Images at Librifly

Greek Slave, 1851, Salted paper print from paper negative, Image: 8 3/8 × 6 5/16 in. (21.3 × 16.1 cm), Photographs, Hugh Owen (British, 1808–1897), Photography became a primary means of representing sculpture in the mid-nineteenth century,

Fish Series, No. 1, 1917, Watercolor and graphite on paper, 8 x 9 7/8 in. (20.3 x 25.1 cm), Drawings, Charles Demuth (American, Lancaster, Pennsylvania 1883–1935 Lancaster, Pennsylvania), The colorful tropical fish in the waters around

[Snow Crystal], 1890s–1920s, Gelatin silver print, Image: 2 15/16 in. × 3 in. (7.4 × 7.6 cm), Photographs, Wilson Alwyn Bentley (American, 1865–1931

元 盛著 秋江垂釣圖 團扇, Angling in the Autumn River, Yuan dynasty (1271–1368), ca. 1370, China, Fan mounted as an album leaf; ink and color on silk, Image: 10 3/16 × 10 13/16 in. (25.9 × 27.5 cm), Paintings, Sheng Zhu (Chinese,

Brooch in Form of a Bird of Prey, late 500s, Vendel, Copper alloy with silver overlay, Overall: 2 1/8 x 1 1/4 x 3/8 in. (5.4 x 3.2 x 1 cm), Metalwork-Brass, The head and right leg of this elegant bird brooch are in left profile, while its

Various Designs for Parts of a Carriage, 18th century, Pen and brown ink, brush and gray wash, on cream laid paper, 6-3/4 x 8 in. (17.2 x 20.3 cm), Anonymous, Italian, first half of the 18th century

Drawings and Prints, Books Prints Ornament & Architecture, Page from Ein new kunstlich Modelbuch...(Page 7r), Publisher, Peter Quentel, German, active Cologne, 1518–46, Cologne, Quentel, Peter, German, 1500, 1550, 1544

Herbarius - Gart der gesuntheit - Hortus sanitatis, 1485, plates: handcolored woodcuts, 12 3/8 x 8 1/4 x 3 7/16 in. (31.5 x 21 x 8.8 cm), Books

The Entombment, 1898, Platinum print, 6.7 x 16.6 cm. (2 5/8 x 6 9/16 in.), Photographs, F. Holland Day (American, Norwood, Massachusetts 1864–1933 Norwood, Massachusetts), In summer 1898 Day gathered a group of actors, models, and

Coffeepot, 1761–62, Made in London, England, British, Silver, 9 5/16 x 8 x 4 3/8 in. (23.7 x 20.3 x 11.1 cm); 26 oz. 2 dwt. (811.5 g), Silver, Robert Peaston (British, active 1756–66), William Peaston (British, active 1746–78), The

Four Ladies Sitting around a Table Occupied with Needlework, Reading, and Writing; verso: Study of a Woman with Needlework, 1758, Graphite, 4 3/4 x 1 15/16 in. (12.1 x 5 cm), Drawings, Daniel Nikolaus Chodowiecki (German, Danzig 1726–1801

Two Mounted Soldiers in Classical Ruins, for a poem by Cremes, 1812–83, Watercolor, gouache, and pen and black ink. Pen and black ink framing line added when mounted., sheet: 14 1/4 x 11 in. (36.2 x 28 cm), Drawings, Franz von Hauslab the

Reliquary of Ss. Sylvan and Florian, from St. Mark's Venice, second half 19th century, Graphite, sheet: 14 1/8 x 9 11/16 in. (35.8 x 24.6 cm), Anonymous, British, 19th century

Longitudinal Section of Great Throne Room (Saint George's Hall), Winter Palace, Saint Petersburg, ca. 1776, Pen and gray ink, brush with gray and red wash, sheet: 14 5/16 x 34 11/16 in. (36.4 x 88.1 cm), Drawings, Attributed to Giacomo

Design for a Round Renaissance Style Table, 19th century, Ink and watercolor, sheet: 4 11/16 x 6 3/16 in. (11.9 x 15.7 cm), Anonymous, British, 19th century

Bearded lady, first half 20th century, graphite, gouache, watercolor, sheet: 16 5/16 x 9 1/4 in. (41.5 x 23.5 cm), Drawings, Sergey Sudeykin (Russian, Smolensk 1882–1946 Nyack

Elongated Buckle, 7th century (?), Langobardic or Frankish, Copper alloy, Overall: 3 11/16 x 1 3/16 x 1/2 in. (9.3 x 3 x 1.3 cm), Metalwork-Copper

Masonic Medal, 1826, Made in United States, American, Silver, 1 15/16 x 3 1/16 in. (4.9 x 7.8 cm), Jewelry

Design for a Ceiling, 17th century, Pen and brown ink, brush and brown, green, blue and peach wash, over black chalk on cream paper, 13-1/16 x 8-7/16 in. (33.2 x 21.5 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

Les Secondes Oeuvres, et Subtiles Inventions De Lingerie du Seigneur Federic de Vinciolo Venitien, page 26 (recto), 1603, Woodcut, Overall: 9 7/16 x 6 1/2 in. (24 x 16.5 cm), Designed by Federic de Vinciolo Venitien, published by Jean Le

Panel with Animals Flanking a Vase, 6th–7th century, Said to be from Egypt, Bawit, Limestone; carved, H. 9 7/8 in. (25.1 cm), Sculpture, Elaborate symmetrical designs such as this example may have provided centerpieces for lintels above

Drawings and Prints, Print, Saw Mill Scene, from Blue Jeans, Artist, Anonymous, American, 19th century, Anonymous, ca. 1890, 1885

A Moorish Couple on Their Terrace, 1832, Watercolor over traces of graphite on wove paper, 5-3/8 x 7-7/16 in. (13.7 x 18.9 cm), Drawings, Eugène Delacroix (French, Charenton-Saint-Maurice 1798–1863 Paris

Page Presenting Wine, 16th century, Pen and brown ink, brush and gray wash, 3-1/2 x 5-5/8 in. (8.9 x 14.3 cm), Drawings, Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580

Izards in the Glaciers (Pyrenean Chamois), 1810–75, Watercolor on wove paper, Sheet: 7 11/16 x 10 in. (19.6 x 25.4cm), Drawings, Antoine-Louis Barye (French, Paris 1796–1875 Paris

Bowl, 13th century, Attributed to Iran, Stonepaste; overglaze painted (mina'i), H. 3 1/4 in. (8.3 cm), Ceramics

Covered Jar, 1800–1830, Probably made in Connecticut, United States, American, Earthenware, H. 13 1/2 in. (34.3 cm), Ceramics

The Bee and the Hen, 1724–97, Red chalk, sheet: 11 5/16 x 7 7/8 in. (28.8 x 20 cm), Drawings, Christian Bernhard Rode (German, Berlin 1725–1797 Berlin

Design for a Ceiling with the Allegory of Dawn, ca. 1640–1700 , Pen and brown ink, with brush and brown and gray wash, over traces of graphite underdrawing., sheet: 9 7/16 x 7 1/2 in. (24 x 19 cm), Anonymous, Italian, 17th century or,

Woman Standing in a Doorway, 19th century, Pen and brown ink, brown and black wash, over traces of graphite, 10 1/2 x 7 1/16 in. (26.7 x 18 cm), Drawings, Constantin Guys (French, Flushing 1802–1892 Paris

English Bass Horn in B-flat, ca. 1835, London, England, United Kingdom, British, Brass, 34 × 7 3/4 × 25 1/8 in. (86.4 × 19.7 × 63.8 cm), Aerophone-Lip Vibrated-horn, Frederick Pace (British, Dublin, Ireland 1805–1835 London

Les dernieres, 1860s, Albumen silver print from glass negative, Photographs, Pierre-Louis Pierson (French, 1822–1913

Terracotta lamp with gladiators, Late Imperial, 3rd century A.D., Roman, Terracotta; mold-made, Overall: 1 3/8 x 3 3/8 in. (3.5 x 8.6 cm), Terracottas, On discus, a victorious gladiator in heavy armor stands over his fallen opponent

Untitled (Cracked Watermelon), ca. 1890, Made in Hartford, Connecticut, United States, Oil on canvas, 19 1/8 × 28 3/16 in. (48.6 × 71.6 cm), Paintings, Charles Ethan Porter (1847–1923), The largely Connecticut-based, New York- and

Cup, 1870–90, Made in Tarentum, Pennsylvania, United States, American, Pressed purple marble glass, H. 2 in. (5.1 cm); Diam. 2 1/2 in. (6.4 cm), Glass, Challinor, Taylor and Company (1866–1891

清 郎世寧百駿圖白描稿 卷, One Hundred Horses, Qing dynasty (1644–1911), , datable to 1723–25, , China, , Handscroll; ink on paper, , Image: 37 in. x 25 ft. 10 3/4 in. (94 x 789.3 cm), Paintings, Giuseppe Castiglione

Plate, ca. 1800, Made in Mexico, Mexican, Earthenware, Diam. 8 5/8 in. (21.9 cm), Ceramics

Kushite priest wearing garment with leopard's head and tassels, subsequently adapted for a king, Late Period, Kushite, Dynasty 25, ca. 712–664 B.C., From Egypt, Leaded bronze, precious metal leaf, H. 21 x D. 5.5 cm (8 1/4 x 2 3/16 in),

Design for 'Les Heures Claires' by Emile Verhaeren, after 1896, Pen and blue and gold ink, brush and light blue wash, over graphite underdrawing., 10 9/16 x 14 in. (26.8 x 35.6 cm), Drawings, Julia Eyckholt (Belgian, documented 1902–1914

Terracotta kantharos, Archaic, 7th century B.C., Etruscan, Terracotta, H. 18.39 cm., Vases

Recto:Nude Female Figure in a Niche Verso: Study for a Fountain, 1830–68, Graphite, 12 x 7 1/4 in. (30.5 x 18.4 cm), Drawings, Hans Gasser (Austrian, Eisentratten 1817–1868 Budapest

'Chinese Emperor Standing in Pavilion', Folio from a Majma al-Tavarikh (Compendium of Histories) of Hafiz-i Abru, ca. 1425, Made in present-day Afghanistan, Herat, Ink, opaque watercolor, and gold on paper, Image 9 in x 13 1/4 in., Codices,

A Saint in Ecstasy (?), 16th century, Pen and dark brown ink over black chalk. Framing outlines apparently by artist in pen and dark brown ink. Glued onto secondary paper support, 8-1/4 x 11-13/16 in. (20.9 x 30 cm), Drawings, Anonymous,

Design for the Gallery ceiling, Richmond House, Whitehall, London, 1760, Pen, wash, sheet: 9 1/2 x 17 in. (24.1 x 43.2 cm), Sir William Chambers (British (born Sweden), Göteborg 1723–1796 London

Bazin. Claudius dit César. 36 ans, né à Chatillon (Ain). Mécanicien. Anarchiste. 11/3/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

[Civil War View], 1860s, Albumen silver print from glass negative, Photographs, Thomas C. Roche (American, 1826–1895) , et al

A Sailor Standing on the Shore, 1859–60, Pen and brown ink with wash and watercolor, heightened with white on cream wove paper, laid on card, 12-13/16 x 8-7/8 in. (32.5 x 22.5 cm), Drawings, Paul Gavarni [Chevalier] (French, Paris

[House Painter Wearing a Cap and Holding a Paint Brush], 1850s, Daguerreotype, Image: 6.7 x 5.5 cm (2 5/8 x 2 3/16 in.), Photographs, Unknown (American

Design for a niche with urn, late 19th–early 20th century, Made in New York, United States, American, Graphite, gouache, watercolor, and black pen on splatter painted buff paper, Overall: 29 x 20 1/2 in. (73.7 x 52.1 cm), Drawings,

Levi Avenging the Honor of his Sister Dinah, 16th century, Pen and brown ink and gray wash over black chalk, main lines indented for transfer, 8 3/8 x 5 11/16 in. (21.3 x 14.5 cm), Drawings, Crispijn van den Broeck (Netherlandish, Mechelen ca.

Female Figure, 1853–58, Made in Bennington, Vermont, United States, American, Parian porcelain, H. 4 3/8 in. (11.1 cm), Ceramics, United States Pottery Company (1852–58

Apothecary Jar, 1660–80, Made in Mexico, Mexican, Tin-glazed earthenware, H. 9 3/4 in. (24.8 cm), Ceramics

Competition Drawing for the Manchester Town Hall, 1866, Pen and brown ink and wash, sheet: 30 x 40 in. (76.2 x 101.6 cm), Thomas Allom (British, London 1804–1872 Barnes

Relief with foreign musicians, New Kingdom, Amarna Period, Dynasty 18, ca. 1353–1336 B.C., From Egypt; Probably from Middle Egypt, Hermopolis (Ashmunein; Khemenu); Probably originally from Amarna (Akhetaten), Limestone, paint (mostly

Figure 70: Head of the Laocoön of Rome, 1854–56, printed 1862, Albumen silver print from glass negative, Image (Oval): 28.2 × 20.3 cm (11 1/8 × 8 in.), Photographs, Guillaume-Benjamin-Amand Duchenne de Boulogne (French, 1806–1875),

Drawings and Prints, Album Print Ornament & Architecture, Copies after the 'Livre contenant passement de moresques' (plate 6), Artist, After, Jacques Androuet Du Cerceau, French, Paris 1510/12–1585 Annecy, Du Cerceau, Jacques Androuet,

Beaulieu. Henri, Félix, Camille. 23 ans, né le 30/11/70 à Paris Ve. Comptable. Anarchiste. 23/5/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon

Bath Scraper, 12th–13th century, Attributed to Iran, Earthenware; unglazed, molded in relief, H. 4 1/8 in. (10.5 cm), Ceramics, Prolonged exposure to water and steam in a hammam’s hot rooms loosens dead skin and forces impurities out of

Bronze statue of a man, Hellenistic, ca. mid-2nd-1st century B.C., Greek, Bronze, H. 73 in. (185.4 cm), Bronzes, The figure stands in contrapposto. His right hand stretches out from the folds of his himation, with open palm and fingers curled

Apothecary Jar, ca. 1840, Made in Mexico, Mexican, Tin-glazed earthenware, H. 11 1/4 in. (28.6 cm), Ceramics

No. 185. Chicago, Milwaukee & St. Paul Rail Road Bridge at Hasting, Minnesota, 1885, Cyanotype, Sheet: 14 1/2 × 17 3/16 in. (36.8 × 43.7 cm), Photographs, Henry P. Bosse (American, born Germany, 1844–1893

Two pedestals with classical scenes, 18th century, Pen and brown ink with gray wash, sheet: 11 x 16 5/8 in. (27.9 x 42.2 cm), Anonymous, British, 18th century

Sycamore, 1935, Wax emulsion, watercolor, and crayon on paper, 6 7/8 x 4 7/8 in. (17.5 x 12.4 cm), Drawings, Arthur Dove (American, Canandaigua, New York 1880–1946 Huntington, New York

Bronze patera handle in the form of Lasa, Late Classical, 4th century B.C., Etruscan, Bronze, total H. 8 1/8 in. (20.6 cm); H. of figure 5 13/16 in. (14.7 cm), Bronzes, Rogers Fund, 1919 () Both handles are elaborately modeled in the form of

[Still Life with Statuary], Early 1850s, Albumen silver print from glass negative, Image: 26.2 x 20.2 cm (10 5/16 x 7 15/16 in.), Photographs, Hippolyte Bayard (French, 1801–1887), One of the most creative practitioners of the photographic

Splendore delle virtuose giovani, page 8 (verso), 1564, Woodcut, Overall: 7 1/2 x 5 1/2 in. (19 x 14 cm), Designed by Iseppo Foresto, published by Jeronimo Calepino, Venice. From top to bottom, and left to right: Design composed of 3 vertical

Marble architectural fragment, Late Classical, ca. 350 B.C., Greek, Marble, H. 4 3/4 in. (12.1 cm), Stone Sculpture, The fragment shows a palmette and, to the left, part of an akanthos leaf. The piece comes from the tholos at Epidauros, a

[Group of 3 Stereograph Views of Belgium], 1890s–1910s, Albumen silver prints, Mounts approximately: 8.9 x 17.8 cm (3 1/2 x 7 in.), Photographs, Bert Underwood (American), Unknown

Marble fragment of a relief with a flying Eros, Early Imperial, 1st century A.D., Roman, Marble, H. 12 3/8 in. (31.5 cm), Stone Sculpture, A charming winged Eros carrying a parasol flies in the foreground on this small fragment from a

Lamp, 2nd century A.D., Roman, Terracotta, Length 8.6 cm. H. 2.4 cm., Terracottas

Terracotta lamp: on discus, wreath, 1st century B.C.–1st century A.D., Roman, Terracotta; mold-made, Overall: 1 5/8 x 4 1/8 in. (4.1 x 10.5 cm), Terracottas

Plaque, Sasanian, ca. 3rd–7th century A.D., Mesopotamia, Ctesiphon, Sasanian, Marble, 5.12 x 3.25 in. (13 x 8.26 cm), Stone-Reliefs

S-Shaped Brooch, late 6th century, Langobardic, Silver-gilt, garnets with patterned metal foil backings, Overall: 1 1/8 x 1 7/16 x 3/8 in. (2.9 x 3.6 x 1 cm), Metalwork-Silver, The S-shape of this brooch is in fact the body of a fantastic

[Two Hindu Women in Elaborate Jewelry, Before Studio Backdrop with Palm Trees], 1860s–70s, Albumen silver print from glass negative, 23.5 x 18.1 cm (9 1/4 x 7 1/8 in.), Photographs, Unknown

Sketches Reproduced from Works of Famous Artists, Edo period (1615–1868), 1814, Japan, Ink and color on paper, Overall: 11 x 7 1/2 x 1/4 in. (27.9 x 19.1 x 0.7 cm), Illustrated Books, Kawanabe Kyōsai (Japanese, 1831–1889) and many

Dressing Table, ca. 1880, Made in United States, American, Bamboo, oak, sycamore, poplar, 64 x 36 x 20 1/2 in. (162.6 x 91.4 x 52.1 cm), Furniture

Design for the Elevation of a Wall Interior, 1700–1780, Pen and brown ink, brush and gray wash, over lead point or graphite, with ruled and compass construction. Framing outlines in pen and brown ink, 11 15/16 x 17 3/4 in. (30.4 x 45.1 cm),

Mountainous Landscape with Travelers on a Road, 1616, Pen and brown ink, brown and blue wash, black chalk, sheet: 9 7/8 x 13 11/16 in. (25.1 x 34.8 cm), Drawings, Tobias Verhaecht (Netherlandish, Antwerp 1561–1631 Antwerp

Amerapoora, Palace of the White Elephant, 1 September–21 October 1855, Salted paper print from waxed(?) paper negative, Image: 24.1 x 33.5 cm (9 1/2 x 13 3/16 in.), Photographs, Linnaeus Tripe (British, Devonport (Plymouth Dock) 1822–1902

Palazzo Farnese at Caprarola from Braun and Hogenberg's Civitates Orbis Terrarum, 1572–94, Hand-colored etching, Plate: 14 15/16 × 20 11/16 in. (38 × 52.6 cm), Prints, Frans Hogenberg (Netherlandish, 1540–1590), Simon Novellanus (16th

Plan of the Tempio della Speranza, 1710–27, Pen and black-brown ink, brush and gray wash, over traces of ruling in graphite, 17-13/16 x 12-15/16 in. (45.2 x 32.9 cm), Drawings, Pietro Paolo Coccetti (Cocchetti) (Italian, documented Rome,

Landscape with Shepherds, Set Design for the Ballet 'Daphnis and Chloé', performed at the Théâtre du Châtelet in Paris, 1912, [1911], Watercolor, 13 1/8 x 19 3/4 in. (33.3 x 50.2 cm), Léon Bakst (Russian, Grodno 1866–1924 Paris

Virgin of the Immaculate Conception, 17th century, Pen and dark brown ink over traces of black chalk underdrawing. Outlines of composition later ruled in graphite. On off-white paper, 8-3/16 x 5-3/4 in. (20.8 x 14.6 cm), Drawings, Anonymous,

Head of a Bearded Old Man in Three-Quarter View Looking Down, 17th century, Oil paint on paper, varnished, 9-3/8 x 7-7/8 in. (23.8 x 20 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

The Metamorphosis of Syrinx, ca. 1550–75, Pen and brown ink, brush and brown wash, over traces of black chalk, squared in black chalk, 21-3/8 x 15-7/8 in. (54.3 x 40.3 cm), Drawings, Anonymous, French, School of Fontainebleau, 16th

Belt Buckle, 600–700, Frankish, Iron overlaid, inlaid with silver, iron rivets, Overall: 4 3/16 x 8 1/2 x 3/8 in. (10.6 x 21.6 x 1 cm), Metalwork-Iron, Belts were important features of early medieval dress. Not only did they serve the

Jupiter, disguised as an eagle, with Ganymede, and a sketch of two peacocks, mid-18th–early 19th century, Pen and brown ink, grey wash, sheet: 7 15/16 x 6 1/16 in. (20.2 x 15.4 cm), Drawings, Nicolai Abraham Abildgaard (Danish,

Portrait of Muhammad Shah Qajar and his Vizier Haj Mirza Aghasi, second quarter 19th century, Country of Origin Iran, Ink, opaque watercolor and gold on paper, H. 15 in (38.1 cm) , Codices, This imperial portrait shows Muhammad Shah, the

April (one of a series representing the labors of the months), 1690 or slightly earlier, Red chalk, 3 5/16 x 4 3/4 in. (8.4 x 12.1 cm), Drawings, Jonas Umbach (German, Augsburg 1624–1693 Augsburg

Case (Inrō) with Design of Frogs, Edo period (1615–1868), 19th century, Japan, Case: powdered gold (maki-e) and colored lacquer on black lacquer; Fastener (ojime): stone; Toggle (netsuke): wood carved in the shape of a mermaid, H. 2 3/8 in.

Chess Piece in the Form of a Warder (Rook) or Pawn, 12th century, Scandinavian, Whale ivory, 1 7/8 × 1 1/4 × 7/8 in. (4.8 × 3.2 × 2.3 cm), Ivories, Armed and ready for battle, the standing warrior appears in full body mail and a long

Snuff Bottle with Flowers and Rocks, Republic of China (1912–1949), China, Painted enamel on glass with nephrite stopper, H. 2 3/8 in. (6 cm); W. 2 1/4 in. (5.7 cm), Snuff Bottles, Snuff, or powdered tobacco, was brought to China by Jesuit

Study for Decoration of the Obelisk at Port-Vendres, 1783, Pen and black ink, brush and gray and green wash; Framing lines in pen and brown and black ink and wash, 9 3/16 x 14 3/16 in. (23.3 x 36 cm), Drawings, Charles de Wailly (French, Paris

Evening at the Lock, Napanoch, New York, 1893, oil on canvas, 22 x 32 in. (55.9 x 81.3 cm), Paintings, Theodore Robinson (1852–1896), In 1893, the year after he returned from his last visit to Giverny, Robinson taught plein-air painting

[Pair of Stereograph Views of the Royal Botanic Gardens, Kew Gardens, London, England], 1850s–1910s, Albumen silver prints, Mounts: 8.9 x 17.8 cm (3 1/2 x 7 in.), Photographs, J. F. Jarvis (American), George W. Griffith (American

The Conversion of Saint Paul, ca. 1391–92, Tempera on wood, gold ground, 11 7/8 x 11 5/8 in. (30.2 x 29.5 cm), Paintings, Spinello Aretino (Spinello di Luca Spinelli) (Italian, born Arezzo 1345–52, died 1410 Arezzo

Doctor and Patient, 1899, Graphite, 8 1/4 x 5 3/16 in. (21 x 13.1 cm), Drawings, Adolph Menzel (German, Breslau 1815–1905 Berlin

Grégoire. Aimé, Paul. 36 ans, né à Bruxelles (Belgique). Accordeur de piano. Anarchiste. 2/3/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

Design for a Cup(?) with a Man Putting up a Net, 19th century, Pen and black ink over traces of black chalk. Incised for transfer., 1 7/8 x 4 11/16 in. (4.8 x 11.9 cm) (Fan shaped), Drawings, Anonymous, German, 19th century

Tumbler, ca. 1888, Made in Tarentum, Pennsylvania, United States, American, Pressed yellow glass, H. 4 1/8 in. (10.5 cm); Diam. 3 1/8 in. (7.9 cm), Glass, Richards and Hartley Flint Glass Co. (ca. 1870–1890