Images at Librifly

Carnelian ring stone, Late Republican or Imperial, 1st century B.C.–3rd century A.D., Roman, Carnelian, Other: 1/2 x 3/8 x 1/8 in. (1.3 x 0.9 x 0.4 cm), Gems, Winged Nike in a chariot drawn by two serpents

Necklace with Filigree and Beads, late 18th–early 19th century, Attributed to India, probably Rajasthan, Gold, L. 18 in. (45.7 cm), Jewelry, The large fan-shaped pendant at the center of this necklace is decorated with flowers and scrolling

Landscape of China: Eight Views of the Xiao and Xiang Rivers, Edo period (1615–1868), 17th–18th century, Japan, Handscroll; ink and color on paper, 12 3/4 in. × 16 ft. 1 1/4 in. (32.4 × 490.9 cm), Paintings, Kano Tsunenobu (Japanese,

Disk Brooch, 7th century, Frankish, Copper alloy, Gold, wire, silver rim, paste cabochons, remnant of iron pin, Overall: 1 3/4 x 9/16 in. (4.5 x 1.5 cm), Metalwork-Gold

Leaves and Flowers, 19th century, Graphite, Sheet: 11 13/16 × 9 7/16 in. (30 × 24 cm), Drawings, Anonymous, British, 19th century

Interior of a Drawing Room, 1838, Watercolor, 10-1/4 x 9-1/4 in, Drawings, Anonymous, Italian, 19th century

[Colosseum, Rome], 1850s, Salted paper print from paper negative, Photographs, Unknown (British

Stucco relief panel, Early Imperial, 2nd half of 1st century A.D., Roman, Stucco, H.: 13 1/2 x 11 3/4 in. (34.3 x 29.8 cm), Miscellaneous-Stucco, Eros holds a large cornucopia and a thin wand-like stick. His wings are delineated with

Allegory of Virtue, 1692, Graphite with touches of pen and black ink, sheet: 3 11/16 x 5 7/16 in. (9.3 x 13.8 cm), Drawings, Johannes Meyer the Younger (Swiss, Zurich 1655–1712 Zurich

Coin of Ptolemy III from a Ptolemaic hoard, Ptolemaic Period, 246–222 B.C., From Egypt, Upper Egypt, Thebes, Asasif, Birabi, 1915–16, Bronze, Diam. 4.2 cm, A hoard of 162 Ptolemaic coins that contained issue of Ptolemy II, III, and

Bird-Shaped Brooch, 500–600, Frankish, Gold, garnet, glass, pearl, Overall: 13/16 x 1 5/16 x 5/16 in. (2.1 x 3.3 x 0.8 cm), Metalwork-Gold, The dress of Frankish women generally consisted of a tunic, cinched by a belt from which hung an

Tree, 17th century, Red chalk over black chalk on light tan paper. Ruled framing outline in brown ink, 19-1/4 x 13-3/4 in. (48.9 x 34.9 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

A Hat on a Stand, 1863, Pen and ink, brush and watercolor on wove paper, sheet: 4 13/16 x 3 7/8 in. (12.3 x 9.8 cm), Drawings, Auguste Félix (French, active 1860s

Charles II of Spain on Horseback, late 17th century, Pen and brown ink with brush and brown wash over slight traces of black chalk underdrawing. Corners cut off, composition outlined in hexagonal form with pen and brown ink. Contours of the seated

Anthology of Persian Poetry, 17th century, Attributed to Iran, Ink, opaque watercolor and gold on paper, H. 6 in. (15.2 cm), Codices

Marketplace of Delft with the Nieuwekerk, 18th century, Pen and gray ink, brush and gray wash, sheet: 8 3/8 x 7 7/16 in. (21.3 x 18.9 cm), Drawings, Gerrit Toorenburgh (Dutch, Amsterdam 1732–1785 Nijerk

Half of a Prayer Bead with Jesus Carrying the Cross, early 16th century, Netherlandish, Boxwood, 2 11/16 × 2 1/2 × 1 5/16 in. (6.8 × 6.4 × 3.4 cm), Sculpture-Miniature-Wood, The rosary, a fifteen-part prayer developed primarily by the

[Crew of Twenty-one Workmen Posing With Tools Outdoors], 1860s–80s, Tintype, Image: 6.5 x 5.3 cm (2 9/16 x 2 1/16 in.), Photographs, Unknown (American

Inlay depicting the squatting god Anhur (Onuris), Late Period–Ptolemaic Period, 4th century B.C., From Egypt; Possibly from Middle Egypt, Hermopolis (Ashmunein; Khemenu), Faience, H. 8.3 cm (3 1/4 in.); W. 3.7 cm (1 7/16 in.); D. 1.5 cm (9/16

Study for 'Poseuses', 1886-87, Conté crayon on laid paper., 11 11/16 x 8 7/8 in. (29.7 x 22.5 cm), Drawings, Georges Seurat (French, Paris 1859–1891 Paris), This poetic drawing is evidence of Seurat’s mastery of Conté crayon, a medium

Portrait of Julius Olivier, the Artist's Son, 1846, Graphite, watercolor, white gouache. Octagonal framing lines, sheet: 5 5/16 x 4 7/8 in. (13.5 x 12.4 cm), Drawings, Friedrich Olivier (German, Dessau 1791–1859 Dessau

Le Pompe: Opera Nova, page 4 (recto), 1557, Woodcut, Overall: 8 1/16 x 5 7/8 in. (20.5 x 15 cm), Published by Giovanni Battista & Marchio Sessa, Venice. From top to bottom, and left to right: Design is decorated with a pattern of diamonds

Three Archers and a Figure with a Spear, ca. 1670–72, Pen and brown ink, brush and brown wash, over black chalk underdrawing, 6 1/4 x 9 1/4 in. (15.9 x 23.5 cm), Drawings, Claude Lorrain (Claude Gellée) (French, Chamagne 1604/5?–1682

Lamp, Early Imperial, 1st century B.C.–1st century A.D., Roman, Terracotta, Overall: 7/8 x 3 5/8 in. (2.2 x 9.2 cm), Terracottas

Design drawing, ca. 1883, based on earlier design, Graphite, ink, and gouache, sheet: 15 15/16 x 11 in. (40.5 x 27.9 cm), Christopher Dresser (British, Glasgow, Scotland 1834–1904 Mulhouse

Drawings and Prints, Books Prints Ornament & Architecture, Newes Modelbuch in Kupffer (Page 4v), Artist, Johann Sibmacher, German, active 1590–1611, Sibmacher, Johann, German, 1590, 1611, 1604, 1604

A Piano Lesson, 1800–1859, Watercolor over graphite, sheet: 13 7/8 x 9 3/4 in. (35.2 x 24.8 cm), Drawings, David Cox (British, Birmingham 1783–1859 Harborne, West Midlands

Corona delle Nobile et Virtuose Donne, Libro Terzo, page 21 (recto), 1620, Woodcut, Overall: 5 1/2 x 7 11/16 in. (14 x 19.5 cm), Designed by Cesare Vecellio, Italian, Pieve di Cadore 1521-1601 Venice, Venice, published by Alessandro de'

Landscape with Trees and a Tower (Smaller Italian Sketchbook, leaf 15 recto), 1774–75 (?), Graphite with faint green wash, Sheet: 9 3/16 x 6 3/4 in. (23.4 x 17.1 cm), Drawings, Joseph Wright (Wright of Derby) (British, Derby 1734–1797

Lacquered Pen Box, late 17th–early 18th century, Possibly made in Deccan or Northern India, Papier-maché; painted, gilded, and lacquered, 1 3/16 x 1 1/2 x 9 1/8 in. (3 x 3.8 x 23.3 cm), Lacquer, Manohar (active ca. 1582–1624), The

Proposed Restoration of the Church of the Holy Trinity and St. Mary, Old Clee, Lincolnshire, 1876–77, Graphite, sheet: 14 5/16 x 13 3/4 in. (36.4 x 35 cm), James Fowler (British, Louth 1828–1892 Louth

Fitting in the Shape of a Phoenix, Tang dynasty (618–907), 8th century, China, Jade (nephrite), L. 3 in. (7.6 cm), Jade

View of Rome from the Palatine, ca. 1775, Black chalk, some accents in pen and black ink., 6 7/16 x 13 3/4 in. (16.4 x 35 cm), Drawings, Pierre Charles Jombert (French, Paris 1748–1825

Two Studies of a Woman Reading, 1635–40, Pen and brown iron-gall ink, sheet: 6 13/16 x 5 7/8 in. (17.3 x 15 cm), Drawings, Rembrandt (Rembrandt van Rijn) (Dutch, Leiden 1606–1669 Amsterdam

Jewelry design, ca. 1925, Gouache over graphite outline; outlined in pen and black ink., sheet: 9 1/4 x 5 7/8 in. (23.5 x 14.9 cm), Drawings, Firm of Fernand Chardon (French, active ca. 1925

Plate, ca. 1800, Made in Mexico, Mexican, Earthenware, H. 2 5/8 in. (6.7 cm); Diam. 13 3/4 in. (34.9 cm), Ceramics

Plan for Garden Pavilion, early to mid-18th century, Pen and black ink, gray wash, sheet: 9 x 6 1/8 in. (22.9 x 15.5 cm), After Robert Morris (British, Twickenham, Surrey ca. 1701–1754 London

Illuminated Initial 'D', 1830–62, Watercolor, pen and purple and red ink over graphite with touches of gold, sheet: 14 9/16 x 9 1/8 in. (37 x 23.2 cm), Freeman Gage Delamotte (British, Sandhurst 1813/14–1862 London

扇流図屏風, Women on a Bridge Tossing Fans into a River, Edo period (1615–1868), early 17th century, Japan, Six-panel folding screen; ink, color, gold, and gold leaf on paper, Image: 60 1/4 in. × 11 ft. 7 13/16 in. (153 × 355.2 cm),

Mythological Subject, 1800–1900, Pen and ink, washed with pink, 6-7/8 x 5 in. (17.5 x 12.7 cm), Drawings, Anonymous, Italian, 19th century

Dish, Southern Song dynasty (1127–1279), late 12th–13th century, China, Stoneware with crackled blue glaze (Guan ware), Diam. 8 5/8 in. (21.9 cm), Ceramics, The cracks on this dish, made to resemble the accidental cracks that sometimes

Pictorial print, ca. 1785, British, Cotton, H. 16 5/8 x W. 25 1/4 inches (42.2 x 64.1 cm), Textiles-Printed

Incised Bowl, 7th–5th century B.C., Peru, Ica Valley, Paracas, Ceramic, post-fired resin paint, Overall: 4 7/8 in. (12.38 cm), Ceramics-Containers

Khurasan Carpet Fragment, second half 16th century, Made in Northeastern Iran, Khurasan, Cotton (warp), silk (weft), wool (weft and pile); asymmetrically knotted pile, Rug: L. 108 11/16 in. (276 cm), Textiles-Rugs, With its rich pattern and

Drawings and Prints, Books Prints Ornament & Architecture, Corona delle Nobili et Virtuose Donne: Libro IV, page 10 (recto), Publisher, Cesare Vecellio, Italian, Pieve di Cadore 1521–1601 Venice, Vecellio, Cesare, Italian, 1521, 1601

Five Shells, n.d., Watercolor, sheet: 9 5/16 x 12 3/8 in. (23.7 x 31.4 cm), Drawings, George Jacobus Johannes van Os (Dutch, Amsterdam 1782–1861 Amsterdam

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 49 (recto), October 1, 1604, Etching and drawing, Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm), Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua.

One of Twenty-Three Sheets of Drawings of Glassware (Mirrors, Chandeliers, Goblets, etc.), 1850–80, Tissue, with pencil, pen and ink, and watercolor, 14 x 19 in. (35.6 x 48.3 cm), Drawings, Compagnia di Venezia & Murano

Robert. Fritz, Malatesta. 24 ans, Suisse. Excitation à la haine des citoyens les uns contre les autres, expulsé., 1880s–90s, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs,

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 34 (recto), October 1, 1604, Etching and drawing, Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm), Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua.

Convent of St. Cloud, mid-19th century, Watercolor, sheet: 10 x 8 7/8 in. (25.4 x 22.5 cm), Anonymous, British, 19th century

Ribbon Lattice with Pinecone (?), 7th–9th century, Attributed to Egypt, Silk; samit weave, Textiles: Ht. 9 3/4 in. (24.8 cm), Textiles-Woven

[Two Men Embracing, One Seated in the Other's Lap], 1880s–90s, Tintype, Image: 9.9 x 6.5 cm (3 7/8 x 2 9/16 in.), irregular, Photographs, Unknown (American

Woman pulling a tow rope. verso: sketch of landscape with figures, mid to late 19th century, Graphite and black chalk, sheet: 6 7/16 x 4 11/16in. (16.3 x 11.9cm), Drawings, Anton Mauve (Dutch, Zaandam 1838–1888 Arnhem

Pernin. François. 34 ans, né le 11/1/60 au Creuzot (Saône-et-Loire). Forgeron. Anarchiste. 2/7/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Drinkers in a Tavern, 17th century, Pen and brown ink, brush and brown and gray wash over black chalk., Sheet: 7 1/2 x 7 3/8 in. (19.1 x 18.7 cm), Drawings, Attributed to Adriaen van Ostade (Dutch, Haarlem 1610–1685 Haarlem

Study of a Seated Woman and Five Studies of Hands; Verso: Landscape with a Road and a Tree to the Right, late 16th–mid-17th century, Red chalk heightened with white, framing line in pen and brown ink; verso: black chalk, 6 1/16 x 7 1/8 in.

Le Pompe: Opera Nova, page 5 (verso), 1557, Woodcut, Overall: 8 1/16 x 5 7/8 in. (20.5 x 15 cm), Published by Giovanni Battista & Marchio Sessa, Venice. From top to bottom, and left to right: Design consists of a central section that is framed

Scene in a Tavern at Civita Vecchia, 1858, Pen and black ink, Sheet: 6 15/16 x 8 3/4 in. (17.6 x 22.2cm), Drawings, Jean-Baptiste Carpeaux (French, Valenciennes 1827–1875 Courbevoie

Temple Model, 200 B.C.–A.D. 500, Mexico, Mesoamerica, Guerrero, Balsas River region, Mezcala, Greenstone, Height 2-1/4 in., Stone-Sculpture, Stone models in the Mezcala style come largely from the present-day state of Guerrero, in

Figure, 2nd–4th century, United States, Alaska, Punuk, Ivory (walrus), Height 1-7/8 in. (4.7 cm), Bone/Ivory-Sculpture

Plate, 1870–90, Made in Tarentum, Pennsylvania, United States, American, Pressed purple marble glass, Diam. 10 3/8 in. (26.4 cm), Glass, Challinor, Taylor and Company (1866–1891

Drawings and Prints, Books Prints Ornament & Architecture, New Modelbüch (Page 29r), Printer, Designer, Henning Gross the younger, Andreas Bretschneider, German, Dresden ca. 1578–ca. 1640 Leipzig, Gross, Henning the younger,

Landscape with Mill and Buildings, 1820–84, Graphite on light blue woven paper., 7 3/16 x 9 15/16 in. (18.3 x 25.3 cm), Drawings, Adrian Ludwig Richter (German, Dresden 1803–1884 Dresden

Opera Nova Universali intitulata Corona di racammi, page 27 (recto), [1530], Woodcut, Overall: 8 7/8 x 6 7/8 in. (22.5 x 17.5 cm), Published by Giovanni Andrea (called 'Guadagnino') Vavassore, Italian, active 16th century, Venice. From top to

Mourning dress, ca. 1874, French, silk, glass

An Icy Night, 1898, printed 1920–1939, Gelatin silver print from glass negative, 9.2 x 11.8 cm. (3 5/8 x 4 5/8 in.), Photographs, Alfred Stieglitz (American, Hoboken, New Jersey 1864–1946 New York

Marble left hand holding a small box, Imperial, 1st or 2nd century A.D., Roman, Marble, Overall: 3 3/8 x 7 7/8 in. (8.6 x 20 cm), Stone Sculpture, The hand must have belonged to a female statue. The box has holes on the lid, perhaps for

The Red Letter, 1896, Lithograph, Sheet: 25 7/8 × 17 15/16 in. (65.8 × 45.5 cm), Elisha Brown Bird (American, Dorchester, Massachusetts 1867–1943 Philadelphia, Pennsylvania

[Jervis McEntee], 1860s, Albumen silver print from glass negative, Image: 9.4 x 5.1 cm (3 11/16 x 2 in.), Photographs, Austin Augustus Turner (American, ca. 1813–1866

A King of Judah and Israel, n.d., Pen and brown ink, black chalk with heightening in white, Sheet: 17 1/8 x 10 5/16 in. (43.5 x 26.2 cm), Drawings, Martin Fréminet (French, Paris 1567–1619 Paris), Fréminet, who had built a considerable

Angel of the Annunciation, ca. 1370–90, Made in Paris (?), Netherlands or France, South Netherlandish or French, Marble, Overall: 24 x 8 3/4 x 6 1/2 in. (61 x 22.2 x 16.5 cm), Sculpture-Stone, Attributed to Jean de Liège

Textile Fragment with Birds, 8th century, Attributed to Egypt, Linen, cotton; plain weave, brocaded, Textile: H. 3 1/8 in. (7.9 cm), Textiles-Woven

Mirror Case with Filled Diagonal Lattice, Qing dynasty (1644–1911), China, Silk embroidery on silk gauze, Overall: 7 3/4 x 7 3/4 in. (19.7 x 19.7 cm), Textiles-Embroidered

Drawings and Prints, Books Prints Ornament & Architecture, Lucidario di Recami, page 3 (recto), Publisher, Designer, Jeronimo Calepino, Iseppo Foresto, Italian, active Venice, 1557, 1564, Calepino, Foresto, Iseppo, Italian, 1500,

New Modelbüch allen Nägerin u. Sydenstickern (dedicatory page, 2v), 1556

Terracotta cinerary urn, Hellenistic, 3rd–2nd century B.C., Etruscan, Terracotta, 15 1/2 x 22 x 11 in. (39.4 x 55.9 x 27.9 cm), Terracottas, Here is another depiction of the popular five-figure battle scene associated with Chiusine workshops

Figure 9: A study of m. frontalis in maximum contraction, 1854–56, printed 1862, Albumen silver print from glass negative, Image (Oval): 28.4 × 20.3 cm (11 3/16 × 8 in.), Photographs, Guillaume-Benjamin-Amand Duchenne de Boulogne (French,

Tile from marsh scene, New Kingdom, Amarna Period, Dynasty 18, ca. 1353–1336 B.C., From Egypt, Middle Egypt, Amarna (Akhetaten), Royal Palace of Akhenaten, Petrie excavations, 1891–92, Polychrome faience, h. 4 cm (1 9/16 in.); w. 3 cm

L'Enfant blanc, 1860s, Albumen silver print from glass negative, 8.6 x 12.1 cm. (3 3/8 x 4 3/4 in.), Photographs, Pierre-Louis Pierson (French, 1822–1913

[Geisha Girls], ca. 1880, albumen silver print, 27.3 x 20.3 cm (10 3/4 x 8 in.), Photographs, Unknown

Chalice veil, late 16th century, Italian, Linen, silk, metal thread, 39 x 47 1/2 in. (99.1 x 120.7 cm), Textiles-Embroidered

Armor for the Torso and Hips, 12th–13th century, Yunnan or Sichuan, Dali Kingdom (present-day Yunnan, China), Leather, lacquer, copper alloy, iron, H. as mounted 24 in. (61 cm); W. 18 in. (45.7 cm); D. 18 in. (45.7 cm), Armor for Man,

Bowl, Song dynasty (960–1279), China, Pottery (Longquan ware), H. 1 7/8 in. (4.8 cm); Diam. 5 in. (12.7 cm), Ceramics

Pitcher, ca. 1860, Made in Gloucester, New Jersey, United States, American, Porcelain, 13 3/8 x 7 9/16 x 9 3/8 in. (34 x 19.2 x 23.8 cm), Ceramics, Attributed to Gloucester Porcelain Company

[Woman Opening Parasol], 1883–86, printed 1887, Collotype, Photographs, Eadweard Muybridge (American, born Britain, 1830–1904

十三仏図大津絵, Ōtsu-e of Thirteen Buddhist Deities, Edo period (1615–1868), 17th century, Japan, Hanging scroll; ink, color, and woodblock print on paper, Image: 13 1/4 x 6 7/8 in. (33.7 x 17.5 cm), Paintings, The image of

Bronze statuette of a reclining satyr, Archaic, late 6th century B.C., Etruscan, Bronze, H.: 2 1/16 in. (5.2 cm), Bronzes, This delightful pair of satyrs, one playing the Pan pipes while reclining on a wineskin and the other holding a

Design for an English Political Satire, 18th century, Pen and brown ink, brush and brown wash, 8 3/4 x 12 1/16 in. (22.2 x 30.6 cm), Drawings, Hubert François Gravelot (French, Paris 1699–1773 Paris

Textile Fragment with Double-Headed Eagles and Facing Lions, 13th century, Attributed to Iran or Turkey, Silk, gilded animal substrate around a silk core; plain and twill weave (lampas), H. 7 7/8 in. (20 cm), Textiles, The design on this

A Crow, Watercolor with body color on paper, sheet: 6 1/2 x 10 1/4 in. (16.5 x 26.1 cm), Drawings, Anonymous, Italian, 17th century

Design for window, late 19th–early 20th century, Made in New York, United States, American, Gouache, watercolor and graphite on transparent paper mounted on board in original mat., Overall: 26 1/4 x 10 9/16 in. (66.7 x 26.8 cm), Drawings,

Biblia Sacra. . .Lugduni, 1554, Overall: 7 1/2 x 5 1/2 x 2 9/16 in. (19 x 14 x 6.5 cm), Books, Woodcuts by Bernard Salomon (French, ca. 1508–ca. 1561

Prayer Book, dated A.H0/A.D6, Made in Turkey, Manuscript: ink, opaque watercolor, and gold on paper, H. 6 in (15.25 cm), Codices, This small prayer book, or du'anama, belongs to a corpus of illustrated devotional texts produced in the

Lamp, 1st century B.C.–1st century A.D., Roman, Terracotta, Overall: 1 1/2 x 4 3/8 in. (3.8 x 11.1 cm), Terracottas

Studies of a Dog, 16th century, Pen and bistre over faint red chalk, sheet: 4 1/4 x 6 1/8 in. (10.8 x 15.6 cm), Drawings, Anonymous, Netherlandish, 16th century

Vase, ca. 1901–22, Made in McHenry, Illinois, United States, American, Earthenware, H. 22 in. (55.9 cm); Diam. 11 1/2 in. (29.2 cm), Ceramics, Teco Pottery was a favorite among Prairie School architects, several of whom, including

Spouted jar, 3rd–1st century B.C., Mexico, Mesoamerica, Oaxaca, Monte Alban, Ceramic, H. 7 3/8 x W. 5 1/2 x D. 8 1/4 in. (18.8 x 14 x 21 cm), Ceramics-Containers, During the late first millennium B.C., fine grayware ceramics associated

Design for a Bed, between 1780–90, Graphite, brush and gray and brown wash, 21 1/2 x 11 1/2 in. (54.6 x 29.2 cm), Drawings, Richard de Lalonde (French, active Paris, 1780–90

Young Pollards, ca. 1801, Graphite, Sheet: 6 7/8 × 9 3/8 in. (17.5 × 23.8 cm), Drawings, John Constable (British, East Bergholt 1776–1837 Hampstead), Constable here sketched a curved path leading through trees whose branches have been