Images at Librifly

View of a Bay and Mountains, 19th century, Pencil on two sheet of wove paper pasted together. Squared in pencil., 6 3/16 x 15 1/2 in. (15.7 x 39.4 cm), Drawings, Franz von Hauslab the Younger (Austrian, Vienna 1798–1883

Page from a Scrapbook containing Drawings and Several Prints of Architecture, Interiors, Furniture and Other Objects, Workshop of Charles Percier (French, Paris 1764–1838 Paris), Workshop of Pierre François Léonard Fontaine (French, Pontoise

Elizabeth Michael Howell, 1855–59, Daguerreotype, Image: 8.9 x 6.5 cm (3 1/2 x 2 9/16 in.), Photographs, Addis's Lancaster Gallery (American, active 1840s–1860s

Tumbler, 1830–70, Made in United States, American, Pressed glass, H. 2 3/4 in. (7 cm); Diam. 2 11/16 in. (6.8 cm), Glass, With the development of new formulas and techniques, glass-pressing technology had improved markedly by the late

Terracotta amphora with lid, Archaic, 3rd quarter of the 6th century B.C., Etruscan, Terracotta; black-figure, Pontic ware, H.: 14 3/8 in. (36.5 cm), Vases, On the shoulder panel, obverse, two mermen. On the reverse, two confronted dogs.

Drawings and Prints, Books Prints Ornament & Architecture, Teatro delle Nobili et Virtuose Donne..., page 40 (recto), Author, Publisher, Isabella Catanea Parasole, Mauritio Bona, Italian, ca. 1565/70–ca. 1625, Rome, Parasole, Isabella

Chimneypiece in the Egyptian style: Giant figures supporting the lintel, flanked by chairs, from Diverse Maniere d'adornare i cammini... (Diverse Ways of ornamenting chimneypieces...), 1769, Etching, Plate: 9 13/16 x 15 3/16 in. (25 x 38.5 cm)

Sir Henry Clinton, October 8, 1780, Stipple engraving and etching; first state, before letters, Image: 3 5/16 x 2 5/8 in. (8.4 x 6.6 cm), Prints, Francesco Bartolozzi (Italian, Florence 1728–1815 Lisbon), After John Smart (British,

The Members of the Albrecht Durer Society for the Election Year 1843-1844 (Der Albrecht Durer Verein seinen Mitgliedern für das Verwaltungs-Jahr 1843-1844), 1843, Etching, Sheet: 23 5/8 × 18 11/16 in. (60 × 47.4 cm), Prints, Eugen Neureuther

Figure of a Cleric in Half-Length., 1600–1699, Red and black chalk, on gray-beige paper, Overall: 9 x 7 1/2 in. (22.9 x 19.1 cm), Drawings, Jacopo Confortini (Italian, Florence 1602–1672 Florence

Title Page Design for 'The Tournament' (recto); Small Sketches for Border Elements (verso), 1840, Recto: Pen and black ink, graphite with touches of brush and yellow-green wash, sheet: 9 1/8 x 7 3/8 in. (23.1 x 18.7 cm), Drawings, Richard Doyle

Abbey Gateway, Tewkesbury; Figure from Tomb at Great Malvern (verso), 1816, Graphite, ink and wash, sheet: 5 x 8 in. (12.7 x 20.3 cm), Anonymous, British, 19th century

Design of architectural ornaments and an Amphora., 1700–1780, Pen and dark brown ink, brush and gray wash, over lead point or graphite, additional traces of black chalk on blue paper (recto and verso), 14 7/16 x 5 1/16 in. (36.7 x 12.8 cm),

Chemise, ca. 1890, French, cotton

Drawings and Prints, Books Prints Ornament & Architecture, Corona delle Nobili et Virtuose Donne: Libro IV, page 64 (recto), Publisher, Cesare Vecellio, Italian, Pieve di Cadore 1521–1601 Venice, Vecellio, Cesare, Italian, 1521, 1601

Spouted vessel in decorated ware, Predynastic, Naqada II, ca. 3500 B.C., From Egypt, Pottery, paint, H. 8 × Diam. 8.2 cm (3 1/8 × 3 1/4 in

Designs for the Decoration of Firearms, ca. 1797–1805, Versailles, French, Versailles, Pencil, ink, gray wash on paper, 3 3/16 x 7 3/4 in. (8.1 x 19.7 cm), Works on Paper-Drawings

Cup Plate, 1835–45, Made in East Cambridge, Massachusetts, United States, American, Lacy pressed glass, Glass, Possibly New England Glass Company (American, East Cambridge, Massachusetts, 1818–1888

Transverse Section of the Small Theater in the Palace of Caserta with a View Towards the Royal Box, 1700–1773, Pen and black-gray ink, brush and gray wash, over traces of compass and ruled construction lines in graphite, 20-1/4 x 14-15/16 in.

'Haji Husain Bukhari', Folio from the Shah Jahan Album, recto: early 19th century; verso: later copy of 16th century original, Attributed to India, Ink, opaque watercolor, and gold on paper, H. 15 1/4 in. (38.7 cm), Codices

Standing Soldier: Garde Française, 18th century, Red chalk over traces of graphite, 9 7/16 x 6 5/16 in. (24 x 16 cm), Drawings, Charles Dominique Joseph Eisen (French, Valenciennes 1720–1778 Brussels), Until 1983, this drawing was thought

Drawings and Prints, Books Prints Ornament & Architecture, La Pratique de l'Aiguille, page 27 (recto), Author, Engraver, Dedicatee, Publisher, Title by, Dedicated to, Published by, Matthias Mignerak, Pierre Firens, Marie de Medici, Jean

Safavid Courtiers Leading Georgian Captives, mid-16th century, Attributed to Iran, Silk, metal wrapped thread; lampas, Textile: L. 47 1/2 in. (120.7 cm), Textiles-Woven, This stunning textile is one of a group of thirteen bearing related

Saucer, 1770–1830, Made in China, Chinese, Porcelain, Diam. 5 1/2 in. (14 cm), Ceramics

Illuminated Initial 'O', 1830–62, Watercolor over pen and red ink with touches of gold and gouache, sheet: 9 3/16 x 14 9/16 in. (23.3 x 37 cm), Freeman Gage Delamotte (British, Sandhurst 1813/14–1862 London

Tumbler, ca. 1885–87, Made in Wheeling, West Virginia, United States, American, Blown glass, H. 2 3/4 in. (7 cm); Diam. 2 1/8 in. (7 x 5.4 cm), Glass, Probably Hobbs, Brockunier and Company (1863–1891

Les Secondes Oeuvres, et Subtiles Inventions De Lingerie du Seigneur Federic de Vinciolo Venitien, page 50 (recto), 1603, Woodcut, Overall: 9 7/16 x 6 1/2 in. (24 x 16.5 cm), Designed by Federic de Vinciolo Venitien, published by Jean Le

Stieglitz, Steichen and Kuehn Admiring the Work of Frank Eugene, 1907, Platinum print , 12.1 x 16.8 cm. (4 3/4 x 6 5/8 in.), Photographs, Frank Eugene (American, New York 1865–1936 Munich

Drawings and Prints, Books Prints Ornament & Architecture, Gemma pretiosa della virtuose donne, page 4 (recto), Designer, Publisher, Isabella Catanea Parasole, Gugliemo Facciotti, Italian, ca. 1565/70–ca. 1625, Rome, Parasole, Isabella

Carnelian scarab, Hellenistic, ca. 325–200 B.C., Etruscan, Carnelian, Other: 3/8 x 1/2 x 5/8 in. (0.9 x 1.2 x 1.6 cm), Gems, Warrior with shield and bow

Rondel with Seated Buddha, Khotan Kingdom, 6th–7th century, China (Xinjiang Autonomous Region), Red clay with traces of color, 6 1/2 x 6 1/2 in. (16.5 x 16.5 cm), Sculpture, These Buddhas with halos and body mandorlas were part of an

Coffin for a mummified shrewmouse, Ptolemaic Period, 332–30 B.C., From Egypt, Bronze or copper alloy, l. 7 cm (2 3/4 in); w. 3.2 cm (1 14 in); h. 5.7 cm (2 1/4 in

Brush washer, Yuan dynasty (1271–1368), 13th–14th century, China, Stoneware with crackled glaze (Ge ware), H. 1 1/2 in. (3.8 cm); W. 4 3/4 in. (12.1 cm), Ceramics, The combination of thicker dark lines and thinner brown lines seen in the

Jar, Middle Chalcolithic, ca. 5600–5400 B.C., Southwestern Anatolia, Hacilar, Ceramic, paint, 4.88 in. (12.4 cm), Ceramics-Vessels

Map sampler, late 18th–early 19th century, British, Silk embroidery on silk, H. 19 1/4 x W. 16 1/2 inches (48.9 x 41.9 cm), Textiles-Embroidered, Working an embroidered maps such as this sampler became part of a young girl’s education,

Case (Inrō ) with Design of a Gourd Vine, Edo period (1615–1868), 18th century, Japan, Case: gold, colored lacquer, gold leaf, and gold foil on red lacquer; Fastener (ojime): metal with design of flowers and insects; Toggle (netsuke): ivory

Lothier. Gaston. 27 ans, né le 27/12/66 à St Thomas (Charente-Inférieure). Menuisier. Anarchiste. 1/1/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon

Quart Decanter, 1850–70, Probably made in Pittsburgh, Pennsylvania, United States, American, Pressed glass, diamond thumbprint, H. 11 in. (27.9 cm), Glass, With the development of new formulas and techniques, glass-pressing technology

Serpentine blossom bowl, Middle Minoan III–Late Minoan I, ca. 1500 B.C., Minoan, Serpentine, diameter 4 5/8 in. (11.7 cm), Miscellaneous-Stone Vases, High shouldered blossom bowl carved with ribs and grooves

Design for a Cartouche, 18th century, Pen and brown ink, brush and brown wash, over black chalk, with traces of red chalk, on beige laid paper, 7 x 5-7/8 in. (17.8 x 15 cm), Anonymous, Italian, first half of the 18th century

Spanagel. Emile, Ignace. 20 ans, né le 28/2/74 à Paris XVlle. Serrurier. Anarchiste. 7/7/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Snuff Bottle with Peony and Bird, Qing dynasty (1644–1911), Qianlong mark and period (1736–95), China, Painted enamel on copper, H. 2 5/16 in (5.9 cm), Snuff Bottles

'Burzuyeh is Summoned by Nushirvan on his Return from India', Folio from a Kalila wa Dimna, 18th century, Attributed to Egypt or Syria, Ink and opaque watercolor on paper, 12.5 in. high 8.87 in. wide (31.8 cm high 22.6 cm wide), Codices

Bronze serpentine-disc type fibula (safety pin), Geometric, 9th century B.C., Villanovan, Bronze, Other: 4 7/16 in. (11.3 cm), Bronzes, There are two spirals, one of one turn, the other of two. The disk is formed by a flat piece of metal

Interior: Fireplace wall, 19th century, Graphite, watercolor, and gilt in wallpaper, sheet: 13 3/4 x 19 15/16 in. (35 x 50.6 cm), John Gregory Crace (British, London 1809–1889 Dulwich) , and Son

Terracotta neck-amphora (jar), Archaic, 570–550 B.C., Greek, Attic, Terracotta; black-figure, H. 11 1/2 in. (29.2 cm), Vases, Obverse, two long-necked waterbirds between two panthers, Reverse, two sirens. The vase is augmented by L1,

Loie Fuller Dancing, ca. 1900, Gelatin silver print, Image: 4 in. × 5 1/8 in. (10.2 × 13 cm), Photographs, Samuel Joshua Beckett (British, Shadwell, Stepney [London] 1870–1940 Bournemouth

Durey. François, Louis. 43 ans, né le 25/2/51 à Lyon (Rhône). Architecte. Anarchiste. 2/7/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

[Angels with Interlace], 1900s–1910s, Platinum print, Image (visible): 3 9/16 × 8 15/16 in. (9.1 × 22.7 cm), Photographs, Frederick H. Evans (British, London 1853–1943 London

Rest on the Flight to Egypt, 16th century, Pen and brown ink, brush and brown wash, over black chalk, 13 1/16 x 10 11/16 in. (33.2 x 27.1 cm), Drawings, Anonymous, Netherlandish, 16th century

The Sending Out of the Apostles, ca. 1584, Engraving; first state of two, sheet: 5 9/16 x 8 3/16 in. (14.2 x 20.8 cm), Prints, Adriaen Collaert (Netherlandish, Antwerp ca. 1560–1618 Antwerp), After Hans Bol (Netherlandish, Mechelen

Hab.t de la Russie from Playing Cards (for Quartets) 'Costumes des Peuples Étrangers', 1700–1799, Etching and hand coloring (watercolor), 3 3/16 × 2 1/16 in. (8.1 × 5.3 cm), Prints, Anonymous, French, 18th century

Standing Figure with Jeweled Headdress, 12th–early 13th century, Attributed to Iran, Gypsum plaster; modeled, carved, polychrome-painted, gilded, H. 56 1/2 in. (143.5 cm), Sculpture, The ornamented headdres, arms, and rich vestments of

Design for a Building Facade of Two Storeys and Five Bays, with a Pediment and an Adamesque Portico, Elevation and Wall Plan, 18th century, Pen and ink and wash, sheet: 9 1/2 x 13 1/2 in. (24.1 x 34.3 cm), Anonymous, British, 18th century

Head of a Woman, 17th century, Red chalk, traces of black chalk on cream paper. Reworked counterproof, 13-7/16 x 9-13/16 in. (34.1 x 25 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

Whitehall Palace, 1715–70, Pen and ink and wash, Henry Flitcroft (British, Twiss Green, Cheshire 1697–1769 Hampstead

Stage Set of a Room Interior with Receding Perspective, 1700–1780, Pen and brown ink, brush and gray wash, 7-5/16 x 6-5/8 in. (18.6 x 16.8 cm), Drawings, Anonymous, Italian, Piedmontese, 18th century

Elevation of the Facade of the Hôtel de Montholon, Paris, 1785–86, Pen and black and gray ink, brush and gray and blue wash. Two framing lines in pen and black ink around image and inscription., 18 1/2 x 27 1/4 in. (47 x 69.2 cm), Jean

Belle Plain, Virginia, 1864, Albumen silver print from glass negative, Photographs, James Gardner (American, born 1832), Timothy H. O'Sullivan (American, born Ireland, 1840–1882

Médînet-Abou (Thèbes), Construction Antérieures - Entrée Principale, 1851–52, printed 1853–54, Salted paper print from paper negative, 24.5 x 30.5 cm. (9 5/8 x 12 in.), Photographs, Félix Teynard (French, 1817–1892

Hunters resting in a forest at night, 1830–60, Pen and brown and black ink, brush and brown and grey wash, heightened with white bodycolour; framing line in pen and black ink, sheet: 3 7/16 x 4 15/16 in. (8.8 x 12.5 cm), Drawings, Kilian

Orchard Knob from Mission Ridge, 1860s, Albumen silver print from glass negative, Photographs, George N. Barnard (American, 1819–1902

Three Men Playing Cards, March, 1842, Daguerreotype, Image: 7.3 x 5.7 cm (2 7/8 x 2 1/4 in.), Photographs, William Langenheim (American, born Germany, Schöningen 1807–1874

Mango-Shaped Flask, mid-17th century, Attributed to India, Rock crystal; set with gold, enamel, rubies, and emeralds, H. 2 1/2 in. (6.5 cm), Stone, In spite of its modest size, this flask in the shape of a mango, adorned with gold, gems,

Sauce Dish, ca. 1888, Made in Tarentum, Pennsylvania, United States, American, Pressed yellow glass, H. 2 5/8 in. (6.7 cm); Diam. 4 in. (10.2 cm), Glass, Richards and Hartley Flint Glass Co. (ca. 1870–1890

Spoon with a falcon on the handle, Predynastic, Naqada III, ca. 3300–3100 B.C., From Egypt, Northern Upper Egypt, Mahasna, Tomb H128, EEF excavations 1908–1909, Ivory, L. 30.3 × H. 2 × W. 4.3 cm (11 15/16 × 13/16 × 1 11/16 in.),

Covered Bean Pot, 1849–58, Made in Bennington, Vermont, United States, American, Mottled brown earthenware, 8 3/4 in. (22.2 cm), Ceramics, Lyman, Fenton & Co. (1849–52

Panel Composed with Tiles in Shape of Eight-pointed Stars and Crosses, 1260–70, Made in Iran, probably Kashan, Stonepaste; luster-painted on opaque white glaze under transparent glaze, 8 in. (20.3 cm), Ceramics-Tiles

Human-headed cat, Third Intermediate Period–Late Period, Dynasty 22–26, ca. 945–525 B.C., From Egypt, Faience, H. 2.2 cm (7/8 in.); W. 7 cm (2 3/4in.); D.1.4 cm (9/16 in.), This figure is part of a repertoire of figures created in a

Pegasus and Bellerophon, ca. 1888, Charcoal, charcoal with water wash, white chalk, conté crayon, and highlighting by erasure on buff papier bleuté, darkened., 21 1/8 x 14 3/16 in. (53.7 x 36.1 cm), Drawings, Odilon Redon (French,

Lamp, Roman, Cypriot, Terracotta, Overall: 1 x 3 1/2 in. (2.5 x 8.9 cm), Terracottas, With rosette

Seated Old Man Holding a Pipe, mid-17th century, Pen and brown ink, black chalk. Inscribed in a double roundel drawn in pen and brown ink., 3 5/8 x 3 5/8 in. (9.2 x 9.2 cm), Drawings, Anton Crussens (Flemish, active Brussels, mid-17th

Round Box and Cover, Eastern Han dynasty (25–220), 2nd–3rd century, China, Lacquer, H. 4 1/4 in. (10.8 cm); Diam. 4 1/2 in. (11.4 cm), Lacquer

Chaumelin. Odilon. 22 ans, né à Paris VIe. Publiciste. Anarchiste. 24/3/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914), Born

Figure 25: Not an expression of pain, 1854–56, printed 1862, Albumen silver print from glass negative, Image (Oval): 28.4 × 20.4 cm (11 3/16 × 8 1/16 in.), Photographs, Guillaume-Benjamin-Amand Duchenne de Boulogne (French, 1806–1875),

Wooded Landscape with a House by a River, 17th century, Oiled charcoal, heightened with white, on blue prepared paper, sheet: 8 3/4 x 13 3/4 in. (22.2 x 35 cm), Drawings, Lucas van Uden (Flemish, Antwerp 1595–1673 Antwerp

Drawings and Prints, Book Prints Ornament & Architecture, Trionfo Di Virtu. Libro Novo..., page 11 (recto), Publisher, Matteo Pagano, Italian, 1515–1588, Venice, Pagano, Matteo, Italian, 1515, 1588, 1563

Design for Octagonal Ceiling, 19th century, Watercolor and gold, Anonymous, British, 19th century

Equivalent 27C, 1933, Gelatin silver print, 24.0 x 19.1 cm. (9 7/16 x 7 1/2 in.), Photographs, Alfred Stieglitz (American, Hoboken, New Jersey 1864–1946 New York

Sir John Herschel, 1875, Carbon print, Photographs, Julia Margaret Cameron (British (born India), Calcutta 1815–1879 Kalutara, Ceylon

Pen Box with Architectural Cartouches, dated A.H. 1156/ A.D. 1743, Attributed to Iran, Shiraz, Papier-mâché; painted, sprinkled with mica, and lacquered, Depth 1 1/4 in. (3.1 cm), Lacquer, Ali Ashraf, During the 18th and 19th centuries,

Kohl Tube and Stick, Second Intermediate Period–Early New Kingdom, Dynasty 17–18, ca. 1635–1458 B.C., From Egypt, Upper Egypt, Thebes, Asasif, Courtyard CC 41, Tomb R 2, Burial E 3, In coffin, 1915–16, Wood, H. 8.2 cm (3 1/4 in

La Pratique de l'Aiguille, page 11 (recto), Title by Pierre Firens (French, born Paris 1641), 1605

Newes Modelbuch in Kupffer(Page 37r), Johann Sibmacher (German, active 1590–1611), 1604

Fishing Harbor at Low Tide, ca. 1864, Pen and black ink, 6 7/8 x 4 9/16 in. (17.4 x 11.6 cm), Drawings, Rodolphe Bresdin (French, Montrelais 1822–1885 Sèvres

南宋 佚名 明皇幸蜀圖 軸, Emperor Xuanzong's Flight to Shu, Southern Song dynasty (1127–1279), mid-12th century, China, Hanging scroll; ink, color, and gold on silk, Image: 44 3/4 × 32 5/8 in. (113.7 × 82.9 cm), Paintings,

Hanging, 8th century, Attributed to Egypt, Wool, H. 104 3/4 in. (266 cm), Textiles

Headquarters of General Sherman or Thomas, Chattanooga, ca. 1864, Albumen silver print from glass negative, Photographs, George N. Barnard (American, 1819–1902

A Man under a Tree Bitten by a Lion while his Horse Escapes, 1692, Pen and grey ink, brush and grey wash, sheet: 5 7/16 x 3 11/16 in. (13.8 x 9.4 cm), Drawings, Mathais Füssli the Elder (Swiss, Zurich 1598–1665 Zurich

Vase, ca. 1904–05, American, Porcelaneous earthenware, 12 1/2 in. (31.8 cm), Ceramics, Tiffany Studios (1902–32), Many of Tiffany Studios pottery vases and bowls began as enamels. This vase is a direct copy of an enamel copper model of the

Harnefer son of Paheb (Phibis) and Takerheb (Kalibis), Ptolemaic Period, 280 B.C., From Egypt, Upper Egypt, Thebes, Diorite, H 14.3 (5 5/8 in.); W. 8.4 (3 5/8 in.); D. 15.8 cm (6 1/4 in.), This fine head exemplifies a type that emerges

Belt Plate Back, 7th century, Frankish, Iron with silver inlays, copper alloy rivets, Overall: 2 1/8 x 2 1/16 x 9/16 in. (5.4 x 5.2 x 1.4 cm), Metalwork-Iron

Ein ney Furmbüchlein, Page 13, verso, ca. 1525–29

Movement No. 5, Provincetown Houses, 1916, Oil and charcoal on paperboard, 20 x 16 in. (50.8 x 40.6 cm), Paintings, Marsden Hartley (American, Lewiston, Maine 1877–1943 Ellsworth, Maine), Hartley spent a productive summer in 1916 in the

Textile swatch (one of 8), early 19th century, French, No dimensions recorded., Textiles-Woven

Dower Chest, ca. 1780, Made in Lancaster County, Pennsylvania, United States, American, Yellow pine, 24 1/2 x 52 1/2 x 23 1/4 in. (62.2 x 133.4 x 59.1 cm), Furniture

Charging bull (one of a pair), ca. 1750, British, Derby, Soft-paste porcelain, Overall (confirmed): 4 3/4 × 5 7/16 × 3 1/16 in. (12.1 × 13.8 × 7.8 cm), Ceramics-Porcelain

Woman with a Towel, 1894 or 1898, Pastel on cream-colored wove paper with red and blue fibers throughout, 37 3/4 x 30in. (95.9 x 76.2cm), Drawings, Edgar Degas (French, Paris 1834–1917 Paris), Degas used his fingers, brushes, and sharp

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 27 (recto), October 1, 1604, Etching and drawing, Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm), Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua.

Christ Healing at the Pool of Bethesda, 16th century, Pen and brown ink, 10-9/16 x 15-1/4 in. (26.8 x 38.7 cm); mat size: 16 x 22 in., Drawings, Lambert Lombard (Netherlandish, Liège 1506–1566 Liège