Images at Librifly

Teapot, 1790–1800, Made in New York, New York, United States, American, Silver, Overall: 7 1/4 x 12 5/8 in. (18.4 x 32.1 cm); 21 oz. 1 dwt. (655.2 g), Silver, Daniel Van Voorhis (1751–1824

Karnak (Thèbes), Sphinx a Tête Humaine et a Tête de Bélier, en Y, 1851–52, printed 1853–54, Salted paper print from paper negative, 24.0 x 30.6 cm. (9 7/16 x 12 1/16 in.), Photographs, Félix Teynard (French, 1817–1892

Earrings with bull head terminal, Ptolemaic Period, 4th–3rd century B.C., From Egypt, Gold, a. As Worn: H. 1.6 × W. 2 cm (5/8 × 13/16 in.), Hoops formed of wound wire with animal head terminals are the commonest type of Hellenistic earring.

Landscape with Riverbed and Mountains, 1735–86, Gray wash, Sheet: 9 1/16 x 12 1/4 in. (23 x 31.1 cm), Drawings, Alexander Cozens (British, Russia 1717–1786 London

Design for a Chimneypiece, 1740–1800, Pen, ink, wash, Sir William Chambers (British (born Sweden), Göteborg 1723–1796 London

Mug, 1770–1800, American, Earthenware, H. 5 1/2 in. (14 cm); Diam. 3 3/4 in. (9.5 cm), Ceramics

Death of Socrates, 19th century, Pen and brown ink, red chalk and gouache, 10 7/16 x 13 11/16 in. (26.5 x 34.8 cm), Drawings, Anonymous, German, 19th century

Rabbit Hunter with a Retriever, from Images of Spain Album (F), 103, 1812–20, Brush and brown wash on laid paper, Sheet: 8-1/8 x 5-13/16 in. (20.7 x 14.71cm), Drawings, Goya (Francisco de Goya y Lucientes) (Spanish, Fuendetodos 1746–1828

View of the Ruins of the Palatine Hill, before 1704, Pen and black and brown ink; brush and grey wash, over traces of red chalk, partially squared in black chalk., Drawings, Jan Goeree (Dutch, Middelburg 1670–1731 Amsterdam

Two elements from the minbar of Abu Bakr ibn Muhammad ibn Ahmad, dated A.H. 546/A.D. 1151, Made in Iran, Yazd, Wood (teak); carved and painted, H. 18 1/4 in. (46.4 cm), Wood, This fragment comes from a minbar, or pulpit, from which

Piece, ca. 1820, British, Cotton, L. 33 x W. 22 5/8 inches (loom width), Textiles-Printed

Esemplario di Lauori..., page 11 (recto), August 1, 1532, Woodcut, Overall: 8 7/16 x 6 5/16 in. (21.5 x 16 cm), Originally published by Giovanni Andrea Vavassore, Italian, active 16th century, Venice, designed by Florio Vavassore

Ewer, 12th–13th century, Attributed to Iran, Stonepaste; overglaze painted (mina'i), H. 4 5/8 in. (11.7 cm), Ceramics

Confessions of an Inquiring Spirit, No. 6, 1899, Pen and black ink, watercolor over graphite, sheet: 15 1/16 x 12 7/16 in. (38.2 x 31.6 cm), Drawings, Dion C. Calthrop (British, London 1875/78–1937

Illuminated Initial 'O', 1830–62, Watercolor, pen and red ink over graphite with touches of gold, sheet: 14 1/2 x 9 1/8 in. (36.9 x 23.2 cm), Freeman Gage Delamotte (British, Sandhurst 1813/14–1862 London

Design for a Drawing Room Mirror, for 11 Princes Gate, London, 19th century, Graphite, Anonymous, British, 19th century

Young Woman in the Vaudois after the Grape Harvest, 1821, Watercolour, over a sketch in graphite or black chalk. Framing line in pen and dark brown ink, by the artist., sheet: 9 13/16 x 7 1/4 in. (25 x 18.4 cm), Drawings, Wolfgang Adam

Interior Design for Large Display Cabinet against Red and Green Panelling, late 19th century (?), Gouache, sheet: 10 1/8 x 112 in. (25.7 x 284.5 cm), Anonymous, British, 19th century

Pitcher, 1830–70, Probably made in Jersey City, New Jersey, United States, American, Mottled brown earthenware, H. 10 3/4 in. (27.3 cm), Ceramics

Textile Sample Book, 1862, French, H. 17 5/8 x W. 12 inches, Textiles-Sample Books

Saucer, 1815–30, Made in Paris, France, French, Porcelain, H. 1 1/4 in. (3.2 cm); Diam. 6 1/2 in. (16.5 cm), Ceramics

Teapot, 18th century, decorated ca. 1730–40, Chinese with Dutch decoration, for European market, Hard-paste porcelain, Height: 5 5/16 in. (13.5 cm), Ceramics-Porcelain-Export

Chattanooga, Tennessee, ca. 1864, Albumen silver print from glass negative, Photographs, George N. Barnard (American, 1819–1902

Bottle, Edo period (1615–1868), 18th century, Japan, Clay with inlaid mishima pattern under a transparent glaze (Satsuma), H. 8 in. (20.3 cm), Ceramics

Back Plate from a Belt Buckle, 675–725, Frankish, Copper alloy, Overall: 2 13/16 x 1/2 x 2 1/8 in. (7.2 x 1.2 x 5.4 cm), Metalwork-Copper, Belts were important features of early medieval dress. Not only did they serve the practical function

The Farmer's Supper, ca. 1932, Watercolor, pen and black ink with touches of white gouache, sheet: 11 1/8 x 9 9/16 in. (28.3 x 24.3 cm), Drawings, Arthur Rackham (British, London 1867–1939 Limpsfield, Surrey), Rackham's great success as a

Frieze Design with Strapwork and a Satyr holding a Fantastical Creature (recto); Two Candelabra Grotesques (verso), ca. 1545–60, Pen and dark brown ink (recto); en and brown ink (verso), 8-13/16 x 13-3/16 in. (22.4 x 33.5 cm), attributed to

Page from a Scrapbook containing Drawings and Several Prints of Architecture, Interiors, Furniture and Other Objects, Workshop of Charles Percier (French, Paris 1764–1838 Paris), Workshop of Pierre François Léonard Fontaine (French, Pontoise

Side Chair, ca. 1815, Made in Boston, Massachusetts, United States, American, Mahogany, maple, tulip poplar, 33 1/4 x 19 1/4 x 21 1/4 in. (84.5 x 48.9 x 54 cm), Furniture, Boston chair makers developed several versions of the ancient Greek

Demosthenes, Cicero and William Pitt, Earl of Chatham, 1750–1815, Etching and engraving, plate: 9 9/16 x 6 5/16 in. (24.3 x 16.1 cm), Prints, Attributed to Francesco Bartolozzi (Italian, Florence 1728–1815 Lisbon

A View of a Village with Figures., 1624, Pen and brown ink, over traces of black chalk or leadpoint; framing outlines in pen and brown ink, sheet: 10 9/16 x 15 7/8 in. (26.8 x 40.4 cm), Drawings, Remigio Cantagallina (Italian, Borgo

Earring with ibex head, Ptolemaic Period, 4th–3rd century B.C., From Egypt, Gold, As Worn: H. 1.9 × W. 2 cm (3/4 × 13/16 in.), Hoops formed of wound wire with animal head terminals are the commonest type of Hellenistic earring. The heads on

Rectangular Mount, second half 6th century, Visigothic, Copper alloy, garnets, malachite (efflourescence in HCl), Overall: 1 1/2 x 9/16 x 3/16 in. (3.8 x 1.4 x 0.5 cm), Metalwork-Copper

Vase, 1830–70, Probably made in Bennington, Vermont, United States, American, Parian porcelain, 10 3/4 x 6 x 5 1/4 in. (27.3 x 15.2 x 13.3 cm), Ceramics

Vuagniaux. Alfred. 41 ans, né à Vucheron (Suisse). Cordonnier. Anarchiste. 2/3/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914),

Snuff bottle, Qing dynasty (1644–1911), 19th century, China, Glass with green glass stopper, H. 2 7/8 in. (7.3 cm); H. incl. stand 3 3/8 in. (8.6 cm); W. 1 1/2 in. (3.8 cm); D. 1 in. (2.5 cm), Snuff Bottles

Alternate Study for the Head of a Youth (Formerly a Pentimento Pasted to .21)., 1600–1699, Red and black chalk on light brown paper, 3-5/8 x 2-3/8 in. (9.2 x 6.0 cm), Drawings, Jacopo Confortini (Italian, Florence 1602–1672 Florence

Fragmentary Silk Velvet with Repeating Tiger-stripe and 'Chintamani' Design, second half 15th century, Attributed to Turkey, Bursa, Silk, metal wrapped thread; cut and voided velvet (çatma), brocaded, Textile: H. 29 1/2 in. (74.9 cm) ,

Ein new getruckt model Büchli...Page 21, verso, 1529

Sachet. Edmond. 27 ans, né à Mézières (Ardennes). Typographe. Anarchiste. 1/3/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914),

Night, from the series The Times of the Day, 1807, Engraving, second state of two, sheet: 30 5/16 x 21 7/16 in. (77 x 54.4 cm), Prints, After Philipp Otto Runge (German, Wolgast 1777–1810 Hamburg), Johann Adolph Darnstedt (German, Auma

Biais. Fernand, Alphonse. 41 ans, né le 28/6/53 à Laval (Mayenne). Tourneur sur bois. Anarchiste. 2/7/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon

'Four Portraits: (upper left) A Raja (Perhaps Raja Sarang Rao), by Balchand; (upper right) 'Inayat Khan, by Daulat; (lower left) 'Abd al-Khaliq, probably by Balchand; (lower right) Jamal Khan Qaravul, by Murad', Folio from the Shah Jahan Album,

Marble male portrait bust, Mid Imperial, Hadrianic, ca. A.D. 130, Roman, Marble, Overall: 11 3/8 x 18 3/16 in. (28.9 x 46.2 cm), Stone Sculpture, The fragmentary bust of a man in a paludamentum (military cloak) was later hollowed out for use

Drawing for a Plate From 'Gravures historiques des principaux événements Depuis l'Ouverture des Etats Generaux ...' Paris 1789, ca. 1789, Pen and black and gray ink, brush and gray wash, 5 1/4 x 3 5/8 in. (13.4 x 9.2 cm.), Drawings, Jean

Guri cupstand, Ming dynasty (1368–1644), 1368–1644, China, Black lacquer, Diam. of rim: 7 5/8 in. (19.4 cm), Lacquer

Cabinet Design with Black Doors and Red Interior, 19th century, Ink and watercolor, sheet: 5 1/16 x 7 1/2 in. (12.9 x 19 cm), Anonymous, British, 19th century

Three Nesting Bowls (Mitsuwan), Momoyama period (1573–1615), 1573–1615, Japan, Red and black lacquer on wood; applied decoration with gold and silver foil, A: Tallest bowl: H. 3 1/4 × Diam. 5 1/4 in. (8.3 × 13.3 cm), Lacquer

Costume Design for 'Touchstone' [a]; Descriptive Sheet of Costume and Accessories [b], 1889, Pen and black ink, watercolor, over graphite underdrawing, 12 3/8 x 9 7/16 in. (31.4 x 24.0 cm), Drawings, Charles Bianchini (French, Lyons

Head of a Figure, 12th–13th century, Attributed to Iran or Iraq, Earthenware; unglazed, H. 2 1/6 in. (5.2 cm), Ceramics

Admiral Sir Fleetwood Broughton Reynolds Pellew, 1817, Graphite on wove paper, Sheet: 11 13/16 × 8 11/16 in. (30 × 22 cm), Drawings, Jean Auguste Dominique Ingres (French, Montauban 1780–1867 Paris

Drawings and Prints, Books Prints Ornament & Architecture, Schön newes Modelbuch (Page 50r), Publisher, Sigismundus Latomus, German, active 1599–ca. 1627, Frankfurt am Main, Latomus, Sigismundus, German, 1599, 1632, 1608

Standing Male Figure, 1300–1470, Peru, Chimú, Wood, H. 28 5/16 x W. 9 3/8 x D. 7 1/4 in. (71.9 x 23.8 x 18.4 cm), Wood-Sculpture, Wood sculptures stood as sentries in entryways of the Chan Chan palaces, and they likely adorned other spaces

Picturesque Landscape, 18th century, Pen and black ink, brush and gray wash, over graphite, sheet: 18 3/16 x 14 5/16 in. (46.2 x 36.3 cm), Drawings, Anonymous, British, 18th century

[Grand Army Review, Washington], May 23 or 24, 1865, Albumen silver print from glass negative, 8.2 × 10 cm (3 1/4 × 3 15/16 in.), irregularly trimmed, Photographs, Alexander Gardner (American, Glasgow, Scotland 1821–1882 Washington,

September 8th at Heart's Content, the day of the successful termination of the work of laying, recovering, completing and testing the Atlantic Telegraph Cables of 1865 and 1866, 1866, Watercolor over graphite with touches of gouache, Sheet: 7

Plate with Camellia and Plum, Qing dynasty (1644–1911), Kangxi period (1662–1722), China, Porcelain painted in overglaze polychrome enamels, H. 1 5/8 in. (4.1 cm); Diam. 10 5/8 in. (27 cm), Ceramics

Jar with peony scroll, Yuan dynasty (1271–1368), 14th century, China, Porcelain with raised decoration under celadon glaze (Longquan ware), H. incl. lid 8 1/8 in. (20.6 cm); Diam. 5 1/2 in. (14 cm); Diam. of rim 3 1/4 in. (8.3 cm); Diam. of

America, 17th century, Pen and gray ink, brush and gray wash, over black chalk, sheet: 10 1/2 x 8 3/16in. (26.7 x 20.8cm), Drawings, Godfried Maes (Antwerp 1649–1700 Antwerp), This unusual male allegorical figure of the New World belongs to

Drawing from an Ornament Scrapbook: A Flintlock Gun Lock, 18th century, probably French, Pen, blue ink, and blue wash, 7 9/16 x 3 5/8 in. (19.2 x 9.2 cm), Works on Paper-Drawings

Drawings and Prints, Books Prints Ornament & Architecture, Page from Ein new kunstlich Modelbuch...(Page 6r), Publisher, Peter Quentel, German, active Cologne, 1518–46, Cologne, Quentel, Peter, German, 1500, 1550, 1544

Drawings and Prints, Books Prints Ornament & Architecture, Ein new getruckt model Büchli...Page 16, verso, Publisher, Johann Schönsperger the Younger, German, active 1510–30, Schönsperger, Johann the Younger, German, 1490, 1550,

Design for an Elevation of a Gateway, Abbey at Rebais (Seine et Marne), n.d., Pen and black ink, with black and rose wash over graphite underdrawing, 13 1/4 x 8 3/4in. (33.7 x 22.2cm), Drawings, Claude Louis D'Aviler (French, died Paris,

Snuff bottle in imitation of painted enamel metalwork, Qing dynasty (1644–1911), Qianlong period (1736–95), China, Porcelain painted with colored enamels over a transparent glaze (Jingdezhen ware), H. 2 1/16 in. (5.2 cm), Snuff Bottles,

One of Twenty-Three Sheets of Drawings of Glassware (Mirrors, Chandeliers, Goblets, etc.), 1850–80, Tissue, with pencil, pen and ink, and watercolor, 14 x 19 in. (35.6 x 48.3 cm), Drawings, Compagnia di Venezia & Murano

Bowl with Enthroned Figure and Horsemen, late 12th–early 13th century, Country of Origin Iran, Stonepaste; glazed in opaque white, overglaze-painted, H. 3 1/4 in. (8.3 cm), Ceramics, The enthroned ruler is a favorite theme in late Seljuq and

A Reconstruction of the Mausoleum of Augustus (above) and a View of the Ruins (below), before 1704, Pen and black ink, brush and brown wash, red chalk., 13 1/6 x 8 1/8 in. (33.4 x 20.6 cm), Drawings, Jan Goeree (Dutch, Middelburg 1670–1731

Female Head, 17th century, Red chalk, 8-5/8 x 6-1/4 in. (21.9 x 15.9 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

Waistcoat front panels, 1760s, European, Metal thread embroidery and sequins on silk, Length (a): 42 in. (106.7 cm), Textiles-Embroidered

紺麻地松竹梅扇面模様子供用着物, Child's Kimono with Pine, Bamboo, Plum Blossoms, and Fans, Meiji period (1868–1912), late 19th–early 20th century, Japan, Ikat-patterned plain-weave bast fiber (asa), Overall: 31 x 33 in.

Recto: figure and head-studies (including Bacchus); Verso: four main figure studies repeated from the recto, 1745–1815, Recto: pen and brown ink, brown wash and red chalk; Verso: red chalk and pen and black ink, 7 15/16 x 11 5/8 in. (20.2 x

Tivoli, Villa of Maecenas and part of the Cascatelle, late 18th century, Pen and black ink, brush and blue-gray wash over graphite, Sheet: 8 7/8 x 16 in. (22.5 x 40.6 cm), Drawings, Copy after (?) John Robert Cozens (British, London

Two Saints (Pope and Bishop?), 17th century, Brush and brown ink, brown wash, highlighted with gouache, over black chalk, on light brown paper. Squared for transfer in black chalk, 9-13/16 x 9-5/16 in. (24.9 x 23.7 cm), Drawings, Anonymous,

Dancer in the Role a Faun, early 20th century, Pen and ink, green and brown pencil, graphite., (Drawing, irregular) 3 7/8 x 3 1/8 in. (9.9 x 8 cm), Drawings, Paul Scheurich (American German, New York 1883–1945 Brandenburg

Monk Holding a Lotus, Kizil kingdom, ca. 6th–7th century, China (Xinjiang Uyghur Autonomous Region), Pigments on mud plaster, 32 x 14 3/4 in. (81.3 x 37.5 cm), Paintings, This wall painting was part of a composition that embellished the

Drawings and Prints, Books Prints Ornament & Architecture, Convivio delle Belle Donne, page 3 (verso), Publisher, Designer, Woodcut border on title signed by, Nicolò Zoppino, Matteo da Treviso, Italian, Ferrara 1478/80–1544 Venice,

From the 'Kitano Tenjin Engi Emaki', Kamakura period (1185–1333), ca. 1300, Japan, Handscroll; ink on paper, Image: 11 1/8 × 46 5/16 in. (28.3 × 117.7 cm), Paintings

[Ku Klux Klansman with Two Pistols and a Sword], 1880–1905, Tintype, Tintype: 3 1/2 × 2 9/16 in. (8.9 × 6.5 cm), Photographs, Owen A. Kenefick (American, Lawrence, Massachusetts ca. 1858–after 1930

Camellias, Edo period (1615–1868), Japan, Hanging scroll; color on paper, 38 3/4 x 14 in. (98.4 x 35.6 cm), Paintings, Attributed to Ogata Kōrin (Japanese, 1658–1716

Les Secondes Oeuvres, et Subtiles Inventions De Lingerie du Seigneur Federic de Vinciolo Venitien, page 7 (recto), 1603, Woodcut, Overall: 9 7/16 x 6 1/2 in. (24 x 16.5 cm), Designed by Federic de Vinciolo Venitien, published by Jean Le Clerc,

Earrings with lion-griffin terminal, Ptolemaic Period, 4th–3rd century B.C., From Egypt, Gold, a. As Worn: H. 2.3 × W. 2.7 cm (7/8 × 1 1/16 in.), Hoops formed of wound wire with animal head terminals are the commonest type of Hellenistic

Drawings and Prints, Book, Essay on Physiognomy (Essai sur la Physiognomie Destiné a Faire Connoître l'Homme & a le faire Aimer, par Jean Gaspard Lavater, Citoyen de Zurich et Ministre du St. Evangile), Author, Johann Caspar Lavater, Swiss,

Head of a Dog (Smaller Italian Sketchbook, leaf 35 recto), 1774–75 (?), Graphite and touches of gray ink, Sheet: 9 3/16 x 6 3/4 in. (23.4 x 17.1 cm), Drawings, Joseph Wright (Wright of Derby) (British, Derby 1734–1797 Derby

Drawings and Prints, Books Prints Ornament & Architecture, Esemplario di lavori, page 3 (verso), Publisher, Nicolò Zoppino, Italian, Ferrara 1478/80–1544 Venice, Zoppino, Nicolò, Italian, 1478, 1544, August 1529

Duel of Knights, 1800–1900, Pen and bistre over red chalk, 10-1/4 x 15-1/2 in, Drawings, Anonymous, Italian, 19th century

Landscape, 1785, Watercolor, pen and ink over graphite. Framing line in pen and ink., 10 5/8 x 14 in. (27 x 35.5 cm), Drawings, Jacob Wilhelm Mechau (German, Leipzig 1745–1808 Dresden

A Man and a Woman Embracing, Pen and brown ink with brown wash over black chalk, 7 7/8 x 5 1/2 in. (20.0 x 14.0 cm), Drawings, baron Antoine Jean Gros (French, Paris 1771–1835 Meudon

Opera Nova Universali intitulata Corona di racammi, page 11 (verso), [1530], Woodcut, Overall: 8 7/8 x 6 7/8 in. (22.5 x 17.5 cm), Published by Giovanni Andrea (called 'Guadagnino') Vavassore, Italian, active 16th century, Venice. From top to

Bronze pin with snake-head terminal, Archaic, ca. 550 B.C., Etruscan, Bronze, H.: 9 15/16 in. (25.2 cm), Bronzes, Ending in the head of a snake. The lid is chained to one of the ring attachments of the handle and is kept in place by the bronze

Les métamorphoses du jour, n.d., Hand-colored lithographs, 8 11/16 × 11 9/16 × 9/16 in. (22 × 29.4 × 1.5 cm), Books

[View of Nice], ca. 1880, Photochrom, Image: 7 1/4 × 22 3/4 in. (18.4 × 57.8 cm), Unknown (French

Drawings and Prints, Books Prints Ornament & Architecture, Schön newes Modelbuch (Page 83r), Publisher, Sigismundus Latomus, German, active 1599–ca. 1627, Frankfurt am Main, Latomus, Sigismundus, German, 1599, 1632, 1608

Lid with a Lion attacking a Bull, 12th century, Excavated in Iran, Nishapur, Earthenware; molded decoration, unglazed, 12 1/2 in. (31.8 cm), Ceramics, This unglazed earthenware fragment was most likely used as the lid of a large cooking pot.

Broad-Way, New York, 1850, Lithograph, Image: 8 1/16 × 11 3/4 in. (20.4 × 29.8 cm), Prints, Augustus Köllner (American, born Wurttenburg, Germany 1812), A view looking south on Broadway from south of City Hall Park. At right is Astor

Allegory of History, 17th century, Pen and brown ink, brush and gray wash, over traces of graphite. Framing lines in pen and brown ink., 6 7/16 x 7 5/16 in. (16.4 x 18.5 cm), Drawings, François Chauveau (French, Paris 1613–1676 Paris

Christ Child with an Apple, ca. 1470–80, Made in Ulm, Germany, German, Willow with original paint and traces of gold, 14 15/16 x 7 1/2 x 4 3/4 in. (38 x 19.1 x 12.1 cm), Sculpture-Wood, Circle of Michel Erhart (German, Ulm, active

Tiraz Textile Fragment, late 10th century, Attributed to Egypt, Linen, silk; plain weave, tapestry weave, Textile: H. 9 1/4 in. (23.5 cm), Textiles-Tapestries, The manufacture of this undated tiraz textile can be definitively linked to the

Mississippian Figure, 13th–14th century, United States, Tennessee, Duck River region, Mississippian, Quartz sandstone, H. 26 1/2 x W. 14 x D. 10 3/4 in. (67.3 x 35.6 x 27.3 cm), Stone-Sculpture, This ancestral figure was one of a

Folio from a Qur'an Manuscript, 14th century, Attributed to India or Iran, Ink on paper, 19 1/2 x 14 in. (49.5 x 35.5 cm), Codices, This Qur’an folio, which is one of a group of ten, is written in muhaqqaq script. Each folio has seven lines

Ghirlanda: Di sei vaghi fiori scielti da piu famosi Giardini d'Italia, page 30 (recto), October 1, 1604, Etching and drawing, Overall: 5 7/8 x 7 7/8 in. (15 x 20 cm), Designed by Pietro Paulo Tozzi, published by Libraria del Giesu, Padua.