Images at Librifly

Rococo Cartouche with Cherubs, 18th century, Ink and yellow, 8-3/8 x 10-1/4 in (21.2 x 26.3 cm), Anonymous, Italian, 18th century

Les Singuliers et Nouveaux Portraicts... page 17 (recto), 1588, Woodcut, Overall: 8 1/16 x 6 5/16 in. (20.5 x 16 cm), Designed by Federic de Vinciolo, published by Jean Le Clerc, Paris, bound by Chambolle-Duru, French, 19th century. From top

The Story of Samson, 1549, Hand-colored engravings, first state of two, set into sheets in an album bound in red leather with gold tooling and marbled boards, housed in a case of red leather and marbled board., Book: 6 × 7 9/16 × 11/16 in.

Vase with birds and portrait, 1876, British, Southall, London, Stoneware, Overall (confirmed): 22 13/16 × 5 7/8 × 5 7/8 in. (57.9 × 14.9 × 14.9 cm), Ceramics-Pottery

Lamp, Late Imperial, 3rd century A.D., Roman, Cypriot, Terracotta, Overall: 1 3/8 x 3 in. (3.5 x 7.6 cm), Terracottas

Miniature agate alabastron (perfume vase), Early Imperial, late 1st century B.C.–1st century A.D., Roman, Agate, H.: 1 7/8 in. (4.8 cm), Miscellaneous-Stone Vases, In Hellenistic and Roman times, vessels made in semiprecious stone were much

Study of a Nude Young Girl, 1838–89, Brush and brown wash over black chalk., 4 x 5 3/8 in. (10.2 x 13.7 cm), Drawings, August Xaver Karl von Pettenkofen (Austrian, Vienna 1821–1889 Vienna

Fort Sedgwick, 1864, Albumen silver print from glass negative, Photographs, Timothy H. O'Sullivan (American, born Ireland, 1840–1882

Pontoon Bridge at Deep Bottom, James River, 1864, Albumen silver print from glass negative, Photographs, Andrew Joseph Russell (American, 1830–1902

Design for a Painted Ceiling, 1800–1900, Watercolor, 9-3/4 x 12-1/8 in, Drawings, Anonymous, Italian, 19th century

Creamer, ca. 1904–09, Made in New York, New York, United States, American, Porcelaneous earthenware, 3 in. (7.6 cm), Ceramics, Tiffany Studios (1902–32), The form of this creamer is entirely shaped by the various parts of the water

Goblet, 1850–70, Made in Pittsburgh, Pennsylvania, United States, American, Pressed glass, H. 6 3/16 in. (15.7 cm), Glass, Bakewell, Pears and Company (1836–1882

Case (Inrō) with Design of Grasshopper on Stalk of Flowering Lily, Edo period (1615–1868), 18th–19th century, Japan, Case: Powdered gold (maki-e) on black lacquer with mother-of-pearl, pewter, and ceramic inlays; floral decoration on

Drawings and Prints, Book Prints Ornament & Architecture, Ein ney Furmbüchlein, Page 7, recto, Publisher, Johann Schönsperger the Younger, German, active 1510–30, Schönsperger, Johann the Younger, German, 1490, 1550, ca. 1525–29

Jérusalem. Tour de David avec ses grandes assises salomoniennes, 1860 or later, Albumen silver print from paper negative, Image: 8 1/8 × 10 7/8 in. (20.6 × 27.7 cm), Photographs, Louis de Clercq (French, 1837–1901

Blade and Mounting for a Dagger (Tantō), blade, dated November, 1333; mounting, 19th century, Japanese, Steel, wood, lacquer, ray skin (samé), leather, copper, gold, silver, gold, shark skin, copper-gold alloy (shakudō), L. 17 5/8

Drawings and Prints, Books Prints Ornament & Architecture, La Pratique de l'Aiguille, page 49 (recto), Author, Engraver, Dedicatee, Publisher, Title by, Dedicated to, Published by, Matthias Mignerak, Pierre Firens, Marie de Medici, Jean

Wooded Shore at the King Lake (Königsee), first half 19th century, Bodycolor, sheet: 8 7/16 x 11 7/16 in. (21.5 x 29 cm), Drawings, Johann Heinrich Schilbach (German, Barchfeld 1798–1851 Darmstadt

Drawings and Prints, Books Prints Ornament & Architecture, Modelbuch new, aller Art, Nehens und Stickens (page 22v), Publisher, Binder, Hermann Gülfferich, Riviere & Son(s), 1542–1554, London, Frankfurt am Main, Gülfferich, Hermann,

Bronze navicella-type fibula (safety pin), Geometruc-Archaic, 8th–7th century B.C., Early Etruscan, Bronze, length 6 1/8in. (15.6cm), Bronzes, The people of ancient Italy used fibulae to fasten their garments and also to display wealth.

Head of Dionysus (?) for attachment, possibly for a couch, Ptolemaic Period, 332–30 B.C., From Egypt, Alexandria Region; Probably from Alexandria, ivory, H. 4.9 cm (1 15/16 in.); W. 5.1 cm (2 in.); D. 2.8 cm (1 1/8 in.), Fine ivory

神宮皇后, Empress Jingū, Edo period (1615–1868), 19th century, Japan, Hanging scroll; ink, color, and gold on silk, Image: 28 7/8 × 12 15/16 in. (73.3 × 32.9 cm), Paintings, Kōsai Hokushin (Japanese, 1824–1876

Figure of Admiral George Rodney, ca. 1785, Made in Staffordshire, England, British (American market), Earthenware, basalt, H. 12 in. (30.5 cm), Ceramics, Pierre Stephan (French, active ca. 1770–95

Views of the Crystal Palace, ca. 1859, Albumen silver prints from glass negatives, 12 1/16 × 10 5/16 × 1 in. (30.7 × 26.2 × 2.5 cm), Albums, Attributed to Philip Henry Delamotte (British, 1821–1889

Drawing for an Interior, 1750–1800, Ink and watercolor, 14-7/16 x 10 in, Drawings, Anonymous, Italian, first half of the 18th century

Ships in a Stormy Sea, mid-17th–early 18th century, Pen and brown ink, brown and gray wash, over black chalk., 10 5/16 x 14 3/4 in. (26.2 x 37.5 cm), Drawings, Attributed to Ludolf Bakhuizen (Dutch, Emden 1630–1708 Amsterdam

Drawings and Prints, Books Prints Ornament & Architecture, Eyn new kunstlichboich, page 12v, Publisher, Designer, Woodcut border designed by, Peter Quentel, Anton Woensam von Worms, German, active Cologne, 1518–46, German, active first

ガマズミに山鵲図, Magpie on Viburnum Branch, Muromachi period (1392–1573), early 16th century, Japan, Hanging scroll; ink and color on paper, Image: 18 1/4 in. × 14 in. (46.3 × 35.5 cm), Paintings, Genga (Japanese, active early

Wine Glass, 1700–1800, Probably made in England, British, probably, Free-blown glass, H. 4 in. (10.2 cm), Glass

The Fall of Phaeton, late 16th–early 17th century, Pen and brown ink, brown wash, heightened with white (slightly oxidized); brown ink framing lines; incised for transfer, 6 1/2 x 9 15/16 in. (16.5 x 25.3 cm), Drawings, Hendrick Goltzius

The Fabulous Creature Buraq, ca. 1660–80, Attributed to India, Deccan, probably Golconda, Opaque watercolor and gold on paper, OveralL. 14 5/8 x 10 3/4in. (37.1 x 27.3cm), Codices, Buraq, the beast on which Muhammad is said to have made

Drawings and Prints, Album Print Ornament & Architecture, Targhe ed altri ornati di varie e capricciose invenzioni (Cartouches and other ornaments of various and capricious invention, page 28), Artist, Publisher, After, Georges Reverdy, Jacob

Ornamented Metal Doorplate, second half 19th century, Ink on tracing paper, sheet: 8 5/16 x 3 15/16 in. (21.1 x 10 cm), Anonymous, British, 19th century

Drawings and Prints, Print Poster, Sunset Magazine: May, Artist, Henry Patrick Raleigh, American, Portland, Oregon 1880–1944 New York, Raleigh, Henry Patrick, American, 1880, 1944, 1902

Cabinet Design, 19th century, Graphite and watercolor on tracing paper, sheet: 5 13/16 x 7 1/16 in. (14.7 x 17.9 cm), Anonymous, British, 19th century

A Path in the 'Haagse Bos', The Hague, mid 17th century, Pen and brown ink, brown wash; framing lines in pen and brown ink, sheet: 3 7/8 x 5 7/8 in. (9.9 x 14.9 cm), Drawings, Jan de Bisschop (Dutch, Amsterdam 1628–1671 The Hague

The Company of Saints in Glory, 1772, Brownish-red chalk, over traces of black chalk, lightly squared in black chalk., 10 1/4 x 5 11/16 in. (26.1 x 14.5 cm), Drawings, Charles Nicolas Cochin II (French, Paris 1715–1790 Paris

Four Saints (recto); Two Saints, Seated Madonna, and Kneeling Figure (verso), 14th century, Pen and brown ink, highlighted with white gouache, sheet: 10 1/2 x 7 13/16 in. (26.6 x 19.8 cm), Drawings, Anonymous, Italian, Umbrian, 14th

Héloise, 1863, Albumen silver print from glass negative, Image: 7 9/16 × 9 1/4 in. (19.2 × 23.5 cm), Photographs, André-Adolphe-Eugène Disdéri (French, Paris 1819–1889 Paris

Snuffbox, 1762–68, French, Paris, Gold, enamel, Overall (confirmed): H. 1 7/16 x W. 2 3/4 x D. 2 in. (3.7 x 7 x 5.1 cm), Metalwork-Gold and Platinum, Whereas the genre scene on the lid, after a composition by François Boucher

Embroidered cross from an Omophorion, late 17th or early 18th century, Ottoman, Silk and metal thread embroidery on a foundation of silk satin backed with linen plain weave, 10 × 10 1/2 in. (25.4 × 26.7 cm), Textiles-Embroidered, Formed as

Drawings and Prints, Book Prints Ornament & Architecture, New Modelbüch allen Nägerin u. Sydenstickern (Page 9r), Designer, Publisher, Hans Hoffman, Jacob Frölich, German, active Strasbourg, 1556, Strassburg, Hoffman, Hans, Frölich,

The First Book of Architecture, 1721, Illustrations: etching and engraving, 8 1/16 × 6 1/2 × 15/16 in. (20.5 × 16.5 × 2.4 cm

Drawings and Prints, Book Prints Ornament & Architecture, Ein ney Furmbüchlein, Page 5, verso, Publisher, Johann Schönsperger the Younger, German, active 1510–30, Schönsperger, Johann the Younger, German, 1490, 1550, ca. 1525–29

Terracotta figurine in the form of a zoomorphic askos (vessel), Middle Cypriot I, ca. 1900–1800 B.C., Cypriot, Terracotta; hand-made, H. 2 in. (5.1 cm), Vases, Vases, or askoi, were commonly made in this shape. This, however, is a solid

Figure study, graphite, 7-3/8 x 3-3/4 in. (18.7 x 9.5 cm), Drawings, Félicien Rops (Belgian, Namur 1833–1898 Essonnes

Dolphin pendant, Roman Period, 2nd–3rd century, From Egypt, Gold, H. 3.9 × W. 1 cm (1 9/16 × 3/8 in.), The dolphin motif is frequent in Hellenistic and Roman iconography. This hollow element has two loops on the underside at right angles to

Berthe, January 22, 1862–April 1862, Albumen silver print from glass negative, Image: 18.5 × 22.7 cm (7 5/16 × 8 15/16 in.), Photographs, André-Adolphe-Eugène Disdéri (French, Paris 1819–1889 Paris

A Medal Cabinet for Napoleon, 1804–10, Pen and ink and watercolor, 36 7/8 x 21 7/8 in. (93.7 x 55.6 cm), Jean Guillaume Moitte (French, Paris 1746–1810 Paris

Heurteaux. Auguste. 31 ans, né à Paris Xe. Polisseur. Anarchiste. 3/3/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914), Born into a

Munajat (Confidential Talks) of 'Ali ibn Abu-Talib, ca. 1200, Attributed to Iraq, possibly Mosul, Ink, opaque watercolor, and gold on paper; morocco leather binding, H. 6 7/8 (17.4 cm), Codices, The munajat, or “confidential talks, ” of

Buckle Loop and Tongue, 7th century, Byzantine, Silver, Overall: 1 1/16 x 13/16 x 5/16 in. (2.7 x 2 x 0.8 cm), Metalwork-Silver

Neu künstlich Modelbuch (page 11r), 1598

Pashmina Carpet Fragment, first half 17th century, Attributed to Northern India, Silk (warp and weft), pashmina wool (pile); asymmetrically knotted pile, Textile: L. 13 1/2 in. (34.3 cm), Textiles-Rugs, This carpet fragment and the others in

New Modelbüch allen Nägerin u. Sydenstickern (Page 21v), 1556

Disk Brooch, late 7th century, Frankish, Gold sheet with copper alloy backing, and inlays of garnet, glass and calcite, Overall: 2 1/4 x 15/16 in. (5.7 x 2.4 cm), Metalwork-Gold, The dress of Frankish women generally consisted of a tunic,

Belle Plain, Virginia. Lower Wharf, 1864, Albumen silver print from glass negative, Photographs, Timothy H. O'Sullivan (American, born Ireland, 1840–1882), James Gardner (American, born 1832

White cross-lined ware bowl illustrating a man harpooning a hippo, Predynastic, Naqada II, ca. 3650–3500 B.C., From Egypt, Pottery, paint, H: 8.5 cm (3 3/8 in.); diam: 12.7 cm (5 in

Portrait of Eline Marie Heger as a Child, Leaning on a Table, Looking at a Book, 1818, Graphite, pen and brown ink, sheet: 8 3/8 x 5 3/8 in. (21.2 x 13.6 cm), Drawings, Johan Christian Dahl (Norwegian, Bergen 1788–1857 Dresden

Tumbler, 1850–60, Probably made in Pittsburgh, Pennsylvania, United States, American, Pressed glass, H. 3 in. (7.6 cm); Diam. 2 15/16 in. (7.5 cm), Glass, With the development of new formulas and techniques, glass-pressing technology had

Creamer, ca. 1800, Made in Philadelphia, Pennsylvania, United States, American, Silver, Overall: 6 5/8 x 4 7/8 x 2 5/8 in. (16.8 x 12.4 x 6.7 cm); 6 oz. 1 dwt. (187.7 g), Silver, Attributed to Christian Wiltberger (American, Philadelphia,

Terracotta lamp, ca. A.D. 90–200, Roman, Terracotta; mold-made, Overall: 13/16 x 3 5/16 in. (2.1 x 8.4 cm), Terracottas, On discus, locust eating grapes. The lamp was probably made in Syria–Palestine

The Baptism of Christ, 1773, Oil on copper, 22 1/4 × 16 1/2 in. (56.5 × 41.9 cm), Paintings, Nicolás Enríquez (Mexican, 1704–1790), In 1773 Nicolás Enríquez created a set of five paintings for the private devotional use of Juan

Fragmentary marble torso of a man, Classical, ca. 450–400 B.C., Greek, Attic, Marble, Pentelic ?, Overall: 15 1/2 x 22 x 10 1/2 in. (39.4 x 55.9 x 26.7 cm), Stone Sculpture, The elevated shoulder and turned position suggest that the figure

Study of a Kneeling Man; verso: Cropped Study of a Standing Man in a Cloak, 1788–1853, Black and red chalk, sheet: 11 1/2 x 9 7/16 in. (29.2 x 24 cm), Drawings, Ludwig Ferdinand Schnorr von Carolsfeld (German, Königsberg, Prussia

Golbourn Punt at Seymour, Australia, 1860s, Albumen silver prints, Mount: 8.5 x 17.3 cm (3 3/8 x 6 13/16 in.), Photographs, Unknown

Ceylonese Woman, 1875–79, Albumen silver print from glass negative, Photographs, Julia Margaret Cameron (British (born India), Calcutta 1815–1879 Kalutara, Ceylon

Fete pour la Paix Générale donnée a Paris le 18 Brumaire. Pont et Place de la Concorde., Francesco Piranesi (Italian, Rome 1758–1810 Paris), François Jean Sablet (French, Morges 1745–1819 Nantes), 1801–2

Livre de Moresques, 1546, Woodcut, Overall: 12 x 8 5/16 x 1/4 in. (30.5 x 21.1 x 0.7 cm), Francesco di Pellegrino (Italian, born Florence, died 1552), This book of moresques reproduces designs by the Italian artist Francesco Pellegrino, first

Drawings and Prints, Books Prints Ornament & Architecture, Studio delle virtuose Dame, page 36 (recto), Designer, Publisher, Isabella Catanea Parasole, Antonio Fachetti, Italian, ca. 1565/70–ca. 1625, Rome, Parasole, Isabella Catanea,

Architectural Fantasy: Temple-like Building with Colonnades, a Monumental Staircase, and a Burnt Offering (Sacrifice) in the Foreground, 18th century, Pen and black ink, brush and gray wash, over traces of graphite?, on light tan laid paper,

Design for the Title Page of 'Acta Germanica', late 17th–early 18th century, Pen and brown ink, brush and grey wash, over a sketch in red chalk., sheet: 7 5/8 x 5 7/8 in. (19.4 x 14.9 cm), Drawings, Jan Goeree (Dutch, Middelburg 1670–1731

Circular Dish with Dragon, Trigrams, and the Character for Longevity (Shou), Ming dynasty (1368–1644), Jiajing period (1522–66), 1522–1566, China, Carved polychrome lacquer, H. 1 5/16 in. (3.3 cm); Diam. 6 1/2 in. (16.5 cm), Lacquer

Drawings and Prints, Books Prints Ornament & Architecture, New Modelbüch (Page 49r), Designer, Printer, Andreas Bretschneider, Henning Gross the younger, German, Dresden ca. 1578–ca. 1640 Leipzig, Bretschneider, Andreas, Gross, Henning

Drawings and Prints, Album Prints Ornament & Architecture, Livre de Tables de Diverses Formes, Designer, Etcher, Publisher, Jean Bernard Toro, de Rochefort, Jacques-Nicolas Le Pas Dubuisson, French, Dijon 1672–1731 Toulon, French,

The Paying-out Machinery in the Stern of the Great Eastern, 1865, Watercolor over graphite with touches of gouache, Sheet: 6 3/4 × 10 1/2 in. (17.2 × 26.7 cm), Drawings, Robert Charles Dudley (British, 1826–1909), One of the 19th century's

Textile swatch to accompany letter, early 19th century, French, No dimensions recorded., Textiles-Archives

Shōrinji Temple, Edo period (1615–1868), 1817, Japan, Hanging scroll; ink and color on paper, Image: 70 1/8 x 35 5/8 in. (178.1 x 90.5 cm), Paintings, Okada Beisanjin (Japanese, 1744–1820), By fancifully reinterpreting this Zen temple

Head of Pope Urban VIII (Maffeo Vincenzo Barberini) (recto); An Outstretched Arm (verso), 1669–70, Black chalk, highlighted with white chalk, on light brown paper (recto); black chalk (verso), 15-3/4 x 9-5/8 in. (40.0 x 24.5 cm), Drawings,

Holy Family, 17th century, Black chalk. Composition outlined in black chalk along left and bottom. On off-white paper, 1-7/16 x 1-1/4 in. (3.6 x 3.2 cm), Drawings, Anonymous, Spanish, School of Seville, 17th century

Decanter, 1850–70, Pressed glass, H. 11 5/8 in. (29.5 cm), Glass

Drawings and Prints, Book Ornament & Architecture, Livre de Moresques, title page (verso), Artist, Publisher, Previously published by, Published by, Cornelis Bos, Hiérosme de Gormont, Netherlandish, Hertogenbosch ca. 1510?–before 1566

Designs for borders and corners, acanthus, 1830–1904, Ink, graphite, Robert William Hume (British, London 1816–1904 Long Island City

Leleu. Victor, Louis. 29 ans, né le 19/10/64 à Arras (Pas-de-Calais). Anarchiste. 9/1/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French,

[Snow Crystal], 1890s–1920s, Gelatin silver print, Image: 2 13/16 × 2 7/8 in. (7.1 × 7.3 cm), Photographs, Wilson Alwyn Bentley (American, 1865–1931

Christ Falling under the Cross, 1782, Red chalk, framing lines in pen and brown ink, 4 5/8 x 8 9/16 in. (11.8 x 21.8 cm), Drawings, Charles Nicolas Cochin II (French, Paris 1715–1790 Paris

Tureen with Landscape, Edo period (1615–1868), late 17th century, Japan, Porcelain painted with cobalt blue under transparent glaze (Hizen ware; Kakiemon type), Diam. 10 in. (25.4 cm), Ceramics, This large tureen is a piece of export

City Point, Virginia, 1861–65, Albumen silver print from glass negative, Photographs, Andrew Joseph Russell (American, 1830–1902

Carriage Design, 17th–18th century, Pen and brown ink, brush and gray wash over lead point, sheet: 12 3/8 x 8 9/16 in. (31.4 x 21.8 cm), Drawings, Anonymous, Italian, 17th or 18th century

Ornamento delle belle & virtuose donne, page 14 (recto), 1554, Woodcut, Overall: 7 1/2 x 5 7/8 in. (19 x 15 cm), Published by Matteo Pagano, Italian, 1515-1588, Venice, bound by Lloyd, Wallis & Lloyd, British, active London after 1821.

Millet and Sparrows, 粟に燕図, Muromachi period (1392–1573), mid-16th century, Japan, Hanging scroll; ink on paper, Image: 39 9/16 × 17 5/8 in. (100.5 × 44.8 cm), Paintings, Geiai (active mid-16th century), The everyday sight of

Dejernier (ou Degernier). Edouard. 45 ans, né à Gand (Belgique). Tailleur d'habits. Anarchiste. 8/3/94. , 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon

Joseph Sold by His Brothers into Egypt, 1574, Pen and black ink., 13 7/8 x 10 1/8 in. (35.2 x 25.7 cm), Drawings, Daniel Lindtmayer (Swiss, Schaffhausen 1552–1606/1607 Lucerne

Panel from a Door or Minbar, late 8th–first half 9th century, Made in Iraq, Wood (pine); carved, H. 70 3/4 in. (179.7 cm), Wood, Probably from a door or a minbar (mosque pulpit), this carved teak panel is composed of two boards at the sides

Figure of Guanyin, late Ming (1368–1644)–early Qing (1644–1911) dynasty, 17th century, China, Porcelain with clear glaze, H. 16 1/4 in. (41.3 cm), Ceramics

Spechio di pensieri delle belle et Virtudiose donne, page 10 (verso), 1546, Woodcut, Overall: 8 1/16 x 5 7/8 in. (20.5 x 15 cm), Published by Matteo Pagano, Italian, 1515-1588, Venice. From top bottom, and left to right: Design composed of

Transverse Section of the Small Theater at the Palace of Caserta, with a View of a Stage Design, 1700–1773, Pen and black-gray ink, brush and gray wash, over freehand underdrawing in graphite (figures) and traces of compass and ruled

Partial View of an Architectural Interior (recto); Undecipherable Sketches (verso), 1700–1780, Pen and brown ink, brush and gray wash, heightened with dark brown ink over traces of graphite. Framing outlines in brush and gray wash (recto).

Apothecary Jar, ca. 1750, Made in Mexico, Mexican, Tin-glazed earthenware, H. 9 1/4 in. (23.5 cm), Ceramics

[Plasterer in Oilskin Hat], 1850s–1860s, Ambrotype, Image: 11.7 x 8.8 cm (4 5/8 x 3 7/16 in.), Photographs, Unknown (American