Images at Librifly

Matchsafe, 1830–70, Probably made in Bennington, Vermont, United States, American, Parian porcelain, 4 1/4 x 4 3/4 x 3 in. (10.8 x 12.1 x 7.6 cm), Ceramics

Cap crown, 1720–40, French, Linen, needle lace, Overall (confirmed): 8 7/16 × 10 1/16 in. (21.4 × 25.6 cm), Textiles-Laces, Laces produced in Alençon and Argentan, where the French lacemaking industry was established in the seventeenth

Shoe Buckle, 7th century, Made in Northern France; Made in Martynovka, Russian, Byzantine, Silver, Overall: 11/16 x 15/16 x 1/4 in. (1.8 x 2.4 x 0.6 cm), Metalwork-Silver

Design for window, late 19th–early 20th century, Made in New York, United States, American, Gouache heightened with white, graphite, and ink on [?photostat or paper mounted on board] in original matt, Overall: 17 5/16 x 11 7/8 in. (44 x

Drawings and Prints, Books Prints Ornament & Architecture, Corona delle Nobili et Virtuose Donne: Libro IV, page 53 (recto), Publisher, Cesare Vecellio, Italian, Pieve di Cadore 1521–1601 Venice, Vecellio, Cesare, Italian, 1521, 1601

[Unknown Subject], after 1867, Albumen silver print, Approx. 10.2 x 6.3 cm (4 x 2 1/2 in.), Photographs

General Hospital, Point of Rocks, Appomattox River below Petersburg, 1864, Albumen silver print from glass negative, Photographs, Timothy H. O'Sullivan (American, born Ireland, 1840–1882

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 10v), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

Woman in Bed Observing a Donkey, late 19th–early 20th century, Pen and black ink, brush and black and brown and gray wash over black chalk, on board., 9 1/2 x 15 3/16 in. (24.1 x 38.5 cm), Drawings, Franz von Bayros (Austrian, Zagreb

Costume Drawing for Little John, late 19th century, Pen, brush and black ink, watercolor over graphite, sheet: 8 3/16 x 6 3/4 in. (20.8 x 17.1 cm), Phil May (British, New Wortley, Leeds 1864–1903 London

Nic. Celestin. 20 ans, né à Conflans-St-Honorine (Seine & Oise). Emballeur. 26/2/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914),

Landscape, 17th century, Reworked counterproof. Red chalk highlighted with white gouache on light brown paper, 7-1/2 x 10-13/16 in. (19 x 27.4 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

Vase, ca. 1893, British, Swadlincote, Derbyshire, Earthenware, Overall (confirmed): 13 1/8 x 7 x 7 in. (33.3 x 17.8 x 17.8 cm), Ceramics-Pottery

Female Figure with Palm (?) Seated on Clouds, 17th century, Pen and dark brown ink. On off-white paper, 5-13/16 x 6-3/8 in. (14.7 x 16.2 cm), Drawings, Anonymous, Spanish, School of Seville, 17th century

Grenville Kane, late 1850s, Ambrotype, visible: 12.2 x 8.9 cm (4 13/16 x 3 1/2 in.), Photographs, Mathew B. Brady (American, born Ireland, 1823?–1896 New York

Johann I (1468–1532), the Constant, Elector of Saxony, 1532–33, Oil on beech, with letterpress-printed paper labels, 8 x 5 5/8 in. (20.3 x 14.3 cm), Paintings, Lucas Cranach the Elder and Workshop (German, Kronach 1472–1553 Weimar),

Lamp, 1st century B.C.–1st century A.D., Roman, Terracotta, Overall: 1 1/8 x 3 3/4 in. (2.9 x 9.5 cm), Terracottas

Caricature of a Tall Thin Man Carrying a Book, 1885, Watercolor, sheet: 13 x 10 in. (33 x 25.4 cm), Drawings, Anonymous, Italian, 19th century

Part of a Shoe Buckle, late 5th century, Frankish (?), Gold with garnets, Overall: 1 3/16 x 1 3/16 x 1/2 in. (3 x 3 x 1.2 cm), Metalwork-Gold

Half design for a palace - fortress with a statue in front, 16th century, sheet: 7 1/2 x 5 13/16 in. (19 x 14.7 cm), Anonymous, German, 16th century

Corona delle Nobile et Virtuose Donne, Libro Terzo, page 27 (recto), 1620, Woodcut, Overall: 5 1/2 x 7 11/16 in. (14 x 19.5 cm), Designed by Cesare Vecellio, Italian, Pieve di Cadore 1521-1601 Venice, Venice, published by Alessandro de'

The Challenge of the Pierides, from Ovid's Metamorphosis (Book V: 294-678), 16th–17th century, Pen and brown ink, brown wash. Framing line in pen and brown ink, sheet: 6 9/16 x 8 15/16 in. (16.7 x 22.7 cm), Drawings, Karel van Mander I

Trinket Box, 1830–70, Probably made in Bennington, Vermont, United States, American, Parian porcelain, 2 3/4 x 3 5/8 x 2 3/4 in. (7 x 9.2 x 7 cm), Ceramics

Case (Inrō) with Design of Cicada on Tree Trunk, Edo period (1615–1868), 18th century, Japan, Case: gold and metal on black lacquer with mother-of-pearl inlay; Fastener (ojime): coral; Toggle (netsuke): lacquer medallion with design of

View of the Gardens of a Palace, mid-16th–early 17th century, Pen and brown ink, brush and brown wash, traces of black chalk, 7 5/16 x 10 1/4 in. (18.6 x 26.0 cm), Drawings, Lodewijk Toeput (called Pozzoserrato) (Netherlandish, Malines ca.

River Scene, 17th century, Red chalk and gray wash, framing line in black ink., 3 3/4 x 6 1/16 in. (9.5 x 15.4 cm), Drawings, Anonymous, Dutch, 17th century

Terracotta neck-amphora (jar) with twisted handles, Classical, ca. 400 B.C., Greek, Attic, Terracotta; red-figure, H. 14 in. (35.5 cm), Vases, Obverse, combat of Greeks against Amazons, Reverse, satyr and maenad, followers of Dionysos,

[Two Women Wearing Striped Dresses, One Standing, the Other Seated], 1850s–1860s, Ambrotype, Image: 10.6 x 8 cm (4 3/16 x 3 1/8 in.), Photographs, Unknown (British

Perseus and the Origin of Coral, ca. 1671, Black chalk, sepia and black ink, sepia and gray wash heightened with white, 10 x 12 13/16 in. (25.4 x 32.5 cm), Drawings, Claude Lorrain (Claude Gellée) (French, Chamagne 1604/5?–1682 Rome), The

Houses and Trees, 1922, Graphite, Overall: 10 1/16 x 16 3/4in. (25.5 x 42.5cm), Drawings, Boris Grigoriev (Russian, Rybinsk 1886–1939 Cagnes-sur-Mer

Salt Spoon, 1775–1800, Made in New York, New York, United States, American, Silver, L. 3 3/4 in. (9.5 cm), Silver, Daniel Van Voorhis (1751–1824

Bottle, ca. 1760, Probably made in Bristol, Bristol, England, British, Opaque glass with enamel decoration, H. 4 5/8 in. (11.7 cm), Glass

The Holy Trinity, late 16th century, Pen and black ink and gray wash, 12 5/16 x 7 15/16 in. (31.3 x 20.2 cm), Drawings, Anonymous, German, 16th century, Attributed to Georg Hössel (German, 16th century) by Heinrich Geissler

Two Women before a General, 1700–1780, Pen and brown ink and brush and gray wash, 5 3/4 x 9 1/16 in. (14.6 x 23 cm), Drawings, Anonymous, German, 18th century, Possibly by Anton Kern (German, Teschen 1710–1747 Dresden

Marble statuette of Aphrodite, Imperial, 1st–2nd century A.D., Roman, Marble, H. 13 5/8 in. (34.6 cm), Stone Sculpture, Roman copy or adaptation of a Greek work of the 4th century B.C. known as the Aphrodite of Knidos. This small figure

La Pratique de l'Aiguille, page 13 (recto), Title by Pierre Firens (French, born Paris 1641), 1605

Jug, 1852–58, Made in Bennington, Vermont, United States, American, Parian porcelain, 5 3/8 x 4 1/4 x 3 3/8 in. (13.7 x 10.8 x 8.6 cm), Ceramics, United States Pottery Company (1852–58

Design for a Wall Elevation with Garlands and a Landcape Scene, 17th century, Pen and brown ink, brush and brown wash, over ruled graphite construction, sheet: 6 5/8 x 9 in. (16.8 x 22.8 cm), Anonymous, Italian, 17th century

Hippopotamus amulet, Predynastic, Naqada II–Naqada III, ca. 3650–3100 B.C., From Egypt, Limestone (pink), L: 7.4 x H: 4.4 x W: 2.2 cm (2 15/16 x 1 3/4 x 7/8 in

Platter, 1815–30, Made in Paris, France, French, Porcelain, 2 1/16 x 16 1/4 x 10 7/8 in. (5.2 x 41.3 x 27.6 cm), Ceramics

Caricatures, 1850–60, Graphite and ink, sheet (one edge uneven): 6 3/8 x about 11 in. (16.2 x 27.9 cm), Drawings, George Frederick Sargent (British, active ca. 1842–51, died 1864 Islington

Den eersten (-vijfsten) boeck van architecturen, 1546, 1549, 1553, Printed books with woodcut illustrations, 13 1/2 in. × 10 in. × 1 3/4 in. (34.3 × 25.4 × 4.5 cm), Hendrick Hondius I (Netherlandish, Duffel 1573–1650 Amsterdam

Belt Ornament (?), middle of 6th century, Made in Niederbreisig, Germany, Frankish, Copper alloy, Overall: 1 7/8 x 1 x 7/16 in. (4.7 x 2.6 x 1.1 cm), Metalwork-Copper alloy

Marble statue of Aphrodite loosening her sandal, Early Imperial, 1st century A.D., Roman, Marble, Parian ?, H. 11 in. (28 cm), Stone Sculpture, Variant of a Greek work of the 3rd or 2nd century B.C.. Aphrodite was represented bending down to

Drawings and Prints, Books Prints Ornament & Architecture, New Modelbüch (Page 24r), Printer, Designer, Henning Gross the younger, Andreas Bretschneider, German, Dresden ca. 1578–ca. 1640 Leipzig, Gross, Henning the younger,

Jar, 긴 목 항아리 삼국, 가야, Three Kingdoms pd. (57 BC–AD 668) Gaya federation, Great Gaya, 3rd quarter of the 5th century, Korea, Stoneware with accidental ash glaze, H. 6 in. (15.2 cm), Ceramics

Group of Entangled Nude Figures, 1600–1800, Pen and brown ink, brush and brown wash on cream laid paper, 3-3/4 x 7-11/16 in. (9.6 x 19.5 cm), Drawings, Anonymous, Italian, 17th or 18th century

Drawings and Prints, Books Prints Ornament & Architecture, Page from Ein new kunstlich Modelbuch...(Page 45v), Publisher, Peter Quentel, German, active Cologne, 1518–46, Cologne, Quentel, Peter, German, 1500, 1550, 1544

Les Singuliers et Nouveaux Portraicts... page 36 (recto), 1588, Woodcut, Overall: 8 1/16 x 6 5/16 in. (20.5 x 16 cm), Designed by Federic de Vinciolo, published by Jean Le Clerc, Paris, bound by Chambolle-Duru, French, 19th century. From top

Allegory of Wisdom, late 16th–early 17th century, Watercolor and gold over graphite, sheet: 3 15/16 x 2 5/8 in. (10 x 6.7 cm), Drawings, Anonymous, Swiss, late 16th to early 17th century

Newes Modelbuch in Kupffer(Page 30r), Johann Sibmacher (German, active 1590–1611), 1604

Statue of Nebhepetre Mentuhotep II in the Jubilee Garment, Middle Kingdom, Dynasty 11, ca. 2051–2000 B.C., From Egypt, Upper Egypt, Thebes, Deir el-Bahri, Temple of Mentuhotep II, originally from the courtyard, 1921–22, Sandstone,

Salome Dancing before Herod, Tempera and gold on wood, 34 1/4 x 33 3/4 in. (87 x 85.7 cm), Paintings, Spanish (Catalan) Painter (mid-15th century

Giardineto novo di punti tagliati et gropposi per exercitio & ornamento delle donne (Venice 1554), page 7 (verso), 1554, Woodcut, 7-5/8 x 6-3/8 x 1/4 in. (19.4 x 16.2 x 0.6 cm), Published by Matteo Pagano, Italian, 1515-1588, bound by Lloyd,

Cover, 16th century, Italian, Sicily, Linen, embroidered net, 38 × 101 in. (96.5 × 256.5 cm), Textiles-Laces

A Shipwreck in a Storm, 1782, Pastel on gessoed canvas, 24 3/4 x 36 in. (62.9 x 91.4 cm), Pastels & Oil Sketches on Paper, Jean Pillement (French, Lyons 1728–1808 Lyons), This pastel, large in scale for Pillement, persuasively suggests the

Shabti of the Scribe Huy wearing a Bat-pendant, New Kingdom, Ramesside, Dynasty 19, ca. 1295–1185 B.C., From Egypt, Limestone, H. 8.5 cm (3 3/8 in), Shabtis were small magical figures deposited in a tomb to answer for the deceased should he

Drawings and Prints, Books Prints Ornament & Architecture, Schön newes Modelbuch (Page 102r), Publisher, Sigismundus Latomus, German, active 1599–ca. 1627, Frankfurt am Main, Latomus, Sigismundus, German, 1599, 1632, 1608

The Great Bartholdi Statue – Liberty Enlightening the World, 1885, Hand-colored lithograph, Image: 13 9/16 x 9 3/4 in. (34.5 x 24.7 cm), Prints

Glass pourer flask, Mid Imperial, 2nd–early 3rd century A.D., Roman, Cypriot, Glass; blown, 2 7/8 in. (7.3 cm), Glass, Colorless. Thick rim, folded out, down, over and in, and pressed into broad, flaring mouth; cylindrical neck,

[Views in Greek Sculpture Gallery, Including A Pieta, Apollo Belvedere, Niobe and her Family, Priest of Bacchus and Farnese Torso], ca. 1859, Albumen silver print from glass negative, 7.9 x 8.1 cm (3 1/8 x 3 3/16 in.), each, Photographs,

Scroll flask, 1830–40, Made in Pennsylvania, United States, American, Free-blown molded aquamarine glass, H. 7 3/4 in. (19.7 cm), Glass

Pontoon Bridge, 1861–65, Albumen silver print from glass negative, 13.3 x 20.4 cm (5 1/4 x 8 1/16 in.), Photographs, Andrew Joseph Russell (American, 1830–1902

Stage Set Design of Circular Ballroom with Chandelier. Verso: Rough Sketch of Stage Design., 1870–1941, Recto: Pen and dark brown ink, brush and brown wash, over graphite, highlighted with white gouache, on paper prepared with gray incidental

A Mounted Drummer from the Back, 1670–1702, Pen and brown ink on laid paper, sheet: 3 7/16 x 2 1/4 in. (8.8 x 5.7 cm), Drawings, Marcellus Laroon the Elder (French, The Hague 1653–1702 Surrey), Laroon came to London from The Hague in 1674

Band, 17th century, Italian, Linen and silk, L. 11 1/2 x 5 inches (29.2 x 12.7 cm), Textiles-Embroidered

Two Seated Women, 19th century, Pen and brown ink, gray wash over traces of graphite, 8 1/16 x 11 1/16 in. (20.4 x 28.1 cm), Drawings, Constantin Guys (French, Flushing 1802–1892 Paris

Shepherd and Shepherdesses, ca. 1500–1530, South Netherlandish, Wool warp; wool wefts, Overall: 115 x 118in. (292.1 x 299.7cm), Textiles-Tapestries, In this tapestry we witness the antics of a shepherd and two shepherdesses in the fields. An

Tile, ca. 1882–84, Made in Chelsea, Massachusetts, United States, American, Earthenware, 4 1/4 x 4 1/4 in. (10.8 x 10.8 cm), Ceramics, J. and J. G. Low Art Tile Works (1877–1907

Chocolate Pot, ca. 1890–96, Made in Trenton, New Jersey, United States, American, Porcelain, 10 1/2 in. (26.7 cm), Ceramics, Attributed to Ceramic Art Company (American (Trenton, New Jersey), 1889–1896

Bronze helmet, Archaic, early 6th century B.C., Italic, Picene, Bronze, H. 6 7/8 in. (17.4 cm), Bronzes, Hemispherical shape with deep brim

[Fragment of an Egyptian Statue], 1856, Salted paper print from paper negative, 11 3/8 x 9 1/8, Photographs, John Beasley Greene (American, active France, 1832–1856

Lamp with Four Wicks, 19th century, Pen and wash, 16-1/2 x 6-3/4 in, Drawings, Anonymous, Italian, 19th century

Bronze helmet of Illyrian type, Classical, 5th or early 4th century B.C., Greek, Bronze, Height 26 cm (from cheek guard to crown), Bronzes, The Illyrian helmet was a popular type in the Classical period. A similiar helmet with the elaborate

Drawings and Prints, Book Prints Ornament & Architecture, Trionfo Di Virtu. Libro Novo..., page 22 (verso), Publisher, Matteo Pagano, Italian, 1515–1588, Venice, Pagano, Matteo, Italian, 1515, 1588, 1563

Darjeeling, 1860s–70s, Albumen silver print from glass negative, 18.4 x 24.1 cm (7 1/4 x 9 1/2 in.), Photographs, Unknown

High chest, 1748, Made in Newport, Rhode Island, United States, American, Mahogany, chestnut, and white pine, 70 1/4 × 39 × 21 3/8 in. (178.4 × 99.1 × 54.3 cm), Furniture, Christopher Townsend (1701–1773

Diablerie: A Satire on the Medical Profession, 1612–41, Pen and brown ink, 7 x 11 1/16 in. (17.8 x 28.1 cm), Drawings, Andries Both (Dutch, Utrecht ca. 1612–1641 Venice

Mazoldi. Frédéric, Jean-Baptiste. 54 ans, né à Bicroz (Autriche). Ferblantier. Anarchiste. 23/3/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon

Design for Enameled Clock, ca. 1882, Pen, ink, and watercolor, 23 x 13 3/4in. (58.4 x 34.9cm), Drawings, Lucien Falize (French, Paris 1839–1897 Paris

Design for a Wall Monument, n.d., Red chalk, 5 15/16 x 3 13/16 in. (15.1 x 9.7 cm.), René Charpentier (French, Cuille 1680–1723 Paris

Stand, 1790–1800, Made in New York, New York, United States, American, Silver, 1 3/16 x 7 5/8 x 5 5/8 in. (3 x 19.4 x 14.3 cm); 6 oz. 18 dwt. (214.9 g), Silver, Daniel Van Voorhis (1751–1824

Entrenchments on left of Bermuda Hundred Lines, 1861–65, Albumen silver print from glass negative, Photographs, Andrew Joseph Russell (American, 1830–1902

Botanical Garden, 1860s–70s, Albumen silver print from glass negative, 20.2 x 27.4 cm (7 15/16 x 10 13/16 in.), Photographs, Unknown

Two Men Before a Judge in a Crowded Courtroom, late 17th century, Red chalk heightened with white chalk, sheet: 7 1/4 x 11 1/8 in. (18.4 x 28.2 cm), Drawings, Egbert Jasperszoon van Heemskerck I (Dutch, Haarlem 1634/35–1704 London (active

Edith Liddell Seated Beside a Vase of Foxgloves, 1860, Albumen silver print from glass negative, Sheet: 6 1/4 × 5 3/4 in. (15.9 × 14.6 cm), Photographs, Lewis Carroll (British, Daresbury, Cheshire 1832–1898 Guildford

Case (Inrō) with Design of Bird on Standing on Rocks (obverse) Bird Flying above Waves (reverse), Edo period (1615–1868), 19th century, Japan, Lacquer, roiro, nashiji, gold, red and silver hiramakie, hirame; Interior: fundame, 3 1/8 x 2

Design for a Wall Fountain, 1550–1620, Pen and brown-gray ink over lead point, with ruled construction, 14 11/16 x 9 13/16 in. (37.3 x 25 cm), Drawings, Anonymous, Italian, Lombard, 16th century

Head of Hatshepsut, New Kingdom, Dynasty 18, ca. 1479–1458 B.C., From Egypt, Upper Egypt, Thebes, Asasif, area of Ramesside temple, south radim, 1934–35, Granite, H. 35.3 cm (14 in.); W. 41.6 cm (16 3/8 in.); D. 33 cm (13 in

[Group of 4 Stereograph Views of Berlin Beer Gardens], 1850s–1910s, Albumen silver prints, Mounts approximately: 8.9 x 17.8 cm (3 1/2 x 7 in.), Photographs, Bert Underwood (American), Benneville Lloyd Singley (American, Union Township,

View of the interior of the city of Pompeii, from Antiquités de Pompeïa, tome premier, Antiquités de la Grande Grèce... (Antiquities of Pompeii, volume one, Antiquities of Great Greece...), volume 1, plate 6, 1804, Etching, Sheet: 21

Alfred, Lord Tennyson, ca. 1865, Albumen silver print from glass negative, Photographs, Julia Margaret Cameron (British (born India), Calcutta 1815–1879 Kalutara, Ceylon

Landscape, early 17th century, Pen and blue ink, brush and blue wash, Overall: 5 5/16 x 8 1/4 in. (13.5 x 21 cm), Drawings, Isaak Major (German, Frankfurt am Main ca. 1576–1630/36 Vienna

Le Pompe: Opera Nova, page 8 (verso), 1557, Woodcut, Overall: 8 1/16 x 5 7/8 in. (20.5 x 15 cm), Published by Giovanni Battista & Marchio Sessa, Venice. From top to bottom, and left to right: Design is for bobbin lace and is composed of 2

Three Girls Playing at Ball at the Seaside, ca. 1890–ca. 1910, Pen and mauve (purple-brown) ink, brush and pink wash, sheet: 7 3/8 x 8 7/8 in. (18.7 x 22.5 cm), Drawings, James W. Allen (British, active ca. 1890–ca. 1910

Tall Clock, ca. 1790, Made in Concord, Massachusetts, United States, American, Mahogany, white pine, 95 x 19 3/4 x 10in. (241.3 x 50.2 x 25.4cm), Furniture, Joseph Mulliken (active 1775–1800

Cluzel. Louis. 30 ans, né le 31/8/63 à Bourg-Argental (Loire). Tailleur d'habits. Anarchiste. 2/7/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon

Drawings and Prints, Print, The Terrace of the Villa Brancas, Artist, Félix Bracquemond, French, Paris 1833–1914 Sevres, Bracquemond, Félix, French, 1833, 1914, 1876, 1876

Rosette Brooch, 6th century, Frankish, Silver-gilt, garnets with patterned foil backings, green glass, pearl, Overall: 7/8 x 1/8 in. (2.2 x 0.3 cm), Metalwork-Silver, Garnets, worked in the cloisonné technique, featured prominently in the

Girl in a Flowing Dress Surrounded by Roses and Lilies, ca. 1890–1915, Ink, graphite and wash, sheet: 13 5/8 x 9 1/2 in. (34.6 x 24.1 cm), Drawings, Anonymous, British, late 19th to early 20th century