. (25.1 x 21.3 cm), Drawings, Anonymous, German, 19th century

Belt Buckle and Plate, 7th century, Frankish, Iron, silver and copper inlay, Overall: 5 5/16 x 2 5/8 x 13/16 in. (13.5 x 6.6 x 2.1 cm), Metalwork-Iron

Tile Roofed Building with an Arcade (Smaller Italian Sketchbook, leaf 31 recto), 1774–75 (?), Graphite, gray ink and wash, Sheet: 9 3/16 x 6 3/4 in. (23.4 x 17.1 cm), Drawings, Joseph Wright (Wright of Derby) (British, Derby 1734–1797

Perseus and Andromeda, 18th–19th century, Pen and brown ink, brush and grey wash, Sheet: 3 3/8 × 4 1/2 in. (8.6 × 11.4 cm), Drawings, Edward Francis Burney (British, Worcester 1760–1848 London

The Meeting of Jacob And Rachel at the Well, 1640–49, Pen and brown ink, brush and brown wash, heightened with white gouache, with framing line in pen and brown ink, sheet: 6 5/8 x 10 1/2 in. (16.8 x 26.7 cm), Drawings, School of Rembrandt

Drawings and Prints, Album Print Ornament & Architecture, Targhe ed altri ornati di varie e capricciose invenzioni (Cartouches and other ornaments of various and capricious invention, page 42), Artist, Publisher, Artist, After, Georges

One of the Twelve Devas: Bonten, 十二天像(梵天), Nanbokuchō period (1336–92), 14th century, Japan, Hanging scroll; hand-colored print on paper, 30 1/8 x 12 5/8 in. (76.5 x 32.1 cm), Paintings

Krishna and Radha in a Bower: Page From a Dispersed Gita Govinda, ca. 1665, India (Rajasthan, Mewar), Ink and opaque watercolor on paper, H. 9 5/8 in (24.4 cm); W. 7 3/4 in. (19.7 cm), Paintings, Sahibdin (active ca. 1628–55), The lush

Drawings and Prints, Album Print Ornament & Architecture, Page from Album of Ornament Prints from the Fund of Martin Engelbrecht, Artist, Publisher, Artist, Franz Xavier Habermann, Jeremias Wachsmuth, Martin Engelbrecht, Carl Pier, German,

Design for a Chimneypiece, 1740–96, Sir William Chambers (British (born Sweden), Göteborg 1723–1796 London

Glass Palm Cup, 7th–8th century, Frankish, Glass, Overall: 2 1/2 x 3 7/16 in. (6.4 x 8.7 cm), Glass-Vessels

Study for an Engraving of 'Songs in the Opera of Flora', ca. 1737, Pen and black ink with black chalk underdrawing, 2 13/16 x 3 15/16 in. (7.2 x 10 cm.), Drawings, Hubert François Gravelot (French, Paris 1699–1773 Paris

Drawings and Prints, Books Prints Ornament & Architecture, Schön newes Modelbuch (Page 64r), Publisher, Sigismundus Latomus, German, active 1599–ca. 1627, Frankfurt am Main, Latomus, Sigismundus, German, 1599, 1632, 1608

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 18r), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

Leopard Watching Serpent, 1810–75, Watercolor on wove paper, Sheet: 6 9/16 x 9 13/16 in. (16.6 x 25cm), Drawings, Antoine-Louis Barye (French, Paris 1796–1875 Paris

New York Herald Headquarters, 1863, Albumen silver print from glass negative, Photographs, Timothy H. O'Sullivan (American, born Ireland, 1840–1882

Second Ave Rock Island, Ill. during high water, 1888, Cyanotype, Image: 10 3/8 × 13 1/16 in. (26.4 × 33.2 cm), oval, Photographs, Henry P. Bosse (American, born Germany, 1844–1893

Tile from marsh scene, New Kingdom, Amarna Period, Dynasty 18, ca. 1353–1336 B.C., From Egypt, Middle Egypt, Amarna (Akhetaten), Royal Palace of Akhenaten, Petrie excavations, 1891–92, Polychrome faience, h. 5 cm (1 15/16 in.); w. 2.8

Foggy Landscape in the Apennine; verso: Sketch of Landscape, 1800–1867, Watercolor, over graphite; verso: graphite, sheet: 10 1/16 x 12 3/16 in. (25.5 x 31 cm), Drawings, Carl Wagner (German, Rossdorf 1796–1867 Meiningen

Compote, 1885, Made in Brooklyn, New York, United States, American, Porcelain, H. 5 3/4 in. (14.6 cm); Diam. 9 9/16 in. (24.3 cm), Ceramics, Union Porcelain Works (1863–ca. 1922), Union Porcelain Works was one of the most important and

Drawings and Prints, Album Print Ornament & Architecture, Copies after the 'Livre contenant passement de moresques' (plate 15), Artist, After, Jacques Androuet Du Cerceau, French, Paris 1510/12–1585 Annecy, Du Cerceau, Jacques Androuet,

Cartouche between two cherubs on pedestals, ca. 1700, Pen and leadpoint, sheet: 7 1/4 x 5 1/2 in. (18.4 x 14 cm), Anonymous, Italian, 17th or 18th century

Letter to Monk Sekibyō, Muromachi period (1392–1573), 14th century, Japan, Hanging scroll; ink on paper, Image: 12 1/4 × 16 5/16 in. (31.1 × 41.4 cm), Calligraphy, Zekkai Chūshin (Japanese, 1336–1405

Reliefs from the tomb of Meketre, Middle Kingdom, Dynasty 12, ca. 1981–1975 B.C., From Egypt, Upper Egypt, Thebes, Southern Asasif, Tomb of Meketre (TT 280, ), 1920, Limestone, paint, H. 27.8 cm (10 15/16 in.); W. 17 cm (6 11/16 in.);

Madonna, Child, and Saint John, 17th century, Red chalk on cream paper. Counterproof, 11-9/16 x 8-3/8 in. (29.3 x 21.2 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

Side drum, ca. 1840, Boston, Massachusetts, United States, American, Wood with paint, rope, leather, skin, 18 × 17 in. (45.7 × 43.2 cm), Membranophone-double-headed / conical drum, Henry H. Prentiss (American, Roxbury, Massachusetts

[Winter Quarters, troops with row of cabins]. Brady album, p. 128, 1861–65, Albumen silver print from glass negative, Photographs

Liturgical Incense Burner, second half 19th century, Graphite and watercolor on tracing paper, sheet: 7 1/16 x 4 5/16 in. (18 x 11 cm), Anonymous, British, 19th century

Georgia O'Keeffe—Hands and Horse Skull, 1931, Gelatin silver print, 19.2 x 24 cm (7 9/16 x 9 7/16 in. ), Photographs, Alfred Stieglitz (American, Hoboken, New Jersey 1864–1946 New York

Design for a Desk on Wheels and a Canterbury Table on Wheels, 19th century, Ink, watercolor and gouache, Anonymous, British, 19th century

Design for coat of arms, 18th century, Graphite on gray paper, sheet: 13 9/16 x 8 1/4 in. (34.4 x 20.9 cm), Drawings, Anonymous, 18th century

City of Atlanta, Georgia No. 2, 1866, Albumen silver print from glass negative, Image: 25.6 × 35.5 cm (10 1/16 × 14 in.), Photographs, George N. Barnard (American, 1819–1902