Images at Librifly

Sample of Cloth, Old Kingdom, Dynasty 6, ca. 2353–2323 B.C., From Egypt, Memphite Region, Saqqara, Pyramid of King Pepi I, Mummy chamber, Linen, 10 cm. square

Saint John the Evangelist, 1598–1599, Pen and dark brown ink, extensively highlighted with white, over black chalk, on beige paper. Squared in black chalk, 10-7/16 x 9-15/16 in. (26.5 x 25.2 cm), Drawings, Giovanni de' Vecchi (Italian,

Cann, 1783, Made in Boston, Massachusetts, United States, American, Silver, Overall: 6 1/2 x 6 3/8 in. (16.5 x 16.2 cm); 22 oz. 6 dwt. (693 g), Silver, Paul Revere Jr. (American, Boston, Massachusetts 1734–1818 Boston, Massachusetts),

Ammon and Jonadab, 1539, Pen and brown and black ink., Overall: 4 5/8 x 3 1/16 in. (11.7 x 7.8 cm), Drawings, Heinrich Aldegrever (German, Paderborn ca. 1502–1555/1561 Soest

Clara Silvois, 1861, Albumen silver print from glass negative, Image: 7 1/2 × 9 7/16 in. (19 × 24 cm) , Photographs, André-Adolphe-Eugène Disdéri (French, Paris 1819–1889 Paris

Horse-Shaped Brooch, 6th century, Made in Northern France, Frankish, Silver-gilt, garnet with foil backing(?); iron spring, Overall: 11/16 x 1 1/4 x 5/16 in. (1.8 x 3.1 x 0.8 cm), Metalwork-Silver, The dress of Frankish women generally

Study for a frontispiece for 'Histoire de Miss Jenny', 18th century, Pen and black ink, with black and white chalks, 4 15/16 x 2 13/16in. (12.5 x 7.1cm), Drawings, Hubert François Gravelot (French, Paris 1699–1773 Paris

Portrait of Hortense Valpinçon (Mme. Jacques Fourchy), 1883, Black conté crayon on buff wove paper, 9 13/16 x 6 7/16 in. (25 x 16.3 cm), Drawings

Design for a Vignette (?) with Two Figures flanking a Vase, 18th century, Pen and gray ink, brush and gray wash, highlighted with white chalk on brown washed paper. Ruled framing and construction lines in lead or graphite, 3 3/8 x 7 13/16in.

Soup Plate, 1736–95, Made in China, Chinese, Porcelain, Diam. 8 3/4 in. (22.2 cm), Ceramics, Chinese export porcelain was one of the luxuries deemed essential to a well-appointed eighteenth-century house. Until 1784, when direct trade began

Flower Pot, ca. 1830, Made in Mexico, Mexican, Tin-glazed earthenware, H. 26 in. (66 cm), Ceramics

Boutel. Joseph. Louis. 34 ans, né à Bonnay (Eure). Corroyeur. Anarchiste. 5/3/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914),

Tile Panel, ca. 1430, Attributed to Syria, Damascus, Stonepaste; modeled, polychrome painted under transparent glaze, Tile A: H. 3 1/4 in. (8.3 cm), Ceramics-Tiles, These tiles represent a ceramic type produced by the workshop of Ibn

Wall painting, Late Classical, mid-4th century B.C., Greek, South Italian, Lucanian, Fresco, Overall: 53 3/8 x 38 1/2in. (135.6 x 97.8cm), Miscellaneous-Paintings, Return of a mounted warrior. In Southern Italy, particularly around Tarentum

Plate, ca. 1750, decorated 19th century, Austrian, Vienna, Hard-paste porcelain, Diameter: 8 1/4 in. (21 cm), Ceramics-Porcelain

Coffeepot, 1800–1830, Made in China, Chinese, Porcelain, H. 9 5/8 in. (24.4 cm); Diam. 8 5/16 in. (21.1 cm), Ceramics

Landscape with a Tower, 1629–77, Brush and gray wash, sheet: 7 7/16 x 10 9/16 in. (18.9 x 26.9 cm), Drawings, Thomas Wijck (Dutch, Beverwijck, near Haarlem 1616?–1677 Haarlem

Bronze mirror, Hellenistic, 3rd century B.C., Etruscan, Bronze, length 10 5/16 (26.2 cm); diameter 5 3/16in. (13.2 cm), Bronzes, Inscribed (retrograde): Achle (Achilles), Crisitha (Chryseis), Elinei (Helen), Elchsntre (Paris

Lamp, Early Imperial, 1st century B.C.–1st century A.D., Roman, Terracotta, Overall: 1 x 3 1/8 in. (2.5 x 7.9 cm), Terracottas

[Man with Bucket and Paint Brush], late 1850s–60s, Ambrotype, Image: 5.5 x 4.4 cm (2 3/16 x 1 3/4 in.), Photographs, Peter Ralston (British, born Scotland

Castles on Mountains, Pen and black ink on embossed card, 4 5/8 x 2 5/8 in. (11.7 x 6.7 cm), Drawings, Rodolphe Bresdin (French, Montrelais 1822–1885 Sèvres

Martyrdom of Saint Lawrence, 17th century, Brush and brown wash, highlighted with white gouache, over black chalk on light brown paper. Framing outlines in black chalk and brown wash, 14-1/8 x 9-3/8 in. (35.9 x 23.8 cm), arched at top,

Learning is Wealth—Wilson, Charley, Rebecca, and Rosa, Slaves from New Orleans, 1863–64, Albumen silver print from glass negative, Image: 8.5 x 5.3 cm (3 3/8 x 2 1/16 in.), Photographs, Charles Paxson (American, active New York, 1860s

One of the Twelve Devas: Katen, 十二天像(火天), Nanbokuchō period (1336–92), 14th century, Japan, Hanging scroll; hand-colored print on paper, 30 1/8 x 12 5/8 in. (76.5 x 32.1 cm), Paintings

The Allatoona Pass Looking North, Georgia, 1860s, Albumen silver print from glass negative, Photographs, George N. Barnard (American, 1819–1902

Belt Buckle, ca. 500–700, Frankish, Iron, silver, gold, L. 8 in. (20.5 cm), Miscellaneous-Buckles & Ornament

Limestone thymiaterion (incense burner), Classical, 2nd quarter of 5th century B.C., Cypriot, Limestone, Overall: 9 x 4 3/8 x 6 7/8 in. (22.9 x 11.1 x 17.5 cm), Stone Sculpture, A seated sphinx supports a shallow bowl in which incense was

Ein new Modelbuch..., page 4 (verso), October 22, 1524, Woodcut, 7 5/16 x 5 3/8 in. (18.5 x 13.6 cm), Published by Johann Schӧnsperger the Younger, Zwickau. From top to bottom, and left to right: Design composed of 3 vertical columns. Left

Drawings and Prints, Books, Prints, Ornament & Architecture, La Vera Perfettione del Disegno di varie sorti di recami, page 34 (recto), Publisher, Illustrator, Woodcut of Lucrezia designed by, Giovanni Ostaus, Giuseppe Salviati (Giuseppe

Lamp, Late Imperial, 3rd century A.D., Roman, Terracotta, Overall: 1 1/2 x 3 3/8 in. (3.8 x 8.6 cm), Terracottas

An Angel Holding a Carafe on a Plate, n.d., Pen and brown ink, sheet: 8 1/4 x 6 15/16 in. (21 x 17.7 cm), Drawings, David-Pierre Giottino Humbert de Superville (Dutch, The Hague 1770–1849 Leiden

Illustration in Jérôme Paturot, by Louis Reybaud, Paris, 1846, ca. 1846, Pen and brown ink over graphite, sheet: 3 x 3 1/8 in. (7.6 x 8 cm), Drawings, J. J. Grandville (French, Nancy 1803–1847 Vanves

Sealing naming Nesisti, a priest in the cult of Arsinoe II and her sister Philotera, Ptolemaic Period, Ptolemaic Dynasty, ca. 210–180 B.C., From Egypt, Unfired clay, Dia. 2 cm (13/16 in.), Arsinoe II was divinized on her death, and a cult

Two Man and a Woman in a Bedroom, 1918, Colored ink over pencil on a board., 15 1/2 x 12 1/4 in. (39.3 x 31.1 cm), Drawings, Otto Friedr. Carl Lendecke (Austrian, Lemberg (Lviv) 1886–1918 Vienna

A Musical Gathering, 18th century, Graphite and gray wash, sheet: 8 1/4 x 4 7/8 in. (21 x 12.4 cm), Drawings, Attributed to Samuel Wale (British, Great Yarmouth, Norfolk 1721–1786 London

Designs for Foliate Ornament, 19th century, Black ink and gray wash, sheet: 15 5/8 x 11 9/16 in. (39.7 x 29.4 cm), Anonymous, British, 19th century

明正德 景德鎮窯青花紅綠彩龍紋碗, Bowl, Ming dynasty (1368–1644), Zhengde mark and period (1506–21), China, Porcelain decorated with underglaze blue and overglaze enamel (Jingdezhen ware), Diam. 6 3/8 in. (16.2 cm), Ceramics

Drawings and Prints, Books, Prints, Ornament & Architecture, La Vera Perfettione del Disegno di varie sorti di recami, page 15 (verso), Publisher, Illustrator, Woodcut of Lucrezia designed by, Giovanni Ostaus, Giuseppe Salviati (Giuseppe

Motor House and Loft (Timber frame), late 19th–early 20th century, Pen and ink, over graphite, with watercolor, Sheet: 14 3/4 x 7 3/4 in. (37.5 x 19.7 cm), Ernest Geldart (British, London 1848–1929

Perspective Design for a Ceiling, 18th century, Pen and gray wash, 8-3/4 x 13-3/4 in, Drawings, Anonymous, Italian, 18th century

Drawings and Prints, Books Prints Ornament & Architecture, Newes Modelbuch in Kupffer (Page 5v), Artist, Johann Sibmacher, German, active 1590–1611, Sibmacher, Johann, German, 1590, 1611, 1604, 1604

Drawings and Prints, Book Prints Ornament & Architecture, New Modelbüch allen Nägerin u. Sydenstickern (Page 5v), Designer, Publisher, Hans Hoffman, Jacob Frölich, German, active Strasbourg, 1556, Strassburg, Hoffman, Hans, Frölich,

Capriccio with a Square Tower and Two Houses, 18th century, Italian, Oil on paper, laid down on Masonite, 2 1/4 x 3 3/8 in. (5.7 x 8.6 cm), Paintings, Follower of Francesco Guardi

Ambassade Cochinchinoise à Paris, 1863, Albumen silver print from glass negative, Image: 7 in. × 4 15/16 in. (17.8 × 12.5 cm), Photographs, Louis Rousseau (French, 1807–1876, active 1860s), Philippe Jacques Potteau

Kongara-doji, 衿羯羅童子像　, Nanbokuchō period (1336–92), 1387, Japan, Hanging scroll; ink and color on silk, 43 x 15 3/4 in. (109.2 x 40 cm), Paintings, Ryūshū Shūtaku (Myōtaku) (Japanese, 1307–1388), The famous Zen monk

Reclining Woman with Raised Skirt, 1918, Charcoal on paper, 18 1/8 x 11 5/8 in. (46 x 29.5 cm), Drawings, Egon Schiele (Austrian, Tulln 1890–1918 Vienna

Gold leaf, Early Minoan II–III, ca. 2300–2100 B.C., Minoan, Gold, H.: 2 5/8 in. (6.6 cm), Gold and Silver, Pendant in the form of a leaf

Drawings and Prints, Books Prints Ornament & Architecture, La Pratique de l'Aiguille, page 19 (recto), Author, Engraver, Dedicatee, Publisher, Title by, Dedicated to, Published by, Matthias Mignerak, Pierre Firens, Marie de Medici, Jean

Limestone statue of a woman, Archaic, early 6th century B.C., Cypriot, Limestone, Overall: 30 × 4 × 7 1/2 in. (76.2 × 10.2 × 19.1 cm), Stone Sculpture, The figure is particularly noteworthy for her jewelry: two necklaces and ear caps from

Valance, 17th century, Italian, Linen, embroidered net, Overall: 21 x 148 in. (53.3 x 375.9 cm), Textiles-Laces

紅地御所車桜蒲公英模様唐織, Noh Costume (Karaori) with Court Carriages and Cherry Blossoms, Edo period (1615–1868), first half of the 19th century, Japan, Twill-weave silk brocade with supplementary-weft patterning in metallic

Il Monte. Opera Nova di Recami, page 10 (recto), after 1557

Opera Nova Universali intitulata Corona di racammi, page 23 (recto), [1530], Woodcut, Overall: 8 7/8 x 6 7/8 in. (22.5 x 17.5 cm), Published by Giovanni Andrea (called 'Guadagnino') Vavassore, Italian, active 16th century, Venice.

Cartouche framed with scenes of Christ leaving tomb and Easter Bunny, 19th century, Pen and black ink, corrected with white, sheet: 16 9/16 x 13 1/4 in. (42.1 x 33.6 cm), Drawings, Attributed to Anonymous, German, 19th century

The Virgin and the Young Christ, n.d., Engraving, Prints, Circle of Marcantonio Raimondi (Italian, Argini (?) ca. 1480–before 1534 Bologna (?)), After Parmigianino (Girolamo Francesco Maria Mazzola) (Italian, Parma 1503–1540

Drawings and Prints, Books Prints Ornament & Architecture, Spechio di pensieri delle belle et Virtudiose donne, page 3 (recto), Publisher, Matteo Pagano, Italian, 1515–1588, Venice, Pagano, Matteo, Italian, 1515, 1588, 1546

Design for a Repository, 1758, Pen and ink and wash, sheet: 5 1/4 x 9 5/8 in. (13.3 x 24.4 cm), Attributed to Stephen Riou (British, London 1720–1780 London

Cream Jug, 1852–58, Made in Bennington, Vermont, United States, American, Mottled brown earthenware, 5 1/4 x 7 in. (13.3 x 17.8 cm), Ceramics

Black-topped red ware jar, Predynastic, Late Naqada l–Naqada II, ca. 3700–3500 B.C., From Egypt; Said to be from Northern Upper Egypt, Amra, Pottery, paint, H. 17.6 x W. 8.8 x diam. (rim) 4.1 cm (6 15/16 x 3 7/16 x 1 5/8 in

The Good Samaritan, by 1853, Oil on canvas, 36 5/8 x 29 1/8 in. (93 x 74 cm), Paintings, Alexandre-Gabriel Decamps (French, Paris 1803–1860 Fontainebleau), This picture illustrates the biblical parable of the Good Samaritan, who comes to

[Greek Court; Statue of Minerva; Ludovisi Mars; Iris, Hecate, or Lucifera], ca. 1859, Albumen silver print from glass negative, 7.9 x 8.1 cm (3 1/8 x 3 3/16 in.), each, Photographs, Attributed to Philip Henry Delamotte (British, 1821–1889

Bowl with blossoms, Edo (1615–1868), 19th century, Japan, Stoneware with polychrome enamels, H. 4 in. (10.2 cm); Diam. 7 3/16 in. (18.2 cm), Ceramics, Nin'ami Dōhachi (Dōhachi II) (Japanese, 1783–1855

Fragmentary design for Base or Pedestal (?), 1700–1780, Pen and brown ink, brush and brown wash, over lead point or graphite, with some ruled construction, 11 1/2 x 8 7/16 in. (29.2 x 21.4 cm), Drawings, Anonymous, Italian, Piedmontese,

Half-length Figure of St Paul in an Oval., 1616–68, Pen and light brown ink over traces of black chalk underdrawing on cream paper. Composition outlined with pen and brown ink in an oval shape, 4-1/2 x 3-1/16 in. (11.4 x 7.8 cm), Drawings,

Design for a Percussion Pistol, dated 1850, Paris, French, Paris, Pen, ink, and pencil on paper, 11 x 7 1/8 in. (28 x 18 cm), Works on Paper-Drawings, Martin Riester (French, Colmar 1819–1883 Paris), A talented draftsman and engraver,

Terracotta footed bowl, Archaic, ca. 650–625 B.C., Etruscan, Terracotta; white-on-red ware, H. 9 7/16 in. (24 cm); diameter of mouth 9 1/8 in. (23.2 cm), Vases, Pendant triangles and compass-drawn concentric circles

Terracotta model of a 'cart', Cypro-Archaic II, 6th century B.C., Cypriot, Terracotta; hand-made, H. 4 3/4 in. (12.1 cm), Terracottas

[Broadside for the Capture of John Wilkes Booth, John Surratt, and David Herold], April 20, 1865, Ink on paper with three albumen silver prints from glass negatives, Sheet: 60.5 x 31.3 cm (23 13/16 x 12 5/16 in.), Collages, Alexander Gardner

View of the Villa Lante on the Janiculum in Rome, 1782–83, Watercolor over traces of graphite, sheet: 9 15/16 x 14 1/2 in. (25.3 x 36.8 cm), Drawings, John Robert Cozens (British, London 1752–1797 London), Like many eighteenth-century

Horse and Rider (Henderson Ledger Artist A), ca. 1882, United States, Central Plains, Arapaho, Pencil, colored pencil, watercolor, ink on paper, H. 5 3/8 x W. 11 7/8 in., Paper-Drawings, Frank Henderson (Native American, Hinono'eiteen

Flip Glass, 1830–70, Made in United States, American, Pressed glass, H. 4 1/2 in. (11.4 cm); Diam. 3 13/16 in. (9.7 cm), Glass, With the development of new formulas and techniques, glass-pressing technology had improved markedly by the late

Angelica and Medoro, 1763, Oil on canvas, Oval, 26 1/4 x 22 1/8 in. (66.7 x 56.2 cm), Paintings, François Boucher (French, Paris 1703–1770 Paris

The Surviving Horatian, first half 19th century, Pen and black ink, grey wash; framing line in pen and black ink, by the artist, sheet: 9 1/4 x 12 5/8 in. (23.5 x 32 cm), Drawings, Christoffer Wilhelm Eckersberg (Danish, Blåkrog 1783–1853

Crippled Beggar, ca. 1450–1500, Netherlandish, Leaded brass alloy, Overall: 3 1/8 x 2 1/2 x 1 1/8 in. (7.9 x 6.4 x 2.9 cm), Metalwork-Copper alloy

Silvio Approaches Dorinda whom He Has Wounded with an Arrow (Il Pastor Fido, act IV, scene 8), ca. 1700, Pen and brown ink, gray wash, heightened with white gouache; framing line in pen and brown ink, by the artist; incised for transfer,

Vamplate (Hand Guard for a Lance), ca. 1490, Landshut, German, Landshut, Steel, H. 16 3/8 in. (41.5 cm); W. 11 3/8 in. (28.9 cm), Shafted Weapons, The vamplate, for a lance used in the Scharfrennen (a joust fought on horseback with sharpened

Drawings and Prints, Books Prints Ornament & Architecture, Newes Modelbuch in Kupffer(Page 9r), Artist, Johann Sibmacher, German, active 1590–1611, Sibmacher, Johann, German, 1590, 1611, 1604, 1604

Dufour. Louis. 37 ans, né à Port-Ste-Marie (Lot & Garonne). Bijoutier. Anarchiste. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914),

Buitenzorg Allie, Java, 1860s–70s, Albumen silver print from glass negative, 30.3 x 24.0 cm (11 15/16 x 9 7/16 in.), Photographs, Unknown

Sappho, 1865, Albumen silver print from glass negative, 34.4 x 26.1 cm (13 9/16 x 10 1/4 in. ), Photographs, Julia Margaret Cameron (British (born India), Calcutta 1815–1879 Kalutara, Ceylon

Pendant Medallion with Michael Slaying the Dragon, ca. 1470–80, French, Mother of pearl, tempera, and silver, Overall: 2 1/4 x 1 9/16 x 3/16 in. (5.7 x 3.9 x 0.5 cm), Sculpture-Miniature, This badge marked a member of the Order of Saint

Furniture elements, Neo-Assyrian, ca. 9th–8th century B.C., Syria, probably from Arslan Tash (ancient Hadatu), Assyrian, Glass, 2.5 in. (6.35 cm), Glass-Ornaments, These dark blue strips of glass were found at Arslan Tash, together with a

Design for one half of an Altar with a Pilastered Wall at the Right, 1700–1780, Pen and brown ink, brush and gray wash, over graphite, with ruled and compass construction. Scales at bottom in pen and brown ink. Framing lines in pen and brown

'The Emperor Shah Jahan with his Son Dara Shikoh', Folio from the Shah Jahan Album, verso: ca. 1620; recto: ca. 1530–50, Attributed to India, Ink, opaque watercolor, and gold on paper, H. 15 5/16 in. (38.9 cm), Codices, Painting by Nanha,

Dolor (Sorrow), Antwerp 1560–1628 Venice?, Engraving, 8 3/4 x 10 1/4 in. (22.2 x 26 cm), Prints, Raphael Sadeler I (Netherlandish, Antwerp 1560–1628 Venice (?)), After Maerten de Vos (Netherlandish, Antwerp 1532–1603 Antwerp

Drawings and Prints, Books Prints Ornament & Architecture, Neu künstlich Modelbuch (page 37r), Publisher, Bernhard Jobin, Swiss, Porrentruy (Jura) before 1545–1593/1597 Strasbourg, Jobin, Bernhard, Swiss, 1535, 1597, 1598, 1598

On the Wharfe, Bolton Abbey, 1858, Watercolor, sheet: 9 15/16 x 14 in. (25.3 x 35.6 cm), Drawings, William Callow (British, Greenwich 1812–1908 Great Missenden, Buckinghamshire), This drawing demonstrates Callow’s mastery of watercolor

Crossbow (Halbe Rüstung) with Winder (Cranequin), dated 1742, Dresden, Saxony, German, Dresden, Steel, wood, staghorn, copper alloy, hemp, wool, gold, iron alloy, L. of crossbow, 28 13/16 in. (73.2 cm); W. of crossbow, 24 15/16 in.

Lamp, 1st century B.C.–1st century A.D., Roman, Terracotta, Overall: 1 5/8 x 5 1/2 in. (4.1 x 14 cm), Terracottas

Drawings and Prints, Books Prints Ornament & Architecture, Fiore D'Ogni Virtu Per le Nobili Et Honeste Matrone, page 8 (recto), Designer, Publisher, Isabella Catanea Parasole, Antonio Fachetti, Italian, ca. 1565/70–ca. 1625, Rome,

Sketch of a Draper's or Upholsterer's Shop, Graphite, 6 3/16 x 8 3/4 in. (15.7 x 22.3 cm), Drawings, Gustave Doré (French, Strasbourg 1832–1883 Paris

Drawings and Prints, Books, Prints, Ornament & Architecture, La Vera Perfettione del Disegno di varie sorti di recami, page 7 (recto), Publisher, Illustrator, Woodcut of Lucrezia designed by, Giovanni Ostaus, Giuseppe Salviati (Giuseppe

Relief panel, Neo-Assyrian, ca. 883–859 B.C., Mesopotamia, Nimrud (ancient Kalhu), Assyrian, Gypsum alabaster, 31 x 26 1/2 x 5 in. (78.7 x 67.3 x 12.7 cm), Stone-Reliefs-Inscribed, This panel from the Northwest Palace at Nimrud (ancient

Nine heads after Paolo Veronese, 17th century, Red chalk on light tan paper, 5-1/8 x 5-1/2 in. (13 x 14 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

Bowl, Edo period (1615–1868), ca. 1625, Japan, Porcelain with underglaze blue, arabesque design (Arita ware), H. 2 3/4 in. (7 cm); Diam. 4 5/8 in. (11.7 cm), Ceramics

The Goddess Bhairavi Devi with Shiva, ca. 1630–35, Country of Origin India, Opaque watercolor and gold on paper, H. 7 1/4 in. (18.5 cm), Codices, Attributed to Payag (Indian, active ca. 1591–1658), In this painting attributed to the

Design for coat of arms, 18th century, Graphite and watercolor, sheet: 10 3/16 x 7 5/16 in. (25.9 x 18.6 cm), Drawings, Anonymous, 18th century

Virgin and Child (from an group with the Adoration of the Magi), ca. 1175–1200, Made in Burgos, Castile-León, Spain, Spanish, Limestone, 54 1/4 × 21 × 20 in. (137.8 × 53.3 × 50.8 cm), Sculpture, The Virgin with Christ seated on her

Deliège. Nicolas, François. 19 ans, né à Ixelles (Belgique). Tailleur d'habits. Anarchiste. 9/3/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon

Bookbinding Element, 16th century, Attributed to Iran or Turkey, Copper; cast, Gr. Diam. 1 3/4 in. (4.4 cm), Metal, The size, shape and patterning of this metal plaque echoes the form of medallions which decorate the flap of some bookbindings.