Images at Librifly

The Mirror of Venus, ca. 1890, Watercolor and gouache, sheet: 13 15/16 x 10 in. (35.4 x 25.4 cm), Drawings, Walter Crane (British, Liverpool 1845–1915 Horsham

Drawings and Prints, Books Prints Ornament & Architecture, Lucidario di Recami, page 13 (verso), Designer, Publisher, Iseppo Foresto, Jeronimo Calepino, Italian, active Venice, 1557, 1564, Foresto, Iseppo, Calepino, Italian, 1520,

Half of a Cartouche with Monsters, 18th century, Pen and brown ink with brush and brown wash with black chalk underdrawing, 9 15/16 x 6 7/8in. (25.3 x 17.5cm), Attributed to Quentin Pierre Chedel (French, Châlons-en-Champagne 1705–1763

[President Abraham Lincoln, Major General John A. McClernand (right), and E. J. Allen (Allan Pinkerton, left), Chief of the Secret Service of the United States, at Secret Service Department, Headquarters Army of the Potomac, near Antietam,

Dandoûr, Nubie, 1851, Salted paper print from paper negative, Image: 23.9 × 31.1 cm (9 7/16 × 12 1/4 in.), Photographs, Félix Teynard (French, 1817–1892

Oeuvres de Jean Racine, 1801, Printed book with engraved illustrations, Overall: 19 11/16 x 13 3/4 x 2 3/4 in. (50 x 35 x 7 cm), Books, This is the second volume of Didot's three-volume The Works of Racine. In his preface to the books, Didot

Bolognese Peasant Girl with a Distaff, 1755, Pen and black ink, brush and gray wash, over traces of graphite., 7 15/16 x 5 3/8 in. (20.2 x 13.6 cm), Drawings, Jean-Baptiste Greuze (French, Tournus 1725–1805 Paris

Tennevin. Alexandre. 48 ans, né à Paris. Comptable. Anarchiste. 19/3/94., 1894, Albumen silver print from glass negative, 10.5 x 7 x 0.5 cm (4 1/8 x 2 3/4 x 3/16 in.) each, Photographs, Alphonse Bertillon (French, 1853–1914), Born into a

Illustration for 'L'oiseau de Feu' [Tsarevich Ivan on the Horse with the Golden Mane of Tsar Afron], ca. 1925, Gouache, metallic inks, and black ink, heightened with white, over graphite., Image: 10 7/8 x 8 3/16 in. (27.6 x 20.8 cm),

Limestone bust of a flute-player, Cypro-Archaic II, ca. 575–550 B.C., Cypriot, Limestone, Overall: 15 3/4 × 13 3/4 × 8 3/4 in. (40 × 34.9 × 22.2 cm), Stone Sculpture, Representations of flute players are found in both sanctuaries and

The Drawing Lesson, 1780–1827, Charcoal over chalk, sheet: 7 3/8 x 7 15/16 in. (18.7 x 20.2 cm), Drawings, Thomas Rowlandson (British, London 1757–1827 London

Portrait of Cavaliere Pompeo Batoni, n.d., Brush and brown wash with a graphite underdrawing., 6 3/4 x 4 9/16in. (17.2 x 11.6cm), Drawings, Jean-Baptiste-François Bosio (French, Monaco 1764–1827 Paris

Son of the Tunisian Ambassador, 1780, Watercolor over graphite, sheet: 11 3/4 x 8 1/2 in. (29.8 x 21.6 cm), Drawings, Ozias Humphrey (British, Honiton, Devon 1742–1810 London

Belt, ca. 1700, Hungarian, Transylvania, Gilded silver, beryls, garnets, Overall: 30 1/8 in. (76.5 cm), Metalwork-Silver, This belt consists of eighteen hinged segments and a larger rectangular section with a round plaque in the center.

Candlestick Base, late 13th–14th century, From Syria or Iraq, Brass; engraved and inlaid with silver, H. 6 9/16 in. (16.7 cm), Metal

Drawings and Prints, Books Prints Ornament & Archiecture, Fiori di Ricami Nuovamente Posti in Luce, page 16 (recto), Designer, Publisher, Matteo Florimi, Francesco de' Franceschi, Italian, active Siena, ca. 1581–died 1613, Italian,

Coin, dated A.H. 1028/A.D. 1619, Made in India, Agra, Gold, Diam. 7/8 in. (2.2 cm), Coins, This coin bears a Taurus symbol, but it was not created for talismanic purposes. This sign instead corresponds to the month in which it was minted. In

A Night Scene. The Cable Entangled and Nearly Broken, July 18th, 1866, 1865–66, Watercolor over graphite with touches of gouache, Sheet: 8 x 10 1/4 in. (20.3 x 26 cm), Drawings, Robert Charles Dudley (British, 1826–1909), One of the 19th

Seated Woman in Corset and Boots, 1918, Crayon on paper, 19 3/4 x 12 7/8 in. (50.2 x 32.7 cm), Drawings, Egon Schiele (Austrian, Tulln 1890–1918 Vienna

Essempio di recammi, page 14 (verso), 1530, Woodcut, Overall: 7 13/16 x 6 3/16 x 3/8 in. (19.8 x 15.7 x 1 cm), Written by Giovanni Antonio Tagliente, Italian, Venice ca. 1465-1527 Venice, published by Giovanantonio e i fratelli da Sabbio

Drawings and Prints, Book Prints Ornament & Architecture, Trionfo Di Virtu. Libro Novo..., page 14 (recto), Publisher, Matteo Pagano, Italian, 1515–1588, Venice, Pagano, Matteo, Italian, 1515, 1588, 1563

Waterfall at Terni, 1826, Oil on paper, laid down on wood, 10 1/2 x 12 1/8 in. (26.7 x 30.8 cm), Paintings, Camille Corot (French, Paris 1796–1875 Paris), Painters visited Rome and the surrounding countryside to record the natural beauty of

Mold for a Poppy Petal Pendant, New Kingdom, Amarna Period, Dynasty 18, ca. 1353–1336 B.C., From Egypt, Middle Egypt, Amarna (Akhetaten), Town manufactories, Petrie/Carter excavations, 1891–92, Pottery, l. 2.1 cm (13/16 in

Snuff Bottle, Qing dynasty (1644–1911), Qianlong period (1736–95), China, White, green and brown jadeite with amethyst quartz stopper, H. 3 in. (7.6 cm), Snuff Bottles

Illuminated Initial 'C', 1830–62, Watercolor, pen and red and blue ink over graphite with touches of gold, sheet: 14 9/16 x 9 1/8 in. (37 x 23.2 cm), Freeman Gage Delamotte (British, Sandhurst 1813/14–1862 London

Drawings and Prints, Album Print Ornament & Architecture, Page from Album of Ornament Prints from the Fund of Martin Engelbrecht, Artist, Publisher, Artist, Franz Xavier Habermann, Martin Engelbrecht, Jeremias Wachsmuth, Carl Pier, German,

Scenes from the Infancy of Christ, 16th century, Flemish, Silk, linen and metal thread, H. 22 x W. 33 in. (55.88 x 83.82 cm), Textiles-Embroidered

Case (Inrō) with Lotus and Crab (obverse); Lotus and Tadpole (reverse), Meiji period (1868–1912), late 19th century, Japan, Case: powdered gold (maki-e), lead foil, and carved metal on black lacquer; Fastener (ojime): metal with design of

Wheellock Gun, ca. 1610, French, Steel, gold, wood (red beech), silver, brass, L. 43 3/8 in. (110.2 cm); L. of barrel 31 1/4 in. (79.4 cm); Cal. .47 in. (11.9 mm); Diam. of bbl. at muzzle 9/16 in. (14.3 mm); Diam. of bbl. at breech 7/8 in.

A Family Carousing, 17th century, Black chalk, 6 5/16 x 8 13/16 in. (16.1 x 22.4 cm), Drawings, David Teniers the Younger (Flemish, Antwerp 1610–1690 Brussels

Young Man in Broad-Brimmed Hat, Resting His Chin on His Left Hand, ca. 1655, Brush and brown wash, with framing line in pen and brown ink, 8 1/16 x 5 11/16 in. (20.4 x 14.5 cm), Drawings, Gerbrand van den Eeckhout (Dutch, Amsterdam

Castle of San Servando, Toledo, 1906, Oil on canvas, 26 1/4 x 36 1/2 in. (66.7 x 92.7 cm), Paintings, Joaquín Sorolla y Bastida (Spanish, Valencia 1863–1923 Cercedilla), In this landscape, Sorolla depicts the steep, barren hillside that

Fragment, early 16th century, Attributed to Turkey, probably Istanbul, Silk, metal wrapped thread; taqueté (seraser), Textile: H. 14 1/2 in. (36.8 cm), Textiles-Woven, This fragment depicts a rare small-scale version of the design known as

Trial piece with hieroglyphs, New Kingdom, Amarna Period, Dynasty 18, ca. 1353–1336 B.C., From Egypt, Middle Egypt, Amarna (Akhetaten), Sculptors' school in the town, Petrie/Carter excavations, 1891–92, Limestone, h. 13 cm (5 1/8

Bow Brooch, late 6th–early 7th century, Made in Central Italy, Langobardic, Silver-gilt, niello, Overall: 6 3/16 x 3 11/16 x 11/16 in. (15.7 x 9.4 x 1.8 cm), Metalwork-Silver, The menagerie of zoomorphic creatures here, with ribbonlike

Chadar, ca. 1700, Made in India, Cotton and metal thread; tapestry-woven, 118 in. high 66.00 in. wide (299.7 cm high 167.6 cm wide), Textiles-Costumes

Bandits on a Rocky Coast, 1655–60, Oil on canvas, 29 1/2 x 39 3/8 in. (74.9 x 100 cm), Paintings, Salvator Rosa (Italian, Arenella (Naples) 1615–1673 Rome), Neapolitan by birth, Salvator Rosa spent most of his life between Florence and

Frontispiece with Vegetal Medallion and Latin Dedication surrounding a Coat of Arms (Recto); Page of Spanish Writing within Border (Verso), 18th century, Pen and brown ink, brush and bodycolor, on vellum., sheet: 12 5/16 x 8 1/4 in. (31.3 x 21

View of a Courtyard Surrounded by Buildings in Gothic Style with Central Clock Tower, 19th century, Graphite, sheet: 12 1/2 x 17 1/2 in. (31.8 x 44.5 cm), Anonymous, British, 19th century

Drawings and Prints, Books Prints Ornament & Architecture, Spechio di pensieri delle belle et Virtudiose donne, page 8 (recto), Publisher, Matteo Pagano, Italian, 1515–1588, Venice, Pagano, Matteo, Italian, 1515, 1588, 1546

Study for an Engraving of 'Songs in the Opera of Flora', ca. 1737, Pen and black and blue ink with black chalk, 2 7/8 x 3 15/16 in. (7.3 x 10 cm.), Drawings, Hubert François Gravelot (French, Paris 1699–1773 Paris

Marbe relief fragment with centaur and Lapith, Hellenistic, 3rd –2nd century B.C., Greek, Marble, Pentelic, H. 48.5 cm, Stone Sculpture

Vase, Qing dynasty (1644–1911), 18th century, China, Cloisonné enamel, H. 12 1/2 in. (31.8 cm), Cloisonné, The delicate shades of pink found in the lush peonies on the surface of this vase help date the piece to the eighteenth century. The

Scroll flask, 1840–50, Made in Pittsburgh, Pennsylvania, United States, American, Free-blown molded gray glass, H. 6 3/4 in. (17.1 cm), Glass

Cabinet Design with Porcelain Plaques and Red Interior, 19th century, Ink and watercolor, sheet: 5 15/16 x 8 1/8 in. (15.1 x 20.7 cm), Anonymous, British, 19th century

Marble statuette of young Dionysos, Imperial, 1st–2nd century A.D., Roman, Marble, H.: 15 in. (38.1 cm), Stone Sculpture, Adaptation of a Greek statue type of the late 4th century B.C.. The god is nude except for the nebris (fawn skin) worn

明晚期 剔紅金彩梅鵲紋漆盒, Box with plum blossoms and birds, Ming dynasty (1368–1644), early 17th century, China, Carved red lacquer; gilded basketry panels, H. 3 5/8 in. (9.2 cm); W. 5 3/4 in. (14.6 cm); D. 5 3/4 in. (14.6 cm),

Drawings and Prints, Books Prints Ornament & Architecture, Libro quarto. De rechami per elquale se impara in diuersi modi lordine e il modo de recamare...Opera noua, page 8 (recto), Publisher, Alessandro Paganino, Italian, active Salò,

Page of Calligraphy from a Sharafnama (Book of Honour) of Nizami, ca. 1620–30, Attributed to India, Deccan, Golconda, Ink, opaque watercolor, and gold on paper, H. 12 3/8 in. (31.5 cm), Codices

Doctor Gruel, October 3, 1771, Etching, plate: 6 1/4 x 4 1/4 in. (15.8 x 10.8 cm), Prints

House for Henry Whitney, New Haven, Connecticut (revised plan), ca. 1836, Pen and ink, watercolor, graphite, Sheet: 16 15/16 × 12 5/8 in. (43 × 32 cm), Drawings

Design for a Ceiling, 1745–1800, Gray wash over pen and black ink, sheet: 10 1/4 x 5 1/16 in. (26.1 x 12.9 cm), Style of Robert Adam (British, Kirkcaldy, Scotland 1728–1792 London

Terracotta neck-amphora (jar), Archaic, ca. 500 B.C., Greek, Attic, Terracotta; black-figure, H. 7 3/16 in. (18.3 cm), Vases, Obverse, Thanatos (Death) and Hypnos (Sleep) with the body of Sarpedon, Reverse, Eos (Dawn) with the body of her

Sheet of Studies, Including a Roman Head, a Male Figure on a Pyre, and a Colonnade., 1746–99, Pen and black ink on off-white paper, 11-1/8 x 8-1/8 in. (28.3 x 20.6 cm), Drawings, Luis Paret y Alcazar (Spanish, Madrid 1746–1799 Madrid

Figure 15: Mediation, mental concentration, 1854–56, printed 1862, Albumen silver print from glass negative, Image (Oval): 28.3 × 20.3 cm (11 1/8 × 8 in.), Photographs, Guillaume-Benjamin-Amand Duchenne de Boulogne (French, 1806–1875),

Young Woman Seated at a Table, Holding a Candle, late 17th century, Black chalk. Framing line in pen and brown ink, sheet: 10 3/16 x 8 1/8 in. (25.9 x 20.7 cm), Drawings, Godfried Schalcken (Dutch, Made 1643–1706 The Hague

Terracotta kantharos (drinking cup), Late Classical, late 4th century B.C., Etruscan, Terracotta; superposed red, Overall: 5 1/16 x 6 7/8in. (12.9 x 17.4cm); diameter of lip 3 7/8in. (9.9cm); diameter of body 4 5/16in. (10.9cm); diameter of foot

Design for a Church in the Decorated Style, Perspective, 19th century, Pen and ink and graphite, sheet: 14 3/4 x 11 in. (37.5 x 27.9 cm), Anonymous, British, 19th century

Opera Nova Universali intitulata Corona di racammi, page 5 (verso), [1530], Woodcut, Overall: 8 7/8 x 6 7/8 in. (22.5 x 17.5 cm), Published by Giovanni Andrea (called 'Guadagnino') Vavassore, Italian, active 16th century, Venice. From top to

Rue du Gros Horloge, Rouen, early 19th century, Pencil, brown wash, white body color, over black chalk., 16-13/16 x 12-1/4 in. (42.7 x 31.1 cm), Drawings, Wijnand Jan Joseph Nuijen (Dutch, 1813–1839

Drawings and Prints, Books Prints Ornament & Architecture, Prima Parte de' Fiori, e Disegni di varie sorti di Ricami Moderni, page 9 (recto), Author, Publisher, Giovanni Battista Ciotti, Francesco de' Franceschi, Italian, born Siena, ca.

Les Singuliers et Nouveaux Portraicts... page 5 (recto), 1588, Woodcut, Overall: 8 1/16 x 6 5/16 in. (20.5 x 16 cm), Designed by Federic de Vinciolo, published by Jean Le Clerc, Paris, bound by Chambolle-Duru, French, 19th century. From top

Finger Ring, 4th–7th century, Langobardic, Gold, garnet set on a wad of cotton - re-set or restoration, Overall: 7/8 x 1/4 in. (2.3 x 0.7 cm), Metalwork-Gold

Pitcher, ca. 1850, American, Mottled brown earthenware, H. 7 3/16 in. (18.3 cm); Diam. 6 1/2 in. (16.5 cm), Ceramics

Two Figures: Nude Youth on One Knee, Man Standing with Left Foot Raised, 17th century, Red chalk, pen and brown ink on cream paper, 4-7/16 x 6 in. (11.2 x 15.2 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

Opera Nova Universali intitulata Corona di racammi, page 6 (recto), [1530], Woodcut, Overall: 8 7/8 x 6 7/8 in. (22.5 x 17.5 cm), Published by Giovanni Andrea (called 'Guadagnino') Vavassore, Italian, active 16th century, Venice. From top to

Six Studies of a King for an Adoration, 16th century, Pen and ink, brush and brown wash on cream-colored paper, 7 x 6 in. (17.8 x 15.2 cm), Drawings, Anonymous, Italian, Venetian, 16th century

The Baptism of Christ (with Saint John, Without his Cross, in Profile to the Right), ca. 1770–90, Pen and brown ink, gray wash, 8 5/8 x 5 3/4 in. (21.9 x 14.6 cm), Drawings, Giovanni Domenico Tiepolo (Italian, Venice 1727–1804 Venice

Ninsei-style Serving Containers (Mukōzuke), 仁清様式　向付, Meiji period (1868–1912), 1868–1912, Japan, Stoneware with overglaze enamels (Kyoto ware), H. 4 in. (10.2 cm); W. 2 7/8 in. (7.3 cm); D. 2 7/8 in. (7.3 cm), Ceramics

Wrought Metal Foliate Ornament with Grotesque Masks, 1870–90, Graphite, sheet: 4 5/16 x 6 9/16 in. (11 x 16.7 cm), Anonymous, British, 19th century

Design for a Liturgical Object with Statues of a Kneeling Saint and the Risen Christ (recto); Design for a Sepulcher (?) and Drawing of a Putto (verso)., 18th–early 19th century, Pen and brown ink with brown wash, sheet: 8 5/8 x 12 3/4 in. (21.9

Drawings and Prints, Album Print Ornament & Architecture, Diverses Pieces de Serruriers, page 6 (recto), Artist, Artist, After, Hugues Brisville, Jean Berain, Gabriel Ladame, French, born ca. 1633, active Paris 1663, French,

Comb with a pair of ducks, Predynastic, Late Naqada l–Naqada II, ca. 3900–3500 B.C., From Egypt, Elephant ivory, H. 9.3 x W. 5.5 x Th. 0.6 cm (3 11/16 x 2 3/16 x 1/4 in

Palette shaped like a guinea fowl, Predynastic, Naqada II, ca. 3500–3300 B.C., From Egypt, Greywacke, Longest Length (head to tail) 19.3 x H. 14.8 x Th. 0.15 cm (7 5/8 x 5 13/16 in

Design for a window, Madonna and child, late 19th–early 20th century, Made in New York, United States, American, Watercolor, pen and black India ink, and graphite on artist board, 29 15/16 x 21 7/8 in. (76 x 55.6 cm), Drawings, Possibly

The Penitent Thief on the Cross, 1510–61, Pen and brown ink, outlines incised for transfer, 15-11/16 x 10-1/16 in. (39.9 x 25.6 cm), Drawings, Battista Franco (Italian, Venice ca. 1510–1561 Venice

Saint Anthony and the Christ Child Surrounded by Cherubs, 18th century, Pen and black ink, sheet: 6 3/16 x 4 1/4 in. (15.7 x 10.8 cm), Drawings, Martin Johann Schmidt (Austrian, Grafenwörth 1718–1801 Stein

Transports, Tennessee River at Chattanooga, ca. 1864, Albumen silver print from glass negative, Photographs

Sojourner Truth, 'I Sell the Shadow to Support the Substance', 1864, Albumen silver print from glass negative, Image: 8.5 × 5.4 cm (3 3/8 × 2 1/8 in.), Photographs, Unknown (American), Born Isabella Baumfree to a family of slaves in Ulster

Ribband Back Chairs, mid-18th–late 18th century, Pen and black ink, brush and gray wash, sheet: 7 1/2 x 13 3/8 in. (19.1 x 33.9 cm), Thomas Chippendale (British, baptised Otley, West Yorkshire 1718–1779 London

[Three Young Couples Dressed in Finery], 1850s, Daguerreotype, Image: 12.2 x 9 cm (4 13/16 x 3 9/16 in.), Photographs, Unknown (American

Landscape, 17th century, Red chalk, brush and brown wash on cream paper, 8-1/8 x 11-3/8 in. (20.6 x 28.9 cm), Drawings, Anonymous, Italian, Roman-Bolognese, 17th century

Bottle, 1700–1800, Made in United States, American, Free-blown glass, H. 4 1/8 in. (10.5 cm), Glass

Studies for Figural Groups and Ornament (recto); Design for a Baptismal Font (verso), 18th century, Pen and two colors of brown ink on cream paper (recto); pen and brown ink, brush and brown wash, and black chalk (verso), 16-11/16 x 12-3/8 in.

Glass perfume bottle, Mid Imperial, 2nd–3rd century A.D., Roman, Glass; blown, 3 7/8 in. (9.8 cm), Glass, Colorless (?). Rim folded unevenly out, over, and in; cylindrical neck with indent in one side, expanding downward and tooled in

Flower Pot, ca. 1830, Made in Mexico, Mexican, Tin-glazed earthenware, H. 12 1/8 in. (30.8 cm), Ceramics

Design for an Iron Gate, Elevation and Plan, ca. 1880, Pen and ink, wash and watercolor, sheet: 7 1/16 x 4 1/2 in. (18 x 11.4 cm), Attributed to Richardson Ellson & Co. (British

Menat counterpoise for attachment to the missing aegis of a goddess, Third Intermediate Period–Late Period, Dynasty 22–26, ca. 800–525 B.C., From Egypt, Bronze or copper alloy, gold inlay, H. 19.1 cm (7 1/2 in.); W. 9.7 cm (3 13/16 in.);

Allegorical Figure of Force, 18th century, Blue and cream oil paint on paper, 8-7/8 x 12-15/16 in. (22.6 x 32.9 cm), Drawings, Anonymous, Italian, first half of the 18th century

Design for a Lectern, 16th century, Pen and brown ink, brush and brown wash, sheet: 9 5/8 x 5 9/16 in. (24.5 x 14.2 cm), Drawings, Anonymous, Italian, 16th century

Bronze dragon-type fibula, Geometric, 8th century B.C., Villanovan, Bronze, Other: 4 in. (10.2 cm), Bronzes, Dragon-type fibulae are a later variant of the serpentine type

Design for a Box-Lid, 18th century, Black chalk over graphite underdrawing, 1 9/16 x 3 1/4 in. (4 x 8.2 cm.), Drawings, Hubert François Gravelot (French, Paris 1699–1773 Paris

Marble head of a bearded man from a herm, Classical, ca. 450–425 B.C., Greek, Attic, Marble, H. 7 7/16 in. (18.9 cm), Stone Sculpture, Bearded herm heads, which surmounted rectangular pillars, were commonly placed as protectors of

Drawings and Prints, Books, Prints, Ornament & Architecture, La Vera Perfettione del Disegno di varie sorti di recami, page 3 (recto), Publisher, Illustrator, Woodcut of Lucrezia designed by, Giovanni Ostaus, Giuseppe Salviati (Giuseppe

Snuff Bottle with Zhong Kui, the Demon Exorcist, Qing dynasty (1644–1911), early 19th century, China, Porcelain with coral stopper, H. 3 5/8 in. (9.2 cm), Snuff Bottles

Jasper intaglio: Cock-headed anguipes, Late Imperial, 3rd century A.D., Roman, Jasper, Other: 9/16 x 7/16 x 1/8 in. (1.4 x 1.1 x 0.3 cm), Gems

Roundel with Playing at Quintain, ca. 1500, Made in possibly Paris, France, French, Colorless glass, vitreous paint and silver stain, Overall: 8 3/8 in. (21.3 cm), Glass-Stained, Quintain originally was a tilting exercise in which a dummy or

Amulet Box of a Noblewoman, late 19th–early 20th century, Tibet, Gold, beryl, rubies, emeralds, sapphires, and turquoise, H. 4 in. (1.02 cm); W. 4 in. (10.2 cm), Jewelry, Two intersecting squares, symbolizing crossed vajras

Hilly Landscape with River, Bridge and Houses with Two Figures at Left, late 16th–mid 17th century, Pen and brown ink, blue watercolour, 10 3/4 x 16 5/8 in. (27.3 x 42.2 cm), Drawings, Attributed to Joos de Momper the Younger (Netherlandish,

Vase, ca. 1900–1910, Made in Revere, Massachusetts, United States, American, Earthenware, H. 11 1/4 in. (28.6 cm); Diam. 13 15/16 in. (35.4 cm), Ceramics, Grueby Faience Company (1894–ca. 1911), When selecting American-made ceramics for