Images at Librifly

Textile Sample Book, 1862, French, Paris, H. 21 1/8 x W. 15 3/8 inches, Textiles-Sample Books

Bronze dragon-type fibula (safety pin), Archaic, 7th–early 6th century B.C., Italic, Bronze, Other: 5 1/4 in. (13.3 cm), Bronzes, Dragon-type fibulae are a later variant of the serpentine type. With an elongated clasp and a bow embellished

Drawings and Prints, Book Ornament & Architecture, Livre de Moresques, page 3 (verso), Publisher, Artist, Previously published by, Published by, Cornelis Bos, Hiérosme de Gormont, Francesco di Pellegrino, Netherlandish, Hertogenbosch ca.

Drawings and Prints, Books Prints Ornament & Architecture, Giardineto novo di punti tagliati et gropposi per exercitio & ornamento delle donne (Venice 1554), page 4 (recto), Binder, Publisher, Lloyd, Wallis & Lloyd, Matteo Pagano, British,

Gold box ring surmounted by a scarab, Classical, ca–310 B.C., Greek, gold, H.: 1 1/4 in. (3.2 cm), Gold and Silver, On the underside of the box, kneeling Eros.. From the end of the third millennium B.C., the scarab beetle served as an

Beaker, 12th–13th century, Attributed to Iran, Stonepaste; overglaze painted (mina'i), H. 4 1/4 in. (10.8 cm), Ceramics

Tumbler, 1700–1800, Made in Bohemia, Czech Republic, Non-lead glass with enamel decoration, H. 5 in. (12.7 cm), Glass

Snuff bottle with flowers and rocks, Qing dynasty (1644–1911), 19th century, China, Porcelain painted with colored enamels over a transparent glaze (Jingdezhen ware) and blue glass stopper, H. 2 1/4 in. (5.7 cm); H. incl. stand 2 7/8 in. (7.3

Drawings and Prints, Album Print Ornament & Architecture, Page from Album of Ornament Prints from the Fund of Martin Engelbrecht, Artist, Publisher, Artist, Carl Pier, Martin Engelbrecht, Jeremias Wachsmuth, Franz Xavier Habermann, German,

Corona delle Nobile et Virtuose Donne, Libro Terzo, page 2 (recto), 1620, Woodcut, Overall: 5 1/2 x 7 11/16 in. (14 x 19.5 cm), Designed by Cesare Vecellio, Italian, Pieve di Cadore 1521-1601 Venice, Venice, published by Alessandro de'

Bottle, ca. 1760, Made in England, British, Opaque glass with enamel decoration, H. 4 3/4 in. (12.1 cm), Glass

Square Box with Dragon, Ming dynasty (1368–1644), Wanli period (1573–1620), datable by inscription to 1610, China, Red lacquer with filled-in and engraved gold decoration, H. 4 5/8 in. (11.7 cm); W. 10 1/8 in. (25.7 cm); D. 10 1/8 in. (25.7

[Unidentified Child], 1873, Albumen silver print from glass negative, 33.9 x 24.3 cm (13 3/8 x 9 9/16 in. ), Photographs, Julia Margaret Cameron (British (born India), Calcutta 1815–1879 Kalutara, Ceylon

Half-Length Study of a Man, 18th century, Black and white chalk on beige (probably formerly blue) laid paper, Sheet: 6 3/4 x 6 3/16 in. (17.2 x 15.7 cm), Drawings, François Boucher (French, Paris 1703–1770 Paris

Writing board, Middle Kingdom, Dynasty 12, ca. 1981–1802 B.C., From Egypt; Said to be from Upper Egypt, Thebes or Northern Upper Egypt, Akhmim (Khemmis, Panopolis), Wood, gesso, paint, L. 43 cm (16 15/16 in); w. 19 cm (7 1/2 in),

Costume Study for Robed Boyar with White Beard, 1929, Watercolor, gouache, gold paint, over graphite., sheet: 15 11/16 x 12 3/4 in. (39.9 x 32.4 cm), Drawings, Pavel Petrovic Froman (Russian, Moscow 1894–1940 Zagreb

Drawings and Prints, Books Prints Ornament & Architecture, Eyn new kunstlichboich, page 9v, Designer, Publisher, Woodcut border designed by, Anton Woensam von Worms, Peter Quentel, German, active first half 16th century, died 1538,

Jérusalem. Tour Antonia et Environs, 1860 or later, Albumen silver print from paper negative, Image: 8 1/8 × 11 1/4 in. (20.7 × 28.5 cm), Photographs, Louis de Clercq (French, 1837–1901

A Dog Looking to the Right, 1564, Pen and grey ink, brush and black and grey wash, sheet: 5 1/8 x 6 11/16 in. (13 x 17 cm), Drawings, Tobias Stimmer (Swiss, Schaffhausen 1539–1584 Strasbourg

Tenor (Alto) Ophicleide in E-flat, ca. 1825–65, Brussels, Belgium, Belgian, Brass, Overall: 19 x 86.5cm (7 1/2 x 34 1/16in.), Aerophone-Lip Vibrated-horn, Possibly by Charles Joseph Sax (Belgian, Dinant, Belgium 1790–1865 Paris

Ibis, Late Period–Ptolemaic Period, 600–30 B.C., From Egypt; Probably from Middle Egypt, Hermopolis (Ashmunein; Khemenu), Wood, gesso, linen, paint, bronze, glass (eyes), L. 47 cm (18 1/2 in.); W. 15.3 cm (6 in.); H. 33 cm (13 in.),

Design for Bed with Canopy, 1841–84, Graphite, sheet: 14 1/8 x 10 5/8 in. (35.8 x 27 cm), Charles Hindley and Sons (British, London 1841–1917 London

12 O'clock in the Deadening, ca. 1891, Albumen silver print from glass negative, Image: 17 in. × 19 1/4 in. (43.2 × 48.9 cm), Photographs, John Horgan Jr. (American, active 1880s–90s

'Dervish Leading a Bear', Folio from the Shah Jahan Album, recto: early 19th century; verso: later copy of 16th century original, Attributed to India, Ink, opaque watercolor, and gold on paper, H. 15 3/16 in. (38.6 cm), Codices

Butter Pat, 1885, Made in Brooklyn, New York, United States, American, Porcelain, 3 1/8 x 2 1/4 in. (7.9 x 5.7 cm), Ceramics, Union Porcelain Works (1863–ca. 1922), Union Porcelain Works was one of the most important and inventive

Sigmund von Hausegger, Kapellmeister, 1910–24, Platinum print, Photographs, Frank Eugene (American, New York 1865–1936 Munich

Fashionable Figures Seated in an Interior, 19th century, Watercolor, sheet: 6 3/16 x 8 7/8 in. (15.7 x 22.6 cm), Drawings, Daughters of Bishop Parr (British, 19th century

No. 34. From Bluffs at Merrimac, Minnesota Looking Down Stream, 1885, Cyanotype, Sheet: 14 1/2 × 17 3/16 in. (36.8 × 43.7 cm), Photographs, Henry P. Bosse (American, born Germany, 1844–1893

The Glorification of the Barbaro Family, ca. 1750, Oil on canvas, Irregular oval, 96 x 183 3/4 in. (243.8 x 466.7 cm), Paintings, Giovanni Battista Tiepolo (Italian, Venice 1696–1770 Madrid), This remarkable canvas was painted to decorate

Drawings and Prints, Books Prints Ornament & Architecture, Corona delle Nobili et Virtuose Donne: Libro IV, page 105 (recto), Publisher, Cesare Vecellio, Italian, Pieve di Cadore 1521–1601 Venice, Vecellio, Cesare, Italian, 1521, 1601

Plaque Portrait of George Washington, 1800–1830, Made in France, French, Porcelain, Diam. 4 in. (10.2 cm), Ceramics

Splendore delle virtuose giovani, page 13 (recto), 1564

Drawings and Prints, Books Prints Ornament & Architecture, Newes Modelbuch in Kupffer (Title page, 1r), Artist, Johann Sibmacher, German, active 1590–1611, Sibmacher, Johann, German, 1590, 1611, 1604

Drawings and Prints, Book Prints Ornament & Architecture, Trionfo Di Virtu. Libro Novo..., page 15 (recto), Publisher, Matteo Pagano, Italian, 1515–1588, Venice, Pagano, Matteo, Italian, 1515, 1588, 1563

Mary Magdalen Annointing the Feet of Christ, 1570–1573, Pen and brown ink, brush and brown wash over black chalk on light brown paper, 8-1/16 x 9-3/4 in. (20.4 x 24.8 cm), Drawings, Raffaellino da Reggio (Raffaello Motta) (Italian, Reggio

Drawings and Prints, Books Prints Ornament & Architecture, Convivio delle Belle Donne, page 9 (recto), Publisher, Designer, Woodcut border on title signed by, Nicolo Zoppino, Matteo da Treviso, Italian, Ferrara 1478/80–1544 Venice,

[Three Plasterers], 1870s–80s, Tintype, Image: 8.6 x 5.8 cm (3 3/8 x 2 5/16 in.), Photographs, Unknown (American

Bird Hunters with a Decoy, from Images of Spain Album (F), 105, 1812–20, Brush with brown and gray wash on laid paper, Sheet: 8-1/16 x 5-13/16 in. (20.5 x 14.71cm), Drawings, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos

Brush pot, Qing dynasty (1644–1911), 18th century, China, Iron, H. 5 3/8 in. (13.7 cm), Metalwork

Title Page Design: Designs for Cabinet and Upholstery Furniture, 1830–1900, Ink, watercolor, Robert William Hume (British, London 1816–1904 Long Island City

Study for an engraving in the Hortus Voluptatum, 1599, Pen and brown ink, brush and blue wash, over black chalk. Incised, 3 5/8 x 5 3/4 in. (9.2 x 14.6 cm), Drawings, Crispijn de Passe the Elder (Netherlandish, Arnemuiden 1564–1637 Utrecht

Twin boys, Qing dynasty (1644–1911), 18th century, China, Ivory, H. 2 1/2 in. (6.3 cm); W. 21/2 in. (6.3 cm), Ivories, This intriguing sculpture can be read either vertically or horizontally. The four bodies and two heads belong to four

Two-handled bowl, ca. 1653, Hungarian, Kolozsvár, Silver, partly gilded, Overall: 5 3/16 in. (13.2 cm), Metalwork-Silver, This type of small flat oval bowl with six or eight concave lobes and handles was very popular throughout Central and

Natural Trumpet, ca. 1700, Nürnberg, Germany, German, Silver, Height: 28 in. (71.1 cm), Aerophone-Lip Vibrated, Johann Wilhelm Haas (German, Nuremberg 1649–1723 Nuremberg

Outer Confederate Line, Petersburg, Captured June 15, 1864, 1864, Albumen silver print from glass negative, Photographs, Timothy H. O'Sullivan (American, born Ireland, 1840–1882

Seated Buddha, pre-Angkor period, 7th–8th century, Cambodia or Vietnam, Sandstone, H. 15 7/8 in. (40.3 cm); W. est. 15 3/4 in. 940 cm); D. est. 9 13/16 in. (25 cm), Sculpture, This is one of a small group of early Southeast Asian Buddhas.

[Village Scene, Brittany], ca. 1854, Salted paper print from paper negative, Image: 31.8 x 26.4 cm (12 1/2 x 10 3/8 in.), Photographs, Louis-Rémy Robert (French, 1810–1882

Portrait of Arthur Roessler, 1914, Drypoint, plate: 9-1/2 x 12-1/2 inches (23.7 x 32 cm), Prints, Egon Schiele (Austrian, Tulln 1890–1918 Vienna

Bowl with Arabic Inscription, 'He who multiplies his words, multiplies his worthlessness', 10th century, Attributed to Iran or present-day Uzbekistan, Nishapur or Samarqand. Excavated in Iran, Nishapur, Earthenware; white slip with incised

River Landscape with Mountain Stream, 17th century, Black chalk heightened with white chalk, yellow-brown pastel and traces of red chalk on blue paper, sheet: 11 1/8 x 8 7/8 in. (28.3 x 22.5 cm), Drawings, Anthonie Waterloo (Dutch, Lille

Allegory of Autumn, 1753, Oil on canvas, Irregular, 44 3/4 x 63 3/4 in. (113.7 x 161.9 cm), Paintings, François Boucher (French, Paris 1703–1770 Paris) and Workshop

Bittern's Wings: study showing both sides, 1515, Watercolor on vellum., 4 1/2 x 5 1/8 in. (11.5 x 13.0 cm), Drawings, In the manner of Albrecht Dürer (German, Nuremberg 1471–1528 Nuremberg

Vase with handles, Edo period (1615–1868), 18th century, Japan, Stoneware with polychrome enamels (Ko-Kiyomizu ware), H. 9 3/4 in. (24.8 cm), Ceramics

Terracotta head of a woman wearing a stephane, Cypro-Classical II, ca. 400–310 B.C., Cypriot, Terracotta; mold-made, H. 13 3/4 in. (35 cm), Terracottas, The head belongs to a large terracotta statue, which may have been set up as a votive

Design for three lancet window, 1919, Made in New York, United States, American, Black ink, gray, and brown washes, white gouache, and graphite on paper mounted on board., Overall: 20 7/16 x 13 3/4 in. (51.9 x 34.9 cm), Drawings, Probably

Terracotta kylix (drinking cup), Archaic, ca. 520 B.C., Greek, Attic, Terracotta; bilingual, H. 5 in. (12.7 cm), Vases, Interior (black-figure), two birds and snake, Exterior (red-figure), obverse, between eyes, Pegasos; reverse,

Snuff Bottle with Antique Vessels, Qing dynasty (1644–1911), late 18th–early 19th century, China, Yellow glass, H. 2 15/16 in. (7.5 cm); W. 1 1/2 in. (3.8 cm); D. 1 in. (2.5 cm), Snuff Bottles

Fragment of a Frieze, 11th century, Excavated in Iran, Nishapur, Terracotta; carved, painted, H. 18 3/4 in (47.6 cm), Ceramics, Found in the area around the Tepe Madrasa mosque in Nishpur, this terracotta panel features an octagonal pattern

Fragment of a Halo with Buddha Figure, Khotan Kingdom, 6th–7th century, China (Xinjiang Autonomous Region), Stucco with color, 3 1/2 x 4 3/4 in. (8.9 x 12.1 cm), Sculpture, These fragments are from an elaborate halo that once adorned a

Design for a Low Chair on Casters, 1840–99, Ink and watercolor and wash, sheet: 8 7/16 x 6 9/16 in. (21.4 x 16.7 cm), Anonymous, British, 19th century

74. Près d'Alexandrie. Le désert., 1842, Daguerreotype, Image: 3 3/4 × 9 7/16 in. (9.5 × 24 cm), Photographs, Joseph-Philibert Girault de Prangey (French, 1804–1892

Pipe Organ, 1830, Boston, Massachusetts, United States, American, Mahogany veneer, rosewood veneer, pine, gilt, ivory, ebony, maple, walnut, chestnut, Height: 16 ft. 1 in. (490.2 cm), Aerophone-Organ, Thomas Appleton (American,

Jar, 1830–40, Made in Hartford, Connecticut, United States, American, Stoneware, H. 9 1/2 in. (24.1cm); Diam. 8 3/4 in. (22.2 cm), Ceramics, Horace Goodwin, Mack C. Webster (active 1810–40

Design for an Octagonal Cabinet with Glass Doors and Shelves, 19th century, Ink and watercolor over graphite, sheet: 5 1/2 x 3 3/8 in. (13.9 x 8.5 cm), Anonymous, British, 19th century

The Stalled Procession, Point of brush with gouache and red wash, over pen and black ink underdrawing, on prepared white laid paper, 8 5/8 x 13 1/4 in. (21.9 x 33.7 cm), Drawings, Claude Gillot (French, Langres 1673–1722 Paris

Inscribed drawing with monogram of Sang, of a ceiling design, July 1868, 1868, Ink and watercolor, sheet: 9 9/16 x 12 5/16 in. (24.3 x 31.3 cm), Frederick Sang (British, active 1868–70

Pendant with Lion and Scorpion, 10th century, Excavated in Iran, Nishapur, Silver; incised, W. 3/8 in. (1 cm), Jewelry

Amor (Cupid) from Ein Handschuh (A Glove). Cyclus von zehn Compositionen radirt. Rad. Opus VI, Plate X. First edition, 1881, Etching, drypoint and aquatint on chine collé; first edition, Overall: 18 5/16 x 26 in. (46.5 x 66 cm), Prints, Max

Lelarge. Louis, Eugène. 46 ans, né le 5/4/48 à Paris Ille. Employé de commerce. Anarchiste. 2/7/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon

Exaltation of the Holy Cross, 1700, Charcoal, traces of white highlighting, on beige paper (recto); faint figure studies in charcoal (verso), 16-1/4 x 30-1/16 in. (41.2 x 76.3 cm), Drawings, Antonio Puglieschi (Italian, Florence 1660–1732

The Crucifixion, ca. 1625–30, Oil on canvas, 48 3/4 × 40 1/2 in. (123.8 × 102.9 cm), Paintings, Pedro Orrente (Spanish, Murcia 1580–1645 Valencia), As recounted in the Gospel of Matthew 27:45-49, Christ has called out from the cross to

Ce est ung tractat de la noble art de leguille ascavoir ouvraiges de spaigne... page 16 (recto), after 1527, Woodcut, Overall: 6 7/8 x 5 11/16 in. (17.5 x 14.5 cm), Printed by Willem Vosterman. From top to bottom, and left to right: Design

Design for a Baptism of Christ in an Architectural Setting, early 18th century, Pen, brown ink, grey wash over slight traces of black chalk, sheet: 14 1/2 x 7 1/2 in. (36.8 x 19.1 cm), Sir James Thornhill (British, Woolland, Dorset (?)

Page from a Scrapbook containing Drawings and Several Prints of Architecture, Interiors, Furniture and Other Objects, Workshop of Charles Percier (French, Paris 1764–1838 Paris), Workshop of Pierre François Léonard Fontaine (French, Pontoise

Platter, 1785–90, Made in China, Chinese, for American market, Porcelain, 6 5/16 x 9 7/16 in. (16 x 24 cm), Ceramics, This object belongs to a large dinner service bearing the Townley family coat-of-arms. The service, probably ordered by

Tumbler, ca. 1888, Made in Tarentum, Pennsylvania, United States, American, Pressed yellow glass, H. 4 1/8 in. (10.5 cm); Diam. 3 1/8 in. (7.9 cm), Glass, Richards and Hartley Flint Glass Co. (ca. 1870–1890

Fanciful Landscape (Landscape with Villa Building and Equestrian Monument), 1697–1768, Pen and brown ink, 13 5/8 x 16 7/8in. (34.6 x 42.9cm), Drawings, After Canaletto (Giovanni Antonio Canal) (Italian, Venice 1697–1768 Venice

Drawings and Prints, Books Prints Ornament & Architecture, Page from Ein new kunstlich Modelbuch...(Page 34v), Publisher, Peter Quentel, German, active Cologne, 1518–46, Cologne, Quentel, Peter, German, 1500, 1550, 1544

Standing cup with cover, ca. 1700, Hungarian, Brassó, Silver, partly gilded, Height: 11 13/16 in. (30 cm), Metalwork-Silver, On top of the lid sits winged Cupid, the god of love, who may have played with his well-known (but here lost)

Drawings and Prints, Books Prints Ornament & Architecture, Ein new getruckt model Büchli...Page 15, recto, Publisher, Johann Schönsperger the Younger, German, active 1510–30, Schönsperger, Johann the Younger, German, 1490, 1550,

Madonna and Child (recto); Madonna and Child (verso), 16th century, Pen and brown ink on gray paper, probably faded from blue-gray, 2-3/4 x 1-5/8 in. (7 x 4.1 cm), Drawings, Anonymous, Italian, 16th century (Italian, active Central Italy,

Bracket, 1877, Made in Trenton, New Jersey, United States, American, colored parian porcelain, 12 1/2 × 7 × 6 1/2 in. (31.8 × 17.8 × 16.5 cm), Ceramics, Ott and Brewer (1871–1893

Waistcoat, 1770–90, French, cotton

Drawings and Prints, Album Print Ornament & Architecture, Diverses Pieces de Serruriers, Artist, Artist, After, Hugues Brisville, Jean Berain, Gabriel Ladame, French, born ca. 1633, active Paris 1663, French, Saint-Mihiel 1640–1711

Lady Lee (Margaret Wyatt, born about 1509), early 1540s, Oil and gold on oak, 17 3/8 × 13 3/8 in. (44.1 × 34 cm), Paintings, Workshop of Hans Holbein the Younger (German, Augsburg 1497/98–1543 London), Lady Lee, born Margaret Wyatt,

'Krishna Holds Up Mount Govardhan to Shelter the Villagers of Braj', Folio from a Harivamsa (The Legend of Hari (Krishna)), ca. 1590–95, Made in present-day Pakistan, probably Lahore, Ink, opaque watercolor, and gold on paper, H. 11 3/8 in.

Piece, ca. 1710, Italian, Venice, Silk and metal thread, 19 1/2 x 19 1/2 inches (49.5 x 49.5 cm), Textiles-Woven

Portrait of a Man, 1814, Graphite, 8 9/16 x 6 9/16 in. (21.8 x 16.6 cm), Drawings, Jean Auguste Dominique Ingres (French, Montauban 1780–1867 Paris

Sheet of Studies of Sculptural Elements and Architectural Ornaments, ca. 1470, Pen and brown ink, 10 13/16 x 8 7/16 in. (27.4 x 21.4 cm), Drawings, Anonymous, Italian, 15th century

XIVe Station. Le corps de Jésus est deposé dans le tombeau. Monument du St Sépulcre où le corps du Christ a été enseveli., 1860 or later, Albumen silver print from paper negative, Image: 9 5/8 × 7 9/16 in. (24.5 × 19.2 cm), Photographs,

Landscape with Stars, ca. 1905–1908, Watercolor over graphite on white wove paper, 9 5/8 x 12 5/8 in. (24.4 x 32.1cm), Drawings, Henri-Edmond Cross (Henri-Edmond Delacroix) (French, Douai 1856–1910 Saint-Clair), This poetic depiction of a

Bungalow drawing -- Western elevation and interior, late 19th–early 20th century, Watercolor, black ink, pen and red ink over graphite, sheet: 8 1/16 x 11 15/16 in. (20.4 x 30.3 cm), Ernest Geldart (British, London 1848–1929

Drawings and Prints, Books Prints Ornament & Architecture, Les Singuliers et Nouveaux Portraicts... page 50 (recto), Publisher, Sitter, Binder, Designer, Frontispiece portrait of, Portrait of, Jean Le Clerc, Henri III, King of France and

The Dance of the World, mid-16th century, Engraving; second state, plate: 12 3/4 x 16 in. (32.4 x 40.7 cm), Prints, attributed to Pieter Balten (Netherlandish, Antwerp 1526/27–1584 Antwerp

Marble funerary relief, Imperial, 2nd–3rd century A.D., Roman, Marble, H.: 25 1/4 in. (64.1 cm), Stone Sculpture, Funerary reliefs in the shape of a circular tondo, depicting a man and a woman or, as in this case, the whole family, are

Section from a Qur'an Manuscript, late 14th–early 15th century (before 1405), Attributed to present-day Uzbekistan, Samarqand, Ink, opaque watercolor, and gold on paper, H. 28 3/4 in. (73.0 cm), Codices, This fragment of a page comes from

Scene of Witchcraft, 17th century, Brush and gray ink, heightened with white bodycolor, 5 7/8 x 5 3/4 in. (15 x 14.6 cm), Drawings, Anonymous, German, 17th century

Design for a Wine Fountain, ca. 1770–1816 , Pen and black ink, brush and gray wash, 10 3/16 x 7 1/16in. (25.8 x 18cm), Henri Auguste (French, Paris 1759–1816 Port-au-Prince

Round Vegetable Dish, 19th century, Pen and wash, 10-1/4 x 17-1/2 in, Drawings, Anonymous, Italian, 19th century

Cat Surveying Fish and Fowl on a Table, 1753, Black chalk, 5 5/8 x 8 1/2 in. (14.3 x 21.6 cm), Drawings, Attributed to Jean Siméon Chardin (French, Paris 1699–1779 Paris