Images at Librifly

Head of a Bearded Man, 1360–80, Pen and gray-brown ink, brush with gray-black and brown wash, traces of white gouache highlights., Sheet: 4 7/16 x 3 3/8 in. (11.3 x 8.5 cm), Drawings, Anonymous, Bohemian, 14th century, Few Medieval

Captain de Bours handing over the Keys to the Citadel of Antwerp to the Estates General, mid-16th–early 17th century, Pen and brown ink, brush and brown wash, white gouache. Incised for transfer, Circular sheet, diameter: 15.9 cm, Drawings,

John Bull and Uncle Sam, 1817–64, Graphite, Sheet: 8 7/16 x 6 13/16 in. (21.5 x 17.3 cm), Drawings, John Leech (British, London 1817–1864 London

Drawings and Prints, Books Prints Ornament & Architecture, New Modelbüch (Page 9r), Printer, Designer, Henning Gross the younger, Andreas Bretschneider, German, Dresden ca. 1578–ca. 1640 Leipzig, Gross, Henning the younger,

Wine Glass, 1850–60, Probably made in Pittsburgh, Pennsylvania, United States, American, Pressed glass, diamond thumbprint, Glass, With the development of new formulas and techniques, glass-pressing technology had improved markedly by the

Portrait of Herbert Rainer, 1910, Graphite on paper, 17 3/4 x 12 1/2 in. (45.1 x 31.8 cm), Drawings, Egon Schiele (Austrian, Tulln 1890–1918 Vienna

Laurence Sterne (1713–1768), first modeled 1765–66, British, Marble, confirmed: 21 3/4 × 12 × 10 × 7 1/2 in., 59 lb. (55.2 × 30.5 × 25.4 × 19.1 cm, 26.8 kg), Sculpture, Joseph Nollekens (British, London 1737–1823 London), The

Study of a Young Woman, ca. 1665–67, Oil on canvas, 17 1/2 x 15 3/4 in. (44.5 x 40 cm), Paintings, Johannes Vermeer (Dutch, Delft 1632–1675 Delft), This may be one of the three paintings by Vermeer that were described in an Amsterdam

Four Travelers Sharing a Meal?, mid-16th century, Pen and brown ink over traces of leadpoint, 7 15/16 x 7 1/2 in. (20.2 x 19 cm), Drawings, Anonymous, Italian, mid-16th century

Tumbler, 1850–70, Made in Pittsburgh, Pennsylvania, United States, American, Pressed glass, H. 3 3/4 in. (9.5 cm), Glass, Bakewell, Pears and Company (1836–1882

Diptych with the Nativity and the Mass of Saint Gregory, early 16th century, Netherlandish, Boxwood, Open: 3 1/4 × 3 1/2 × 9/16 in. (8.3 × 8.9 × 1.5 cm), Sculpture-Miniature-Wood

Head and Shoulders of a Mother and Child, 18th century, Red chalk, sheet: 7 1/2 x 6 3/4 in. (19.1 x 17.1 cm), Drawings, Anonymous, Italian, 18th century

Ferret, 7th century (?), Frankish, Copper alloy, Overall: 2 5/16 x 5/8 x 1/4 in. (5.8 x 1.6 x 0.7 cm), Metalwork-Copper

A Massacre, 17th century, Pen and brown ink, brush and brown wash, partly corrected with white gouache over traces of red chalk on light brown paper. Oval format. Oval framing outline in pen and brown ink, 9-1/16 x 7-3/8 in. (23 x 18.8 cm),

[Union Cavalry Soldier, Seated, with Sword and Handgun], 1861–65, Tintype, Plate: 8.9 x 6.4 cm (3 1/2 x 2 1/2 in.), Photographs, Unknown (American), During the Civil War, the Union army purchased some 373, 000 handguns, including more

Miniature Square-Headed Brooch, first half 6th century, Anglo-Saxon, Silver-gilt, garnet; iron pin, Overall: 1 5/8 x 11/16 x 7/16 in. (4.2 x 1.8 x 1.1 cm), Metalwork-Silver, The affinity of these brooches, found in France, with objects from

Design for a Gothic Style Table, 19th century, Graphite and watercolor on tracing paper, sheet: 8 3/8 x 13 3/8 in. (21.3 x 34 cm), Anonymous, British, 19th century

River Scene, 1645–99, Red chalk over pencil, sheet: 4 7/16 x 7 15/16 in. (11.2 x 20.1 cm), Drawings, Abraham Rutgers (Dutch, Amsterdam 1632–1699 Amsterdam

Woman's wedding mantle (lliclla) with interlace and tocapu design, late 16th–early 17th century, Made in Peru, Peruvian, Tapestry weave, cotton warp and camelid weft, Overall: 50 1/2 x 45 1/2in. (128.3 x 115.6cm), Textiles

Ring of Priest Sienamun, Late Period, Dynasty 26, 664–525 B.C., From Egypt, Gold, Diam. 3 cm (1 3/16 in

Lamp, Roman, Cypriot, Terracotta, Overall: 1 x 2 7/8 in. (2.5 x 7.3 cm), Terracottas

Drawing Room, Guys Cliffe, Warwickshire, 1860, Watercolor, Sheet: 8 3/8 × 11 3/4 in. (21.3 × 29.8 cm), Anonymous, British, 19th century

Terracotta oinochoe (jug), Hellenistic, ca. 300 B.C., Etruscan, Terracotta; red-figure, H. 11 13/16 in. (30 cm), Vases, Three heads of women This so-called Shape VII oinochoe, with its tall cylindrical neck, is an Etruscan invention popular

Drawings and Prints, Books Prints Ornament & Architecture, Giardineto novo di punti tagliati et gropposi per exercitio & ornamento delle donne (Venice 1554), page 23 (verso), Binder, Publisher, Lloyd, Wallis & Lloyd, Matteo Pagano, British,

Skirmish, 16th century, Pen and bistre, 4-5/16 x 6-3/8 in. (11.0 x 16.2 cm), Drawings, Anonymous, Italian, 16th century (Italian, active Central Italy, ca. 1550–1580

Design for a Chimneypiece, 1740–1800, Pen, ink, wash, Sir William Chambers (British (born Sweden), Göteborg 1723–1796 London

Drawings and Prints, Books Prints Ornament & Architecture, Page from Ein new kunstlich Modelbuch...(Page 26r), Publisher, Peter Quentel, German, active Cologne, 1518–46, Cologne, Quentel, Peter, German, 1500, 1550, 1544

Capital, ca. 1130–40, Made in present-day France, Catalan, Marble, Overall: 15 1/2 x 15 1/4 x 15 1/2 in. (39.4 x 38.7 x 39.4 cm), Sculpture-Architectural

Saltcellar, 1780–1825, Possibly made in United States, American, possibly, Blown pattern-molded non-lead glass, H. 3 in. (7.6 cm), Glass

The Turf Macaroni, January 2, 1771, Etching, plate: 5 15/16 x 4 1/8 in. (15.1 x 10.5 cm), Prints

Writing Box with Lattice and Flower Design, mid-17th century, Made in India, Deccan, possibly Burhanpur, Wood; overlaid with dyed wool, stamped silver and gilt-copper plaques, H. 5 3/8 in. (13.6 cm) , Metal, The gilded copper sheets and

Head of a Scottish Deerhound, after Landseer's 'Hafed', late 19th–mid-20th century, Watercolor and graphite, sheet: 7 1/8 x 7 1/4 in. (18 x 18.4 cm), Drawings, Maud Earl (British, London 1863/4–1943 New York), After Sir Edwin Henry

Buckle, 450–500, Niederbreisig, Frankish, Iron, copper alloy, 1 7/8 x 13/16 in. (4.7 x 2 cm); Wt. 8 lb. 6 oz. (3810.2 g), Miscellaneous-Buckles & Ornament

Tumbler, 1770–1820, Made in Bohemia, Czech Republic, Glass with engraved decoration, 8 x 6 in. (20.3 x 15.2 cm), Glass

Lamp, Roman, Cypriot, Terracotta, Overall: 7/8 x 3 5/8 in. (2.2 x 9.2 cm), Terracottas, With figure of Eros

Bead with cuneiform inscription of Kurigalzu I or II, Kassite, ca. 14th century B.C., Mesopotamia, Kassite, Agate, H. 2.5 cm x W. 2.4 cm x Th. 1.3 cm, Stone-Ornaments-Inscribed, Eye-like beads and stones, made from naturally occurring agate

Chasuble, mid-17th century, Italian, probably Venice, Plain-weave silk, brocaded, Neck to hem: L. 47 x W. 30 1/2 inches (119.4 x 77.5 cm), Textiles-Woven, This Italian-woven silk exemplifies the conspicuous adaptation of a foreign design in a

Cup, ca. 1850, Probably made in Bennington, Vermont, United States, American, Mottled brown earthenware, H. 2 in. (5.1 cm); Diam. 3 5/8 in. (9.2 cm), Ceramics

George Washington, 1840–83, Made in France, French, Faience, Diam. 8 3/4 in. (22.2 cm), Ceramics, After Charles Willson Peale (American, Chester, Maryland 1741–1827 Philadelphia, Pennsylvania

Reclining Female Nude, early 17th century, Black and white chalk on faded blue paper., 7 13/16 x 10 in. (19.8 x 25.4 cm), Drawings, Domenico Tintoretto (Italian, Venice 1560–1635 Venice

Design for ornamental cartouche, n.d., Engraving, sheet: 4 11/16 x 6 5/8 in. (11.9 x 16.9 cm), Prints, After Quentin Pierre Chedel (French, Châlons-en-Champagne 1705–1763 Châlons-en-Champagne

Piece, ca. 1725, British or French, Linen, L. 24 x W. 24 1/2 inches (approx.) (61.0 x 62.2 cm), Textiles-Printed

Sword Belt, ca. 1750–ca. 1850, Tibetan, Leather, iron, copper alloy, gold, .2a; L. 39 1/2 in. (100.3 cm); Wt. 12.9 oz. (365.7 g); .2b; L. 7 in. (17.8 cm); Wt. 0.8 oz. (22.7 g), Swords-Accessories, This belt, and its matching sword and

Stela of the Overseer of the Fortress Intef, Middle Kingdom, Dynasty 11, ca. 2000–1988 B.C., From Egypt, Limestone, H. 78 × W. 142 × D. 8.5 cm, 189.1 kg (30 11/16 × 55 7/8 × 3 3/8 in., 417 lb.), On its top ledge, this stela proclaims

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 8 (recto), October 1, 1604, Etching and drawing, Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm), Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua.

Bronze mirror, Hellenistic, 3rd–2nd century B.C., Etruscan, Bronze, Other: 6 7/8 x 3 3/16 x 1/2 in. (17.5 x 8.1 x 1.3 cm), Bronzes, Perhaps Minerva and Castor and Pollux (the Dioskouroi) flanking their sister Helen

Spouted jar, Iron Age II-III, ca. 9th–7th century B.C., Iran, Tepe Sialk, Iran, Ceramic, paint, H. 7 3/16 in. (18.2 cm), Ceramics-Vessels

Les Singuliers et Nouveaux Portraicts... page 4 (recto), 1588, Woodcut, Overall: 8 1/16 x 6 5/16 in. (20.5 x 16 cm), Designed by Federic de Vinciolo, published by Jean Le Clerc, Paris, bound by Chambolle-Duru, French, 19th century.

Drawings and Prints, Books Prints Ornament & Architecture, Schön newes Modelbuch (Page 18r), Publisher, Sigismundus Latomus, German, active 1599–ca. 1627, Frankfurt am Main, Latomus, Sigismundus, German, 1599, 1632, 1608

Dress, mid-18th century, American, linen, wool

Lakeland Landscape, early 19th century, Watercolor over graphite, sheet: 7 x 9 3/4 in. (17.8 x 24.8 cm), Drawings, Formerly attributed to Copley Fielding (British, Sowerby Bridge, West Yorks 1787–1855 Worthing, West Sussex

Ein ney Furmbüchlein, Page 14, verso, ca. 1525–29

Chinese Lion, Edo period (1615–1868), early 18th century, Japan, Hanging scroll; ink on paper, Image: 27 1/8 x 8 1/8 in. (68.9 x 20.6 cm), Paintings, Yokoya Sōmin (Japanese, 1669–1733

Mourning dress, ca. 1867, American, cotton, silk, Have been all this week in a sad task making up my mourning for my dear Papa & today for the first time put it on. The sight of this black dress brings the cause why I wear it more fully to my

Coin of Ptolemy IV from a Ptolemaic hoard, Ptolemaic Period, 222–205 B.C., From Egypt, Upper Egypt, Thebes, Asasif, Birabi, 1915–16, Bronze, Diam. 4.2 cm, A hoard of 162 Ptolemaic coins that contained issue of Ptolemy II, III, and

Bronze portrait head of the emperor Gaius (Caligula), Early Imperial, Julio-Claudian, ca. A.D. 37–41, Roman, Bronze, H. 2 11/16 in. (6.8 cm), Bronzes, Gaius, more commonly known by his ancient nickname Caligula (Little Boots), was the

Drawings and Prints, Books Prints Ornament & Architecture, Libbretto nouellamete composto per maestro Domenico da Sera...lauorare di ogni sorte di punti, page 16 (recto), Publisher, Domenico da Sera, French, active Italy, 16th century, Sera,

Huldigung (Homage) from Ein Handschuh (A Glove). Cyclus von zehn Compositionen radirt. Rad. Opus VI, Plate VI. First edition, 1881, Etching, drypoint and aquatint on chine collé; first edition, Overall: 18 5/16 x 26 in. (46.5 x 66 cm), Prints,

Design for a Gothic 'Belle Vue', ca. 1800, Watercolor, Sheet: 12 5/8 x 19 1/8 in. (32.1 x 48.6 cm), William Hurst Ashpitel (British, London 1776–1852 Schuller von Dan

Spoon, 1770–1830, Made in Albany, New York, United States, American, Silver, L. 9 1/4 in. (23.5 cm), Silver, Isaac Hutton (American, New York 1766–1855 Albany, New York

[Snow Crystal], 1890s–1920s, Gelatin silver print, Image: 2 7/8 × 3 1/16 in. (7.3 × 7.8 cm), Photographs, Wilson Alwyn Bentley (American, 1865–1931

Drawings and Prints, Books Prints Ornament & Architecture, Giardineto novo di punti tagliati et gropposi per exercitio & ornamento delle donne (Venice 1554), page 12 (recto), Binder, Publisher, Lloyd, Wallis & Lloyd, Matteo Pagano, British,

Fragment of a Glass Dish, 10th century, Byzantine, blue glass, silver stain, Overall: 3 1/8 x 4 5/16 x 13/16 in. (7.9 x 11 x 2 cm), Glass, The figures of men returning from a hunt on the bottom of this dish closely resemble ones on ivory and

Thatched Roof Stone Cottage, late 19th–early 20th century, Pen and black ink over graphite, sheet: 5 1/4 x 7 11/16 in. (13.3 x 19.5 cm), Ernest Geldart (British, London 1848–1929

Drawings and Prints, Books Prints Ornament & Architecture, New Modelbüch (Page 2v), Printer, Designer, Henning Gross the younger, Andreas Bretschneider, German, Dresden ca. 1578–ca. 1640 Leipzig, Gross, Henning the younger,

Rectangular Tray with Dragons Chasing a Pearl, Ming dynasty (1368–1644), late 16th–early 17th century, China, Polychrome lacquer with filled-in and engraved-gold decoration, Overall: 6 1/8in. (15.6cm), Lacquer

Plate, 1430–1465, Made in probably Manises, Valencia, Spain, Spanish, Tin-glazed earthenware, Overall: 1 15/16 x 18 1/16 in. (5 x 45.9 cm), Ceramics

The Entombment, first half 14th century, Italian, Romagna, Tempera on wood, gold ground, Overall: 8 x 5 1/8 in. (20.3 x 13 cm); Painted Surface (excluding painted borders): 7 3/8 x 4 7/8 in. (18.7 x 12.4 cm), Paintings, Master of Forlì

Architectural elements from North Family Dwelling, New Lebanon, New York, ca. 1830–40, Made in New Lebanon, New York, United States, American, Shaker, Wood, Architecture, The Shaker Retiring Room is from the North Family Dwelling in New

French Peasant, April 1, 1771, Etching, plate: 6 x 4 3/16 in. (15.3 x 10.7 cm), Prints, After Sir Henry William Bunbury (British, Mildenhall, Suffolk 1750–1811 Keswick, Cumberland

Storage Chest, 1780–1820, United States, Alaska, Tlingit or Tsimshian, Wood, pigment, H. 12 3/4 x W. 25 x D.15 3/4 in. (32.4 x 63.5 x 40 cm), Wood-Sculpture

Drawings and Prints, Books, Prints, Ornament & Architecture, La Vera Perfettione del Disegno di varie sorti di recami, page 10 (verso), Publisher, Illustrator, Woodcut of Lucrezia designed by, Giovanni Ostaus, Giuseppe Salviati (Giuseppe

Marble statuette of a woman, Mid-Imperial, Antonine, ca. A.D. 138–193, Roman, Marble, Pentelic, H. 16 3/8 in. (41.6 cm), Stone Sculpture, The figure is a reduced version of a type that is known in numerous Roman copies. The inscription on

'Orthographia' pl.5, late 17th–mid-18th century, Etching, 5 15/16 x 11 in. (15.1 x 28 cm), Johann Daniel Preissler (German, Nuremberg 1666–1737 Nuremberg

Study of Trees, 17th century, Black chalk with framingline in black chalk, sheet: 6 15/16 x 5 11/16 in. (17.7 x 14.5 cm), Drawings, François Ryckhals (Dutch, Middelburg after 1600–1647 Middelburg

Plate, probably early 19th century, Austrian, Vienna, Hard-paste porcelain, Diam. 8-13/16 in. (22.4 cm.), Ceramics-Porcelain

A Girl's Head, 17th century (?), Black, white and red chalk, on blue paper., 9 3/16 x 6 1/4 in. (23.2 x 15.8 cm), Drawings, Anonymous, Flemish, 17th century

Palladian Ceiling Design, ca. 1750, Pen and ink, Anonymous, British, 18th century

Fiore D'Ogni Virtu Per le Nobili Et Honeste Matrone, page 16 (recto), 1610

A Ship at Sea, mid-17th–early 18th century, Pen and brown ink, gray wash, over traces of black chalk, 10 5/8 x 7 3/8 in. (27 x 18.8 cm), Drawings, Ludolf Bakhuizen (Dutch, Emden 1630–1708 Amsterdam

Landscape with the Rest on the Flight into Egypt, 1645, Brown wash heightened with white gouache, on blue paper., 9 1/4 x 7 3/16 in. (23.5 x 18.3 cm), Drawings, Claude Lorrain (Claude Gellée) (French, Chamagne 1604/5?–1682 Rome

Terracotta statuette of woman with bird face, Late Cypriot II, ca. 1450–1200 B.C., Cypriot, Terracotta; hand-made, H. 7 9/16 in. (19.2 cm), Terracottas, This figurine is typical of Cypriot coroplastic art of the Late Cypriot II and III

Open Landscape with Herdsman, Cows, and Sheep, ca. 1785, Brown chalk, washed with black ink and touched with white gouache, on buff wove paper, Sheet: 9 15/16 × 12 1/2 in. (25.2 × 31.8 cm), Drawings, Thomas Gainsborough (British, Sudbury

Design for a Snuff-Box, 17th century, Pen and black ink, brush and gray wash, over graphite underdrawing, 2 5/16 x 4 1/16 in. (5.9 x 10.3 cm.), Drawings, Hubert François Gravelot (French, Paris 1699–1773 Paris

Pellet Crossbow, ca. 1600–1650, German, Steel, wood, staghorn, hemp, leather, L. 26 7/8 in. (68.2 cm); W. 17 3/8 in. (44.1 cm); Wt. 5 lb. 1 oz. (2, 302 g), Archery Equipment-Crossbows

Confederate Soldier [on the Battlefield at Antietam], September 1862, Albumen silver print from glass negative, Image: 6.1 x 9.8 cm (2 3/8 x 3 7/8 in.), Photographs, Alexander Gardner (American, Glasgow, Scotland 1821–1882 Washington,

Canalization of the Mouth of the Sasso Vino into the Lake of Castel Gandolfo: Perspective and Plan, 1710–27, Pen and brown ink, brush and gray and light green wash, over traces of ruling in graphite, 17-13/16 x 12-11/16 in. (45.2 x 32.3 cm),

Sketch for an architectural magazine, ca. 1900, Pen and ink over graphite, sheet: 10 x 7 in. (25.4 x 17.8 cm), Anonymous, British, late 19th to early 20th century

House Model, A.D. 100–300, Mexico, Mesoamerica, Nayarit, Nayarit, Ceramic, H.11 15/16 x W. 8 5/8 x D. 6 1/8 in. (30.3 x 21.9 x 15.5 cm), Ceramics-Sculpture, This two-story house is filled with activity surrounding the preparation and

Grotesque Frieze, 19th century, Watercolor on tracing paper, Anonymous, British, 19th century

[Young Man], 1860s–70s, Tintype, Image: 25.5 x 20.2 cm (10 1/16 x 7 15/16 in.), Photographs, Unknown (American

The Bouquet, Watercolor, Sheet: 12 3/4 x 8 3/8 in. (32.4 x 21.3cm), Drawings

Drawings and Prints, Book Prints Ornament & Architecture, Trionfo Di Virtu. Libro Novo..., page 23 (verso), Publisher, Matteo Pagano, Italian, 1515–1588, Venice, Pagano, Matteo, Italian, 1515, 1588, 1563

Roman Ruins (Smaller Italian Sketchbook, leaf 10 recto), 1774–75 (?), Pen and grey ink and wash, Sheet: 9 3/16 x 6 3/4 in. (23.4 x 17.1 cm), Drawings, Joseph Wright (Wright of Derby) (British, Derby 1734–1797 Derby

Design for a Loveseat, 1884–92, Graphite, sheet: 10 1/2 x 14 11/16 in. (26.6 x 37.3 cm), Charles Hindley and Sons (British, London 1841–1917 London

Virgin and Child, ca. 1340, Made in Ile-de-France, French, Marble, gilding, Overall (with base): 32 x 9 1/2 x 6 5/16 in. (81.3 x 24.1 x 16 cm), Sculpture-Stone, This statuette is one of the most elegant images of the Virgin and Child produced

Alfred, Lord Tennyson, 1869, printed 1905, Carbon print, 35.8 x 26.2 cm. (14 1/16 x 10 5/16 in.), Photographs, Julia Margaret Cameron (British (born India), Calcutta 1815–1879 Kalutara, Ceylon

Reading the News at the Weavers' Cottage, 1673, Pen and brown ink, watercolor, white heightening, traces of graphite; framing lines by the artist (?) in brown ink and gold., 9 5/8 x 7 15/16 in. (24.4 x 20.2 cm), Drawings, Adriaen van Ostade

Saint Elisabeth of Portugal Giving Alms to the Poor, 1710–57, Graphite, pen and dark brown ink, sheet: 12 1/2 x 7 13/16 in. (31.8 x 19.8 cm), Drawings, Daniel Gran (Austrian, Vienna 1694–1757 St. Pölten

Miniature Square-Headed Brooch, 500–550, Made in Kent, England, Anglo-Saxon, Silver-gilt; iron pin, Overall: 1 3/4 x 5/8 x 3/8 in. (4.5 x 1.6 x 0.9 cm), Metalwork-Silver, The affinity of these brooches, found in France, with objects from